tag:blogger.com,1999:blog-47536606326406696362024-03-11T21:51:26.964-07:00The Movie Jerks BLOGthemoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.comBlogger268125tag:blogger.com,1999:blog-4753660632640669636.post-81784872615158894292023-06-25T23:24:00.005-07:002023-06-25T23:50:27.525-07:00Pride Month 2023, Movie Reviews finished the 30 films<p>Well... I met my criteria. A film a day. Sure I ended up watching a couple extra films on the weekend, so now I can put this challenge to bed for the year. </p><p>Last year, this challenge of watching Pride films was somewhat a joy. And this year started that way too. However, this year I started seeing too many patterns and reoccurring theme, as well as over used plots. I can say I was happy to see so many horror films, yet when it comes to other genres, there were limited to no titles. I would have liked to see some science fiction, action, or more specifically martial arts film but that may be asking for too much still. What I would like less of are the gay thrillers with abusive partners, less Christian deprogramming camps (depressing as all hell), and less period pieces with two uniformed working lovers having to keep their love a secret (I believe every country has made this film now), and less written, directed and performed by the same person who's only bit of characterization is that everyone loves them and they are gay (stop making those movies!). </p><p>When I looked at my list of films I had remaining to watch, I had 4 more Jesus Camp deprogramming films, 3 other period pieces (one with firemen, two with soldiers), and 4 more gay/coms where the main character films his adventures dating other men. And I decided I had done my duty and finished early this year. Thankfully films made for, by, and about the <span face=""Google Sans", arial, sans-serif" style="background-color: white; color: #202124;">LGTBQIA2S+ community are becoming more common ground now, so my selection should be pretty wide for next year. In fact, they are becoming so much more common that there's not much emphasis on selling the film to only the LGTBQIA2S+ communities. So that is a promising change shift that makes me happy to see. :-) </span></p><p><span face=""Google Sans", arial, sans-serif" style="background-color: white; color: #202124;">That all being said, here's short reviews of the rest of the films I watched this year for Pride Month. </span></p><p> </p><p class="MsoNormal" style="text-align: center;"><b>Day 13<o:p></o:p></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: x-large;">Anything’s Possible</span></b><o:p></o:p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_P4KUPoRPls3lemtDDPecq2HuonO76UK8DD7M8XrA0ygABJmepLgIa9aXkvLmDBvcdUm5c_t6-r2uDTTHMD6ApAIAAIgfQaiYMvfi3kqpvrYZzHEbLqyglOWVTTnRKtTx2iWsmONN09DBPcZ9-8pa_7VrHKEIAUrab2-F2MpRxuRXLTURtUXdzCrjeAak/s2880/MV5BNDVkMjRkMGItNzBmNi00OTlhLTlkNGItNTRiMDc2ZGNhMTJjXkEyXkFqcGdeQXVyMTMzNDE5NDM2._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2880" data-original-width="1944" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_P4KUPoRPls3lemtDDPecq2HuonO76UK8DD7M8XrA0ygABJmepLgIa9aXkvLmDBvcdUm5c_t6-r2uDTTHMD6ApAIAAIgfQaiYMvfi3kqpvrYZzHEbLqyglOWVTTnRKtTx2iWsmONN09DBPcZ9-8pa_7VrHKEIAUrab2-F2MpRxuRXLTURtUXdzCrjeAak/s320/MV5BNDVkMjRkMGItNzBmNi00OTlhLTlkNGItNTRiMDc2ZGNhMTJjXkEyXkFqcGdeQXVyMTMzNDE5NDM2._V1_.jpg" width="216" /></a></div><p class="MsoNormal" style="text-align: center;"><br /></p>
<p class="MsoNormal">Cute rom/com about a trans high schooler who has caught the
eye and attraction of an artist who her friend has a crush on. When the two-start
dating it causes all sort of havoc among their friends and their schoolmates.<br />
"Anything's Possible" has a commendable script, that tackles a lot of
important issues and displays an adorable romance. The two leads have great
chemistry and the film's strongest suits are the scenes they are together. The
film however changes gears too quickly near the end, when the film's conflict
starts becoming serious, and we get a couple heart to heart speeches, a villain
who suddenly changes their whole character all the sudden with no explanation,
and suddenly everything appears to be back in order again. The last 30 minutes
rush through a lot of themes, topics, and messages as if they are playing bingo
with subject matters they feel need to be addressed before it concludes. The
first hour is a nice romance with likeable characters. Small details, like our
handsome, cool, and collected, artist tripping while walking up some up porch
steps then looking around to see if anyone saw him, makes is tiny gestures that
give the characters personalities. The two display such innocent bashfulness
and insecurity, that it's easy to be swept up by their relationship. And I wish
it would have had the confidence to stick to that, instead of becoming thick
with plot devices and rom/com clichés. By the end, this felt like a Hallmark
film rather than a unique and original romance.<br />
This is still a nice pleasant watch, even if the last third gets a bit convoluted.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b>Day 14 </b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: x-large;">Pride</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiemVyyGM30i7-72Jt_OJ5cgl40nVWNilsvQfOxyknBn2O3l6O0CBL-dg2wPzSkt0GqRiPeXgwJ2IUrHVblNjBtPqRairFz1M7cNgCwXOnVTgxSfuW2Hw2lIX6--PC5UnZAtDpCw4tpQyuOUPbdO6RZwWqX8DPFtRt4tHYruMmvdlEtKVX0r3qF5y3pcUnl/s1768/MV5BMzA0OWRjMmQtYjMwMC00MzA0LTgxODctZmNlOTY3NzY4MWFlXkEyXkFqcGdeQXVyODc0OTEyNDU@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1768" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiemVyyGM30i7-72Jt_OJ5cgl40nVWNilsvQfOxyknBn2O3l6O0CBL-dg2wPzSkt0GqRiPeXgwJ2IUrHVblNjBtPqRairFz1M7cNgCwXOnVTgxSfuW2Hw2lIX6--PC5UnZAtDpCw4tpQyuOUPbdO6RZwWqX8DPFtRt4tHYruMmvdlEtKVX0r3qF5y3pcUnl/s320/MV5BMzA0OWRjMmQtYjMwMC00MzA0LTgxODctZmNlOTY3NzY4MWFlXkEyXkFqcGdeQXVyODc0OTEyNDU@._V1_.jpg" width="217" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Absolute charmer with a sensational cast, Imelda Staunton,
Bill Nye, Paddy Considine, Dominic West, George MacKay, just to name a few,
with a bunch of great cameos to top it off. Great story told with some
emotional twists and turns that's build to be a great crowd pleaser.<br />
There's much care and attention given to every character, major or minor. This
does follow a familiar melodrama formula, yet when the ingredients are at this level of
quality, blended with impeccable timing, the formula is most certainly welcome.<br />
One of the big emotional impacts at the ending, might have been overstepped
with some poor timing, as it felt like the film was rushing during the final
scene. However, this doesn't hurt the rest of the fine humor, loving characters,
and historical significance of this tale.<o:p></o:p></p><p class="MsoNormal">"Pride" is a fun watch. </p><p class="MsoNormal"><br /></p>
<p class="MsoNormal" style="text-align: center;"><b>Day 15 <o:p></o:p></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: x-large;">Great Freedom</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM1fluCRkdIqq94G8F5doTzgLV9A-vQtexpDfazUMExxf-4-Zhw3czhoL_1-gxNt0YTFRiDynsGDfRX-wqw_FBe3eOa9CpcVOUE3M0bZuQ9T9H3aXfruKNhuwfsaR3-RVUk744g-qzZfgI0cStOw6oB76sTsO144h2LsTAASybVBR0rVEwBO7tngM0a8Hw/s1430/Great-Freedom-poster.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1430" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM1fluCRkdIqq94G8F5doTzgLV9A-vQtexpDfazUMExxf-4-Zhw3czhoL_1-gxNt0YTFRiDynsGDfRX-wqw_FBe3eOa9CpcVOUE3M0bZuQ9T9H3aXfruKNhuwfsaR3-RVUk744g-qzZfgI0cStOw6oB76sTsO144h2LsTAASybVBR0rVEwBO7tngM0a8Hw/s320/Great-Freedom-poster.webp" width="224" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p>
<p class="MsoNormal">"Great Freedom" follows the continual imprisonment
of Hans Hallman in post war Germany when homosexual acts were treated as
criminal acts. Franz Rogowski delivers one impressive, physical and emotional,
portrait of Hans, as he seeks love, acceptance, and a place in this world
despite his continual confinements. This is a period piece showing the lives of gay men and their imprisonment during post war times, so spoiler alert... this is not going to be an uplifting flick. <br />
The film is told with a non-linear timeline, which works with some of the
metaphors, reoccurring themes and callbacks. However, considering his physical
and mental breakdowns, how he changes throughout his years, the film could have
been more effective seeing his tale told in chronological order. I kept
wondering why the film chose to tell it in the order it's told, as I couldn't
catch or figure out this methods purpose. Thankfully, Rogowski's performance is to tight, consistent, and effortless that he helps guide you through his levels of anguish throughout his journey. <br />
Despite the odd timeline, "Great Freedom" is a strong and often hard
to watch tale of a man struggle during a cruel time in history delivering
plenty of darkness, metaphorically and literally.<br />
Superb character study. It's depressing, moody, and emotionally
heartbreaking... as it should be.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b>Day 16<o:p></o:p></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: x-large;">Freeheld</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaaBX7_51oAd1DAUvnTnn8q6t-aAtuNSOPp8c9E2Cfitfb0QeDoaD6uuR46IFwcF9xn69iaeX6IcoFSvvRv1cTHkM_J0lOk4n0-_HOOfcivTK99i8jRpfvvs31tFIHF08P5EXu8fP9ayZWkCFPHqqPFCoO0z1dV23j6NEqEWMsZIdveCsSgLwEEY7jT_FE/s1482/MV5BMzM5NTg3NjU1MV5BMl5BanBnXkFtZTgwNzAwMjA3NjE@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1482" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaaBX7_51oAd1DAUvnTnn8q6t-aAtuNSOPp8c9E2Cfitfb0QeDoaD6uuR46IFwcF9xn69iaeX6IcoFSvvRv1cTHkM_J0lOk4n0-_HOOfcivTK99i8jRpfvvs31tFIHF08P5EXu8fP9ayZWkCFPHqqPFCoO0z1dV23j6NEqEWMsZIdveCsSgLwEEY7jT_FE/s320/MV5BMzM5NTg3NjU1MV5BMl5BanBnXkFtZTgwNzAwMjA3NjE@._V1_FMjpg_UX1000_.jpg" width="216" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p>
<p class="MsoNormal">Cop struggling with cancer fights the system to get her same
sex partner her pension if she passes on. The true story of two lovers fighting
for their rights to have the same rights as everyone else, is an important
story being told with a lot of heart, with an all-star cast who appear to care
deeply about the subject matter. The feature film is based off the documentary short, which I would also recommend viewing. <br />
And then there's Steve Carell who appears to be acting in a different film. His
presence is jarring, yet it does give a bit of a release from the heavy subject matter. But on the second hand, it nearly feels disrespectful walking a
fine line between camp and caricature.<br />
That all being said, it's easy to root for our two protagonists. Julianne Moore
and Eliot Page start off awkward like it would be expected for most beginning
relationships, however this feels true to their performances. However, as the
film gets deeper into their story, their relationship feels more authentic and
genuine, causing the gut punch emotional ending to hit harder than I was
expecting. I was happy to see Moore and Page bringing their talents back into
another film.<br />
It's not perfect, with some generic cinematography, some standard safe
dialogue, and a few cliches that I have a hard time believing came from the real-life
story. The film is on the level of a made for tv film, rather than a cinematic event, as this story deserves. But this doesn't mean it didn't break me to tears again, like the documentary did. I still enjoyed this, only wish it was in the hands of a stronger
director.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b>Day 17<o:p></o:p></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: x-large;">Death Drop Gorgeous</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiz436FF3PnMLEe4wfLeJ-lPgdiRZi6R5R2etQOxEGUIPb9_Z816KZDUxNGWCwfZTWzh4Kyu1YAnbzTk_8K2pJTpmnyqVwIWFp2SQaO-n5yrGntmD_upTepBcu3duYtu3cZt3BBmCI1I1HPAfLq0NY6rU4ePfhri9wPqVIjG1rCqN0N4nJIm9n4YZ3lo1-0/s3000/MV5BNmMwYzEwOGQtMzc2My00NWUyLWFlMGItYWI4ZWVhMGJmM2ZkXkEyXkFqcGdeQXVyMTI0MzExNTAx._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="2025" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiz436FF3PnMLEe4wfLeJ-lPgdiRZi6R5R2etQOxEGUIPb9_Z816KZDUxNGWCwfZTWzh4Kyu1YAnbzTk_8K2pJTpmnyqVwIWFp2SQaO-n5yrGntmD_upTepBcu3duYtu3cZt3BBmCI1I1HPAfLq0NY6rU4ePfhri9wPqVIjG1rCqN0N4nJIm9n4YZ3lo1-0/s320/MV5BNmMwYzEwOGQtMzc2My00NWUyLWFlMGItYWI4ZWVhMGJmM2ZkXkEyXkFqcGdeQXVyMTI0MzExNTAx._V1_.jpg" width="216" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p>
<p class="MsoNormal">I can see how people might like this. It's proudly trashy,
gory, and campy enough to win over audiences. I am usually all on board for all those descriptions, however this film is pretty mediocre in all departments. There's a couple of the drag queens showing some good screen presence; however, the rest of the cast might be good live, but
don't offer much to this film's comedy. Yes, there's a few actors that are so
bad, they ironically start becoming entertaining. <br />
As a whole, there's plenty of throw away scenes, dull patches, and some
unpolished scenes. I like that it becomes a full fledge horror film by the end,
but this suffers from its low budget and amateur filmmaking. Gore fans will at least be happy that the film doesn't hold back from graphic murders with plenty of blood spray and dismemberments, yet for others, you won't be missing anything here. <o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b>Day 18<o:p></o:p></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: x-large;">The Miseducation of Cameron Post</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj54vA1AIBHNh1MctRJ1OeRl6ep6DNLX63g8q_DiRmbC-cBaxWdSi59q3I6nflSPw9nQ-MkJTpBEJepJNkprEEGkx_KHKHClcpIEaiZxACVTZYhFhV80868mCDnnIj5fu3Mq-HrlK2Ddk3Y8TxTM2q4UlwijJgKhhWZHu6c_V1zkxeuMVaQ0yN74uHbZ55j/s1920/MV5BNGI5ZDlkN2EtNTY5NC00ZDdjLTkzODktNzkwOGMwODcxZTI4XkEyXkFqcGdeQXVyMTMxODk2OTU@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1920" data-original-width="1279" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj54vA1AIBHNh1MctRJ1OeRl6ep6DNLX63g8q_DiRmbC-cBaxWdSi59q3I6nflSPw9nQ-MkJTpBEJepJNkprEEGkx_KHKHClcpIEaiZxACVTZYhFhV80868mCDnnIj5fu3Mq-HrlK2Ddk3Y8TxTM2q4UlwijJgKhhWZHu6c_V1zkxeuMVaQ0yN74uHbZ55j/s320/MV5BNGI5ZDlkN2EtNTY5NC00ZDdjLTkzODktNzkwOGMwODcxZTI4XkEyXkFqcGdeQXVyMTMxODk2OTU@._V1_.jpg" width="213" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p>
<p class="MsoNormal">Solid acting all around helps make this mild look into a
deprogramming service repenting the attraction to the same sex in teens. Chloë
Grace Moretz is a standout, as the main protagonist, showing her range and
strong screen presence from beginning to end.<br />
Like many other films of the same topic, this one tackle all the same tragedies with all the same predicable steps expected from such a facility. Only this film takes
on a mild and less accusation interpretation on this type of Christian
deprogramming. Instead of pointing fingers and drawing a line between right and
wrong, this film shows the facility workers as tragic characters in their own
lives too. There's a comical edge, not pointing fingers and laughing at the
characters involved, but still showing a lighter side to the awkward and
misguided beliefs they try to uphold. Most of the characters are clichés at
this point. We know which characters are going to crack, which ones are too
religious, and which ones will rebel against the system. Thankfully the cast
brings out more character in their persona's than what is written on the page. <br />
Predictable, slow, and not as punchy as I might have hoped this topic could
have been (and has been in other films), "The Miseducation of Cameron
Post" feels more like a reminiscent of past events film rather than a film
that has voice on the subject.<br />
It's a fine watch but won't be one that I would ever return to.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b>Day 19<o:p></o:p></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: x-large;">A Stormy Night</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNWiQ1sfdiZBgkcrkphhhqCWoMoWp6vw2yrCrIHVWMkLlKbctqPRM2ZMyl3WxXY9IikUzab3ToFIfMxKh8EEfTL6DPNXjY8tNU41UmqXJ6kQSI_6V4pfIgW4Xf3ho-BLyNcbVMNOZQ2PgyOVqOI7ehI0mfTiz8Q84p11I8s8ECHCwQQbJJZ5TSRCMNaSHg/s1000/MV5BMDdjZmMwY2EtZTAwZi00MTIwLThjNWQtMDYwYjY5Y2UxMDljXkEyXkFqcGdeQXVyMTA0MjU0Ng@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="750" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNWiQ1sfdiZBgkcrkphhhqCWoMoWp6vw2yrCrIHVWMkLlKbctqPRM2ZMyl3WxXY9IikUzab3ToFIfMxKh8EEfTL6DPNXjY8tNU41UmqXJ6kQSI_6V4pfIgW4Xf3ho-BLyNcbVMNOZQ2PgyOVqOI7ehI0mfTiz8Q84p11I8s8ECHCwQQbJJZ5TSRCMNaSHg/s320/MV5BMDdjZmMwY2EtZTAwZi00MTIwLThjNWQtMDYwYjY5Y2UxMDljXkEyXkFqcGdeQXVyMTA0MjU0Ng@@._V1_.jpg" width="240" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p>
<p class="MsoNormal">I do enjoy a film that is practically all dialogue... when
the dialogue is good. </p><p class="MsoNormal">"A Stormy Night" takes place for one night as
two gay men meet for the first time while sharing the same space during a
stormy night. One is a director of documentaries and the other is a computer
programmer who's working on an App for gay men to attend events and not be
worried about being gay in public.<br />
Both men have their own relationship hang ups, yet the film wishes to set up a
romantic night with these two... and it's never convincing or interesting. The
film has several monologues that resemble the corniest of first draft script
writing and they are also not delivered all that well either. Both performers don't exhibit any performance skills to make anything out these pretentious monologues, making this 76 minute talky drag out time. I found myself breaking in the middle of one of the meaningless vocal quandaries and saying, "Shut up! For the love of Pete, please shut up!" <br />
The film is shot in black and white; I believe in attempt to feel like an old-fashioned
art-house romance. The black and white appearance is pleasant to look at, yet
the cinematography doesn't have many visuals that are memorable or stylish
enough to deliver some character to the film. It's not as classy as I believe
it thinks it is. Nor does the film have anything profound or interesting to say
about homosexual relationships.<br />
Amateur filming attempting to be something more profound, without delivering
anything profound to justify the run time.<o:p></o:p></p><p class="MsoNormal">Oh is one of the performers also the writer and director too, you ask? Is it the same character that is making a documentary about all the men he is sleeping with and dating? Yes. Yes he is. </p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b>Day 20<o:p></o:p></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: x-large;">Last Ferry</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAZhatZnT54_g2KY-wNXVXwytBEvgF-DASL1_HWl8bHkwCym_N3O0IoHZQVqCjUrmtkTSbL4jLXTF2NLpVISwqdqc-igMN3o8H8JXJgusUyMZFjJohloqmAI9MfnVdOO59TEIKrZXy6hKU8wzpda5VrmMuoNehMNziuGVs8DJO3U3ZmoqL0cgt6N-afK4g/s1500/tnybnxDBl62DluXQWQA45fj5JYX.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAZhatZnT54_g2KY-wNXVXwytBEvgF-DASL1_HWl8bHkwCym_N3O0IoHZQVqCjUrmtkTSbL4jLXTF2NLpVISwqdqc-igMN3o8H8JXJgusUyMZFjJohloqmAI9MfnVdOO59TEIKrZXy6hKU8wzpda5VrmMuoNehMNziuGVs8DJO3U3ZmoqL0cgt6N-afK4g/s320/tnybnxDBl62DluXQWQA45fj5JYX.jpg" width="213" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p>
<p class="MsoNormal">Another film that's setting is Fire Island, again during the
off season (this is also another trend that I am starting to run into). </p><p class="MsoNormal">A lawyer, shy, lonely, and questioning his life choices, heads to
Fire Island before the party season gets started. He makes the mistake and
trusts the wrong person, leaving him in a vulnerable state that brings him to
meet up with a small group that except him in as one of their own... and
something sinister is already taking place that may risk his wellbeing.<br />
This is a strange suspense thriller, mainly because the conflict isn't explained
well enough and still never feels validated by the end. The film places musical cues trying to guide the audience into understanding something sinister is happening, yet this made me struggle to find out what I was missing from scene to scene. Turns out I wasn't missing anything, this is just poor writing and directing, according to how someone thinks a suspense thriller show be shown, instead of understanding what the thriller should be showing. <br />
The acting, even with unlikable characters, is acceptable. Most scenes of
people interacting come off natural and honest, even if they don't always
relate to the plot. And for moments, when the film is not trying to be a mystery, it's very watchable. <br />
The film also ends suddenly during the climax. And that felt fitting
considering how the story unfolded into conflict. If there's no care put into developing the mystery, then why should they care about how they end it? <br />
This isn't a terrible watch, while it might be a bit confusing and a bit enfuriating. The players
have some chemistry, and the cinematography nicely sets up the nearly abandoned
setting. The films does a great job building up a loneliness and solitude of
our protagonist. There is some good atmosphere here and that helped push the paper-thin
story. But damn, this is not what it thinks it is. </p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b>Day 21<o:p></o:p></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: x-large;">Fire Island (2023)</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjII08kDHtBvU8x1JXdD1YluCdBur4cIyV7lQcO1sWbCEXBnAJUE3nGxDF67niD3bXwU0Cx8iwZPZuWmVZQfZfPTRJfm6oSrW7IpEJy8urqpy5-WwBUksHs8R_ntXLEYFPzS31R8YM-Wxovhw6vM4PBSRCdp-mCjRTac61fLqFOujDy_mG7aNgN1OqgtjRJ/s2700/MV5BNDA4YTJiM2UtYzE0NC00NTY3LTgzNzItODE0ZGEzNDE4NmNiXkEyXkFqcGdeQXVyNjczNTM5ODI@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2700" data-original-width="1980" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjII08kDHtBvU8x1JXdD1YluCdBur4cIyV7lQcO1sWbCEXBnAJUE3nGxDF67niD3bXwU0Cx8iwZPZuWmVZQfZfPTRJfm6oSrW7IpEJy8urqpy5-WwBUksHs8R_ntXLEYFPzS31R8YM-Wxovhw6vM4PBSRCdp-mCjRTac61fLqFOujDy_mG7aNgN1OqgtjRJ/s320/MV5BNDA4YTJiM2UtYzE0NC00NTY3LTgzNzItODE0ZGEzNDE4NmNiXkEyXkFqcGdeQXVyNjczNTM5ODI@._V1_.jpg" width="235" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p>
<p class="MsoNormal">Not as fun as last year's tribute to Jane Austin novels film
of the same name "Fire Island". Not really fun at all, for that
matter.<br />
This year's "Fire Island" film has a good concept, with a group of
friends heading to Fire Island during Covid lockdowns, who end up getting
tormented by serial killer wearing a horned mask. And yes, while the setting and atmosphere resembles yesterday's film "Last Ferry", this film at the least understands how to set up conflict that makes sense. <br />
This could have been a fun cheap slasher horror, as it has a great setting,
interesting time period, and a villain with an intimidating image. Unfortunately,
it suffers from a lot of the same issues that many failed slasher films cannot
get right. For starters, the characters are not very likeable, and it doesn't
help that the actors don't give anything to them. Our main lead whines and
shrugs like a spoilt loser throughout the main runtime. They give him some sad
backstory, but it still doesn't help provide him any sympathy. Instead, we are expected to root for a wet rag of a person, who's near death experiences are the only thing interesting about him. <br />
For a slasher film, there's very little slashing, only a couple of quick scenes
and finally it gets to the slasher part at the very end. At this point, it
unfortunately feels too little too late.<br />
This is not the worst straight to streaming horror film out there. But at least
the worst are memorable.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b>Day 22<o:p></o:p></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: x-large;">Another Gay Sequel: Gays Gone Wild</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7Qkn9JZiAoBcxxSw-t0P3gyj9ULpjNf0-FdUjZto9qVqgPI15teOjWT3NziDWeGau6k8wjbk3CLEGOfqGAvq_ODwbKcRVkCur6_XDjpkxrkuXwnIJDs7QOIa0pu4m7YCxz5p8Y3sioKdzfe56c4jmJ2Tad79NLONF2CaStVdIAa90Z7WwdP2k1W9xD-IK/s1000/81NHSor9PJL._AC_UF894,1000_QL80_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="713" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7Qkn9JZiAoBcxxSw-t0P3gyj9ULpjNf0-FdUjZto9qVqgPI15teOjWT3NziDWeGau6k8wjbk3CLEGOfqGAvq_ODwbKcRVkCur6_XDjpkxrkuXwnIJDs7QOIa0pu4m7YCxz5p8Y3sioKdzfe56c4jmJ2Tad79NLONF2CaStVdIAa90Z7WwdP2k1W9xD-IK/s320/81NHSor9PJL._AC_UF894,1000_QL80_.jpg" width="228" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p>
<p class="MsoNormal">Every Pride Month I challenge myself to watch a new film I
have never seen before that supports, tells a tale, or casts members of the
2slgbtqia+ communities. And after watching "Another Gay Sequel: Gays Gone
Wild!" I think I have hit rock bottom.</p><p class="MsoNormal"><br />
I didn't like the first film, as it didn't understand the simple technics of
writing, setting up and performing... jokes. The one saving grace was the
appearance of the always great Scott Thompson. This film has Scott Thompson
too, yet in only a couple of scenes and one main one is repeating the same type
of joke as he was performing in the first film.<br />
This film has less world building, less variety, and less talent. There are
actors that appear like they should be good looking (I think that's the main
goal, excuses for showing shirtless men) yet because of the terrible lighting
and bad camera work, they all appear to be turning green with sickness or other
unhealthy colors. It's very evident that the main purpose of this film is to have an exploitative gay men film, making excuses to show semi-naked, or fully naked men, in compromising positions. And since this isn't something appeals to me, the film just comes across desperate and boring. <br />And as far as the jokes come, they consistently aim for the grossest exaggeration to the set up
and... that's about it. None of the jokes work because I could see them coming
a mile away. Childish (not in a fun way), stupid (not in a fun way) and often
gross (not in a fun way), "Another Gay Sequel: Gays Gone Wild!" just
doesn't work. Predictable, lazy, and poorly performed, this poor excuse of a
parody isn't even ironically fun.<br />
The gays just didn't go wild enough here.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b>Day 23<o:p></o:p></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: x-large;">Punch</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMj8Xl7GZofUk8UjDW4sTM9TzVJLRrK1_kkidBR8bDAQ8k-cnNc_AQIf3Oj4QlMksnQvfXWx_BWyxpLi56PDerb2x3sGt_gbQJMr3Y6yjspeMADRhiwp7M97VArycamxWu5G9fu9fZOJ6ggElPF0qfA468kIXt5BxznkjU0Nhu5_iHfhnQtP2E9iQ2DoFF/s1477/MV5BNDVlYWNlZmQtMjllOS00MjZmLTg2MjEtOGJlZWIzMWYxNDIyXkEyXkFqcGdeQXVyMzQwMTY2Nzk@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1477" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMj8Xl7GZofUk8UjDW4sTM9TzVJLRrK1_kkidBR8bDAQ8k-cnNc_AQIf3Oj4QlMksnQvfXWx_BWyxpLi56PDerb2x3sGt_gbQJMr3Y6yjspeMADRhiwp7M97VArycamxWu5G9fu9fZOJ6ggElPF0qfA468kIXt5BxznkjU0Nhu5_iHfhnQtP2E9iQ2DoFF/s320/MV5BNDVlYWNlZmQtMjllOS00MjZmLTg2MjEtOGJlZWIzMWYxNDIyXkEyXkFqcGdeQXVyMzQwMTY2Nzk@._V1_FMjpg_UX1000_.jpg" width="217" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p>
<p class="MsoNormal">This feels like it's from the same overly depressing and
dark world of Tim Roth's other portrayal of a father in a small town worried
for the future of his child, "Broken" (2019), in that there's very little
hope and the brutality is sometimes hard to watch.<br />
The film begins with showing Jim Richarson's overbearing relationship with his
aged alcoholic boxing champ father. Jim then makes friends with a gay student,
Whetu, who's living in a hut by the beach. Whetu performs tricks in washrooms
and is an outcast from the rest of the city. As the two start to find comfort
in each other's friendship and that leads to further complications for both of
them.<br />
The story unfolds as you would expect, developing the characters nicely and
setting up the main storyline which might appear common place for this type of
film. Yet, when the film gets dark, it gets depressingly dark and doesn't come
back out of the darkness as much as average audience may hope for. The film
leads to a sport's film climax yet pulls the rug out before giving into
clichés.<br />
Tim Roth, as the alcoholic father, is as strong as usually and there's never enough of him in the film, as
far as I am concerned. The rest of the cast is good too, but not up to Roth's level of talent.<br />
Now I feel I should watch a Muppet film or something by Peter Lord and Nick
Park just to level out this film's depression inducing power.<o:p></o:p></p><p class="MsoNormal">This is a story well told, yet it is probably not a story most people would like to endure. </p>
<p class="MsoNormal" style="text-align: center;"><b>Day 24<o:p></o:p></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: x-large;">Shortbus</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqnVIt2i3Aax_anrivHDdGBhIvTZmgdOiDNGsZsBwOofC_wB9fNmMTr_x7y9ikxvKKuz08Wj9hlzsS7yci_u7Bw6yfZMB-2EkZR_mwJ-pTTUyLpxtR6OvH8bCxxAv44NocvDu0oZK-NF3ZL5AJjU-sDKXmEI8EjZPjvCFk_YcSr7VbDJf7apNd6DXV6txW/s1600/Shortbus_Poster_V3copy.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqnVIt2i3Aax_anrivHDdGBhIvTZmgdOiDNGsZsBwOofC_wB9fNmMTr_x7y9ikxvKKuz08Wj9hlzsS7yci_u7Bw6yfZMB-2EkZR_mwJ-pTTUyLpxtR6OvH8bCxxAv44NocvDu0oZK-NF3ZL5AJjU-sDKXmEI8EjZPjvCFk_YcSr7VbDJf7apNd6DXV6txW/s320/Shortbus_Poster_V3copy.webp" width="320" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p>
<p class="MsoNormal">I finally watched the infamous "Shortbus". </p><p class="MsoNormal">Going
in, I had been informed of it's sexual content and the elaborate and graphic
visuals most films would never attempt to add to their features. And knowing
this, might have helped me enjoy this more, as it wasn't as nasty as my
imagination had prepared me for, yet, it was still explicit enough to grant it,
it's reputation.<br />
The tale is about several individuals struggling with their sexual lives,
whether it's uncertainty with a partner, unsure of their sexuality, haunted by
an abysmal past, or never experiencing an orgasm before. They all explore their
issues as they fine comfort in an underground venue called "Shortbus"
that provides live music, artistic interpreters, and large group orgies.<br />
Sook-Yin Lee give a fine performance as Sofia, as well as Lindsay Beamish
(Severin) and Paul Dawson (James). As for the rest of the cast, it's a mix bag
or over acting or something else entirely. Lot of lines feel like line reads
rather than natural conversations, which causes much of the dialogue to feel
over and under written. And on top of the acting being inconsistent, so is the
camera work. The film often resembles that of a low budget exploitation film,
trying to get fit in the shocking scenes rather than being a storyteller.
However, at points, usually when the stories require more attention, the camera
work feels like it is being guided by a completely different cinematographer,
blending warm visuals with a beautiful model New York.<br />
By the end, the stories brought up front don't feel completed and maybe that's
the point when it comes to exploring carnal knowledge. The soundtrack, which is
spectacular from beginning to end, helps wrap up the film, giving the illusion
that it's completed. And we are left with an experience, rather than a deep
intellectual examination of the topics at hand.<br />
Is it gratuitous? Yes. However not in the sense that it's showing close ups and
shocking sex scenes, but that the sex scenes take up more time than necessary
for the story. This can be argued that some of the songs go on too long too,
and that I cannot disagree. There could be some edits to tune up the quality
screen time and that have won my admiration.<br />
I love what they are attempting but wish there was more attention to the
stories rather than what is around the stories.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b>Day 25<o:p></o:p></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: x-large;">Deadly Hookup</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJiyaOPZbGjBNkpOeNcya1_1mbPfUFjiCLgFosUjc_WohOwDBs8-4dVHJh6s8oslCI2XOEB_5_PVwBM1uoWioCjqMVm71xjgAVvD-QKYMolkvnPiVan1sgT4uqbWsGwMLg0G32lJKB3JP4M_QdxwcVHkfp8S8rok4r3bmwaueBZLiYxK_gD03hhmqgcoHP/s1600/DeadlyHookup_Amazon_1200x1600.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJiyaOPZbGjBNkpOeNcya1_1mbPfUFjiCLgFosUjc_WohOwDBs8-4dVHJh6s8oslCI2XOEB_5_PVwBM1uoWioCjqMVm71xjgAVvD-QKYMolkvnPiVan1sgT4uqbWsGwMLg0G32lJKB3JP4M_QdxwcVHkfp8S8rok4r3bmwaueBZLiYxK_gD03hhmqgcoHP/s320/DeadlyHookup_Amazon_1200x1600.jpg" width="240" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p>
<p class="MsoNormal">73 minutes and the film doesn't really get started until 30
minutes of mundane and poor attempts at humor have surpassed. It then tries to
compensate with vulgar violence. The film appears to have been written around
one good line delivered near the final climax.</p><p class="MsoNormal">The thin plot is about a gay man who's drunk and questioning his life decisions and is about to hookup with a new mysterious partner for another one night stand. Turns out this latest fling is set up by a sadistic and perverted psychopath, who's out to punish gay men. Yeah. It's a real classy one. The graphic violence did shock me to the level it was willing to go, but otherwise this is not a strong feature. Easily forgotten and that might be the
best compliment I have give it.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b>Day 26<o:p></o:p></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: x-large;">See You Then</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIHUHquqxp2u5OA6IrALbkknZrBekcIaIEKYfU-MQ_EQlR_xQLLHngPxw55obDWNKiFWD8R8bNufdV4tFDGndvsZVyD0XnqJvlZb67khjvYJlrB8NHPcQ8s6RNjpQnluC_sMhYmf4_c9_GxCip1CdK4wnV91bfFsj8krvAaoHxOAYw2nYBQNvR62CzsLc_/s1350/MV5BYjFkZjY2NWItMmZkOS00OWQzLWIyMzAtYzEzYmNlNzIxMGY5XkEyXkFqcGdeQXVyMjMzNDc0MTI@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1350" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIHUHquqxp2u5OA6IrALbkknZrBekcIaIEKYfU-MQ_EQlR_xQLLHngPxw55obDWNKiFWD8R8bNufdV4tFDGndvsZVyD0XnqJvlZb67khjvYJlrB8NHPcQ8s6RNjpQnluC_sMhYmf4_c9_GxCip1CdK4wnV91bfFsj8krvAaoHxOAYw2nYBQNvR62CzsLc_/s320/MV5BYjFkZjY2NWItMmZkOS00OWQzLWIyMzAtYzEzYmNlNzIxMGY5XkEyXkFqcGdeQXVyMjMzNDc0MTI@._V1_.jpg" width="256" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p>
<p class="MsoNormal">One conversation, sometimes interrupted by the world around
our two leads, starts off simple and friendly, only to excel into dark
territories, exploring secrets that will change our two speakers for the rest
of their lives.</p><p class="MsoNormal"><br />
"See You Then" comfortably sets up a tale of two past lovers, Naomi
and Chris, reuniting after their lives have continued without each other, and
after the Chris has transitioned. The dialogue between the two comes out
natural thanks to two stellar performances. The direction, however, is often a
bit weak and a bit cliched, especially when it comes to the heartbreaking gut
punches in the finale. There were some choices made to accent the impact of the
dialogue however they were distracting and pulled me out of the moment. This
was a bit annoying, especially at the moments when the conversation is at its
highest conflict.</p><p class="MsoNormal"><br />
Regardless of the banal directing, the film's dialogue and story build up
deserves to be heard. It's beautifully written and doesn't hold back from tackling some very heavy, shocking, and jaw dropping topics and reveals. The emotional impact of the finale 3rd is rewarding, daring, and rightfully upsetting. This one packs a punch. I loved it!</p><p class="MsoNormal"><br />
For lovers of dialogue-based films, this is a must see.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b>Day 27<o:p></o:p></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: x-large;">Baby Bump</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7XMmPqZnDQ_zyakNVX_sfqbbzZ6UVeXlcpcXfYgR40-yQkW2aovkgtYRZXO1ESqL_Xa9vDOgEuuByGOSCvQ5KoxCGqmx4Iv3pJjsgAcLEY-O2dh1UIBSMDPAXZBwdc0N77cPStmTnW1C3EVLW_NDN2aVcgZiiBqTMUIbtvFh8VQUifdGK19Gt5mRfwoE0/s1398/MV5BZDYzNTYyMzMtMWQ0Ny00OTA1LThhNWYtMDRlODc1YWNkNTM2XkEyXkFqcGdeQXVyNjY0MTgwOQ@@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1398" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7XMmPqZnDQ_zyakNVX_sfqbbzZ6UVeXlcpcXfYgR40-yQkW2aovkgtYRZXO1ESqL_Xa9vDOgEuuByGOSCvQ5KoxCGqmx4Iv3pJjsgAcLEY-O2dh1UIBSMDPAXZBwdc0N77cPStmTnW1C3EVLW_NDN2aVcgZiiBqTMUIbtvFh8VQUifdGK19Gt5mRfwoE0/s320/MV5BZDYzNTYyMzMtMWQ0Ny00OTA1LThhNWYtMDRlODc1YWNkNTM2XkEyXkFqcGdeQXVyNjY0MTgwOQ@@._V1_FMjpg_UX1000_.jpg" width="229" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p>
<p class="MsoNormal">Unapologetically weird.<br />
"Baby Bump" tells the tale of Mickey House, a teenager starting a
life changed by puberty. His body changes cause him to question everything in
his life, his relationship with his mother, his changing body, his gender, and
his sense of reality. This causes him to dream about losing his possible inherited
big ears, his ability to procreate, and ability to give birth to an egg. Mickey
House earns money threw selling his drug free urine to classmates. And he stays
relatively disconnected to everyone in his life, being that he struggles with
identity crisis. A lot to deal with just starting puberty.<br />
The film is narrated by a cartoon mouse, who may be the epitome of negative
thoughts. There's plenty of gore effects attached to Mickey's nightmarish
dreams and misbeliefs of his transformations. And while the film delivers
plenty of nasty and gruesome gore, concepts, and adult visuals, it is all
filmed with light pastel colors, to counter all the vulgarity.<br />
The visual set pieces, as clean and lighthearted as they may appear, makes for
a great contrast to the material that will come into play. Its sick sense of
humor becomes easier to digest and laugh at.<br />
Don't expect everything to make sense. Plenty of sequences play out more of an
experimental sketch, skipping from one vulgar bit to another. It's lack of
explanation and sense of reality fits nicely with the mysteries of Mickey's
body. Changes happen, no matter how weird he might interpret them.<br />
I enjoy this, however, it's not a film I can recommend to just anyone.<o:p></o:p></p><p class="MsoNormal">I do not expect there to be an American remake... it's that graphic and nasty.</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b>Day 28<o:p></o:p></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: x-large;">Castaways (2023)</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtX-RN14vmxVGDHvZMMO8KHqLlKRLwH6lFhalgs207BeONdHn5gqSVuahXcOWEGuAgtmNtf0vSK_PkTojs176mmqgUW1KsQ3mpyvebSJ6Ntw6c9n2ho3-uJUVk7ZUtX2onnXJDQwLUH-_Uz-UuJum7lPW4X3dsV6iq9RuqXMcDYbIIzU-QTzrWrcSULvzq/s2870/MV5BMDA0NmY2YzMtYzJkYy00NGNjLTk5MjktZjczY2E5MDQ1N2NhXkEyXkFqcGdeQXVyNjE0MTY2NjY@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2870" data-original-width="2000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtX-RN14vmxVGDHvZMMO8KHqLlKRLwH6lFhalgs207BeONdHn5gqSVuahXcOWEGuAgtmNtf0vSK_PkTojs176mmqgUW1KsQ3mpyvebSJ6Ntw6c9n2ho3-uJUVk7ZUtX2onnXJDQwLUH-_Uz-UuJum7lPW4X3dsV6iq9RuqXMcDYbIIzU-QTzrWrcSULvzq/s320/MV5BMDA0NmY2YzMtYzJkYy00NGNjLTk5MjktZjczY2E5MDQ1N2NhXkEyXkFqcGdeQXVyNjE0MTY2NjY@._V1_.jpg" width="223" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p>
<p class="MsoNormal">Might be the best Tubi original film I have ever seen. However,
that is not a compliment.</p><p class="MsoNormal"><br />
"Castaways" tells the tale of two ladies that end up stranded on a
deserted island, in a post apocalyptic world destroyed by a virus. On the
island they find love, security, and a comfort that they did not experience
with the rest of the population. But soon they will have to decide if they want
to risk leaving their paradise and taking a risk in returning to civilization.<br />
For the most part, this feels like a made for tv romance. It's simple and
predictable, however the two leads do have chemistry and their dialogue is
character driven and plays out nicely to the story. The lack of a budget
doesn't harm the build up and the film has plenty of solid music to fill the
montages, the transition changes and the added suspense near the end.<br />
I am probably giving this more credit than it's due, as I am considering the
source's track record. The film still has some world building that comes out of
nowhere and a couple of the reaction of the two characters could use more
pre-empting. Our two protagonists survive on a deserted island for considerable
amount of time, yet keep their perfect hair, their stunning makeup faces, and
their clothes are nearly always clean. The film obviously is not attempting
realism, as its more on the lesbian fantasy side... and for that goal it's
fine.<br />
But otherwise this is not a terrible watch.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b>Day 29<o:p></o:p></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: x-large;">The Dog</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR1lg30TKwcpKWLVl5al3hoHFt4mMEmm6O_TiqoYLrKI4LaEa7SqJrTdu4IxyBlZTEFur51oPCd3-qQNZd3E5Jjh1CCOYr1MJqrvI3rpebdtwRPw2Nsx0Z4kGd_jfFsi364oLEUIAwPRtwj0pxskGtBXrHg3qqtgJ8sstZ2xdr51mzypYA-mgIZP0yAXDo/s2600/MV5BMTQ1MTIyODAxM15BMl5BanBnXkFtZTgwODc3NTExMjE@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2600" data-original-width="1760" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR1lg30TKwcpKWLVl5al3hoHFt4mMEmm6O_TiqoYLrKI4LaEa7SqJrTdu4IxyBlZTEFur51oPCd3-qQNZd3E5Jjh1CCOYr1MJqrvI3rpebdtwRPw2Nsx0Z4kGd_jfFsi364oLEUIAwPRtwj0pxskGtBXrHg3qqtgJ8sstZ2xdr51mzypYA-mgIZP0yAXDo/s320/MV5BMTQ1MTIyODAxM15BMl5BanBnXkFtZTgwODc3NTExMjE@._V1_.jpg" width="217" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p>
<p class="MsoNormal">Considering this is a Drafthouse release, I had higher
expectations for this documentary. It's still fine, yet rather docile.</p><p class="MsoNormal"><br />
It's the story of John Wojtowicz, the bank robber who risked everything for
enough money to pay for his lover's sex change. He's well known for being the
character Al Pacino played in "Dog Day Afternoon" and because of
this, his story was already fairly well known. It is nice to get some inner
thoughts and some other points of voice, but the documentary doesn't offer too
much extra. Wojtowicz is an interesting character and lot of the fun is hearing
his version of the story change for the purpose of why he's telling it. I have feeling that the documentary could have been just as entertaining hearing him talk for the near two hour runtime. <br />
Still glad to have finally watch this but maybe my expectations had been too
high considering the source. But if you already know his story, then there's not much point watching this documentary to be retold what you already know. </p><p class="MsoNormal"><o:p></o:p></p><p class="MsoNormal"><br /></p><p class="MsoNormal" style="text-align: center;"><b>Day 30 </b></p><p class="MsoNormal"></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: x-large;">Complete Strangers</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEgFYaY_nF2uKRTG9HwtzVVKRMoUcxsYqS_3Hh1CNkB4kVQH3vVUQDzzqKH1jVClZEx5bcYKtIo_WIHICXiGG1g-wdEi2GC8t_jl1_MosN4HZj5yvKNtFkMr4-NkN-HEsHrJgdVsSr8Z9oAFhmMxOXP_f9WoQydBO2JUfwNycnCvd6MU6m5FxqReur1vY2/s4000/MV5BZDU2ZGI5NjAtMTliOS00NTA3LTk4MzgtMDFiN2Q0YWZiMGJmXkEyXkFqcGdeQXVyMTk0NjE3ODg@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="2700" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEgFYaY_nF2uKRTG9HwtzVVKRMoUcxsYqS_3Hh1CNkB4kVQH3vVUQDzzqKH1jVClZEx5bcYKtIo_WIHICXiGG1g-wdEi2GC8t_jl1_MosN4HZj5yvKNtFkMr4-NkN-HEsHrJgdVsSr8Z9oAFhmMxOXP_f9WoQydBO2JUfwNycnCvd6MU6m5FxqReur1vY2/s320/MV5BZDU2ZGI5NjAtMTliOS00NTA3LTk4MzgtMDFiN2Q0YWZiMGJmXkEyXkFqcGdeQXVyMTk0NjE3ODg@._V1_.jpg" width="216" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p>
<p class="MsoNormal">A recovering alcoholic find himself in a dangerous predicament
when he starts dating an intimidating and overbearing partner. <o:p></o:p></p>
<p class="MsoNormal">This gay thriller has a couple of interesting ideas popping up
in the conclusion, yet it’s far from being entertaining or easy to get through.
The acting is poor, the dialogue is corny, and our protagonist ignores so many
red flags that it is hard to care about his outcome in the end. The film also presents
a twist that suggests a person who is bi-sexual is potentially eviler than
someone who’s just gay. Our protagonist gets more upset when he finds out the
gay man abusing him, might be bi-sexual, and that is unforgivable. <o:p></o:p></p>
<p class="MsoNormal">The film has a weird and twisted sense of morality that
never helps justify any of the choices made by our protagonist. And while we should be hoping that our protagonist gets out of his predicament, he's so unlikeable, untrustworthy of a character, and such a loser, that the whole experience is just unpleasant. <o:p></o:p></p>
<p class="MsoNormal">Oh and did I mention it's unpleasant? Well... let me repeat it: It’s unpleasant. It drags out, it is mean spirited and awfully hard
to stay invested in it. Avoiding this film might be the best step. <o:p></o:p></p><br /><p></p><div style="text-align: center;"><b>Extra films</b></div><div style="text-align: center;"><b><span style="font-size: x-large;">The True Adventures of Wolfboy</span></b></div><div style="text-align: center;"><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc8Scmy6kc5Qd2ynQubXPIRouRPxkUFwhn5EfmN-uLq7jplYQUPVWEAhbpOmfPDY8yUyMxOWiLVw74DPInf_8jRWDvJ1RCtPxnqTJcxJMgHwjm0NLrnCUydy1FeqrfTloLysVkGAyQoVQjx0yush2G0krR864EopjibFPsZfb2i92g6lX2ia5qa2RgK5j_/s1482/MV5BZDhmZTJiMmItNzAyNi00MjhlLWJkNmQtZWY5Mjc4NWFmNzAwXkEyXkFqcGdeQXVyMTEyNDk3MjY3._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1482" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc8Scmy6kc5Qd2ynQubXPIRouRPxkUFwhn5EfmN-uLq7jplYQUPVWEAhbpOmfPDY8yUyMxOWiLVw74DPInf_8jRWDvJ1RCtPxnqTJcxJMgHwjm0NLrnCUydy1FeqrfTloLysVkGAyQoVQjx0yush2G0krR864EopjibFPsZfb2i92g6lX2ia5qa2RgK5j_/s320/MV5BZDhmZTJiMmItNzAyNi00MjhlLWJkNmQtZWY5Mjc4NWFmNzAwXkEyXkFqcGdeQXVyMTEyNDk3MjY3._V1_FMjpg_UX1000_.jpg" width="216" /></a></div><span style="font-size: x-large;"><br /></span></b></div><div><br /></div><div>The story is about a lonely teenager who's been tormented and teased by his schoolmates due to a rare condition he has known as congenital hypertrichosis - an affliction that causes an abnormal amount of hair growth all over his face and body. On his thirteen birthday, he sets off to find his mother that abandoned him as a baby. On his journey he meets up with a circus ringmaster, who resembles the devil, a trans teen who resembles a mermaid, and a pirate, who's a thief. The adventure teaches him much about himself and how to see people for what they are inside, rather than their outer appearances. </div><div>The film is often beautifully shot, with incredible art pieces breaking up the chapters. </div><div>The cast is great, the music is beautifully chosen, and the film has a magical feel about it. This is a nice film with a beautiful message, yet it may be a bit heavy for the young audience that it appears to be intended for, with some dark scenes and potential violence by the devil character, played marvelously over the top by John Turturro. </div><div>One of my main issues with this film is some of the ridiculously uneducated interpretations of the themes. Because the film has a trans character (played spectacularly by a trans actor, the lovely Sophie Giannamorem) people have been comparing Wolfboy's journey with Aristiana's (the mermaids) journey. Because they are in the same film, doesn't mean the share the same character journey. Reviews attacked the film saying that trans people shouldn't be compared to circus freaks, which the film never does. Wolfboy tries out the circus in search for money, which sets off the conflict with Mr. Silk (Turturro). And this part of the story has nothing, or at least little to do with Aristianna. But because there are people out there who cannot understand how stories work, they look for meaning that isn't there and show their embarrassing ignorant minds to the world. The reason I bring this up, is because if someone reads one of these asshole's reviews, they may be inclined to not watch a film thinking it does something that the film doesn't do. There. Now I got that off my chest. </div><div><br /></div><div>This is a cute, sometimes dark, coming of age story, sprinkled with new ideas, good directing, and some spectacular performances. </div><div><br /></div><div><br /></div><div style="text-align: center;"><span style="font-size: x-large;"><b>Truth (2014)</b></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgppOH6IOF_xE6Ukd-6lmCXl4KdF50f9bp5OSZw0rdItA-N47lCIFlBrNhXh-s36XJJ068aWKjlIJBZmHBdxWk-8EDXgO6k9sIudgSfhgZUpfN3iLcOvwuw2dozQpG2DpqJfjGHrfbCFKyNdTO8mGK_bblvQ40HLikuxF6L37SJ0rfrcT778POmbIP_Zp7j/s1500/MV5BMTQ2MDkyMTEwMF5BMl5BanBnXkFtZTcwNDA5NTI4OQ@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1014" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgppOH6IOF_xE6Ukd-6lmCXl4KdF50f9bp5OSZw0rdItA-N47lCIFlBrNhXh-s36XJJ068aWKjlIJBZmHBdxWk-8EDXgO6k9sIudgSfhgZUpfN3iLcOvwuw2dozQpG2DpqJfjGHrfbCFKyNdTO8mGK_bblvQ40HLikuxF6L37SJ0rfrcT778POmbIP_Zp7j/s320/MV5BMTQ2MDkyMTEwMF5BMl5BanBnXkFtZTcwNDA5NTI4OQ@@._V1_.jpg" width="216" /></a></div><div style="text-align: center;"><br /></div><div><br /></div><div>Synopsis: Gay hook up turns into abuse. </div><div><br /></div><div>STOP MAKING THIS MOVIE!!!</div><div><br /></div><div>Is this one less sleazy than the others. Yes. Maybe. However, this topic has become so common now, it should be it's own sub-genre soon. <br />The acting is a little better than average but never good enough to care to look up either actors for other work. The dialogue is forgettable. The meet cute isn't very cute. The atmosphere never feels threatening enough to make this suspenseful. And if someone were to tell me this was a Lifetime thriller or a Tubi original, I wouldn't be surprised. </div><div>Who are these abusive relationship films for? There's never any deep dive into relationships. Barely any character to allow the abuse to have any gravity. And the films never buildup the relationship for this abusive twist to be of any shock. I just don't get it! </div><div>Don't waste your time with this forgettable, gross feeling, bore. </div><div><br /></div><div> </div><div><br /></div><div><br /></div><div><br /></div><div><span style="font-family: georgia;">In the end, there were some good films that helped get me through this challenge. However this year, those that sucked, really took a toll on my endurance. There's three films I had to leave out because the topic of </span><span style="background-color: white;"><span face="Google Sans, arial, sans-serif" style="color: #202124;">LGTBQIA2S+ characters were used as a plot twist. And since I am someone who doesn't care to spoil films, I decided to leave them out. Also because using someone's sexuality as a plot twist is poor representation and is often used as a negative reveal rather. And I figured we had enough dipshits trying to vilify book readings for children for their outdated and embarrassing homophobic agendas. So instead I ended up talking about bad abusive date films, depressing christian deprogramming camps, and slasher films. Yeah, next year I am probably toss out my random film pick and prep myself a little better. </span></span></div><div><span style="background-color: white;"><span face="Google Sans, arial, sans-serif" style="color: #202124;"><br /></span></span></div><div><span style="background-color: white;"><span face="Google Sans, arial, sans-serif" style="color: #202124;">Thanks for reading. </span></span></div><div><span style="background-color: white;"><span face="Google Sans, arial, sans-serif" style="color: #202124;">Jean-Paul Fournier </span></span></div>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-12924756842107199482023-06-11T16:23:00.002-07:002023-06-11T16:23:58.259-07:00Pride Month Movie Review - Week 2, 2023<p> Considering more people gave me thumbs up on facebook and twitter, than actually read the blog, I will submit the final reviews at the end of the month. </p><p>The reason I did this in the past was to help bring awareness to movies casting, honoring, or about 2SLGBTQIA lifestyles. However nowadays, thankfully, these film are broadly available and often well known by the average public. Last year, my Pride Month reviews didn't get readers during Pride Month but throughout the rest of the year. So I don't see the need to finish this next month's before the month is near it's end. </p><p>That being said, this time around I was duped into watch a couple films that don't and shouldn't be classified as movies made by, casted with, or even having one side character of 2SLGBTQIA connections. One, which showed up on multiple lists for this years 2SLGBTQIA movies, was a film called:</p><p style="text-align: center;"> <span style="font-size: x-large;"><b> </b><b>The Tutor</b></span></p><p style="text-align: center;"><span style="font-size: x-large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY7IMyKwB1LTxze0ugVn535h9DEVHMv4DEIrBdAKrtR-Ygyyl5e8LJyKkwC61HH5exWvZrkn1RZgIyuDLrdtEg-1kpslZRM2cBvPNQ5kSoQYVHY9yL6tpESSUKxeDkyQGlsCOOxn1gRjZvCt-wd944RFZ6pkXczSJVjags867XzR6g3GuPKG5yAHnW2Q/s1763/MV5BOWFjODY5ZTktNWI5My00MzkxLWI3N2MtYWY4NzhlYjgyOGYxXkEyXkFqcGdeQXVyNjU0NTI0Nw@@._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1763" data-original-width="1175" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY7IMyKwB1LTxze0ugVn535h9DEVHMv4DEIrBdAKrtR-Ygyyl5e8LJyKkwC61HH5exWvZrkn1RZgIyuDLrdtEg-1kpslZRM2cBvPNQ5kSoQYVHY9yL6tpESSUKxeDkyQGlsCOOxn1gRjZvCt-wd944RFZ6pkXczSJVjags867XzR6g3GuPKG5yAHnW2Q/s320/MV5BOWFjODY5ZTktNWI5My00MzkxLWI3N2MtYWY4NzhlYjgyOGYxXkEyXkFqcGdeQXVyNjU0NTI0Nw@@._V1_.jpg" width="213" /></a></span></div><span style="font-size: x-large;"><b><br /></b></span><p></p><p>The film tells the tale of a tutor who finds himself being tormented by a student who has a particular connection to him. The interest and obsession is alluded to as an infatuation, but nearly as a red-herring, as it only sets our main lead down a path where he's not in control. Never in the film did I make the connection to any 2SLGBTQIA themes, characters, or even performers (however the sexual lifestyle of the actors is never a concern or interest to me, I just care if they can act). So why did this come into so many 2SLGBTQIA movie lists this year? Well... I can only demise that the film, being generic and not great in performances and storytelling, did not do well in pre-screenings and needed some method of marketing this to a crowd that might support it. 2SLGBTQIA films do have a supportive community of movie goers, although small still, however this could be easily a crowd to advertise to. Otherwise I am dumbfounded. I am sure someone who knows this film better may correct me in the near future. But regardless, this is still not a memorable or entertaining enough film to recommend.</p><p><br /></p><p style="text-align: center;"><b>Day 5 </b></p><p style="text-align: center;"><b><span style="font-size: x-large;">Minding the Gap </span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXIjaS9c28JqHi386cfso9RjkYfL65FCwG4MDWHhraQVyPM2FWRSARltLrchPXDtOXNtpI__UghlDaktX8tkn_HqTuXt1MnTqRlEaJbpHN_yw-m801-fd6rq0EwCx19mHvY_YhHKvGwnMjtqZP6k7InyONdDmZH4dRhC2S7mXeykqDmBwsTlES3ouRZw/s1600/6M5V8AX281t3tnvWTMI3J6hG0Fa33Z_large.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1288" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXIjaS9c28JqHi386cfso9RjkYfL65FCwG4MDWHhraQVyPM2FWRSARltLrchPXDtOXNtpI__UghlDaktX8tkn_HqTuXt1MnTqRlEaJbpHN_yw-m801-fd6rq0EwCx19mHvY_YhHKvGwnMjtqZP6k7InyONdDmZH4dRhC2S7mXeykqDmBwsTlES3ouRZw/s320/6M5V8AX281t3tnvWTMI3J6hG0Fa33Z_large.jpg" width="258" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p><p>Three skateboard buddies find their lives set on different paths as they reach adulthood and find challenges with new adult responsibilities.</p><p>"Minding the Gap" is such an honest look at three unpredictable lives and how their wins and losses can be effected by their past and their futures.</p><p>Heartbreaking, surprisingly very intuitive, and easily to get lost in, this documentary is haunting and unforgettable.</p><p style="text-align: center;"> <b>Day 6</b></p><p style="text-align: center;"><b><span style="font-size: x-large;">Attachment</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqdZ8TLlyBGulgCxF72KAXyyp1Sh97V30c2V7HsZqVtF5JiX08PI4TRj4hF6CggHwsLzwIQkcsrEE487Pb9Fu-zP0kWlOarbQhWJEAxGcYeLEdqo1JRoZ_5NaTqTLOVjpdv-9do5jIeLseKIm_QIO_7VlHcI6zBy-SJ_LaMVRCmpGoKm9Q54H8SeipjQ/s1782/MV5BZmM2MmE5Y2MtZGEwNC00NjY3LTgzYTItYTAzN2M4Y2RlNTI2XkEyXkFqcGdeQXVyMTMwNjQxNDU1._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1782" data-original-width="1251" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqdZ8TLlyBGulgCxF72KAXyyp1Sh97V30c2V7HsZqVtF5JiX08PI4TRj4hF6CggHwsLzwIQkcsrEE487Pb9Fu-zP0kWlOarbQhWJEAxGcYeLEdqo1JRoZ_5NaTqTLOVjpdv-9do5jIeLseKIm_QIO_7VlHcI6zBy-SJ_LaMVRCmpGoKm9Q54H8SeipjQ/s320/MV5BZmM2MmE5Y2MtZGEwNC00NjY3LTgzYTItYTAzN2M4Y2RlNTI2XkEyXkFqcGdeQXVyMTMwNjQxNDU1._V1_.jpg" width="225" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p><p>Another film where reviewers don’t know how not to spoil the mystery of the film without announcing the spoiler in their first sentences. Shameful. However, the film about two newly found lovers, a Danish actor Maja, and a young Jewish academic, moving back to Leah’s home, where her seizures and sleepwalking issues bring to light a mystery that will challenge their relationship. Maja will find herself in conflict and suspicion of Leah’s superstitious mother, forcing her to explore the dark sides of Jewish mythology.</p><p>The film begins strong, focusing on the love between our two protagonists. And this fairly formulaic tale works because the chemistry and admirable directing build their connect, supplying a relationship worth rooting for. The two actors, Josephine Park (Maja) and Ellie Kendrick (Leah) bring so much character from their first encounters to their final struggles. Along side them, Leah's mother, played masterfully by Sofie Gråbøl, a strong, intimidating, judgmental, yet fearful and still struggling with secrets from their past, keeps the suspense intriguing, allowing her motives to continuously be questionable.</p><p>While I have high praise on the whole cast, the script doesn't have enough scene worthy actions to stretch out the tale to it's hour and 46 minute runtime. The film could easily have been trimmed to under a 90 minute mark, as some of the questions and events start feeling like they were repeating and not growing within the middle of the film. Once Maja starts to suspect something is a foot, we have to endure her slow study, with more clues adding to the suspicion, well past the the patience of someone who might be in her situation. It is another film where keeping the secrets secret causes more pain and turmoil, when the situation could be easily solved if someone, who knows there won't be any harm in letting the cat out of the bag. This drags out the inevitable and slows up the films moment drastically.</p><p>Thankfully the finale, while it quickly wraps up, ends too quickly nearly overstepping its emotional conclusion. Yet, still satisfying enough to save the slowed down middle. Perfectly fine film for streaming.</p><p style="text-align: center;"><b>Day 7</b></p><p style="text-align: center;"><b><span style="font-size: x-large;">In from the Side</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYNquvGAA0pMnWL2FCQ1WLr1GPehsPVKR7OxEXJaA4pxsDNByTWRlHCvi_btA3py4cJEIDwC2QpWla-qG6yNpt3ItiMtKceiEnxNnuKrxAsfhMmglqNOUB55Ru9s72cdUj9aC-Zhiw0TCcWTbSVP87G4rDLFUyZJpliu-7xpE2VOj2vpl5sIBZPeb1mg/s3000/MV5BYzc5ZmFjMWUtN2UwZi00NzBlLTk0NjctNjJmNjBkODJjZjAyXkEyXkFqcGdeQXVyMTU4NjcxOTU@._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="2025" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYNquvGAA0pMnWL2FCQ1WLr1GPehsPVKR7OxEXJaA4pxsDNByTWRlHCvi_btA3py4cJEIDwC2QpWla-qG6yNpt3ItiMtKceiEnxNnuKrxAsfhMmglqNOUB55Ru9s72cdUj9aC-Zhiw0TCcWTbSVP87G4rDLFUyZJpliu-7xpE2VOj2vpl5sIBZPeb1mg/s320/MV5BYzc5ZmFjMWUtN2UwZi00NzBlLTk0NjctNjJmNjBkODJjZjAyXkEyXkFqcGdeQXVyMTU4NjcxOTU@._V1_.jpg" width="216" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p><p>"In from the Side" has two charismatic leads, playing characters who suffer from the consequences of their own actions. It was hard for me to care for either of them when I never respected their choices, for 2 hours and 14 minutes.</p><p>Two rugby players of different statures start cheating on their lovers with each other and end up hurting everyone around them in the process. Our two leads give fine performances, however the performances around them felt off in comparison. This makes for an interesting subconscious bit of storytelling, as I kept wanting scenes with both secret lovers together, because they were easier to watch than the inconsistent side actions around them.</p><p>There's nothing new being presented in this film, besides stretching it well past it's deserved runtime. This is an awfully long time for a film with no redeemable characters. There's a couple nicely shot rugby scenes, yet they didn't have the emotional impact I believe the filmmakers believe they display.</p><p>I just couldn't get behind this film.</p><p>I did read high praise for this film for the good looking actors and lot of praise about the Christmas scene. Yes the Christmas scene is nicely edited with a splendid song accompanying, yet the scene does work emotionally with where the characters are leading themselves in the story. It works on the level of a holiday commercial for a product like rings or coffee. Yet it doesn't make the film.</p><p><br /></p><p style="text-align: center;"><b>Day 8</b></p><p style="text-align: center;"><b><span style="font-size: x-large;">Anna (2019)</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNjygHL9pmUMH7GwKL9i9k3gYPqctzz6b-FPhJ-OS7ZwFfZgs_rS6NtImR2o9FEhUlFDiRirfbPr6QC04EfJzfnPJU4LSrqaslED2dZW7a7NdoxTTbK9BxbXydx3xIod4k_PiWtR02Qrgdtx82njsZ3UWuIxoyFjos8wI4mou-IYsW6kGRKnV67Hk1mQ/s2048/MV5BOWUyYTU4NTQtYWQ2Mi00NzE0LTk0OTMtN2MzNjRkZjFkZTU2XkEyXkFqcGdeQXVyNDkzNTM2ODg@._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1442" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNjygHL9pmUMH7GwKL9i9k3gYPqctzz6b-FPhJ-OS7ZwFfZgs_rS6NtImR2o9FEhUlFDiRirfbPr6QC04EfJzfnPJU4LSrqaslED2dZW7a7NdoxTTbK9BxbXydx3xIod4k_PiWtR02Qrgdtx82njsZ3UWuIxoyFjos8wI4mou-IYsW6kGRKnV67Hk1mQ/s320/MV5BOWUyYTU4NTQtYWQ2Mi00NzE0LTk0OTMtN2MzNjRkZjFkZTU2XkEyXkFqcGdeQXVyNDkzNTM2ODg@._V1_.jpg" width="225" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p><p>Luke Besson has now come back full circle to the recreating another version of "La Femme Nikkita" (1990), only adding fashion modelling to the mix along with same sex relationships.</p><p>Under the guise of a fragile fashion model, Anna (Sasha Luss) is a deadly assassin, out to eliminate some of the world's most powerful government officials. Her origin and her journey of conscious is very similar to that of Besson's big hit character Nikkita. There's even familiar visuals calling back to the original female assassin hit. But that all being said, this does have a voice, style, and story that has a life of it's own.</p><p>Shash Luss fits nicely into the actions sequences, being able to pull off some physically demanding beat downs and shoot outs. Her acting for the rest of the film is rather mundane, yet while her line deliveries sometimes lack the emotions, it works for a character having to suppress emotions to get a job complete. It also helps that the rest of the cast pulls the weight, with great performances from Luke Evans, Helen Mirren, and Cillian Murphy.</p><p>Action fans will eat up the restaurant scene, where Anna takes on several rooms of oncoming attackers. It's violent, fast paced, creative, and brutal. There's not too many action sequences, yet the couple that do pick up make their presence well known with creative camera work, perfect settings, and high odds against our anti-hero.</p><p style="text-align: center;"><b>Day 9</b></p><p style="text-align: center;"><b><span style="font-size: x-large;">Acts of Love</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBW2etDKl9ajLHeLrd3ixwP2a26gLbz7_0QiI3fnju0_bpCcCQq8QXCseGQi7K_R5qhv-oLjWG8vTff6kM7-hZV_hzIWLwUqTOylnQ-aVo4oHMe_jHp5B6AAqO5J3E7jQFv9Bc0mz802DoC5VzwL-0vYAqGZGbCpnYypDUWcFQiSZLspktjXrYAwK2Qg/s4000/MV5BZDg0ZjlkY2UtOGMzNi00ZWQ2LTk3ZWQtNjRiYmY3YzcyMGU5XkEyXkFqcGdeQXVyMTI0MjI0NTc0._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4000" data-original-width="3000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBW2etDKl9ajLHeLrd3ixwP2a26gLbz7_0QiI3fnju0_bpCcCQq8QXCseGQi7K_R5qhv-oLjWG8vTff6kM7-hZV_hzIWLwUqTOylnQ-aVo4oHMe_jHp5B6AAqO5J3E7jQFv9Bc0mz802DoC5VzwL-0vYAqGZGbCpnYypDUWcFQiSZLspktjXrYAwK2Qg/s320/MV5BZDg0ZjlkY2UtOGMzNi00ZWQ2LTk3ZWQtNjRiYmY3YzcyMGU5XkEyXkFqcGdeQXVyMTI0MjI0NTc0._V1_.jpg" width="240" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p><p>To get back at a scorned lover, an amateur filmmaker decides to dates multiple men and film their encounters. "Acts of Love" has an interesting premise to start with, yet doesn't deliver or give anything of substance to make this worth watching.</p><p>Our filmmaker, who gets accused multiple times of being an narcissist, in the film and by multiple reviews, isn't interesting enough to have a full film dedicated to his life. He's kind of a wet rag, little energy, whiny about his past relationship, and as boring as the film has no real direction. The film runs slightly over 70 minutes and it felt much much longer. Perhaps if the film ran a little longer, the filmmaker could have found something for the film to be about, besides just the men he's slept with while making this supposed documentary. </p><p>While the idea and synopsis sounded like there might have been potential for comedy, insights into relationships, or even an exploration into the habits and lifestyles of Grinder living, the film doesn't give much for the audience to grasp onto.</p><p>"Acts of Love" is a confusing bore.</p><p style="text-align: center;"><b>Day 10</b></p><p style="text-align: center;"><b><span style="font-size: x-large;">Monica</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgN11ne95uOb7jjqcb-hFfyZw1j2dV3tU93k3mIfpRsQ83WxORtm2V8jpB-p3UxBXvE43scXI_W4U_fU6cYjYzgvMh9j1ake_nsPhRgtwEvzNAKzSuaQGd3vUd_uAK0TxctaodPJSp72-XfORKG6sh2t3iwb0H18TElgIfMWZnRJ7eVJlH6JR8aKOafqA/s1551/MV5BYjBlMDkxNzktMjI0MC00OGU3LWIxZGEtZDZkMThkNWY2NmJiXkEyXkFqcGdeQXVyMTAyMjQ3NzQ1._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1551" data-original-width="1050" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgN11ne95uOb7jjqcb-hFfyZw1j2dV3tU93k3mIfpRsQ83WxORtm2V8jpB-p3UxBXvE43scXI_W4U_fU6cYjYzgvMh9j1ake_nsPhRgtwEvzNAKzSuaQGd3vUd_uAK0TxctaodPJSp72-XfORKG6sh2t3iwb0H18TElgIfMWZnRJ7eVJlH6JR8aKOafqA/s320/MV5BYjBlMDkxNzktMjI0MC00OGU3LWIxZGEtZDZkMThkNWY2NmJiXkEyXkFqcGdeQXVyMTAyMjQ3NzQ1._V1_.jpg" width="217" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p><p>Tranquil, soothing, and emotionally rewarding, looks at a summer visit with Monica (Trace Lysette), a woman returning home to look after her ill mother, after being away for a long time.</p><p>"Monica" is filmed often with still camera movements, in 1.20 to 1 aspect ratio, capturing the feeling of a collection of polaroid pictures of happy memories. The camera works as a character, avoiding eye contact with our characters until a character starts to let another one into their physical and emotional spaces. The film focusses on moments of Monica feeling of acceptance, self-realization, and forgiveness.</p><p>While the whole cast is great, Trace Lysette and Patricia Clarkson give award winning performances, displaying so much emotion in scenes with people holding back their emotions, I can see people being a bit bore by the lack of exposition, traditional storytelling, and a character that feels the need to wrap it all up by the end. This is not a film for everyone. This is a work of art made for sophisticated cinephiles looking for a style that fits the substance. </p><p>Beautiful, simple, and awfully powerful, "Monica" takes a common tale and makes it unique, personal, and important.</p><p><br /></p><p style="text-align: center;"><b>Day 10.5</b></p><p style="text-align: center;"><b><span style="font-size: x-large;">Swallowed</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1YwamLeoxQ2ndMdqwNA1NlxlWP4wT6zqvh7UPtahed0vUiC_J0Q2Ek-id8gMGtIQW3CBKwlTPjCemOHi9d1SNTqSwjY-QXssJD0p7ycA3c9QF-ofXwRya4LUawhS6TP31fXj9R_0iDwYOjgqWr2ZX_7liZDU9kBSXuHowUwFKAG1uRKdUEMl243CVng/s2885/MV5BMThkNGIwZjYtYzNhMi00NDVlLWE3MmMtM2E0NGY5YjI4ZWE2XkEyXkFqcGdeQXVyMzQwMTY2Nzk@._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2885" data-original-width="2000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1YwamLeoxQ2ndMdqwNA1NlxlWP4wT6zqvh7UPtahed0vUiC_J0Q2Ek-id8gMGtIQW3CBKwlTPjCemOHi9d1SNTqSwjY-QXssJD0p7ycA3c9QF-ofXwRya4LUawhS6TP31fXj9R_0iDwYOjgqWr2ZX_7liZDU9kBSXuHowUwFKAG1uRKdUEMl243CVng/s320/MV5BMThkNGIwZjYtYzNhMi00NDVlLWE3MmMtM2E0NGY5YjI4ZWE2XkEyXkFqcGdeQXVyMzQwMTY2Nzk@._V1_.jpg" width="222" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p><p>Another example of a film that is best going into with little information as possible. Nearly a complete opposite in audience expectations, "Swallowed" might be a film that will disgust and disturb the audiences. </p><p>I read a few reviews after watching this dark and unfiltered gay body horror-eques. And a lot of people don't know how to write reviews without spoiling all the film's surprises. This is a film that will be defined by it's graphic and demented materials, but this doesn't mean that it needs to be described by those shocks to people who's never seen the film yet.</p><p>Taking what is given in the synopsis, this is a tale of two friends who get themselves into some horrific sexual predicaments. It's also fare to say the film delivers on some nasty situations with full frontal nudity and explicit content, that may be a bit strong for some people. It's played up with some humor, yet stays serious enough to have an impact on all the grisly events that will occur. There is some influences from David Cronenberg and a creepy flamboyant villain from Mark Patton, known for his role infamous gay Nightmare on Elm Street film "Freddy's Revenge".</p><p>The film moves smoothly only to slow down a bit near the finale, yet it delivers one of the nastiest deaths I have seen in years, not visually graphic, yet conceptually repulsive.</p><p>"Swallowed" turned out to be gruesome nasty fun.</p><p><br /></p><p style="text-align: center;"><b>Day 11</b></p><p style="text-align: center;"><b><span style="font-size: x-large;">The Feels</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK9-k16nQH-_gbSj09wIpxgQAxPov_uhpSbfP2aOptTJw9l0yH-LpHrS-JKugik_ytSfIjIsLSSWB2dTU12Ydgt2saA2qLTJ4SDnvWHoob6TQuSBEg1E_hO-7oywMkYpKTlMF9bhZECyaKihjS8zEj7NBIcqSm_5M6cpctiKGBLdqXpIegNWjVb42umQ/s2100/MV5BMjQwYzQ2NzUtZGVkMS00MWVhLWJiZTEtYzM0MmIyZDM1ZGExXkEyXkFqcGdeQXVyMTM5MTQ5NzQ@._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2100" data-original-width="1500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK9-k16nQH-_gbSj09wIpxgQAxPov_uhpSbfP2aOptTJw9l0yH-LpHrS-JKugik_ytSfIjIsLSSWB2dTU12Ydgt2saA2qLTJ4SDnvWHoob6TQuSBEg1E_hO-7oywMkYpKTlMF9bhZECyaKihjS8zEj7NBIcqSm_5M6cpctiKGBLdqXpIegNWjVb42umQ/s320/MV5BMjQwYzQ2NzUtZGVkMS00MWVhLWJiZTEtYzM0MmIyZDM1ZGExXkEyXkFqcGdeQXVyMTM5MTQ5NzQ@._V1_.jpg" width="229" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p><p>Comedy about a group of friends who's weekend plans is over run by a few secrets being unleashed among the group, such as divorce and a life without an orgasm.</p><p>Petty and annoying characters, displayed through some amateur improvised scenes, "The Feels" doesn't have much to give an audience. There's lots of uninteresting conversations, lot of attempts at humor, and a lot of characters that are not fully fledged out to help make any of their choices compelling. And this cast consists of talented performers that have proven in other venues to have acting chops, yet in this film you can see a few of them either not listening to the conversation of the scene and over stepping dialogue or even thinking what needs to be said. None of this feels like natural speech or stylized dialogue. So when the film attempts to have an emotionally uplifting ending, there's nothing supporting this direction.</p><p>And this came out before Covid lockdowns, so we cannot use that as an excuse for feeling like a rushed covid film. This needed more time, effort, and work, before release.</p><p><br /></p><p style="text-align: center;"><b>Day 11.5</b></p><p style="text-align: center;"><b><span style="font-size: x-large;">B&B</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8ISk5oMkBqglA1wfoMDgxAwgIh4uHDn5-NtGjP1ucRYNw-_zRu7iVsJruaoxrfUuEzHZKkv5uV5nfmBgvmEimPHKkUd8oewRJdWBNw94dxzvvg09THbrYu6LwEEj4enIfGmPt4cl-8VzoF2EkmGziW_m9GP3IvAd26uT5kzjrVkOj28MVWbwv-6t6uw/s2804/MV5BMDBmN2VmZGMtNjdiMy00YTMyLWFkOTgtNmNlODA5ZjI2MjI0XkEyXkFqcGdeQXVyNjg0ODE1ODE@._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2804" data-original-width="2000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8ISk5oMkBqglA1wfoMDgxAwgIh4uHDn5-NtGjP1ucRYNw-_zRu7iVsJruaoxrfUuEzHZKkv5uV5nfmBgvmEimPHKkUd8oewRJdWBNw94dxzvvg09THbrYu6LwEEj4enIfGmPt4cl-8VzoF2EkmGziW_m9GP3IvAd26uT5kzjrVkOj28MVWbwv-6t6uw/s320/MV5BMDBmN2VmZGMtNjdiMy00YTMyLWFkOTgtNmNlODA5ZjI2MjI0XkEyXkFqcGdeQXVyNjg0ODE1ODE@._V1_.jpg" width="228" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p><p>Because I was not content on ending Day 11 with a film as annoying and immature as "The Feels", I took my chance on a film recommended by one of my readers (thanks Chase), called "B&B" showing on Tubi. Like good mysteries, I was advised to go into the film without any knowledge of what the film is about, which lead to many surprises unruined by any preconceptions. However, I did find myself reading the synopsis ahead of watching, and this still did not spoil all the wonderful surprises. </p><p>The synopsis is this: two married gay men return to the hotel they sued when the Christian owner refused to provide them with a single bed during their stay. It's been a year since the lawsuit ended in favor of the gay lovers and one is looking to still seek more reconciliation for the prejudice, while the other husband wishes avoid conflicts at all cost. This mentality soon sets both spouses in different mindsets suspecting that something may be a foot in this hotel. </p><p>The clever script kept surprising me at every twist in turn. This was not at all the film I was expecting, mimicking more of a Hitchcockian thriller, rather than a debate in morality. The morality sides advertised in the synopsis works more as motivation for our characters, dealing with a situation that becomes awfully difficult to predict.</p><p>Small mystery set on one dark stormy night, has a big idea plot that is expanded to an original suspense thriller, that pushes it's boundaries on reality and believability, yet gleefully does this to unlock more secrets.</p><p>This a fun twisty turning thriller. </p><p><br /></p><p><br /></p><p><br /></p><p><span style="font-family: georgia;">And there we have it, week two of Pride Month Movie Reviews. I will still be viewing more Pride films this month... however till I feel like blogging about the next bunch... Tah Tah for now. </span></p><p><span style="font-family: georgia;"><br /></span></p><p><span style="font-family: georgia;">JP Fournier</span></p><p><span style="font-family: georgia;"><br /></span></p><p><br /></p><p><br /></p><p><br /></p><h1 style="background-color: rgba(255, 255, 255, 0.8); box-sizing: border-box; font-family: interstate !important; font-size: 3rem; line-height: 1.1; margin: 0px 0px 10px; text-align: center; text-transform: uppercase;"><br /></h1><p></p><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><p></p>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-47524135234756372842023-06-04T22:32:00.003-07:002023-06-04T22:47:07.886-07:00Pride Month Movie Reviews - 2023<p> Like every Pride month, I spend my time catching up on the film dedicated, made by, or at the least, casting and/or employing individuals, and telling story that involve <span face="arial, sans-serif" style="background-color: white; color: #5f6368; font-size: 14px; font-weight: bold;">LGBTQIA2S</span><span face="arial, sans-serif" style="background-color: white; color: #4d5156; font-size: 14px;">+ stories. If you have read some of my past reviews, it might be of no surprise that this month, I try to watch at least one film a day. On average the quality of films I have watched during this month have been of top quality. So this year I go in excited and thrilled to take on this challenge yet again. </span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="background-color: white; font-size: 14px;">The starting first 4 days makes this appear like another promising venture. </span></span></p><p style="text-align: center;"><span face="arial, sans-serif" style="background-color: white; color: #4d5156; font-size: 14px;"><b>Day 1 </b></span></p><p style="text-align: center;"><span face="arial, sans-serif" style="background-color: white; color: #4d5156;"><span style="font-size: x-large;"><b>Bros</b></span></span></p><p style="text-align: center;"><span face="arial, sans-serif" style="background-color: white; color: #4d5156;"><span style="font-size: x-large;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMhs9C2qJm_tm2Td_zr5ocVHrMZQ3d20mkfJUpl7c6f8-pAocr_SNcnqBj6cLuV4l9OTYQm7jVk2LCNRjWdK7nRbd0Qf69OPfqjaFmk2Logcl6aabuVlL6re-nSdq85CaqO7t9XHyhErJd1FZ9-sHqw1ivY2nclAxs4cXX2D0u1JJcDCT04FQyZxHKIw/s1249/MV5BMzI4MDg3NDEtOTg1OC00MDdjLWEzY2QtMmFmMWNlNTcxZDIxXkEyXkFqcGdeQXVyMjMxOTE0ODA@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1249" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMhs9C2qJm_tm2Td_zr5ocVHrMZQ3d20mkfJUpl7c6f8-pAocr_SNcnqBj6cLuV4l9OTYQm7jVk2LCNRjWdK7nRbd0Qf69OPfqjaFmk2Logcl6aabuVlL6re-nSdq85CaqO7t9XHyhErJd1FZ9-sHqw1ivY2nclAxs4cXX2D0u1JJcDCT04FQyZxHKIw/s320/MV5BMzI4MDg3NDEtOTg1OC00MDdjLWEzY2QtMmFmMWNlNTcxZDIxXkEyXkFqcGdeQXVyMjMxOTE0ODA@._V1_FMjpg_UX1000_.jpg" width="256" /></a></span></div><span style="font-size: x-large;"><b><br /></b></span><p></p><p><span face="arial, sans-serif" style="background-color: white; color: #4d5156; font-size: 14px;">The highly anticipated and well intentioned romantic comedy that made for and about </span><span face="arial, sans-serif" style="background-color: white; color: #5f6368; font-size: 14px; font-weight: bold;">LGBTQIA2S</span><span style="background-color: white;"><span face="arial, sans-serif" style="color: #4d5156;"><span style="font-size: 14px;">+ characters and history that made it to mainstream theaters, didn't get the backing it was expected to receive. While there were many articles and breakdowns analyzing why this didn't become last years romcom blockbuster hit, such as the main star Billie Eichner's aggressive social media presence and behavior, the film is an "R" rated romance, the marketing was working against the all inclusive audience it was seeking, and because there's still plenty of backwards thinking intolerance out there. But despite the reason(s) why, the film is awfully charming and good intentioned romp, despite having some small imperfections. </span></span></span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="font-size: 14px;">Contrary to his aggressive form of in your face comedy, Billy Eichner fits perfectly into the neurotic romantic lead, in this romcom, that's nearly a parody of a romcom at the same time. His dialogue is fresh, hard hitting and with an honest take on queer cultures as well as his own life experiences. Like the genre it's poking fun at, it too have a handful of jokes that work along side a string of them that don't. When the film is at it's finest is when our two leads step past the comic tone and deliver serious dialogue. Their chemistry is strong and suits the tone they are emulating.</span></span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="font-size: 14px;">While I admire the heart and soul of this film, I can also understand why it did not do as well in theatres as it had expected. The length could have been trimmed down from it's near 2 hour runtime, cutting some of the jokes and comedy bits that don't work (there's probably a good 15 minutes easily trimmed). The film sometimes doesn't have smooth transitions from scene tones and editing choices. While it's poking fun at the Hallmark films, it often comes across as a quick turn around time from filming, to editing, to voice over bits, and to screen. And finally, the finishing romantic gesture that is meant to hit the heartstrings and wrap everything up, felt forced, clumsy and not satisfying enough for the build up. I did read a few reviews praising the final song, so I suppose it worked for some people., just not a bit for me. But these grievances are also what I usually don't care about in usual romcoms anyways, so perhaps they were still achieving their goal.</span></span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="background-color: white; font-size: 14px;"></span></span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="font-size: 14px;">In the end, I still found myself laughing throughout and as well as cheering on the center romance piece. The film offers sight gags, plenty of pride based humor lambasting </span></span><span face="arial, sans-serif" style="background-color: white; color: #5f6368; font-size: 14px; font-weight: bold;">LGBTQIA2S</span><span face="arial, sans-serif" style="background-color: white; color: #4d5156; font-size: 14px;">+ pop culture references, and one exceptionally funny cameo, amongst a slew of cameos. </span><span face="arial, sans-serif" style="color: #4d5156; font-size: 14px;">If I were to stumble upon this on tv while I am cleaning my place or working on household chores, I can totally see myself watching this again.</span></p><p><span face="arial, sans-serif" style="color: #4d5156; font-size: 14px;"><br /></span></p><p style="text-align: center;"><span face="arial, sans-serif" style="color: #4d5156; font-size: 14px;"><b>Day 2</b> </span></p><p style="text-align: center;"><span face="arial, sans-serif" style="color: #4d5156;"><b><span style="font-size: x-large;">Beau Travail</span></b></span></p><p style="text-align: center;"><span face="arial, sans-serif" style="color: #4d5156;"><b></b></span></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibMT76abCGsZFF50tsitvpLfMj-O-u7_-drQ8PuRPweHdqZdI2svQ5lhO__H59z6As2wfgbcQQpEgemVZzNQNE7PoE18A6UMtgQ0Hw3s3XxmakPxWRMHDrFZYg_uvBJM2edNGJU4Je1bYuvm5DMR_zgApSbnM7qncUxbkAFsGzF-oNz6VlZEj_Txspww/s1920/MV5BYjRkMGQwMWMtYzkxZC00MjZhLTkwNWYtZGI4NGY4OWI4ZmMyXkEyXkFqcGdeQXVyODU1OTc0MzI@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1920" data-original-width="1280" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibMT76abCGsZFF50tsitvpLfMj-O-u7_-drQ8PuRPweHdqZdI2svQ5lhO__H59z6As2wfgbcQQpEgemVZzNQNE7PoE18A6UMtgQ0Hw3s3XxmakPxWRMHDrFZYg_uvBJM2edNGJU4Je1bYuvm5DMR_zgApSbnM7qncUxbkAFsGzF-oNz6VlZEj_Txspww/s320/MV5BYjRkMGQwMWMtYzkxZC00MjZhLTkwNWYtZGI4NGY4OWI4ZmMyXkEyXkFqcGdeQXVyODU1OTc0MzI@._V1_.jpg" width="213" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p><p><span face="arial, sans-serif" style="color: #4d5156; font-size: 14px;">I am always pleased when I get a chance to watch another Criterion Collection film. If I were to have gone into this film without knowing the talent of director Claire Denis, it's reputation as an iconic arthouse film, and knowledge that this was picked up by Criterion Collection, I might have missed some of the subtle and purposely vague descriptors that are at the heart of this film. </span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="font-size: 14px;">And after viewing "Beau Travail" I can say Claire Denis makes some of the boldest films today.</span></span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="font-size: 14px;">For most of "Beau Travail" I felt that the world presented didn't reflect a reality I am used to watching in film. It jumps from homoerotic work sessions, from shirtless men running through obstacle courses, to shirtless men swimming and diving, and even to shirtless men ironing their shirts. And finally it hit me that we are seeing this being told through the eyes and mind of Galoup, played marvelously by Denis Lavant. Once I understood the perspective, then the film suddenly opened up it's story and dropped one hell of a powerful ending. This also opened me up to the minds of the village people who watch in amazement, confusion, and curiosity, as the men engage in their exercises, their work, and even their manners of enjoying themselves when on leave. There's is so much more behind the simple narrative at foot that this film of very little narration and key plot points, always kept my attention, even though it is aggressively a slow burn.</span></span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="font-size: 14px;">The cinematography, while it is often very focused, is more of the narrator than Galoup, giving us more than enough information of what is happening, than Galoup's seldom bits of dialogue.</span></span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="font-size: 14px;">I love that Denis does not spoon feed the audience, allowing us to figure out what is happening on our own. And when I realized the ending, original and daring as it is, I felt a unique sense of euphoria and sorrowfulness at the same time.</span></span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="font-size: 14px;">Just a heads up warning for average film viewers, this is a slow burn that requires work in order to catch the themes, the meaning of the visuals, and even the basic story. It's not a simple film, yet it may feel that way to those not privy to it's deeper metaphors and meanings. </span></span></p><p></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="font-size: 14px;">This is arthouse cinema at it's true heights.</span></span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="font-size: 14px;"><br /></span></span></p><p style="text-align: center;"><span face="arial, sans-serif" style="color: #4d5156;"><span style="font-size: 14px;"><b>Day 3 </b></span></span></p><p style="text-align: center;"><span face="arial, sans-serif" style="color: #4d5156; font-size: x-large;"><b>Knife + Heart</b></span></p><p style="text-align: center;"><span face="arial, sans-serif" style="color: #4d5156; font-size: x-large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span face="arial, sans-serif" style="color: #4d5156; font-size: x-large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3YP-Ohs994Yxe8kaFTDX0VtbDLEfARqXvJpd4vMz_uH-d6DR0ytwATt2fhPWQtW4LuZKVRc9QnvtvnMoOhUMmXb2RADu0EE5ac3LX-DWgsPpyTk-mHoMEQtBp6VyO1rIXmGa97id5u6KgcEms-nyuNqXPPf1_zxhQR_nhWIwYi27iUbSVjrg5yklWLA/s5906/MV5BNjk0ODdhYTktYjJlNC00ZGEwLTgxMTEtOTUzMmRhZGMyNjAxXkEyXkFqcGdeQXVyNjY0MTgwOQ@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="5906" data-original-width="4134" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3YP-Ohs994Yxe8kaFTDX0VtbDLEfARqXvJpd4vMz_uH-d6DR0ytwATt2fhPWQtW4LuZKVRc9QnvtvnMoOhUMmXb2RADu0EE5ac3LX-DWgsPpyTk-mHoMEQtBp6VyO1rIXmGa97id5u6KgcEms-nyuNqXPPf1_zxhQR_nhWIwYi27iUbSVjrg5yklWLA/s320/MV5BNjk0ODdhYTktYjJlNC00ZGEwLTgxMTEtOTUzMmRhZGMyNjAxXkEyXkFqcGdeQXVyNjY0MTgwOQ@@._V1_.jpg" width="224" /></a></span></div><span face="arial, sans-serif" style="color: #4d5156; font-size: x-large;"><b><br /></b></span><p></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="font-size: 14px;">And for those not seeking out the hard "R" unbashful and unapologetic adult films, you may want to avoid "Knife + Heart". However, for those with strong stomachs and an open mind, this is a real treat. </span></span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="font-size: 14px;">As perfect as a modern giallo can be, "Knife + Heart" tells a compelling mystery story, with an incredibly easy to watch lead Vanessa Paradis, and a hauntingly good musical score provided by the always great "M83".</span></span></p><p></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="font-size: 14px;">The cinematography works at honoring and enhancing the giallo styles, with lush colors, vibrant violence, and walking the fine line of naturalistic and fantasy. It also displays the lives of gay porn artists with a flare of charm, danger, and respectability. I would have never suspected a film about a masked killer using a knife bladed dildo for murdering gay porno performers would come out so sophisticated, confident, and sexy. Much of the praise does weigh on Vanessa Paradis' performance, her style, and her versatility. She's spellbinding and a tour de force in this film.</span></span></p><p><span style="background-color: white;"><span face="arial, sans-serif" style="color: #4d5156;"><span style="font-size: 14px;">While the giallo formula sometimes leads to disappointing reveals or excuses for the violence, "Knife + Heart" delivers a solid mystery/horror. It's creepy, it's surprising, and it also has an unexpected and welcome emotional grab. </span></span></span></p><p><span style="background-color: white;"><span face="arial, sans-serif" style="color: #4d5156;"><span style="font-size: 14px;">This is set to be a cult classic, for all the right reasons. </span></span></span></p><p><span style="background-color: white;"><span face="arial, sans-serif" style="color: #4d5156;"><span style="font-size: 14px;"><br /></span></span></span></p><p style="text-align: center;"><span face="arial, sans-serif" style="color: #4d5156;"><span style="background-color: white;"><span style="font-size: 14px;"><b>Day 4 </b></span></span></span></p><p style="text-align: center;"><span face="arial, sans-serif" style="color: #4d5156; font-size: x-large;"><span style="background-color: white;"><b>Parallel Mothers</b></span></span></p><p style="text-align: center;"><span face="arial, sans-serif" style="color: #4d5156; font-size: x-large;"><span style="background-color: white;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span face="arial, sans-serif" style="color: #4d5156; font-size: x-large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWDhEBARrwcNPKOKAEF-h7obw5XhsM0uHxP1TEMR-1o6f1jetuW1fCot9H5gFy13GcRRpqmmUQ2ABCTt-VVglGCiGEqb7QjsODd5ROOi4uxS6q3xTZigpOWNS0XL2a1CX426ybdmf5tgkO5AQ5qQsHnkH1TQNRsI5ohXWiAZqutJqLtDCl_2xpTkOZXw/s2866/MV5BM2Y2MWIzY2YtZDJiYi00ODM3LWE5NGYtNjlkYWE5ZmMxNTdmXkEyXkFqcGdeQXVyOTgxNDIzMTY@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2866" data-original-width="1934" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWDhEBARrwcNPKOKAEF-h7obw5XhsM0uHxP1TEMR-1o6f1jetuW1fCot9H5gFy13GcRRpqmmUQ2ABCTt-VVglGCiGEqb7QjsODd5ROOi4uxS6q3xTZigpOWNS0XL2a1CX426ybdmf5tgkO5AQ5qQsHnkH1TQNRsI5ohXWiAZqutJqLtDCl_2xpTkOZXw/s320/MV5BM2Y2MWIzY2YtZDJiYi00ODM3LWE5NGYtNjlkYWE5ZmMxNTdmXkEyXkFqcGdeQXVyOTgxNDIzMTY@._V1_.jpg" width="216" /></a></span></div><span face="arial, sans-serif" style="color: #4d5156; font-size: x-large;"><b><br /></b></span><p></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="background-color: white;"><span style="font-size: 14px;">As far as I can remember I have been a Pedro Almodóvar fan. Admitting that may out me for watching some very adult film when I should have been too young to experience them. In my teens I was a fanatic about watching foreign films and Almodóvar is to blame for my infatuation. So seeing him still grow and expand this talents is always a delight for me. </span></span></span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="background-color: white;"><span style="font-size: 14px;">"Parallel Mothers" tells the melodramatic tale of two single mothers who both deliver their newborns in the same hospital and on the same day. We follow them as their lives continue away from each other until circumstances bring them back together. The film has plenty of surprising reveals that would be perfectly welcome in a lifetime film, yet in Almodóvar's hands, the reveals bring out emotional questions causing the audience to question their own morals. He directs another film with strong, intelligent and imperfect women that feel authentic rather than 2 dimensional. So when a new layer to the complications arise, the weight of the issues are heavy and emotionally impactful. </span></span></span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="background-color: white;"><span style="font-size: 14px;">The highlight is the stellar performance from Penelope Cruz, Janis, who we see the tale through her point of view. Her performance, as well as the musical score by Alberto Iglesias, which often resembles that of a Hitchcockian thriller might have produced, both earned Oscar nominations and rightfully so. Although the film isn't a thriller by no means, it still has a slight mystery that unfolds nicely, connecting to a a deeper story about history and the concepts and importance of identities. The main story blends into a grander story about national history and truths always surface in time. While the topic of queer lifestyle comes up, it's not a main story device, yet it does make for a great metaphor for the main themes. </span></span></span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="background-color: white;"><span style="font-size: 14px;">Masterful tale told beautifully by a master of directing. </span></span></span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="background-color: white;"><span style="font-size: 14px;"><br /></span></span></span></p><p style="text-align: center;"><span face="arial, sans-serif" style="color: #4d5156;"><span style="background-color: white;"><span style="font-size: 14px;"><b>Day 4.1 </b></span></span></span></p><p style="text-align: center;"><span face="arial, sans-serif" style="color: #4d5156; font-size: x-large;"><span style="background-color: white;"><b>On the Other Hand... Death</b></span></span></p><p style="text-align: center;"><span face="arial, sans-serif" style="color: #4d5156; font-size: x-large;"><span style="background-color: white;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span face="arial, sans-serif" style="color: #4d5156; font-size: x-large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaObj9mwt0gDER4740p8nA_oTC9lokcozaPKKS08QAn9_5m9Z-Wu5GIqzM4vkBGa_Sv6RHFQDht3QfO41a19hVtblCyflxOGTb0yWbMR2FnH1gRBYbIOIKY6c3wSVLxq2I5bQKz6mmIB53L3-ZGe-1mKDMThOWbeRC9htYYSkIA0_hbjm9wiqKO-v5dA/s1449/MV5BOTU3MTY3NzU0OV5BMl5BanBnXkFtZTcwOTExNTQwMg@@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1449" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaObj9mwt0gDER4740p8nA_oTC9lokcozaPKKS08QAn9_5m9Z-Wu5GIqzM4vkBGa_Sv6RHFQDht3QfO41a19hVtblCyflxOGTb0yWbMR2FnH1gRBYbIOIKY6c3wSVLxq2I5bQKz6mmIB53L3-ZGe-1mKDMThOWbeRC9htYYSkIA0_hbjm9wiqKO-v5dA/s320/MV5BOTU3MTY3NzU0OV5BMl5BanBnXkFtZTcwOTExNTQwMg@@._V1_FMjpg_UX1000_.jpg" width="221" /></a></span></div><span face="arial, sans-serif" style="color: #4d5156; font-size: x-large;"><b><br /></b></span><p></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="background-color: white;"><span style="font-size: 14px;">A gay detective, Donald Strachey (Chad Allen) investigates a small town's mystery connected to the harassment and terrorizing of a school's councilor (Margo Kidder) after she was forced to come out of the closet to the whole town. </span></span></span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="background-color: white;"><span style="font-size: 14px;">The film resembles a top quality Canadian tv pilot but in all the right ways. The character acting is good, the mystery is intriguing, and the film delivers a few laughs along the way, while maintaining the seriousness of the situation. This is a fun detective story and would have made a great series, if this was the intention. Donald Strachey makes more appearances in following films "Ice Blue", "Third Man Out" and "Shock to the System", and I look forward to jumping into those sequels soon. </span></span></span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="background-color: white;"><span style="font-size: 14px;">What's interesting about this mystery is that it puts the concept of homophobia into the spot light not as a be all and end all villain, yet as a red herring as it may or may not be connected to the issue but purposely masked to cover some darker secrets. Homophobic has become a new sure fire distinction to villainy, that it's become the new Nazism in films. This film uses that to it's advantage. </span></span></span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="background-color: white;"><span style="font-size: 14px;">Low budget and simplistic filming, yet the film has likable characters, a solid mystery, and lands with an emotional finale that could be considered cliché yet it works nicely with the style and set up of the whole film. </span></span></span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="background-color: white;"><span style="font-size: 14px;"><br /></span></span></span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="background-color: white;"><span style="font-size: 14px;"><br /></span></span></span></p><p><span face="arial, sans-serif" style="color: #4d5156;"><span style="background-color: white;"><span style="font-size: 14px;">Great start to a new month of </span></span></span><span face="arial, sans-serif" style="background-color: white; color: #5f6368; font-size: 14px; font-weight: bold;">LGBTQIA2S</span><span face="arial, sans-serif" style="background-color: white; color: #4d5156; font-size: 14px;">+ films. If there's any particular films you think might make a good addition to my months viewing, feel free to let me know. Till next week, tah tah for now. </span></p><p><span face="arial, sans-serif" style="background-color: white; color: #4d5156; font-size: 14px;"><br /></span></p><p><span face="arial, sans-serif" style="background-color: white; color: #4d5156; font-size: 14px;">JP Fournier</span></p><p><br /></p>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-74496881457891162522023-02-11T11:44:00.007-08:002023-02-11T11:55:55.799-08:00"To Kill A Tiger" - One of the best and most shocking documentaries of the year. <p> It's been a while since I have put time into writing about important films, yet I cannot shake the impact of Nisha<span face="Arial, sans-serif" style="font-size: 11pt;"> Pahuja's acclaimed documentary, "To Kill a Tiger" (Ture un tigre) that </span><span face="Arial, sans-serif" style="font-size: 11pt;">is currently making it's way through theatres across Canada. </span></p><p><span face="Arial, sans-serif" style="font-size: 11pt;">Playing at the Edmonton Metro, Feb 11th to 14th. </span></p><p><span face="Arial, sans-serif" style="font-size: 11pt;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgWXxjBtvjhAy4s6DkjSF4v7oeG012Ua-SlKNhyqWH154o5Kuzemr7Vu3mRWpFaaCZrJoNOeHnL7HLJq30VFz5KLUIeIdx12IbInSxfn2NBLNFLsJb1Et9AU9ecII29Tp4gmCGE2C_xPLQuWvkEd-tq1lhaUClbSl2vvqhGcd2-zse3XFZeoXMnFTuGSQ" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="550" data-original-width="978" height="180" src="https://blogger.googleusercontent.com/img/a/AVvXsEgWXxjBtvjhAy4s6DkjSF4v7oeG012Ua-SlKNhyqWH154o5Kuzemr7Vu3mRWpFaaCZrJoNOeHnL7HLJq30VFz5KLUIeIdx12IbInSxfn2NBLNFLsJb1Et9AU9ecII29Tp4gmCGE2C_xPLQuWvkEd-tq1lhaUClbSl2vvqhGcd2-zse3XFZeoXMnFTuGSQ" width="320" /></a></div><br />The story is about a loving father fighting against a system
that is pushing his daughter to marry one of three men that ganged raped her
when she was 13 years old. As he goes to the authorities, they pass on the buck
saying it’s a village matter. The village wants to maintain their honor status
by sweeping the incident under the rug claiming it’s for the better of the
majority of the village, instead rights of one women/girl. We get to witness the
horrific injustice, along with threats and harassment against this hurt family,
as they battle for their rights, the respect and for the safety of female life.<p></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjLMceM05MOZGcKV-3QnTah84KINJ-sC9bBnJizuistLpmH8JOxGWRwxywj1MVt0ethOLSdGM2-FXEK6_KRmciyjg7FpC2YgQRpVSfEnYQtvToIMyzq9oDN9nz7uDFarqTgVECGX6IVyxtJCD04d1NdVCD0fP2eGfFm9WC1J3rvldw49t0m5jbZehlBKw" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="525" data-original-width="700" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEjLMceM05MOZGcKV-3QnTah84KINJ-sC9bBnJizuistLpmH8JOxGWRwxywj1MVt0ethOLSdGM2-FXEK6_KRmciyjg7FpC2YgQRpVSfEnYQtvToIMyzq9oDN9nz7uDFarqTgVECGX6IVyxtJCD04d1NdVCD0fP2eGfFm9WC1J3rvldw49t0m5jbZehlBKw" width="320" /></a></div><br />Director Nisha Pahuja creates one compelling and absolutely
captivating story demonstrating the bravery of a loving family against an unfair,
sexist, and irreputable manner of discrimination that is eye opening to rest of
the world. Sharing their story, alone is an outstanding demonstration of bravery in and of
itself. And while this film displays a great admiration for those fighting for
justice and India's ongoing battle with toxic masculinity, it will insight feelings
of anger, sadness, and will infuriate most audiences. <p></p><p></p><p class="MsoNormal"><o:p></o:p></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiRO2onLK_gdVQYxEEE27c--MWT7OzBh558MJcF7FPosZD3sKv3n0tSH0uRhT7gP3lUD7W5rlEJDPmEEKh11ivVYzK_LDssrSh_Wpgcc2-S1ofogkefEtRxZ9gen9Oxae7m8zi5ZJL0Q6QDiXlUz_nhRmU-9NELIIGhp3iJh_Wh85Go9GE45A6etDffeQ" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="394" data-original-width="700" height="180" src="https://blogger.googleusercontent.com/img/a/AVvXsEiRO2onLK_gdVQYxEEE27c--MWT7OzBh558MJcF7FPosZD3sKv3n0tSH0uRhT7gP3lUD7W5rlEJDPmEEKh11ivVYzK_LDssrSh_Wpgcc2-S1ofogkefEtRxZ9gen9Oxae7m8zi5ZJL0Q6QDiXlUz_nhRmU-9NELIIGhp3iJh_Wh85Go9GE45A6etDffeQ" width="320" /></a></div><br /><br /><p></p>
<p class="MsoNormal">With slick cinematography, we got to see the visual beauty
of the country, along with the striking colors of the villages, along with wide
symmetrical shots placing the father in the midst of working on his land,
causing more of a sense of their loneliness and abandonment as they take a
stand for their daughter’s rights. It is amazing the conversations that take
place, especially considering the presence of a camera, showing village women, defending the rapists,
and putting blame on the 13-year-old girl. Or a people defending the boys by
saying this is not the West, in basically diminishing their own rights compared
to other countries. <span style="mso-spacerun: yes;"> </span>The film even shows
us people who understand the situation, wish to help the girl, but wish to help
her future knowing that their society will release the rapists too quickly,
setting up future problems for the girls once they are free. We see the
financial strain, the emotional turmoil, and the helpless feeling that this family
experiences as the situation become more desperate and infuriating and it is very hard to digest. Yet the determination, the
bravery, and the near impossible fight for what is right, is something to
commend, respect, and be awe struck by. <o:p></o:p></p><p class="MsoNormal"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEheDiKcMa1pkCmuj_vi1_2NbdJqgjzEIYyQxBBWxaeCUXeBCKHlJYHzo0ozdZSUFwQI70fRFSx6YIi9DSJgUfMhtsgHG0P0kb82ALX8kww8ZU2jopZFKjwoWKZ6-XEXL4R4EoQqq6Nv3z6Oya_dIrnC7xgW63Uyd0K7bqudZ1D8Pdf2j-tuS5Xurtu0tg" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="394" data-original-width="700" height="180" src="https://blogger.googleusercontent.com/img/a/AVvXsEheDiKcMa1pkCmuj_vi1_2NbdJqgjzEIYyQxBBWxaeCUXeBCKHlJYHzo0ozdZSUFwQI70fRFSx6YIi9DSJgUfMhtsgHG0P0kb82ALX8kww8ZU2jopZFKjwoWKZ6-XEXL4R4EoQqq6Nv3z6Oya_dIrnC7xgW63Uyd0K7bqudZ1D8Pdf2j-tuS5Xurtu0tg" width="320" /></a></div><br /><br /><p></p>
<p class="MsoNormal">This is a tough pill swallow yet is an important film to be
made and spread. Incredibly powerful and progressively unforgettable. <span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><o:p></o:p></p><p class="MsoNormal"><span style="mso-spacerun: yes;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgZGBTYhK8u6QXfIuSVkClzfIQfRCJaQQ-JdanmpC1nefaWqwMdhvYCVd4KWyISs7wNVw_QR2d_RwHFmlEF47uqP5eHNFgUm9k4ucpOP9coPkF7ep4SpAUWeupIkHKWVmU6gZ13sNuBwdQgxZ4YoK_5MSQEeUVuBPtagmwUgS9i9O1TV7Q3SWO3QTYrjw" style="margin-left: 1em; margin-right: 1em;"><img alt="" data-original-height="394" data-original-width="700" height="180" src="https://blogger.googleusercontent.com/img/a/AVvXsEgZGBTYhK8u6QXfIuSVkClzfIQfRCJaQQ-JdanmpC1nefaWqwMdhvYCVd4KWyISs7wNVw_QR2d_RwHFmlEF47uqP5eHNFgUm9k4ucpOP9coPkF7ep4SpAUWeupIkHKWVmU6gZ13sNuBwdQgxZ4YoK_5MSQEeUVuBPtagmwUgS9i9O1TV7Q3SWO3QTYrjw" width="320" /></a></div><br /><br /><p></p><p></p><li class="MsoNormal" style="mso-list: l0 level1 lfo1; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; tab-stops: list 36.0pt; text-align: justify; text-justify: inter-ideograph;"><span face=""Arial",sans-serif" style="mso-fareast-font-family: "Times New Roman";">Nisha Pahuja is an
Emmy-nominated filmmaker based in Toronto and Bombay, whose credits
include <em><span face=""Arial",sans-serif">Diamond
Road </span></em>(2007 Gemini Award for Best Documentary Series) and <em><span face=""Arial",sans-serif">The World Before Her</span></em> (2012;
Best Documentary, Tribeca; Best Canadian Documentary, Hot Docs; Canada’s
Top Ten).<o:p></o:p></span></li><ul type="disc">
</ul><p></p><p style="text-align: justify; text-justify: inter-ideograph;"><span face=""Arial",sans-serif"><br /></span></p><p style="text-align: justify; text-justify: inter-ideograph;"><span face=""Arial",sans-serif">“A project like <strong><i>To Kill a Tiger</i></strong> only
comes along when filmmakers truly care about their subjects... the best
Canadian film of the year.” – Pat Mullen, </span><a href="https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fu7061146.ct.sendgrid.net%2Fls%2Fclick%3Fupn%3D4tNED-2FM8iDZJQyQ53jATUdOoyCrrI1C3SdzyIJ9bF97R8V9ibZ0izuriVZhXnR-2F7AC6w8VXbVKf7rwlsxMyUwIxsQJw2hjW8Z5HrOhE1TsX-2F3H5Pe9cmRGLGJvCuvlW-2BrHZO_se6MFIbJCCyavW90WYbvqvZRqi8ks60Iuq-2F6E5FugOJTj4xcG0EWTMfxoiLUpSa1p-2F-2FYihA8bNteC847l4klpbBpQRFqq2gmc3giwBvV9cv5N0E8V44ntA91Mm8TwVNaT9-2FFWfv-2BS9u40TXe0L3-2BRjiNrCE5og6-2FToP-2FfqSXo9gZm-2BWt1xwEAo-2FfCuqh4s6MMG78YUCt-2F9Q-2FLxZDsIXfDUI54swaoRWujfgwCdN1aRuz1jm-2FMG0M48ngOTN-2BxvR4-2BsReOu3ElhYMZRfgB3voI17X07s-2FqOvPNV8Q9gCDRPf-2BfnxRG5aFIiO2r4LkoVbK-2BsRD3LvUqZxfXxwu9CLL6g-3D-3D&data=05%7C01%7C%7Ca33c7cb7cb054f9a62be08daf9ace346%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638096818224978186%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=gmNj4yLQ1xtJT994GOkcsHxeRWa7xEihJoKT3QVIfuw%3D&reserved=0"><em><span face=""Arial",sans-serif">POV Magazine</span></em></a><o:p></o:p></p><span face="Arial, sans-serif" style="font-size: 11pt;"></span><p></p><p style="text-align: justify; text-justify: inter-ideograph;"><span face=""Arial",sans-serif">“Pahuja’s film is a novelistic study of
strength coexisting with self-doubt, of that inspirational byword,
‘perseverance’: a human frailty that endures.” – Brendan Boyle, </span><a href="https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fu7061146.ct.sendgrid.net%2Fls%2Fclick%3Fupn%3D4tNED-2FM8iDZJQyQ53jATUe-2FMwJeW-2FppKlEoKcbpvvd6FuaznBjUXDnjdUOVd9jFiYY3utfkfTFid4ShsOtwqMBURVUm-2F-2BxrWMvwhilGsaBY1RSybImQql-2FP6OErnFPIysVBDk7iUFFUN2VXwZFSC5xP1nXLwGgtXCoE1I4UK-2FNs-3D-W92_se6MFIbJCCyavW90WYbvqvZRqi8ks60Iuq-2F6E5FugOJTj4xcG0EWTMfxoiLUpSa1p-2F-2FYihA8bNteC847l4klpbBpQRFqq2gmc3giwBvV9cv5N0E8V44ntA91Mm8TwVNaT9-2FFWfv-2BS9u40TXe0L3-2BRjiNrCE5og6-2FToP-2FfqSXo9gZm-2BWt1xwEAo-2FfCuqh4s6M-2BS3kVcjq8mY3itE0LzFUOMbz0PoHwWO-2FmgDTjfJ8D-2FExaTMlg-2BWvxsi7N-2BcdiajSn-2BaGnx7IILBVquuB-2F0E3BH-2BHooK4Drh9t5POJeUfA2tYknobs3OTHG2lLsowD2hUHf-2FHacI0cbDCiyMbimI1kg-3D-3D&data=05%7C01%7C%7Ca33c7cb7cb054f9a62be08daf9ace346%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638096818224978186%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=LdLoIMZilBbj1dyurIb%2BlXoEzM7xCTRcoiGBS7%2F%2BiYs%3D&reserved=0"><em><span face=""Arial",sans-serif">Cinema Scope</span></em></a><span face=""Arial",sans-serif"> </span><o:p></o:p></p><p class="MsoNormal">
</p><p style="text-align: justify; text-justify: inter-ideograph;"><span face=""Arial",sans-serif">“T<span style="background: white;">old with immense compassion and bravery, <strong><i>To Kill a Tiger</i></strong><strong> </strong>is Pahuja’s best
film and one of the best documentaries at this year’s festival (TIFF).” </span>–
<span style="background: white;">Thom Ernst, </span></span><a href="https://na01.safelinks.protection.outlook.com/?url=https%3A%2F%2Fu7061146.ct.sendgrid.net%2Fls%2Fclick%3Fupn%3D4tNED-2FM8iDZJQyQ53jATUVGZESztG1DdwIgsZDWyk-2Bv2sVUzsq-2FAC-2BOeqwh0ZtNX7FDZxEO-2FUfcs19sxzqXCdQ-3D-3Dqw4f_se6MFIbJCCyavW90WYbvqvZRqi8ks60Iuq-2F6E5FugOJTj4xcG0EWTMfxoiLUpSa1p-2F-2FYihA8bNteC847l4klpbBpQRFqq2gmc3giwBvV9cv5N0E8V44ntA91Mm8TwVNaT9-2FFWfv-2BS9u40TXe0L3-2BRjiNrCE5og6-2FToP-2FfqSXo9gZm-2BWt1xwEAo-2FfCuqh4s6MOTg-2Bn2PszyBJjf1XcLiOypdbAu1-2F6P4DtFOCfBWJAbW4SDnCS6prwRqsbmlmwVgnT9rLnnmvlgQqD1CTXEe5GsNGNtdAMK36qiPcUh86R0H-2BpsnqMRVPwFsICPzjZ6noaoxt4ByAiq3DWtnZqaiJFg-3D-3D&data=05%7C01%7C%7Ca33c7cb7cb054f9a62be08daf9ace346%7C84df9e7fe9f640afb435aaaaaaaaaaaa%7C1%7C0%7C638096818224978186%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=QJETey4mL0cfiXodgFAHzFyOH9DSmz2vixdVEEam7uk%3D&reserved=0"><span face=""Arial",sans-serif" style="background: white;">Northernstars.ca</span></a><span face="Arial, sans-serif" style="background: white;"> </span><o:p></o:p></p><p style="text-align: justify; text-justify: inter-ideograph;"><br /></p><p style="text-align: justify; text-justify: inter-ideograph;"><br /></p><p style="text-align: justify; text-justify: inter-ideograph;">Review By JP Fournier</p>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-20928255009854454352022-12-18T20:12:00.035-08:002023-01-18T17:08:33.280-08:0050 Quick Christmas Movie Reviews<p></p><p class="MsoNormal" style="margin-left: 18pt;"><span style="color: black; font-size: 13.5pt; line-height: 107%;">There's an insane number of mediocre Holiday
films created for year after year for viewing consumption. Which always baffles me, being that
only a tiny, miniscule number of these films find a place in people's traditional
Holiday watching preparing for or to be enjoyed on Christmas day. Out of all
the lists created, "Best of...", "Most viewed...",
"Most popular..." and so on and so forth, Christmas movie breakdowns,
we see the same 10 to 20 movies listed over and over. The reason for this is
because the Holiday seasons are meant for achieving joy, comfort, and
relaxation. And nothing supports those goals more than nostalgia and repeating
traditions from our pasts. Very rare do new films break themselves into this
list tiny list of "Holiday Classics". I believe the last film to make
this rank of popular rewatch lists was “Elf” from 2003. And year after year, it
becomes harder for a film to make it into that status. <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left: 18pt;"><span style="font-size: 18px;">This might have been the goal in the past, however, during the last decade a new breed of Holiday film making film has populated networks and streaming sites. And those are the harmless, simple, and unoriginal Holiday feels film. These films put little to no effort on the stories, the plots, the characters, or research on intellectuality. They focus on showing scenes, events, images, and honoring traditions that viewers can relate to or believe is aesthetically how Christmas should appear, sound, and feel. These films will pay more attention to describing a taste of a hot chocolate, showing people enjoying decorating, and making sure that no scenes are not without Christmas lights in the backgrounds, even when inside barns, garages, and surgical operating rooms. Hallmark is obviously the king of these films and have influenced so many other outlets to get on the bandwagon. What makes this type of Christmas film popular is the accessibility of the film to all audiences. They are often played in the background while people wrap presents, clean the house, or do anything that doesn’t require them to give the movie %100 of their attention and still be able to follow the story with no effort.</span></p>
<p class="MsoNormal" style="margin-left: 18pt;"><span style="color: black; font-size: 13.5pt; line-height: 107%;">Then there is a third breed of Christmas movies
that rarely gets talked about during the holidays, the easy money turds that
have very little effort, talent, voice, and of course microscopic budgets.
These cinematic pieces of human feces are made quickly, cheaply, and with
little care of the product, only for the soul intent to sell the film to
streaming sites to take advantage of streaming sites seeking content in quantity
rather than quality. Often these films are made from swindling local religious
groups, community organizations, charities, or (my favorite) egosploitation
films, movies that are meant for the whole goal supporting one insane person’s
ego. For the most part, these types of films display embarrassing, cringe
worth, and upsettingly awkward performances, incoherent scripts, and a lack of
filming knowledge in all technical aspects, sound, lighting, editing, cinematography,
and especially directing.<o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left: 18pt;"><span style="color: black; font-size: 13.5pt; line-height: 107%;">These last two types of Holiday movies dominate
the fields in quantity making up for over 80% of the titles available. For ever
2 or 3 mainstream Christmas movies being made each year, Hallmark alone is
creating a new 40 films. So the questions is, out off the 1000s and 1000s of Christmas
titles coming out on a regular basis, and people, friends and families are
continually making spaces in the hectic Holliday schedules for the same repeat
movies they have made traditions, how do new quality Holiday films get their
chance, let alone get viewed by new audiences. Well, unfortunately I don’t have
an answer for that. However, for those seeking out new films they may enjoy
this season, I can at least try and weed out a small handful of titles for
those not wanting to waste their time gambling on new titles. <o:p></o:p></span></p>
<p class="MsoNormal" style="margin-left: 18pt;"><span style="color: black; font-size: 13.5pt; line-height: 107%;">Here are 50 Quick Christmas Movie Reviews: <o:p></o:p></span></p><p class="MsoNormal" style="margin-left: 18pt; text-align: center;"><span style="font-size: x-large;"><b>1</b></span><span style="font-size: 18px; white-space: pre;"> </span></p><p class="MsoNormal" style="margin-left: 18pt; text-align: center;"><b><span style="font-size: x-large;">A Christmas Karen</span></b></p><p class="MsoNormal" style="margin-left: 18pt; text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqdeyz8pfJ0LyRbow5fAh4h4FVqeY4KnzjIA5sRfQQ007UGAckgzWwFBeU8lKeiqNyJOV89-CIAMlLyw0kLcCbMLf2Y0ENqY5cQ9jSTMPTRz6dVSH9MloEeE-0Ny68JUQ9q87RK6d0nR1AY_GCCcJkf-_XbYHCco2EUa2RSVpuw5eLYTa08J8sSt1stA/s1545/MV5BMjUyZTYwZjEtOTk1NS00ZjljLTgyNWMtY2RkNWY2MjdhMjg4XkEyXkFqcGdeQXVyMjA4MzkzNDc@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1545" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqdeyz8pfJ0LyRbow5fAh4h4FVqeY4KnzjIA5sRfQQ007UGAckgzWwFBeU8lKeiqNyJOV89-CIAMlLyw0kLcCbMLf2Y0ENqY5cQ9jSTMPTRz6dVSH9MloEeE-0Ny68JUQ9q87RK6d0nR1AY_GCCcJkf-_XbYHCco2EUa2RSVpuw5eLYTa08J8sSt1stA/s320/MV5BMjUyZTYwZjEtOTk1NS00ZjljLTgyNWMtY2RkNWY2MjdhMjg4XkEyXkFqcGdeQXVyMjA4MzkzNDc@._V1_FMjpg_UX1000_.jpg" width="207" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p><p class="MsoNormal" style="margin-left: 18pt;"><span style="font-size: 18px;">Charles Dicken’s iconic tale of redemption is brought to the modern setting, replacing Ebenezer with a protagonist who’s a typical Karen. This low budget farce does offer a few genuine laughs but doesn’t bring much new to the well-known story. </span></p><p class="MsoNormal" style="margin-left: 18pt;"><span style="font-size: 18px;">Good to have in the background. </span></p><p></p><p class="MsoNormal" style="margin-left: 18pt; text-align: center;"><b><span style="font-size: x-large;">2</span></b></p><p class="MsoNormal" style="margin-left: 18pt; text-align: center;"><b><span style="font-size: x-large;">A Christmas Mystery</span></b><span style="font-size: 18px;"> </span></p><p class="MsoNormal" style="margin-left: 18pt; text-align: center;"></p><p class="MsoNormal" style="margin-left: 18pt;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikSXCZMylR770LueC0U_FfRId5KmHjKr__IB1MS1jYpsWxBWj5eD_l6VQketE5CAFX42Vj4A-GfQvZM-vtrIPBuw-u_eICWlMKTovzhfSuSO_XbeMtWlAk6Wy1QHtAscxIRruvD6-DGgNROVc0QFXozU6dF9Q0y0nUu-dakiA2iiCo8HGx4T7AQyMN0Q/s3557/db16cfa7f2a5388ca70c9c60ff492695-2400.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3557" data-original-width="2400" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikSXCZMylR770LueC0U_FfRId5KmHjKr__IB1MS1jYpsWxBWj5eD_l6VQketE5CAFX42Vj4A-GfQvZM-vtrIPBuw-u_eICWlMKTovzhfSuSO_XbeMtWlAk6Wy1QHtAscxIRruvD6-DGgNROVc0QFXozU6dF9Q0y0nUu-dakiA2iiCo8HGx4T7AQyMN0Q/s320/db16cfa7f2a5388ca70c9c60ff492695-2400.jpg" width="216" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><span style="font-size: 18px;">Nancy Drew type of child mystery with a plucky young sleuth, taking it under her own wing to solve the mystery of a Christmas item that has framed an innocent man. Strange they wouldn’t just make this film “Nancy Drew and the Mystery of the Stolen Christmas Bells” as it follows the popular plot tropes of the sneaky sleuth’s adventures. Only this might be a bit tones down from Nancy Drew’s riskier and more dangerous mysterious. But as a more innocent mystery than Nancy Drew, this turned out to be surprisingly better than I was expected. Fun for the family. Maybe too simple for adult viewing. </span><p></p><p class="MsoNormal" style="margin-left: 18pt;"><span style="font-size: 18px;">Can be watched in the background. </span></p><p class="MsoNormal" style="margin-left: 18pt;"><span style="font-size: 18px; line-height: 107%;"></span></p><p class="MsoNormal" style="margin-left: 18pt;"><span style="font-size: 18px;"><br /></span></p><p class="MsoNormal" style="margin-left: 18pt; text-align: center;"><b><span style="font-size: x-large;">3</span></b></p><p class="MsoNormal" style="margin-left: 18pt; text-align: center;"><b><span style="font-size: x-large;">A Pistol for Ringo</span></b></p><p class="MsoNormal" style="margin-left: 18pt; text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOTXim_9kuoTGPxMQiPRts2mqx_14yjLHLS9CXtkwFfoxbO002mOgDjO7kwwqoL8VeX7SnwEz-UgwmyzqEbDDYxi06kFuk8_nKtKYh1SlNDgposO0XEGvm34d9bOqA7al7piE1hHDniLzm7D0IGC5vaqDxK2h_3elUDPHYi5IPTuochrxji8N_Yw70BQ/s2649/MV5BNGE5NjkyNjQtOTY1ZS00MmMxLTk1YzQtNDhkOTk5ZWExYmUyXkEyXkFqcGdeQXVyNzc5MjA3OA@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2649" data-original-width="1900" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOTXim_9kuoTGPxMQiPRts2mqx_14yjLHLS9CXtkwFfoxbO002mOgDjO7kwwqoL8VeX7SnwEz-UgwmyzqEbDDYxi06kFuk8_nKtKYh1SlNDgposO0XEGvm34d9bOqA7al7piE1hHDniLzm7D0IGC5vaqDxK2h_3elUDPHYi5IPTuochrxji8N_Yw70BQ/s320/MV5BNGE5NjkyNjQtOTY1ZS00MmMxLTk1YzQtNDhkOTk5ZWExYmUyXkEyXkFqcGdeQXVyNzc5MjA3OA@@._V1_.jpg" width="230" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p><p class="MsoNormal" style="margin-left: 18pt; text-align: center;"></p><p class="MsoNormal" style="margin-left: 18pt;"><span style="font-size: 18px;">Italian Western set during Christmas season. Bank robbers take hostages in a near by family’s fort during Christmas. The sheriff of the town recruits the assistance of Ringo, a suave, cool handed, cocky mercenary to infiltrate the situation and help take down the robbers while keeping the family alive. Director Duccio Tessari took pride in never following the obvious genre tropes and clichés, which makes “A Pistol for Ringo” a fun, comedic, and odd Spaghetti Western. </span></p><p class="MsoNormal" style="margin-left: 18pt;"><span style="font-size: 18px;">Worth seeing once. </span></p><p class="MsoNormal" style="margin-left: 18pt;"><span style="font-size: 18px;"><br /></span></p><p class="MsoNormal" style="margin-left: 18pt; text-align: center;"><span style="font-size: x-large;"><b>4</b></span></p><p class="MsoNormal" style="margin-left: 18pt; text-align: center;"><span style="font-size: x-large;"><b>A Tiny House Christmas</b></span></p><p class="MsoNormal" style="margin-left: 18pt; text-align: center;"><span style="font-size: x-large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8BTztnInJR7xLZRdY7SQvx8sEnzZjMcIKDMHEC6iMV0JzlB5oP6tgGUI6LrSjncLiCsJuuKYg73cbeJX1wFO5AlA-zSmO6m-nqikPXZTaV6I4EPzL3mVfPWIEQvMXfiN5MbXkHNC_6itQVGW78I5HXIuDA537mX_icMe0RbVI6okiR1oAF_A8b5Ompg/s2963/MV5BNzJkZDc0ZGUtYWExZC00YjVkLTkzYTItMmViOTQwYzllYTYxXkEyXkFqcGdeQXVyMTg4MjQ1NTA@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2963" data-original-width="2000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8BTztnInJR7xLZRdY7SQvx8sEnzZjMcIKDMHEC6iMV0JzlB5oP6tgGUI6LrSjncLiCsJuuKYg73cbeJX1wFO5AlA-zSmO6m-nqikPXZTaV6I4EPzL3mVfPWIEQvMXfiN5MbXkHNC_6itQVGW78I5HXIuDA537mX_icMe0RbVI6okiR1oAF_A8b5Ompg/s320/MV5BNzJkZDc0ZGUtYWExZC00YjVkLTkzYTItMmViOTQwYzllYTYxXkEyXkFqcGdeQXVyMTg4MjQ1NTA@._V1_.jpg" width="216" /></a></span></div><span style="font-size: x-large;"><b><br /></b></span><p></p><p class="MsoNormal" style="margin-left: 18pt;"><span style="font-size: 18px;">A young woman takes a job as an elf and moves into a tiny house fit for one. We watch as she mopes around from one odd character to the next, all attempting to improvise (my word, I hope this was improvised! There just cannot be script for this unnaturally clumsy and cringe worthy attempts at human banter). And after 45 minutes in this 80 minute film, (90 minutes if we count the pitiful music video during the end credits performed by one of the actors in this film) a story begins. Our tiny house inhabiting protagonist overhears her new boy friend talking to his family who may or may not be Santa Claus and his workers. She intervenes with an online meeting and there’s conflict for some reason, which gets resolved some how. Truthfully, this film is so void of realistic characters, situations, and reasonable character interactions that it borderlines abstract theatre? Can it be enjoyed on an ironic level? Probably not, as it’s slow, quiet, and extraordinarily mundane. </span></p><p class="MsoNormal" style="margin-left: 18pt;"><span style="font-size: 18px;">Skip it. </span></p><p class="MsoNormal" style="margin-left: 18pt; text-align: center;"><span style="font-size: x-large;"><b>5</b></span></p><p class="MsoNormal" style="margin-left: 18pt; text-align: center;"><span style="font-size: x-large;"><b>Agnes </b></span></p><p class="MsoNormal" style="margin-left: 18pt; text-align: center;"><span style="font-size: x-large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: x-large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGX60AedXAIrdIQREejQ4eSxntFG0ST107HCOvloh7yEHiSdcUXMGRh6ZIWfnae-MlZeHXx08sJ5FdFka5RvbzpMTZdBGx3BQK-oYCaem7D50rFnIStocCguzgmdZs76EdlwGCjLZJysiPYdRfkaDb093-o62Q2UQ45ayL0_gqM59ZkCVRD__YeQEewA/s1473/MV5BMmVlM2I5YWUtZmM2Yy00NmUxLThhNmYtNGU1N2ZmZjA5ZjY1XkEyXkFqcGdeQXVyMTM1MTE1NDMx._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1473" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGX60AedXAIrdIQREejQ4eSxntFG0ST107HCOvloh7yEHiSdcUXMGRh6ZIWfnae-MlZeHXx08sJ5FdFka5RvbzpMTZdBGx3BQK-oYCaem7D50rFnIStocCguzgmdZs76EdlwGCjLZJysiPYdRfkaDb093-o62Q2UQ45ayL0_gqM59ZkCVRD__YeQEewA/s320/MV5BMmVlM2I5YWUtZmM2Yy00NmUxLThhNmYtNGU1N2ZmZjA5ZjY1XkEyXkFqcGdeQXVyMTM1MTE1NDMx._V1_FMjpg_UX1000_.jpg" width="217" /></a></span></div><span style="font-size: x-large;"><b><br /></b></span><p></p><p class="MsoNormal" style="margin-left: 18pt;"><span style="font-size: 18px;">One half exorcist film, the other half troubled loner attempting to get their life together during the holiday season. Competently shot with some quality performances sprinkled throughout. There is an attempt to bring the film together within the final closing conversation, but it doesn’t have anything important, new, or substantial to say. “Agnes” didn’t leave much of an impression or demonstrate any value by the end. Not a bad watch but also not a memorable one too. </span></p><p class="MsoNormal" style="margin-left: 18pt;"><span style="font-size: 18px;">Skip it. </span></p><p class="MsoNormal" style="margin-left: 18pt;"></p><p class="MsoNormal" style="margin-left: 18pt; text-align: center;"><b><span style="font-size: x-large;">6</span></b></p><p class="MsoNormal" style="margin-left: 18pt; text-align: center;"><b><span style="font-size: x-large;">All I want for Christmas – 2021</span></b></p><p class="MsoNormal" style="margin-left: 18pt; text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTo0OdMLSzS6QfTnDHrZT6YnjmQ6C8Uwjyul4viOnW5QYqdcnT1Pw-leaG0bNCO9BzcahdfJ99q_3ob1ur8pcZfKOW0SQZ03GNHb_AlsjWg3MdRAjo0YRQZBO_OgWY4uhKm5BCXQIw8YEyc6oawDzs-n0eqJdh1qGx_Fap1S0_wDKvtKtGlA2rhqojIQ/s263/download.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="263" data-original-width="191" height="263" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTo0OdMLSzS6QfTnDHrZT6YnjmQ6C8Uwjyul4viOnW5QYqdcnT1Pw-leaG0bNCO9BzcahdfJ99q_3ob1ur8pcZfKOW0SQZ03GNHb_AlsjWg3MdRAjo0YRQZBO_OgWY4uhKm5BCXQIw8YEyc6oawDzs-n0eqJdh1qGx_Fap1S0_wDKvtKtGlA2rhqojIQ/s1600/download.jpg" width="191" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p><p class="MsoNormal" style="margin-left: 18pt;"><span style="font-size: 18px;">Another Christmas terrorist film for kids, with a building held hostage by bad guys while brave kids play hide and go seek while attempting to defeat the villains. Kids run around and torment bad guys, people get tied up with Christmas lights, and the kids use toys to beat the villains. There's little to anything that is new here. </span></p><p class="MsoNormal" style="margin-left: 18pt;"><span style="font-size: 18px;">This one is commendable for the degree of terrible acting the children demonstrate, while attempting Abbott and Costello style of banter. For instance, one kid not understanding what the word “copy” means when talking on a walkie talkie. So with belly laughing humor like that…. (Sigh) Yeah. </span></p><p class="MsoNormal" style="margin-left: 18pt;"><span style="font-size: 18px;">Skip it. </span></p><div><div style="text-align: center;"><span style="font-size: x-large;"><b>7</b></span></div><div style="text-align: center;"><span style="font-size: x-large;"><b>Bandit Hound</b></span></div><div style="text-align: center;"><span style="font-size: x-large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_EowL1VVLHBO9iyl8MIkmAB0s97kWtI0WLiJVXjWa8vW1d4r_r8hKuT7l3xxIqi08FoOYe6CfKnT3pF1M6UByKljP6_8lvklNMLWaY8jJrl8cyUg6tI8Oa2co6Z06mxcwlqOgIq8YneLxpda5x7180UI9l-7g8se7Wo8f3UTYAyXuvBALvI_Q67UwYA/s2916/MV5BMTc2NDA5MjE5OV5BMl5BanBnXkFtZTgwMjQyOTQ2MTE@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2916" data-original-width="1980" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_EowL1VVLHBO9iyl8MIkmAB0s97kWtI0WLiJVXjWa8vW1d4r_r8hKuT7l3xxIqi08FoOYe6CfKnT3pF1M6UByKljP6_8lvklNMLWaY8jJrl8cyUg6tI8Oa2co6Z06mxcwlqOgIq8YneLxpda5x7180UI9l-7g8se7Wo8f3UTYAyXuvBALvI_Q67UwYA/s320/MV5BMTc2NDA5MjE5OV5BMl5BanBnXkFtZTgwMjQyOTQ2MTE@._V1_.jpg" width="217" /></a></div><b><br /></b></span></div><div>Dog trained to rob banks, finds a new owner after a bank heist goes sour. The new owner… a loser kid, named Owen. Owen is played by Nicholas Danner, credited as Nicholas Alexander, son of the director Michelle Danner. And this is not a situation where nepotism nearly becomes a character itself. Throughout the film, every girl that meets Owen, must comment on how handsome he is, how he’s a real catch, and how he’s a just a hotty. The actor is a pudgy, unkept, and awkward kid, which fits the character that the film starts off with. The poor child feels uncomfortable in every scene, he’s got little to no acting chops, and the film is set on filming him in nearly every scene. It claims to be set on Christmas and Christmas is mentioned over and over throughout, nearly just as much as characters comment on how attractive Owen is, but this really is not a Christmas movie. </div><div><br /></div><div>Skip it. </div><div><br /></div><div style="text-align: center;"><b><span style="font-size: x-large;">8</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">Christmas is Canceled</span></b></div><div style="text-align: center;"><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXRRaR6cgMeAc7FFkve7hMXJGOMeyr-vJ1RUjJlmg4zHytIR8uvE6bteb-AruygbJ947tdIiTmbsH8aoevbvDzGaOm9RxbdDqL-dFGaf-1_eTU1hUqDE017zsqaQN_fWmcbQMBwL_tOf94RiJzwhdWke53CkO-4ywFS3j27TIM_oxXLNswKqSKIXpK1w/s1280/MV5BYmMzZjM0MjctODIyYi00Y2M5LTllYzEtNDE4NDEwYTlmODg0XkEyXkFqcGdeQXVyMTQ0NTE1MzQ3._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="893" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXRRaR6cgMeAc7FFkve7hMXJGOMeyr-vJ1RUjJlmg4zHytIR8uvE6bteb-AruygbJ947tdIiTmbsH8aoevbvDzGaOm9RxbdDqL-dFGaf-1_eTU1hUqDE017zsqaQN_fWmcbQMBwL_tOf94RiJzwhdWke53CkO-4ywFS3j27TIM_oxXLNswKqSKIXpK1w/s320/MV5BYmMzZjM0MjctODIyYi00Y2M5LTllYzEtNDE4NDEwYTlmODg0XkEyXkFqcGdeQXVyMTQ0NTE1MzQ3._V1_.jpg" width="223" /></a></div><span style="font-size: x-large;"><br /></span></b></div><div>Self loathing daughter finds out her father is dating her peer rival and is bent on breaking the two up at any cost, because "How dare they do this to me on my Christmas". Yet another Christmas movie with a self-centered protagonist that takes things too far, right to the point of unredeemable for the watcher. This is a film that wants the audience to root for or relate to a person who believes that someone else's happiness is infringing on her holiday. And because it's "her" holiday that is being affected by other people trying to enjoy themselves, then everyone has to suffer. There is a good performances from Dermot Mulroney, but this cannot make up for how unlikeable this protagonist becomes. </div><div><br /></div><div>Skip this one. </div><div><br /></div><div style="text-align: center;"><span style="font-size: x-large;"><b>9</b></span></div><div style="text-align: center;"><span style="font-size: x-large;"><b>Christmas Ransom</b></span></div><div style="text-align: center;"><span style="font-size: x-large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7KPk0PXybKGKiDfa__rhLAoN1bCLKFnYjsxG_gMrf6sip43oqC1xwmj2hzyssUwYVA7WQbkDb_u60wbHjzY5MNvIEKju6fMlgp2Oc2IlxGe6RM8TpWXboPvrruuhdhkU58gHOPgbx53Q3t7VRO_UZwF61aagm687wUxcPuRturBtk8HVhl9e1scS7wQ/s1134/MV5BM2RkZGM1MGEtMThhNS00Njk2LTljYmUtOGNiMjkwNDc3ZWNmXkEyXkFqcGdeQXVyNjM5MTE4ODE@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1134" data-original-width="850" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7KPk0PXybKGKiDfa__rhLAoN1bCLKFnYjsxG_gMrf6sip43oqC1xwmj2hzyssUwYVA7WQbkDb_u60wbHjzY5MNvIEKju6fMlgp2Oc2IlxGe6RM8TpWXboPvrruuhdhkU58gHOPgbx53Q3t7VRO_UZwF61aagm687wUxcPuRturBtk8HVhl9e1scS7wQ/s320/MV5BM2RkZGM1MGEtMThhNS00Njk2LTljYmUtOGNiMjkwNDc3ZWNmXkEyXkFqcGdeQXVyNjM5MTE4ODE@._V1_.jpg" width="240" /></a></div><b><br /></b></span></div><div>Mildly entertaining Australian Christmas Die Hard with kids (haven’t seen this genre mix before). Barely reaches a level of comedy that will deliver laughs. But hey, it’s drops a tone of cliché’s we have come to expect from these type of cheap wannabe films. We get kids who are not afraid of being murdered by murderers, we get clueless police, we get kids using toys as weapons, and of course, a tone of Christmas puns. The poster suggests we get people tied up with Christmas lights (a staple trope for the Holidays), while they are tied up with Christmas decorations, I am happy to report they don't get them tied up with Christmas lights as that always seems impractical for me. It happens too often in Christmas genre films and is a reoccurring cliché for Christmas posters too, with conflicting romantic couples tied together. But the thing that always bugs me is… why plug in the lights? This just seems awfully cumbersome. Wouldn't the filmmakers or artists understand or learn the mechanics of Christmas lights? It may look nice, but it's somewhat absurd. </div><div>Not the worst Die Hard Christmas movie with kids, but still not worth seeking out. </div><div><br /></div><div>Skip it. </div></div><div><br /></div><div><div style="text-align: center;"><span style="font-size: x-large;"><b>10</b></span></div><div style="text-align: center;"><span style="font-size: x-large;"><b>Christmas with the Campbells </b></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjN1Ojmow8NzNJvNvuZXTZtBFEjUFgrsQuo0n63NexsjB7yfyHDrgKrmfYcsLDpSakp97ojjvLHdVEgWaZFg_lso_mVrCR6aWxO2vUznkD-NlKUPG8ImOp26GTgJUMZGcSvX1pH14umvXTdtP5n4kfN7e5xk6OZwSsGTy1GkhDA9VGLoSNw7g9P_OgMJA/s3000/MV5BMTE5OThkYzMtMWViYy00Yzc5LTliNDQtODdjN2YyMGNkMWUwXkEyXkFqcGdeQXVyMzQwMTY2Nzk@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="2000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjN1Ojmow8NzNJvNvuZXTZtBFEjUFgrsQuo0n63NexsjB7yfyHDrgKrmfYcsLDpSakp97ojjvLHdVEgWaZFg_lso_mVrCR6aWxO2vUznkD-NlKUPG8ImOp26GTgJUMZGcSvX1pH14umvXTdtP5n4kfN7e5xk6OZwSsGTy1GkhDA9VGLoSNw7g9P_OgMJA/s320/MV5BMTE5OThkYzMtMWViYy00Yzc5LTliNDQtODdjN2YyMGNkMWUwXkEyXkFqcGdeQXVyMzQwMTY2Nzk@._V1_.jpg" width="213" /></a></div><div style="text-align: center;"><br /></div><div>Hallmark wannabe with the difference of the characters having no vocal filters. In theory this sounds like a great premise. However, the script never takes advantage of this and all we get is people talking about their sex exploits and copying low-grade hallmark film tropes and clichés. Justin Long even forgets he’s supposed to do a voice for his character halfway through the film. Lazy, juvenile, and shamefully lacking in personality, this film is irritating. The funniest stuff is in the trailers. </div><div><br /></div><div>Skip it. </div><div><br /></div><div><br /></div><div style="text-align: center;"><b><span style="font-size: x-large;">11</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">Cold Wind Blowing</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjt3R-NOlgcw5yqfPsBcCtkqLRQBAv3H_r4nw4Y48TsriHBxfndygCK5LHhuP5yeRFhEIXnrUZnuYGufVpL4Pn6RLkZ6tX3OmM0aVzK6oCcxMmCDHKycKkAi1vmajIWUpw7TOU6kurwGgWoBEwC4bywYs-D1TIOTL5rLRGuJCFTg7WJBr2kfcFIOQKfw/s1800/MV5BY2JkNWRkMmUtM2NkNi00YTdkLWJhYjQtNDA0NWM5N2I4OTY3XkEyXkFqcGdeQXVyMTM1NDA5MjIx._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1800" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjt3R-NOlgcw5yqfPsBcCtkqLRQBAv3H_r4nw4Y48TsriHBxfndygCK5LHhuP5yeRFhEIXnrUZnuYGufVpL4Pn6RLkZ6tX3OmM0aVzK6oCcxMmCDHKycKkAi1vmajIWUpw7TOU6kurwGgWoBEwC4bywYs-D1TIOTL5rLRGuJCFTg7WJBr2kfcFIOQKfw/s320/MV5BY2JkNWRkMmUtM2NkNi00YTdkLWJhYjQtNDA0NWM5N2I4OTY3XkEyXkFqcGdeQXVyMTM1NDA5MjIx._V1_.jpg" width="213" /></a></div><div><br /></div><div>Low budget thriller does build up a couple tense scenes and it’s all for nothing when you see the hilariously cheap and clunk monster in the final conflict. Rare film that makes you wish they went CGI effects instead of sticking to practical effects. </div><div><br /></div><div>Skip it. </div><div><br /></div><div><br /></div><div style="text-align: center;"><b><span style="font-size: x-large;">12</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">Community Theatre Christmas</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhEBDz0V2-BVPYT3WMODlx1ywmQRr0a6-RIJwAWJ2s_ihmomO7IuuZ_-BoE-YvQbpA-ZAFKYqGtA00wDs30-H6SKU6JLCPSQloAfq67HLv8fvcvDhCvRPY5m0m0kc8mk8r51SnnM9SjS2ss-OsLD3y18409fbCRCCTRXhJHvgLTu4NO2DDMLjqdUS2mg/s1500/MV5BOWI2OGVmOTItY2FhMi00ZDkyLThmZWEtMmViMzViN2I2YzMxXkEyXkFqcGdeQXVyMjI0NDI2NjQ@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhEBDz0V2-BVPYT3WMODlx1ywmQRr0a6-RIJwAWJ2s_ihmomO7IuuZ_-BoE-YvQbpA-ZAFKYqGtA00wDs30-H6SKU6JLCPSQloAfq67HLv8fvcvDhCvRPY5m0m0kc8mk8r51SnnM9SjS2ss-OsLD3y18409fbCRCCTRXhJHvgLTu4NO2DDMLjqdUS2mg/s320/MV5BOWI2OGVmOTItY2FhMi00ZDkyLThmZWEtMmViMzViN2I2YzMxXkEyXkFqcGdeQXVyMjI0NDI2NjQ@._V1_FMjpg_UX1000_.jpg" width="213" /></a></div><div><br /></div><div>Kudos to the filmmakers for capturing the feeling of unpolished talent, that only could be appreciated by family and friends of the performers. The first half of the film is getting to know the cast as they practice and prepare for the live show. Then we must endure the live show for the remainder of the film. This could be a funny comedy in the hands of a talented director, such as Christopher Guest, or even a quirky vision by Wes Anderson. But unfortunately, this wannabe comedy is lacking exaggerations on the comic twists and/dialogue. </div><div><br /></div><div>Skip it. </div></div><div><br /></div><div><div style="text-align: center;"><b><span style="font-size: x-large;">13</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">Dolly Parton Mountain Magic Christmas</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwt6R03sTKij8uPEXMHHkqaQi6sKc3sXg3Fk8ZDwATfOzcKIkvWFKEqaHgFqCRDMraw7Gc_cdWBIC4P0J_Qu1p-3NDKMFrnZ5T1GM8AaR9rk-SHKyGCTfkv9-5KqvkgoXSkpdBEDvoW7pk9A9v4moMGJ8sPszdPCizZJw6SQ619xJQxUaXV1iR45oEBQ/s1350/MV5BMTc4Yjc2NzgtNWNiNC00MDJhLTljN2YtOTU2Zjc3MTc5Yjg0XkEyXkFqcGdeQXVyMTU4NzgxNTc@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1350" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwt6R03sTKij8uPEXMHHkqaQi6sKc3sXg3Fk8ZDwATfOzcKIkvWFKEqaHgFqCRDMraw7Gc_cdWBIC4P0J_Qu1p-3NDKMFrnZ5T1GM8AaR9rk-SHKyGCTfkv9-5KqvkgoXSkpdBEDvoW7pk9A9v4moMGJ8sPszdPCizZJw6SQ619xJQxUaXV1iR45oEBQ/s320/MV5BMTc4Yjc2NzgtNWNiNC00MDJhLTljN2YtOTU2Zjc3MTc5Yjg0XkEyXkFqcGdeQXVyMTU4NzgxNTc@._V1_.jpg" width="256" /></a></div><div><br /></div><div>Old Fashioned Christmas special, with the celebrity cameos and a family sing along near the end, only stretched out to make it feature film length. We get a nice dose of Dolly philosophies and southern charm, in between a mix bag of quality songs. This special takes a meta look at Dolly putting together an old-fashioned Christmas special, as she’s visited by celebrity friends, real and spiritually. It’s often clumsy in execution, but Dolly’s charm still can sell an entire piece. </div><div><br /></div><div>Nice to play in the background when performing chores. </div><div><br /></div><div style="text-align: center;"><span style="font-size: x-large;"><b>14</b></span></div><div style="text-align: center;"><span style="font-size: x-large;"><b>Don’t Open Till Christmas</b></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj8SShHzt7RB-Qk0bkwq5sSVVkP7yZ4eeBRhMWVHTlms3fJ885fpRY7J84-6ggqA0VIBd5Ni7MBJ7RCmw0wtN5R-luSD2RIMqqfc_NvlF3hDGi8bETx9vrS7xxxivwwDyNpUcoi5Y5dpmGSPNss9GWe0xzHylQvly3Lgf2my2baFObzPgZL8O6B0zD9g/s845/MV5BMTljMjAxMzYtMzAxZC00MmViLTljYmEtMzdhYzVlNjUwNzlhXkEyXkFqcGdeQXVyMTQ2MjQyNDc@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="845" data-original-width="600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgj8SShHzt7RB-Qk0bkwq5sSVVkP7yZ4eeBRhMWVHTlms3fJ885fpRY7J84-6ggqA0VIBd5Ni7MBJ7RCmw0wtN5R-luSD2RIMqqfc_NvlF3hDGi8bETx9vrS7xxxivwwDyNpUcoi5Y5dpmGSPNss9GWe0xzHylQvly3Lgf2my2baFObzPgZL8O6B0zD9g/s320/MV5BMTljMjAxMzYtMzAxZC00MmViLTljYmEtMzdhYzVlNjUwNzlhXkEyXkFqcGdeQXVyMTQ2MjQyNDc@._V1_.jpg" width="227" /></a></div><div><br /></div><div>Gross, dirty, sleazy slasher horror where a serial killer is murdering anyone dressed up as Santa Claus. Scummy, scummy, and scummier. The film constantly feels unsanitary, with filth around every corner and some of the most stained filled color choices you can expect from 70s exploitation films. Unless you enjoy muck: </div><div><br /></div><div>Skip it. </div><div><br /></div><div style="text-align: center;"><b><span style="font-size: x-large;">15</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">Father Christmas if Back</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTQInZHL3mJIvJXnnlpED_yODh-CzIGK_rIjX8yFzfTtLWqzSrQ-yLCOirjEuYWjzff7zcc1RHV887GxvBMf8eTKYdNjTGvp3LvfhKKwP6NFyjRLwP1KsOpThHOKJl5tE8el7ame4FIebyIkxAnrTZzqL8C4pG6M0xqEUYbLPiChTqCxcJdKAYfBPMyg/s1430/MV5BNDRmMzhiYzEtYjg5OC00ZTVkLWFjNDMtMDhjMjc4ZWQ2YWE2XkEyXkFqcGdeQXVyMTY5Nzc4MDY@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1430" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTQInZHL3mJIvJXnnlpED_yODh-CzIGK_rIjX8yFzfTtLWqzSrQ-yLCOirjEuYWjzff7zcc1RHV887GxvBMf8eTKYdNjTGvp3LvfhKKwP6NFyjRLwP1KsOpThHOKJl5tE8el7ame4FIebyIkxAnrTZzqL8C4pG6M0xqEUYbLPiChTqCxcJdKAYfBPMyg/s320/MV5BNDRmMzhiYzEtYjg5OC00ZTVkLWFjNDMtMDhjMjc4ZWQ2YWE2XkEyXkFqcGdeQXVyMTY5Nzc4MDY@._V1_FMjpg_UX1000_.jpg" width="224" /></a></div><div><br /></div><div>The father (Chelsey Grammar) of the family with surname Christmas, comes back after a 30 something abandonment. And comedy ensues. But not really. For some reason this film that has elements that should make me laugh never once put a smile on my face. This movie about relationships is… unrelatable. The events that take place don’t cross the line of suspension of disbelief, yet the characters dealing with don’t accept them or react to them as they would be set up to react. This is because the writing is shoe horning in situations, rather than finding situations that will work with the chosen characters. It feels inauthentic and sadly artificial. When the comedy doesn’t work, it really doesn’t work. </div><div><br /></div><div>Skip it. </div><div><br /></div><div><br /></div><div style="text-align: center;"><b><span style="font-size: x-large;">16</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">Heaven Sent</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLkq98UpFuZFDp1ruvI03N2FgRDgtpavHpGKlaeKyJPtwIyySE_MTUBiGydN-LQVTBggh94dZ1fmxWXuZoPwAPNHbQ7xG4OgJKK1IHojrfLvph95QZdsytTlyKP-FA5NYnN8SXbohdEOc-PzvpOUez7t2fOSqqy_Qp1Zvh7yugUUyoOrtDSjCzm4lUGw/s2876/MV5BYjhmM2NmMDEtMzc2NS00ODVlLWJmZDgtYjZlNGMyYTk4YmJlL2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyNTQzMDc3MTQ@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2876" data-original-width="1945" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhLkq98UpFuZFDp1ruvI03N2FgRDgtpavHpGKlaeKyJPtwIyySE_MTUBiGydN-LQVTBggh94dZ1fmxWXuZoPwAPNHbQ7xG4OgJKK1IHojrfLvph95QZdsytTlyKP-FA5NYnN8SXbohdEOc-PzvpOUez7t2fOSqqy_Qp1Zvh7yugUUyoOrtDSjCzm4lUGw/s320/MV5BYjhmM2NmMDEtMzc2NS00ODVlLWJmZDgtYjZlNGMyYTk4YmJlL2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyNTQzMDc3MTQ@._V1_.jpg" width="216" /></a></div><div><br /></div><div>Married couple struggling to finalize their divorce, that was triggered by a miscarriage, get a second chance to revive their relationship when visited by a little angel who adopts them as her parents. While you probably can already predict the ending, the film is heartfelt, sincere, and filled with some heartwarming performances. No surprises here, besides the level of effectiveness this predictable tale delivers. I’m not crying! </div><div><br /></div><div>Worth watching once. </div><div><br /></div><div style="text-align: center;"><span style="font-size: x-large;"><b>17</b></span></div><div style="text-align: center;"><span style="font-size: x-large;"><b>Home Alone 5 – The Holiday Heist</b></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAXNhAYjIYvTOrtn4HSWGkjQ-xPc6iXiBmso7oIylLDGs6EyovjQQ4wsy0Q0Z18VY-8InbSaZ3WkGf589Y6B3BFPcCG705kDMBV9aXNY2ElppaccopFgEo5CWHr1rN8hI9Po3dHyofo2352uWqAP9xcFshiQL6ahEIcuQuuv9GPZIdJ7P3jOjfL4KYNA/s2100/MV5BMzg2MDYyODMtMDhkYS00MWIyLWI2ZjItYmUwNmFjYjRhMWM3XkEyXkFqcGdeQXVyNDgyODgxNjE@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2100" data-original-width="1400" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAXNhAYjIYvTOrtn4HSWGkjQ-xPc6iXiBmso7oIylLDGs6EyovjQQ4wsy0Q0Z18VY-8InbSaZ3WkGf589Y6B3BFPcCG705kDMBV9aXNY2ElppaccopFgEo5CWHr1rN8hI9Po3dHyofo2352uWqAP9xcFshiQL6ahEIcuQuuv9GPZIdJ7P3jOjfL4KYNA/s320/MV5BMzg2MDYyODMtMDhkYS00MWIyLWI2ZjItYmUwNmFjYjRhMWM3XkEyXkFqcGdeQXVyNDgyODgxNjE@._V1_.jpg" width="213" /></a></div><div><br /></div><div>The home alone plots by with an added ghost story. Bad kid acting, embarrassing adult criminals, and just a shameful cash crab. </div><div>Found myself subconsciously raising my hand to flip the bird to this embarrassing trash. </div><div><br /></div><div>Skip it. </div><div><br /></div><div><br /></div><div style="text-align: center;"><b><span style="font-size: x-large;">18</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">Hunting Ground 1983</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjodw5k2gVOiPw1FfxLmrmxeIYM_E0mvkwEL08UIhsLl3BxVI6D75gjccd3fJHF9EyD8SdMVMk_vMsDPAsdbIkERWFvSHdb4Kihr7hOD0aXDoR-v4jShP1cPLNl8QGCyawZGBqDEoc86bF9iLIPEd0UZ-NXma3u00aMBpqr2gWM6XlnGM2EJ4B7H-4tUw/s1500/81iq5VxIFJL._SL1500_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1300" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjodw5k2gVOiPw1FfxLmrmxeIYM_E0mvkwEL08UIhsLl3BxVI6D75gjccd3fJHF9EyD8SdMVMk_vMsDPAsdbIkERWFvSHdb4Kihr7hOD0aXDoR-v4jShP1cPLNl8QGCyawZGBqDEoc86bF9iLIPEd0UZ-NXma3u00aMBpqr2gWM6XlnGM2EJ4B7H-4tUw/s320/81iq5VxIFJL._SL1500_.jpg" width="277" /></a></div><div><br /></div><div>WTF!?!</div><div>Lawyer is harassed by four baddies who steal her car and try to rob her vacation home when she’s not there. But her and her husband accidentally catch them in the act, causing a horrific tragic outcome. Which leads these villains to seek out revenge… on Christmas. And this ending might make this the nastiest, most vile, and depressing film ever made. The level of appalling violence that is committed to our protagonist, as her two children witness it all, made me sick. Real surprising that this hard “R” revenge/rape film not only doesn’t have an “X” rating, but it also is not a title listed in the Video Nasty films. But despite the nasty nature of this shock flick, “Hunting Grounds” is a nicely acted, suspenseful, and unforgettable thriller. Might be best to skip this one during the Holiday season. Only for particular audience that can stomach it. Otherwise:</div></div><div><br /></div><div>Skip it. </div><div><br /></div><div><div style="text-align: center;"><b><span style="font-size: x-large;">19)<span style="white-space: pre;"> </span>Joyeux Noel </span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgryUzbc7aPqtGTHBneHiwzaXhz4pZ2THlXVD-szs4KF-mbjdZkQu8YuKhvK0pEnw88LLYHoyi_loB3XZSEb10UdZKVaExS_UDIXB3PfKs0ZW1JP1OX4aAqxZDV7eSaRVlAa5rRtYogtMczw668EVnXmtv13uPdKM4QJCD8OLIiXqUDs78CYiLm5ZN-2A/s1200/MV5BYzIzNzM2MTAtNzE5MS00M2ZhLTkxNDctMmQyODE3Mzg3YWE5XkEyXkFqcGdeQXVyMTY5Nzc4MDY@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgryUzbc7aPqtGTHBneHiwzaXhz4pZ2THlXVD-szs4KF-mbjdZkQu8YuKhvK0pEnw88LLYHoyi_loB3XZSEb10UdZKVaExS_UDIXB3PfKs0ZW1JP1OX4aAqxZDV7eSaRVlAa5rRtYogtMczw668EVnXmtv13uPdKM4QJCD8OLIiXqUDs78CYiLm5ZN-2A/s320/MV5BYzIzNzM2MTAtNzE5MS00M2ZhLTkxNDctMmQyODE3Mzg3YWE5XkEyXkFqcGdeQXVyMTY5Nzc4MDY@._V1_.jpg" width="213" /></a></div><div><br /></div><div>Nominated for Best Foreign language film, “Joyeux Noel” beautifully recreates the emotionally powerful Christmas in the Trenches. This is filmmaking at it’s best. Yet, it very rarely comes up on the "Best of..." Christmas Movie lists, while turds like "The Santa Claus" and "How the Grinch Stole Christmas (2000)" (that's right, those are not quality films, whether you like them or not) keep making the grades. Perhaps this may be because "Joyeux Noel" is overwhelming emotional and tackles real issues that people prefer to ignore or sweep under the rug while they tell themselves that Tim Allen flirting with a child who's reportedly an aged elf is perfectly fine. <br /></div><div><br /></div><div>This one has become a traditional watch for myself. This is one of those films in my collection that no longer leaves my place, as I have had to replace it 5 times now, being that people never return it. And despite the annoyance of how disrespectful it is to not return films people borrow from me, I do hope they are at least watching it each year, as I do. Remarkable film. </div><div><br /></div><div>See it!</div><div><br /></div><div style="text-align: center;"><b><span style="font-size: x-large;">20</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">Kringle Time</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwTNoTeA-AKHKeK-_5GzYoCswshX7M3Q5QVWYBGH0NTlAradRQ5E9Pc9hEmEjsUg_xLz_NcMPmzHODeUUU_LFbl8KB_-fMUcVsZiddyPxW2jvsd8nlhAJ9ijNlzDMUUcLPEF9T9tLqppxWTTb6xUsnHWwZfo8meGWZcFsVjQAZv98s2oUOOQo8VyFYjQ/s1333/MV5BOTJlMjM3NTUtYjI1Yi00ODc4LWEzNzktYTZlMjhkYmZmNzA1XkEyXkFqcGdeQXVyMjkyMTExMzg@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1333" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwTNoTeA-AKHKeK-_5GzYoCswshX7M3Q5QVWYBGH0NTlAradRQ5E9Pc9hEmEjsUg_xLz_NcMPmzHODeUUU_LFbl8KB_-fMUcVsZiddyPxW2jvsd8nlhAJ9ijNlzDMUUcLPEF9T9tLqppxWTTb6xUsnHWwZfo8meGWZcFsVjQAZv98s2oUOOQo8VyFYjQ/s320/MV5BOTJlMjM3NTUtYjI1Yi00ODc4LWEzNzktYTZlMjhkYmZmNzA1XkEyXkFqcGdeQXVyMjkyMTExMzg@._V1_FMjpg_UX1000_.jpg" width="240" /></a></div><br /><div>This is how to make an independent low budget film. </div><div><br /></div><div>After the death of a beloved children’s small town public access show actor, a pushed around manager steps into the shoes and costume to carry the torch. When he discovers a horrifying secret from the past, he’s got to make some hard choices about the future of the program. “Kringle Time”, the public access show about a dancing snowman, is a great counter set up for an emotionally struggling loner presented with an opportunity to get his dreams fulfilled or make a moral choice and give up his dreams. The movie often has character debating the whether the show is a Christmas show or not, yet the film itself does borrow some elements from Dicken’s “A Christmas Carol” with spiritual guides and ghostly hauntings. Odd and dark comedy works due to its strange sense of humor and strong performance by the lead. </div><div><br /></div><div>See it. </div><div><br /></div><div style="text-align: center;"><b><span style="font-size: x-large;">21)<span style="white-space: pre;"> </span>Kristin’s Christmas Past</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipIZGMW4gwB8_WwZhJq-TQaX5WXt6DMreFnWlmMDO7ySi769qEiVq9T1qFfC6FBSzvBMhKtfugnf1Cyp2BZj-28wdnWxj4c--vPGffZeaPKNq2OA1k9401ah2XnPNmsHVP0lPX0Y0Le3pFNy0J1DveGkJvQJiqR74EfXDSh5K4iUdBtOWWFzz_KpSnGA/s755/kristins_christmas_past.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="755" data-original-width="509" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipIZGMW4gwB8_WwZhJq-TQaX5WXt6DMreFnWlmMDO7ySi769qEiVq9T1qFfC6FBSzvBMhKtfugnf1Cyp2BZj-28wdnWxj4c--vPGffZeaPKNq2OA1k9401ah2XnPNmsHVP0lPX0Y0Le3pFNy0J1DveGkJvQJiqR74EfXDSh5K4iUdBtOWWFzz_KpSnGA/s320/kristins_christmas_past.jpg" width="216" /></a></div><div><br /></div><div>Another time travel Christmas film, showing our main character how they were immature and selfish as a teen. For comedy purposes the character takes forever to learn their situation for forced unnecessary obstacles. The cast is likeable and this does feel a bit more professional than the usual straight to streaming Christmas throw away film. However it's still annoyingly predictable and unmemorable. </div><div><br /></div><div>Skip it. </div><div><br /></div><div style="text-align: center;"><b><span style="font-size: x-large;">22</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">Lake Alice</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpzQMncvS235fsuFWkXYbZbdbEm2GYMuWoqDcYTwCeMK6ze5PMIwDcDgrTfzrJ0kp95N8gIbU-dgabJ_kxs6QEj8a4XMx-sLR-R7iUI7UZPkqFvxff-9Jc3OywXR0SBZKYU1ocEBzG2vlJvAcU2cUirG-pTeZbZFl8AWPdnCUcIS95orI4KT1dbym50A/s3027/MV5BMzU3NGY0ZTMtOTI1ZC00OWQ0LTlmMTgtNjEwZjQ5MGI0MDI1XkEyXkFqcGdeQXVyNjg0ODE1ODE@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3027" data-original-width="2000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpzQMncvS235fsuFWkXYbZbdbEm2GYMuWoqDcYTwCeMK6ze5PMIwDcDgrTfzrJ0kp95N8gIbU-dgabJ_kxs6QEj8a4XMx-sLR-R7iUI7UZPkqFvxff-9Jc3OywXR0SBZKYU1ocEBzG2vlJvAcU2cUirG-pTeZbZFl8AWPdnCUcIS95orI4KT1dbym50A/s320/MV5BMzU3NGY0ZTMtOTI1ZC00OWQ0LTlmMTgtNjEwZjQ5MGI0MDI1XkEyXkFqcGdeQXVyNjg0ODE1ODE@._V1_.jpg" width="211" /></a></div><br /><div><br /></div><div>Takes a while to get started, but this slasher Christmas film does pick up by the end. Not enough to make it worth wasting good holiday time on. </div><div><br /></div><div>There is a scene when a cop is being tortured by a masked villain and he yells out, "WHO ARE YOU!?!" and I found myself involuntarily saying in an out loud whisper, "I'M BATMAN." So there was that...</div><div><br /></div><div>Skip it. </div><div><br /></div><div><br /></div><div style="text-align: center;"><b><span style="font-size: x-large;">23</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">Last Christmas</span></b></div><div style="text-align: center;"><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAKpkX6Gc4kbO_SepEQXJyJFr-qzAyhHFlf8S5pg1HboGaSBFFjrcr8XpJEjyhNqcdBChXmbiCwaGZzHija7UAShjaK1Z57-Y6Y7d8S1a3vAg69NQQR9lM4yOZuT8arbcxMpryGoYtzYcSLGd0AIwYCJpZleS08maKJVhqEBlA_I5p7aOLzqdIes68Tw/s1500/MV5BNTQ4ZmY0NjgtYzVhNy00NzhiLTk3YTYtNzM1MTdjM2VhZDA3XkEyXkFqcGdeQXVyMTkxNjUyNQ@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1012" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAKpkX6Gc4kbO_SepEQXJyJFr-qzAyhHFlf8S5pg1HboGaSBFFjrcr8XpJEjyhNqcdBChXmbiCwaGZzHija7UAShjaK1Z57-Y6Y7d8S1a3vAg69NQQR9lM4yOZuT8arbcxMpryGoYtzYcSLGd0AIwYCJpZleS08maKJVhqEBlA_I5p7aOLzqdIes68Tw/s320/MV5BNTQ4ZmY0NjgtYzVhNy00NzhiLTk3YTYtNzM1MTdjM2VhZDA3XkEyXkFqcGdeQXVyMTkxNjUyNQ@@._V1_.jpg" width="216" /></a></div><span style="font-size: x-large;"><br /></span></b></div><div style="text-align: center;"></div><div>Paul Fieg directs this rom com starring Emilia Clarke, as Kate, a young lady continuously making the wrong choices, until she meets Tom, an odd fellow who shows her there’s another way to look at life. Messy pacing makes this one a bit tough to get into, but has a solid performance by most cast members, especially Michelle Yeoh, plus a solid ending that redeems the choppy pacing issues. </div><div><br /></div><div>Worth seeing once. </div><div><br /></div><div><br /></div><div style="text-align: center;"><span style="font-size: x-large;"><b>24</b></span></div><div style="text-align: center;"><span style="font-size: x-large;"><b>Lovely Still</b></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTJadNfLxPvniNLjBe-YtfN__eaZpxwGNzjV53u49n7Thcb7Ib3mNyW_3LynVnNS_IRIuq2i8D7AU64FFhCCknJhRtdpLQDnbg08EezGA8_YbyjYkW9MqQhJH1LW285qW5lxzOQbHWDAyjiSELzBE95kfh9LIu6CWbtwbRM17qCJcjzUivOR4L-fa9sw/s1440/MV5BMDZhZTUyNmMtNDc1Ni00YWRmLWI5MjQtZjJhOGUzYjM3NzZkXkEyXkFqcGdeQXVyNjc3MjQzNTI@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="960" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTJadNfLxPvniNLjBe-YtfN__eaZpxwGNzjV53u49n7Thcb7Ib3mNyW_3LynVnNS_IRIuq2i8D7AU64FFhCCknJhRtdpLQDnbg08EezGA8_YbyjYkW9MqQhJH1LW285qW5lxzOQbHWDAyjiSELzBE95kfh9LIu6CWbtwbRM17qCJcjzUivOR4L-fa9sw/s320/MV5BMDZhZTUyNmMtNDc1Ni00YWRmLWI5MjQtZjJhOGUzYjM3NzZkXkEyXkFqcGdeQXVyNjc3MjQzNTI@._V1_.jpg" width="213" /></a></div><br /><div><br /></div><div><br /></div><div><br /></div><div>One of the best Christmas date movies ever made. Loner senior Robert (Martin Landau), meets, energetic and outgoing Mary (Ellen Burstyn) and the two start dating during the holiday season. Absolutely romantic, powerfully moving, and pays off when watching it more than once. "Lovely, Still" has become a new traditional Holiday watch for me. While many people may find the finally to be intensely emotional, there is no denying how charming, how heartwarming, and how lovely, their dates and relationship comes to life on screen. Both Landau and Burstyn make acting look easy. </div><div><br /></div><div>Admittingly I have raved about this film in the past. But seeing again for the second time, knowing what I know now, is like seeing a completely new film. </div><div><br /></div><div>A definite must see. </div></div><div><br /></div><div><div style="text-align: center;"><b><span style="font-size: x-large;">25</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">Massacre on Aisle 12</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXEVNbjMpzqMRNflJZYzLqHIGLUANRccKG6zLWUgDeUwyTXH7M59zepRM7qb0d0KjUObtesQAuArwaNQH0AMlY7C7D_FBPVXtN1-oQKAhKLMY4hET1XtEIOyDAgQS37uipiO0aIyyK_tvbwK9UpUXffMnZHWjpr0WLLJLIS4t9m_LFqhYX3pp4MIiv5A/s1396/MV5BZjlkZTViN2QtZDU0Zi00M2NhLWI3ZTAtMmQ4MmZiMmRlMzg1L2ltYWdlXkEyXkFqcGdeQXVyMTQ2OTU2OTQ@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1396" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXEVNbjMpzqMRNflJZYzLqHIGLUANRccKG6zLWUgDeUwyTXH7M59zepRM7qb0d0KjUObtesQAuArwaNQH0AMlY7C7D_FBPVXtN1-oQKAhKLMY4hET1XtEIOyDAgQS37uipiO0aIyyK_tvbwK9UpUXffMnZHWjpr0WLLJLIS4t9m_LFqhYX3pp4MIiv5A/s320/MV5BZjlkZTViN2QtZDU0Zi00M2NhLWI3ZTAtMmQ4MmZiMmRlMzg1L2ltYWdlXkEyXkFqcGdeQXVyMTQ2OTU2OTQ@._V1_FMjpg_UX1000_.jpg" width="229" /></a></div><div><br /></div><div>Low budget horror comedy suffers from some poor performances and low-grade amateur filming, yet still has good energy, some funny jokes sprinkled in, and the film never out stays it’s welcome. Lots of gory slapstick humor makes up for the mediocre dialogue and poor performances. Comedy/Horror fans may enjoy this but it's something that can easily be passed. </div><div><br /></div><div>Skip it. </div><div><br /></div><div style="text-align: center;"><b><span style="font-size: x-large;">26</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">Paper Angels</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgR0iai80NLFyto0yqurmdp8eD-zt8LM7-0vjyLRmLMOAA3ZEPSgD8RB1_3_LHeUSAEghbMUgxSVxpoYI1PA5OGfaE5kQ_20yNcYXBhYOsSWaok54txSZ8Wjk4Mne_r63hdnjULvdqB8WqqxAbHdmKoQoLm7DKgfuh55RvcWYzqqB2cR9Yt4ijWoUCoeQ/s1314/MV5BMTQ5MTc2NDc2M15BMl5BanBnXkFtZTgwODQ3NzQ5MjE@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1314" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgR0iai80NLFyto0yqurmdp8eD-zt8LM7-0vjyLRmLMOAA3ZEPSgD8RB1_3_LHeUSAEghbMUgxSVxpoYI1PA5OGfaE5kQ_20yNcYXBhYOsSWaok54txSZ8Wjk4Mne_r63hdnjULvdqB8WqqxAbHdmKoQoLm7DKgfuh55RvcWYzqqB2cR9Yt4ijWoUCoeQ/s320/MV5BMTQ5MTc2NDc2M15BMl5BanBnXkFtZTgwODQ3NzQ5MjE@._V1_FMjpg_UX1000_.jpg" width="244" /></a></div><div><br /></div><div>Film claims to be based on a true story, yet it has too many cornball clichés and uninspired speeches about morality and what it means to celebrate Christmas that it feels more artificial than a Santa film. Hard to stay awake during this one. </div><div><br /></div><div>Skip it. </div><div><br /></div><div style="text-align: center;"><b><span style="font-size: x-large;">27</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">Prancer: A Christmas Tale<br /></span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAr0GZ7uJAh_QIdMRe0nPipwJiDKNFB5qcPHnaB4KzI7sl5AIx1WHiqT8OtJL4VcUYVkbhX3md2tQOY84FFVMpV3Y3g37nZgVMwHdTUdi16m9hlDo2J3yURSrH8iJK0iUh8nPCw6Yf8o9yrvKDv2F9sbcfzvPAgf5dZfgGpBhg5zxlgxboNpP1oyMV0g/s2880/MV5BZmNiNGI0YjItNmU0YS00Y2MxLWI4YmMtNzE5NmNlNjA2YzdiXkEyXkFqcGdeQXVyMjIzOTA2NDk@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2880" data-original-width="2160" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAr0GZ7uJAh_QIdMRe0nPipwJiDKNFB5qcPHnaB4KzI7sl5AIx1WHiqT8OtJL4VcUYVkbhX3md2tQOY84FFVMpV3Y3g37nZgVMwHdTUdi16m9hlDo2J3yURSrH8iJK0iUh8nPCw6Yf8o9yrvKDv2F9sbcfzvPAgf5dZfgGpBhg5zxlgxboNpP1oyMV0g/s320/MV5BZmNiNGI0YjItNmU0YS00Y2MxLWI4YmMtNzE5NmNlNjA2YzdiXkEyXkFqcGdeQXVyMjIzOTA2NDk@._V1_.jpg" width="240" /></a></div><br /><div><br /></div><div>James Cromwell is the standout in this better than average tale of a mysterious reindeer that appears to reveal itself to people that are requiring some extra guidance to regain their holiday hearts. Beautifully shot, warming musical score, and great chemistry between grandpa Cromwell and his granddaughter, Gloria (Darcy Ewert). Cromwell works great with kids, animals, and pulls this film through some poorly written subplot with a villain hunter that is not sure it should be comical or menacing. </div><div><br /></div><div>Worth seeing once. </div><div><br /></div><div style="text-align: center;"><b><span style="font-size: x-large;">28</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">Red Snow</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB4bSADNd_AuAvpmK8rfEYXGl0KW_fwwEvvY91cfBmmeEUCTPQupraDLwK4x6GCx5n-oVFi2g1sm8dxZBb_N7Xif8pJnaLKKE6nrn9qdCv70yBHgCNpYJVZuX07r6_wYvENIjRrxcN8omjecXoF3cUq7BLZTYuUHx9BIomK5IsG3BCknFhrxsRW20mQw/s2362/MV5BYjYyNTJjZjktNWUyMS00MDc3LWJkYjMtNTQxZjFkNmUyNWNjXkEyXkFqcGdeQXVyMjI1OTY0MTM@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2362" data-original-width="1595" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB4bSADNd_AuAvpmK8rfEYXGl0KW_fwwEvvY91cfBmmeEUCTPQupraDLwK4x6GCx5n-oVFi2g1sm8dxZBb_N7Xif8pJnaLKKE6nrn9qdCv70yBHgCNpYJVZuX07r6_wYvENIjRrxcN8omjecXoF3cUq7BLZTYuUHx9BIomK5IsG3BCknFhrxsRW20mQw/s320/MV5BYjYyNTJjZjktNWUyMS00MDc3LWJkYjMtNTQxZjFkNmUyNWNjXkEyXkFqcGdeQXVyMjI1OTY0MTM@._V1_.jpg" width="216" /></a></div><div><br /></div><div>Alone on Christmas an amateur vampire fiction writer gets an opportunity to hang out with a real vampire during the holiday seasons. Unique Christmas horror that touches on the concept of the emotional manipulations of the holiday. For Horror fans. </div><div><br /></div><div>Good to play in the background. </div><div><br /></div><div style="text-align: center;"><b><span style="font-size: x-large;">29</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">Reindeer Games Homecoming</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEzE3UmPgfnR8bjbVfgHRFyr0sTgw2WwGqqJz3uGaiFwqBY017uDrB6KypJ2HXN6kAOZHa6SZ8KGLkE6rIt__8V1qIo38OSdWLcAqwfCwFzhIBU5dQjI70283o8Ox6uzRczK4D9MV-eNDgflMxI5TDJd5jurvbzfYHEdRyP8PSLu-tkrIOMmnGbKYGyg/s1763/MV5BNDdkYTQxYjktMTdjMi00NjQ0LTgzZGEtYzMxYjkwNjdkYjU4XkEyXkFqcGdeQXVyNjU0NTI0Nw@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1763" data-original-width="1175" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEzE3UmPgfnR8bjbVfgHRFyr0sTgw2WwGqqJz3uGaiFwqBY017uDrB6KypJ2HXN6kAOZHa6SZ8KGLkE6rIt__8V1qIo38OSdWLcAqwfCwFzhIBU5dQjI70283o8Ox6uzRczK4D9MV-eNDgflMxI5TDJd5jurvbzfYHEdRyP8PSLu-tkrIOMmnGbKYGyg/s320/MV5BNDdkYTQxYjktMTdjMi00NjQ0LTgzZGEtYzMxYjkwNjdkYjU4XkEyXkFqcGdeQXVyNjU0NTI0Nw@@._V1_.jpg" width="213" /></a></div><br /><div><br /></div><div>Spirited Hallmark wannabe jumps around a lot feeling disconnected and like a bunch of Christmas theme scenes packed together. It’s innocent enough. Don’t need to pay to much attention to understand what’s happening. In fact, I am still kind of foggy on what the “Reindeer Games” are. </div><div><br /></div><div>Can be played in background. </div><div><br /></div><div style="text-align: center;"><b><span style="font-size: x-large;">30</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">Reno 911 - It's a Wonderful Heist</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0yzmmNKRKl2ofF8P8K76cyg-WQ9hCY4ENzchJ3xDyZoCuVvYu-ESpHXM5NfP0GaG0KVerKUyxAqIBELuiprfC-WUHo9A6uuAkuOIVYZWk1gOO4BC72Cht6Ki1lCYNKAxdneyd5kp0GUoguUZP5qIUMPdALbcR__14nwG-x47DMurR8gB5-PUPR_QUXA/s2966/MV5BNGVmMzkwYjMtOTg2ZS00MGI4LTk5ZGQtMTZjMGNmZDVlNTQzXkEyXkFqcGdeQXVyNDc1Mjc2MA@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2966" data-original-width="2000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0yzmmNKRKl2ofF8P8K76cyg-WQ9hCY4ENzchJ3xDyZoCuVvYu-ESpHXM5NfP0GaG0KVerKUyxAqIBELuiprfC-WUHo9A6uuAkuOIVYZWk1gOO4BC72Cht6Ki1lCYNKAxdneyd5kp0GUoguUZP5qIUMPdALbcR__14nwG-x47DMurR8gB5-PUPR_QUXA/s320/MV5BNGVmMzkwYjMtOTg2ZS00MGI4LTk5ZGQtMTZjMGNmZDVlNTQzXkEyXkFqcGdeQXVyNDc1Mjc2MA@@._V1_.jpg" width="216" /></a></div><div><br /></div><div>Like the original television show, there’s a bunch of sketches unrelated to the main story, besides being all Christmas themed. This cast has got their characters, their chemistry and comic timing down to a science. Demented, crude, and often vulgar, this put a huge smile on my face. </div><div><br /></div><div>Worth watching. </div><div><br /></div><div style="text-align: center;"><b><span style="font-size: x-large;">31)<span style="white-space: pre;"> </span>Santaman</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKX-nUmphzKn_prXAPXduCKAYRAGQLPd-C-tWm3Ui_ksVgEpieBlDV3VgMk7sojfApc6oIQ1kg2u3_ykxoDuqDkHNeInl5SK2Uj1nxR1rIrWXUZ7hUxU2VPCs-wqNToVJF5tjQ-3rvDbdxYVzPZbqiNfLRAm46tq0r4gJHy6lyp4jxKtcvDFxTGrZtJQ/s1500/MV5BM2Y1ZjExYzktM2VjMy00YTA5LWJmMzYtNmNiYzU4OTNhZTUyXkEyXkFqcGdeQXVyNjU2NDIxOTM@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKX-nUmphzKn_prXAPXduCKAYRAGQLPd-C-tWm3Ui_ksVgEpieBlDV3VgMk7sojfApc6oIQ1kg2u3_ykxoDuqDkHNeInl5SK2Uj1nxR1rIrWXUZ7hUxU2VPCs-wqNToVJF5tjQ-3rvDbdxYVzPZbqiNfLRAm46tq0r4gJHy6lyp4jxKtcvDFxTGrZtJQ/s320/MV5BM2Y1ZjExYzktM2VjMy00YTA5LWJmMzYtNmNiYzU4OTNhZTUyXkEyXkFqcGdeQXVyNjU2NDIxOTM@._V1_FMjpg_UX1000_.jpg" width="213" /></a></div><br /><div>Oh boy. </div><div>Santa Claus becomes a superhero to get his media popularity back on track. The film tries to debate whether his new persona "Santaman" should be saving people’s lives or if he "Santa Claus" should be letting people die while he delivers presents to the good boys and girls of this world. Yep. That is an actual dilemma debated in this film. </div><div>Animation feels a decade old, yet this was a 2021 release. </div><div>There’s better Santa in hero mode animated films out there (“Rise of the Guardians” and “Klaus”). </div><div><br /></div><div>Skip it. </div><div><br /></div><div style="text-align: center;"><b><span style="font-size: x-large;">32</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">Santa Camp</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-M_dz1QWOSI2BXZfG-4GQFOCCXSLC3Q8jhZKTIkk1WCoSlH0e_g9tcXz6mpF10bn16Gpv_dO3MjdJRdH4BtZRj8D9sz7eT3DKfuUKiK-IEhiu_5PRPoIJuza0ZBb0ViMRIIdHO4WFk_TLlAsflXNBRO2UL-K5GoSnc_QDaueopYKBj6HqpaY4jCV7Bw/s1482/MV5BYjMyYWE1MjUtYzNhNS00ODA0LWEyN2ItYWNmODgwNDcwMjg3XkEyXkFqcGdeQXVyNjEwNTM2Mzc@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1482" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-M_dz1QWOSI2BXZfG-4GQFOCCXSLC3Q8jhZKTIkk1WCoSlH0e_g9tcXz6mpF10bn16Gpv_dO3MjdJRdH4BtZRj8D9sz7eT3DKfuUKiK-IEhiu_5PRPoIJuza0ZBb0ViMRIIdHO4WFk_TLlAsflXNBRO2UL-K5GoSnc_QDaueopYKBj6HqpaY4jCV7Bw/s320/MV5BYjMyYWE1MjUtYzNhNS00ODA0LWEyN2ItYWNmODgwNDcwMjg3XkEyXkFqcGdeQXVyNjEwNTM2Mzc@._V1_FMjpg_UX1000_.jpg" width="216" /></a></div><br /><div>Documentary about year-round Santa Clauses working to extend their joyous work to be more inclusive to all children avoiding any barriers. This causes them to re-evaluate the importance of Mrs. Claus, and invite a Black Santa, a Trans Santa and a Disabled Santa into their yearly workshop to help expand their ranges. Heartfelt, eye opening, and even suspenseful look at the breaking down the bigoted traditions, in order to bring joy to more children. There a few tough questions asked that don't get answered, there's a few uncomfortable scenes of intellectually deprived hate on display, and all the whole time the documentary doesn't side step from any controversial subjects. What the documentary does do is tell the tales of multiple people taking risks for the purpose of bringing joy to children's lives. When comparing the happiness of a child to an outdated traditions and to conditioned or self serving biases, it becomes very clear what should be taking precedence. And when we get the triumph of seeing joy shine out from eyes of children...</div><div>I AM NOT CRYING!!!</div><div><br /></div><div>One of the best documentaries I have watched this season. </div><div><br /></div><div>See it!</div></div><div><br /></div><div><div style="text-align: center;"><b><span style="font-size: x-large;">33</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">Scrooge – A Christmas Carol (2022) </span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj524Mqs91TjcI-Oun2wnVATyA239qYrRtgC5193fyOYHzbQavOBSpShhP64IJV85vbbYN1PAk23w1i5JTxDCPwChLxfdFpiMid2qp-5f2WNJbYCsVnJ4uRXG5SD6bYULOa2PSu6Hj1YAdz9aYYoxLl1gqVoo2WhAdxO7Ujp77abMoUO4FewCxb_6VlDw/s1200/MV5BNDJmMzc1NzItNDQzYi00Nzk3LTg2NWYtMGRkNTM4MWIyMmU5XkEyXkFqcGdeQXVyMTEzMTI1Mjk3._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="960" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj524Mqs91TjcI-Oun2wnVATyA239qYrRtgC5193fyOYHzbQavOBSpShhP64IJV85vbbYN1PAk23w1i5JTxDCPwChLxfdFpiMid2qp-5f2WNJbYCsVnJ4uRXG5SD6bYULOa2PSu6Hj1YAdz9aYYoxLl1gqVoo2WhAdxO7Ujp77abMoUO4FewCxb_6VlDw/s320/MV5BNDJmMzc1NzItNDQzYi00Nzk3LTg2NWYtMGRkNTM4MWIyMmU5XkEyXkFqcGdeQXVyMTEzMTI1Mjk3._V1_.jpg" width="256" /></a></div><div><br /></div><div>New rendition of Dickens' beloved tale, softens the art style from the Disney computer animated "A Christmas Carol" by Robert Zemeckis. Colorful, charming, and delivers a few decent musical numbers, "Scrooge - A Christmas Carol" demonstrates of artistic flourishes during Scrooge’s ghost visits, keeping dream like elements at play. The art style is unique and very watchable. Strangely the the film rushes through Scrooge's redemptive acts of kindness at the end, as if it had to rush off to the washroom before it had an accident. </div><div>Worth seeing once to take in the vibrant creative touches but there's still plenty of more deserving Scrooge films to revisit. </div><div><br /></div><div>Good to have in the background. </div><div><br /></div><div><br /></div><div style="text-align: center;"><b><span style="font-size: x-large;">34</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">The 12 Days of Christmas Eve</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEierA5d7a8R7i-SYJ-GghSoW-jtefsspkR47wsyd0c8ls_gZVVeD8x_LRsnKMeVqfB4KoI_42-F8Q8Lk9pi6V6m2eJG2EjwJU2v2NACI6vcp691IgOWqMXWdHpzFoDW252bFicZBGO4lFQM1tVicGvK33dhPE2b7Aj7gedm8tvzi7Zl6CZ2PtfRacGCRQ/s1500/MV5BNmY2YzMzNzgtNGQxNy00ZWE5LWE3ZDItN2JhNGFmODUxZjg5XkEyXkFqcGdeQXVyMjkwMjY1MjI@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEierA5d7a8R7i-SYJ-GghSoW-jtefsspkR47wsyd0c8ls_gZVVeD8x_LRsnKMeVqfB4KoI_42-F8Q8Lk9pi6V6m2eJG2EjwJU2v2NACI6vcp691IgOWqMXWdHpzFoDW252bFicZBGO4lFQM1tVicGvK33dhPE2b7Aj7gedm8tvzi7Zl6CZ2PtfRacGCRQ/s320/MV5BNmY2YzMzNzgtNGQxNy00ZWE5LWE3ZDItN2JhNGFmODUxZjg5XkEyXkFqcGdeQXVyMjkwMjY1MjI@._V1_FMjpg_UX1000_.jpg" width="213" /></a></div><br /><div><br /></div><div>Kelsey Grammar plays a scrooge like character that gets stuck in a time loop that only lasts 12 days. The Dicken’s formula getting mixed with Ground hog day’s formula seems to be inevitable, but Kelsey Grammar is likeable enough to carry this obvious script along. </div><div><br /></div><div>Worth playing in the background. </div><div><br /></div><div style="text-align: center;"><b><span style="font-size: x-large;">35</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">The Bishop’s Wife</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqz6fTTpOZsJxSSFdqkD1t3MZidqUarWifVBRobfwvJkdGVH8b99TRI5WKTktRgjOK1qR6cLKX-GnV82pYtn1T6PcTq-WDjqBrX4P5wfGsHbh4r161T34ugkmmdu_N8n2GVYALhnAayoI1kWqx-kO77PFoVt9uFKraiGbeE3dyIS2dgnCWSiGcUK7HNg/s1440/p492_p_v8_aa.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="960" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqz6fTTpOZsJxSSFdqkD1t3MZidqUarWifVBRobfwvJkdGVH8b99TRI5WKTktRgjOK1qR6cLKX-GnV82pYtn1T6PcTq-WDjqBrX4P5wfGsHbh4r161T34ugkmmdu_N8n2GVYALhnAayoI1kWqx-kO77PFoVt9uFKraiGbeE3dyIS2dgnCWSiGcUK7HNg/s320/p492_p_v8_aa.jpg" width="213" /></a></div><div><br /></div><div>Charming as all sin classic holiday film, that owes all it’s thanks to Cary Grant an angel sent to earth to remind a bishop and his wife how to love each other… by getting romantically involved with the bishop’s wife. I loved watching Grant engage with everyone in this film, but the morality is a bit questionable. Like, in this world, God plays match maker for near adultery only to wipe the human's memories of their emotional disloyalty, while keeping the angel's memory in tact, to allow heart break and sadness for the angel that was only doing God's bidding? Doesn't seem like a Christmas kind of thing to do, does it? What happens when the Bishop and his Wife die and go to heaven, and gain universal knowledge as been promised to Christians? Wouldn't they have an awkward meeting in heaven? How would the Bishop deal with finding out his wife might have been happier without him in his life? Would the wife be upset with God for making her contemplate leaving her husband for happiness, before her memory was wiped? </div><div>This is only a small portion of questions I had for this story, it's bent morality, it's warped sense of love, and it's contradictive importance of living life to the fullest, if a benevolent being deems your life worthy of wiping out and starting again. In the end, I just ended up finding comfort and rejoicing in my Atheistic views. </div><div><br /></div><div>Worth seeing once. (if only for Cary Grant's outstanding performance)</div><div> </div><div style="text-align: center;"><span style="font-size: x-large;"><b>36</b></span></div><div style="text-align: center;"><span style="font-size: x-large;"><b>The Christmas Candle</b></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCWU1Sjp2bpjwpsM19nwZA4rxYGOx7t6Q4myeqtqh79wvxXRHdGxSuXLx-UOGiwHF63Q_cwU6ZE041ZS8NRXSnp3evWP_YUetR8INztgcb9MI218VslzZWW2Y2Joge8ZRSMF8H8oCSvpmzOT7ebdS5anfDN6M1pJbWWx9ZTQLPIiy1Vl9wq8Gc4Asq4g/s1500/MV5BODhlZWE3ODUtNzAyMC00Yzg0LTk0OTMtMmIyOGFmMDY1YzZiXkEyXkFqcGdeQXVyMTA4NjE0NjEy._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCWU1Sjp2bpjwpsM19nwZA4rxYGOx7t6Q4myeqtqh79wvxXRHdGxSuXLx-UOGiwHF63Q_cwU6ZE041ZS8NRXSnp3evWP_YUetR8INztgcb9MI218VslzZWW2Y2Joge8ZRSMF8H8oCSvpmzOT7ebdS5anfDN6M1pJbWWx9ZTQLPIiy1Vl9wq8Gc4Asq4g/s320/MV5BODhlZWE3ODUtNzAyMC00Yzg0LTk0OTMtMmIyOGFmMDY1YzZiXkEyXkFqcGdeQXVyMTA4NjE0NjEy._V1_FMjpg_UX1000_.jpg" width="213" /></a></div><div><br /></div><div>In a small town an angel blesses one candle each holiday season and the person who gets the candle is granted one wish from God. To weed off the town folks of the superstition, a new priest starts granting people’s requests on his own. He brings foods to starving families, gets the towns folk to help repair expensive home damages, and so on and so forth. What a beautiful message about human kindness! This message works for both for believers and non-believers, being that goodness can come from the kindness of others. Yet this film doesn’t want to teach that. No. Instead, it teaches the viewers that God’s will is not for people unless they are predestined. When a person obtains the candle knowing it is not meant for them, they are unable to light it up because a wind keeps blowing it out, blocking their chance to make a wish for themselves. There's another subplot comparing electricity and scientific advances as problematic in the church and faith, which may be a bit too on the ball and oddly opposed to the stories final message of a controlling over powering deity. </div><div>Spoiler alert: This is a film where a doubting human does more for saving lives because he is aware someone has to act now, instead of everyone wishing on a miracle. Yet, the priest learns he's wrong because God nearly kills a baby during a complicated birth, in order to prove that miracles can happen top this one priest. Thanks God. Great work you got going on, up there. </div><div>In the end, this is propaganda bullshit that discredits the goodness, the strength, and power of good people. </div><div><br /></div><div>Skip it. </div><div><br /></div><div style="text-align: center;"><b><span style="font-size: x-large;">37</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">The Dog Who Saved Christmas</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2yivFSOdBxMECEzuiw-91UqGidVIw6ZSZRa3H48a3WW3jZaqHEBIyBmVQIHGIShvSjp_v4KyDNYgszxN5ztpvzHwf6AV3J0tHchE_ncg0PyUkqm-wgYfDKHmCfvpDFi19TMOKcDWqnCsmyKIxd0glDSXEN-gc54kCcipsenKYQBQaK5lSaFfjqLX3Tg/s1333/MV5BMTU0MTQxOTgzMV5BMl5BanBnXkFtZTgwNTEyMzA2MDE@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1333" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2yivFSOdBxMECEzuiw-91UqGidVIw6ZSZRa3H48a3WW3jZaqHEBIyBmVQIHGIShvSjp_v4KyDNYgszxN5ztpvzHwf6AV3J0tHchE_ncg0PyUkqm-wgYfDKHmCfvpDFi19TMOKcDWqnCsmyKIxd0glDSXEN-gc54kCcipsenKYQBQaK5lSaFfjqLX3Tg/s320/MV5BMTU0MTQxOTgzMV5BMl5BanBnXkFtZTgwNTEyMzA2MDE@._V1_FMjpg_UX1000_.jpg" width="240" /></a></div><div><br /></div><div>Home alone with a talking dog. Terrible acting, terrible directing, and embarrassing productions all around. Even the dog's voice over is uninspired and joyless. </div><div>As much as I felt good to see Dean Cane being bested by a Yellow Lab, this is just not very entertaining. </div><div><br /></div><div>Skip it. </div></div><div><br /></div><div style="text-align: center;"><b><span style="font-size: x-large;">38</span></b></div><div style="text-align: center;"><b><span style="font-size: x-large;">The Killing Tree</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXp4o9AN4NIyXAIZN1d2_zl0qiPha7vublM58UXx3MkdsfSTB7HqwsyI8wkcxAuF3kLoDyJMKSlNwvvrU0QkdMgxLhm34X4d-izB5RBc4GBpYUWYFMxu5ItI_D4Y6DwEArw0DsvSMYOWZvxSB8tSNaTXNHzOvWwp0iIOa2dXzkK6G49uJbnl0wMSBGUw/s1440/p23268225_p_v8_aa.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="960" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXp4o9AN4NIyXAIZN1d2_zl0qiPha7vublM58UXx3MkdsfSTB7HqwsyI8wkcxAuF3kLoDyJMKSlNwvvrU0QkdMgxLhm34X4d-izB5RBc4GBpYUWYFMxu5ItI_D4Y6DwEArw0DsvSMYOWZvxSB8tSNaTXNHzOvWwp0iIOa2dXzkK6G49uJbnl0wMSBGUw/s320/p23268225_p_v8_aa.jpg" width="213" /></a></div><br /><div><br /></div><div>Dead killer’s soul gets thrown into a fully decorated artificial Christmas Tree. And this tree is set on revenge murdering those responsible for his passing. “The Killing Tree” is a tongue and cheek horror comedy, giving homage to goofy monster flicks. It does suffer from undeveloped and uninteresting characters, who get way too much screen time than deserved. But whenever the tree is on screen, the film wins. We get to see the tree get lost and consult a map, steal a car, and even try to ignore drunks that will just cause a scene. And after the tree has learnt it can kill people with razor sharp tentacle-like branches, it still choices to tip top around a house holding a carving knife. Marvelously ridiculous!</div><div>When this film wants to be silly, it's fun. When it's trying to be serious, which doesn't have any place in this plot, it's dull and boring. </div><div><br /></div><div>Worth having in the background to catch the scenes with the possessed tree. </div><div><p class="MsoListParagraphCxSpFirst" style="mso-list: l0 level1 lfo1; text-indent: -18pt;"><!--[if !supportLists]-->1)<span style="font-size: 7pt; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;"> </span></p></div><p style="text-align: center;"><b><span style="font-size: x-large;">39</span></b></p><p style="text-align: center;"><b><span style="font-size: x-large;">The Last Christmas Party</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir5Bf930xIJgpJ0ixWo51Cu-nzkEiqkNQ16BveOKQ5RSLKyv0AFUAbVqKht2ABRMzz5PzK9eCZIaEEi9-ALi9CqzrI8ihsNb7Q-aQYEJ3cqP-diiLghcFmTHnKlmGXxrl2LbnGNN8dIbZzcE_36_gOadAuCqIfkVdqfemqd59It8IcbZXJZWBOIlDUoA/s3000/MV5BNzkyNTE1OTgtYTMxZi00NjZkLWIwM2UtNmYyY2FhYWEzYmZiXkEyXkFqcGdeQXVyNjAwODYwOTQ@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="2000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEir5Bf930xIJgpJ0ixWo51Cu-nzkEiqkNQ16BveOKQ5RSLKyv0AFUAbVqKht2ABRMzz5PzK9eCZIaEEi9-ALi9CqzrI8ihsNb7Q-aQYEJ3cqP-diiLghcFmTHnKlmGXxrl2LbnGNN8dIbZzcE_36_gOadAuCqIfkVdqfemqd59It8IcbZXJZWBOIlDUoA/s320/MV5BNzkyNTE1OTgtYTMxZi00NjZkLWIwM2UtNmYyY2FhYWEzYmZiXkEyXkFqcGdeQXVyNjAwODYwOTQ@._V1_.jpg" width="213" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p><p>Self centered, whiny, and despicable, young adults treat their loved ones with little respect or common courtesy. Doesn’t have anything to say or provide anything entertaining. </p><p>Skip it. </p><p style="text-align: center;"><b><span style="font-size: x-large;">40)<span style="white-space: pre;"> </span>The Perfect Gifts</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCDEJ9dcFSwQVC3fIMMKp0rZ1JDqq9Zh7pHm6rnX-qjBY5eOObJQNjR4rBmm2cR1Z47bDj0okpCoJeyJZvrg1fUI3HbjsmYbGR84OW7FZZjCGMaf8_AAgam5KJ-SHL4g-8oIE1PdulVUpA5VcDhLG5tEQnHEebwVCI9SkBTJwWPDJ98zeKe6LjtrepQw/s2519/MV5BMjA5MDQ0MjQ4N15BMl5BanBnXkFtZTcwMTYwNjQ5Mg@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2519" data-original-width="1700" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjCDEJ9dcFSwQVC3fIMMKp0rZ1JDqq9Zh7pHm6rnX-qjBY5eOObJQNjR4rBmm2cR1Z47bDj0okpCoJeyJZvrg1fUI3HbjsmYbGR84OW7FZZjCGMaf8_AAgam5KJ-SHL4g-8oIE1PdulVUpA5VcDhLG5tEQnHEebwVCI9SkBTJwWPDJ98zeKe6LjtrepQw/s320/MV5BMjA5MDQ0MjQ4N15BMl5BanBnXkFtZTcwMTYwNjQ5Mg@@._V1_.jpg" width="216" /></a></b></div><b><br /></b><p></p><p>Micro budget production appears to be a local community project. Amateur acting, unremarkable camera work, and choppy editing, make this one a bit of a chore to get through to the finale. The story is about a loner girl with no friends, finding friendship with a mysterious homeless carpenter who’s helping builds a nativity scene for the front of a church. Little girls hanging out with a hairy nomad is ok if he looks like Jesus but white Jesus, of course. The story then predictably slips into a “War on Christmas” film with the city improbably asking the church to take down the manger scene once it is up. </p><p>And while I believed I had figured out the film before it revealed itself, the movie took an unexpected turn and discredited the concept and debunks the relativity of “The war on Christmas” propaganda by taking a valid Christian point of view. This is accomplished by relating the literature's metaphors and deeper meanings at their simple core, instead re-interpreting them and twisting them to meet political views or self centered agendas ( I am looking at you, Kirk Cameron and your baffling "Saving Christmas" flick).</p><p>Spoilers: Jesse (yep, that's the name of the Jesus looking guy) gets up in court and delivers a speech that examines the visual details of the the image explaining the significance of the choices made within the story. By doing this, Jesse defends the antagonist. He does this with a properly written reminder that the birth of the King was meant for everyone regardless of lifestyle, finances, culture, and any other differences among people. The speech is so nicely delivered and worded that it felt like a different film. This is because it is a borrowed speech from another source material written by some other than the screenwriter of this film, and gives proper credits to this person at the end. </p><p>There is a nice, well thought out message within this film, reminding people about unconditional love for mankind doesn’t involve forcing religious views on others. Too bad the rest of the film appears to be unaware of how it walks the fine line of nearly getting inappropriate with the unconventional friendship, especially when they playfully touching each other. Worth seeing the ending and maybe worth having a good laugh at how unaware of it’s inappropriateness. </p><p style="text-align: center;"><b><span style="font-size: x-large;">41</span></b></p><p style="text-align: center;"><b><span style="font-size: x-large;">Silent Partner</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioeISNmFNvs3_Mo2N0N-v8SyYXuTm5vCTIfH12OXD-1eMdNQsVAx858N-MCi9Os9k-2znUFVQ4VKiQ6UQ8gjKZFreWphLh5cpJpLbnsJJibO6c7-nHs_uq7GaoIG2b22paRRLFNq1q4QCSYABLMzzOXOElf9Z1NE7fTMbL_ZwLCYu8qUqJL8nMySEEOA/s1275/a5Cc9z6HR9IcjYKEK0VJJLnnKwO.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1275" data-original-width="850" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEioeISNmFNvs3_Mo2N0N-v8SyYXuTm5vCTIfH12OXD-1eMdNQsVAx858N-MCi9Os9k-2znUFVQ4VKiQ6UQ8gjKZFreWphLh5cpJpLbnsJJibO6c7-nHs_uq7GaoIG2b22paRRLFNq1q4QCSYABLMzzOXOElf9Z1NE7fTMbL_ZwLCYu8qUqJL8nMySEEOA/s320/a5Cc9z6HR9IcjYKEK0VJJLnnKwO.jpg" width="213" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p><p>Smart thriller about a bank robber and an intelligent banker who but heads trying to each steal the same cash. Intelligent, suspenseful, and very nicely acted, “Silent Partner” may not be as much of a Christmas Movie as Die Hard is, but it’s worth watching once.</p><p style="text-align: center;"><b><span style="font-size: x-large;">42</span></b></p><p style="text-align: center;"><b><span style="font-size: x-large;">Tis the Season</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAfpT1lp6KZoK1eK4cPnt5Oxdssw0wqm46ALqVpUkJS4yvNY9u18JDGvR9pRX7OTRV9xFllmQmIHyMP8TTKoQ5Fii6QwUiLv9hDsq0qtnn8Y-42cNoH2tvKt-bLVCt6ayvAOP1oaMfF2X-S2XxYxXD0pFSpyjHFw5urX6mz_hCboWxkqtoq11ZsPKTYQ/s2794/MV5BNWY0N2JmYzgtM2EyZC00YzhlLTk0YzgtNmUyNDMzYzk0YzE0XkEyXkFqcGdeQXVyODg5OTY2MDc@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2603" data-original-width="2794" height="298" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAfpT1lp6KZoK1eK4cPnt5Oxdssw0wqm46ALqVpUkJS4yvNY9u18JDGvR9pRX7OTRV9xFllmQmIHyMP8TTKoQ5Fii6QwUiLv9hDsq0qtnn8Y-42cNoH2tvKt-bLVCt6ayvAOP1oaMfF2X-S2XxYxXD0pFSpyjHFw5urX6mz_hCboWxkqtoq11ZsPKTYQ/s320/MV5BNWY0N2JmYzgtM2EyZC00YzhlLTk0YzgtNmUyNDMzYzk0YzE0XkEyXkFqcGdeQXVyODg5OTY2MDc@._V1_.jpg" width="320" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p><p>Religious amateur low budget musical that is self serving and unaware of itself, it becomes so bad it’s good. </p><p>Lots of preaching, lots of bible reading, and not enough characterization, plot, or engaging filming. Oh, but we do get to see people sing church hymns while others perform interpretive dances behind them. But the best part, is that the writer/director/star of the film, showcases how much he's a bad boy, yet still is just like Jesus Christ, I found myself in hysterics at the finale when our protagonist is passing on from a gunshot to the stomach and is singing his way to death. I couldn't tell if the people all watching this scene unravel during the filming, were wishing for a miracle lightning bolt to cut the scene early, or they were just confused by what they were struggling to stay in mourning mode when the acting and singing was so hysterically bad. Oh my God! I loved it for all the reasons I am sure they wish I didn't.</p><p>Writer Bennie Parker, who also directed this, and performs as the main character gives himself a death with all the Jesus martyrdom, one can fill into one movie. This is Egosploitation at it’s finest. Unless you are like me and are fascinated in watching untalented insane people make fools of themselves… </p><p>Skip it. </p><p>However, if you are a fan of Tommy Wisseau or Neil Breen, then you might have to see this one too. </p><p style="text-align: center;"><b><span style="font-size: x-large;">43</span></b></p><p style="text-align: center;"><b><span style="font-size: x-large;">T'was the Fight Before Christmas</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNVagY8tbPjuULor23aoSYMJllrwhWzol307NCTgP6A-TZhwZz206qkXTPPYghiqK3hK9F0Eh-Fd3BV9YVeF9qRK2qkr_869xzGdJTLLo1go2vF9vzj-kBK33Q7yuzqjnjyQdHejTBYC0rnhB0ZgzNfmTCtyuxFjp2BGQxwX3Op1q6RFrQcNozKsWlUw/s3000/MV5BZTlhM2Q2ODAtMTM0Mi00MTExLWFlMGQtMWI4NzYyYmI4Y2IyXkEyXkFqcGdeQXVyNjEwNTM2Mzc@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="2000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNVagY8tbPjuULor23aoSYMJllrwhWzol307NCTgP6A-TZhwZz206qkXTPPYghiqK3hK9F0Eh-Fd3BV9YVeF9qRK2qkr_869xzGdJTLLo1go2vF9vzj-kBK33Q7yuzqjnjyQdHejTBYC0rnhB0ZgzNfmTCtyuxFjp2BGQxwX3Op1q6RFrQcNozKsWlUw/s320/MV5BZTlhM2Q2ODAtMTM0Mi00MTExLWFlMGQtMWI4NzYyYmI4Y2IyXkEyXkFqcGdeQXVyNjEwNTM2Mzc@._V1_.jpg" width="213" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p><p>Aggravating documentary demonstrating oneself righteous bully tormenting a street for his own self-centered benefits and hurting everyone around him, doesn’t have any conclusion or resolution. This one was advertised to appear like a comical rump. Couldn’t be further from the truth. Documentary fans will also be disappointed as it’s an incomplete story and there’s no concluding finish besides mentioning this is an ongoing case. </p><p>Skip it. </p><p style="text-align: center;"><b><span style="font-size: x-large;">44</span></b></p><p style="text-align: center;"><b><span style="font-size: x-large;">Unholy Night</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWkp-77bjUSqcOiOCQZNQ1DCAbyMAQ4_xmKSPgCCQP2SOuXvkHn7a2yYI72P-ME-iNL2g049AcXHnAjBzW2a_NwPT4uOroxM6bGC2UmYwNCk5D3KL1NfzbL5936dvCoGwbv2A17TindKuzU-fGLzA6PXzqCJICzumCBaRsb1BOZgX8qctdvvpxEWv9Yg/s1514/MV5BNTBlZTI4ZDMtNzEwYi00N2ZiLTg0ODQtNTg3ZjQ2NTZjODljXkEyXkFqcGdeQXVyMjI0NjY2NjU@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1514" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWkp-77bjUSqcOiOCQZNQ1DCAbyMAQ4_xmKSPgCCQP2SOuXvkHn7a2yYI72P-ME-iNL2g049AcXHnAjBzW2a_NwPT4uOroxM6bGC2UmYwNCk5D3KL1NfzbL5936dvCoGwbv2A17TindKuzU-fGLzA6PXzqCJICzumCBaRsb1BOZgX8qctdvvpxEWv9Yg/s320/MV5BNTBlZTI4ZDMtNzEwYi00N2ZiLTg0ODQtNTg3ZjQ2NTZjODljXkEyXkFqcGdeQXVyMjI0NjY2NjU@._V1_FMjpg_UX1000_.jpg" width="211" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p><p>Low budget horror anthology that saves the best for the end. The first couple of tales might persuade viewers from discontinuing the film halfway through, yet they would be missing out on a strange, funny, and uniquely gross finale that makes up for the dull opening segments. </p><p>For horror fans, worth watching once. </p><p style="text-align: center;"><b><span style="font-size: x-large;">45</span></b></p><p style="text-align: center;"><b><span style="font-size: x-large;">White Elephant</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjC_8QVz0-hKSgSbtwXL6iVyH1fhzRv0Wdqjn6acbHj5Nv5tXJUuUe0mRkTTTnd1QB-Btr97tiicPtPHZKCti9kJ0OMnY_EhPeYUnUChgVPoTBeSoUYFc_F1W-x1FcjEn3KMmWA0nh0BaKZVzRHnN73LuvsvQ5YDwwD-CaWJVrjg7gDu7xHeE7VvUHKnA/s720/MV5BZmVkM2YxYzAtNmYwNy00M2FlLTlhMzMtNDg1M2EwZWFiNjM2XkEyXkFqcGdeQXVyMjIxMzU2ODc@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="480" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjC_8QVz0-hKSgSbtwXL6iVyH1fhzRv0Wdqjn6acbHj5Nv5tXJUuUe0mRkTTTnd1QB-Btr97tiicPtPHZKCti9kJ0OMnY_EhPeYUnUChgVPoTBeSoUYFc_F1W-x1FcjEn3KMmWA0nh0BaKZVzRHnN73LuvsvQ5YDwwD-CaWJVrjg7gDu7xHeE7VvUHKnA/s320/MV5BZmVkM2YxYzAtNmYwNy00M2FlLTlhMzMtNDg1M2EwZWFiNjM2XkEyXkFqcGdeQXVyMjIxMzU2ODc@._V1_.jpg" width="213" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p><p>Just like an annoying Christmas party, the film overstays it’s welcome. There are some nice conflicts that make the watch rightfully hard to watch, but once the drama completes, there’s too many endings. The film then finishes with the cast of young actors singing a Christmas carol and trying to be comical about it. Has nothing to do with the film and is more annoying than showing unfunny bloopers during the credits. </p><p>Skip it. </p><p><br /></p><div style="text-align: center;"><b><span style="font-size: x-large;">46<span style="white-space: pre;"> </span>Who Slew Auntie Roo?</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCi-O3E6sS9Bi1_LT431vDANskCcSRYaswgOwjMOLBf6GlmMPKts8DTgaW_RfUnismSqE6zprkyCTtBm6GmsQdB8CRngAF8undbZKom15zxakd8bEbIkDmzwtxDy0XAZCIySXXSAU7ZQsVDI6_5fPP-cQB-uKAZMsQ5ziSlp_rNSGFVPRajBQSkHH-wA/s1571/MV5BNjEzMDExMDEtNDBkMC00YzkwLWEyMjMtYjY0ZDUxMmI0NTQ5XkEyXkFqcGdeQXVyMTg2NjYzOA@@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1571" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCi-O3E6sS9Bi1_LT431vDANskCcSRYaswgOwjMOLBf6GlmMPKts8DTgaW_RfUnismSqE6zprkyCTtBm6GmsQdB8CRngAF8undbZKom15zxakd8bEbIkDmzwtxDy0XAZCIySXXSAU7ZQsVDI6_5fPP-cQB-uKAZMsQ5ziSlp_rNSGFVPRajBQSkHH-wA/s320/MV5BNjEzMDExMDEtNDBkMC00YzkwLWEyMjMtYjY0ZDUxMmI0NTQ5XkEyXkFqcGdeQXVyMTg2NjYzOA@@._V1_FMjpg_UX1000_.jpg" width="204" /></a></div><p></p><p>Hansel and Gretel tale starting on Christmas season. And what is more Christmassy than home baking… that’s right baking home kids… (cough) sorry, sorry. I meant kids’ home baking. This one doesn’t need to be seen in the holiday season. But good performances do make this worth seeing once. </p><p>Probably better suited for Halloween. </p><p style="text-align: center;"><b><span style="font-size: x-large;">47</span></b></p><p style="text-align: center;"><b><span style="font-size: x-large;">Worst. Christmas. Ever. </span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh12iY9b3oD543AH9ULOV-HqXRShtOJn4utnS1UMG5_tfkWEaZ4vM6D0BPKM49KbyZonoh76Z4w-xISCP0JOPhmPF61K_FWpwGiokGLoXoPAaME0VYv1mciYLN4f_T2hNBSg5-yIvuVIME9qdarJyX7YkTSR_E1TIzUVfEn0G-iG5sy-Mu3GEaWO5RE1A/s1452/MV5BM2IwZWE5NmYtM2VlNC00NzNkLWFjZmYtMmFjMGUyNzJmYTY1XkEyXkFqcGdeQXVyMTE1MzAxNzU@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1452" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh12iY9b3oD543AH9ULOV-HqXRShtOJn4utnS1UMG5_tfkWEaZ4vM6D0BPKM49KbyZonoh76Z4w-xISCP0JOPhmPF61K_FWpwGiokGLoXoPAaME0VYv1mciYLN4f_T2hNBSg5-yIvuVIME9qdarJyX7YkTSR_E1TIzUVfEn0G-iG5sy-Mu3GEaWO5RE1A/s320/MV5BM2IwZWE5NmYtM2VlNC00NzNkLWFjZmYtMmFjMGUyNzJmYTY1XkEyXkFqcGdeQXVyMTE1MzAxNzU@._V1_FMjpg_UX1000_.jpg" width="220" /></a></b></div><b><br /><span style="font-size: x-large;"><br /></span></b><p></p><p>Should have been titled “The Worst Christmas Movie Ever” – exceptionally low budget, meanders around until it reaches its crime filled ending. The acting is some of the worst out there this year. And strangely the bad acting is still not bad enough to ironically become entertaining despite its lack disregard for talent.</p><p> But I did laugh once. Once! </p><p>Skip it. </p><p style="text-align: center;"><b><span style="font-size: x-large;">48</span></b></p><p style="text-align: center;"><b><span style="font-size: x-large;">X-mas Tale (Cuento de navidad)</span></b></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6ZK8LO_1KbEyxgRSusP0juRta93IChOWmlyyODw3QkAus7MFxd_svRk6gtSpbWuovHHXq6QRYlcSzhZpcf5vyp5gX-MA9qswYCep3SSoBFRkcrXnFCOovU2tWHQFoIAQ2VCsyJHwvdY2_zS3xtaIXVrMVe4ebA-LRuYKV4o922rVhd50JKPWQ_wqWeA/s487/xmas-tale-poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="487" data-original-width="342" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6ZK8LO_1KbEyxgRSusP0juRta93IChOWmlyyODw3QkAus7MFxd_svRk6gtSpbWuovHHXq6QRYlcSzhZpcf5vyp5gX-MA9qswYCep3SSoBFRkcrXnFCOovU2tWHQFoIAQ2VCsyJHwvdY2_zS3xtaIXVrMVe4ebA-LRuYKV4o922rVhd50JKPWQ_wqWeA/s320/xmas-tale-poster.jpg" width="225" /></a></div><p><br /></p><p>If Steven Spielberg made a Christmas movie while high on cocaine, we might get something very close to "X-Mas Tale". The story is about a group of kids stumbling upon a hole in the ground that has an injured bank robber in a Santa Claus suit. The kids decide not to help the robber and wait for her to pass on before they go in to obtain the stolen cash. But the robber's survival capabilities don't work with the kids' schedule, as the cops may be getting closer to finding the robber than they would like. So these kids may have to make some un-christmassy choices. </p><p>Acclaimed horror director, Paco Plaza (Rec, [Rec]², and Verónica) made this for television. And while it's not as graphic as other Christmas horror films, Plaza understand how to create tension, build up dread, all the while presenting a group of energetic, likeable actors, that still keep you rooting for them, even though their actions are horrific. </p><p>Fun, frightening, and fearless, "X-mas Tale" is one of the best Christmas Horror films out there. </p><p>See it. </p><p style="text-align: center;"><b><span style="font-size: x-large;">49</span></b></p><p style="text-align: center;"><b><span style="font-size: x-large;">Your Christmas or Mine</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga2Ava0a8QEFC3pFUZ0jR18lUpm_HIwKJBNtYicFlYnu434ZzKhWm4j8dg4ddPcV1C8AXrrhDx2_yKRzzyHdDUyyTtdrc7PZsfWrTp1Kze3XUQNZxHSqXJEW7dp7m38tns3SqZdZtV-p_sltMJzAWNJnLk1I_PUEudbHTRoolq6hWYoVStowNqjJlkAw/s1500/MV5BZDg5NTM0YTktNDdhNy00NmVkLTlhODAtMGYxMzQ1MGJhYTM3XkEyXkFqcGdeQXVyMTU4MTk5MjA0._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEga2Ava0a8QEFC3pFUZ0jR18lUpm_HIwKJBNtYicFlYnu434ZzKhWm4j8dg4ddPcV1C8AXrrhDx2_yKRzzyHdDUyyTtdrc7PZsfWrTp1Kze3XUQNZxHSqXJEW7dp7m38tns3SqZdZtV-p_sltMJzAWNJnLk1I_PUEudbHTRoolq6hWYoVStowNqjJlkAw/s320/MV5BZDg5NTM0YTktNDdhNy00NmVkLTlhODAtMGYxMzQ1MGJhYTM3XkEyXkFqcGdeQXVyMTU4MTk5MjA0._V1_FMjpg_UX1000_.jpg" width="213" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p><p>Nicely shot and acted romcom that dares to deliver an original story. A new couple finds themselves heading in different directions during the holiday season, only to switch their direction in the last minute to surprise the other. But since both do this, they both are heading to the other person’s home accidentally. And with a storm coming, both find themselves in meeting the other’s family, but unable to divulge their relationships due to family secrets. A lot of fun performances make this original tale a worthy time waster. </p><p>Can easily be enjoyed as a background film. </p><p style="text-align: center;"><b><span style="font-size: x-large;">50</span></b></p><p style="text-align: center;"><b><span style="font-size: x-large;">Holiday Inn</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgb7qsnW5xO038XIzbj0TngxYFeiw3dU07uoOjRWS8HcJxZT1OVZ3DDblIoHgnWbHFeNVfPOP1CaSMVZdQ5f41lOkxg4EHlL-iUaMDVL8k-ymDi7CShBH00CGKwnCJ1Ulw_-TY592sIXygLYJrBcoowv-Khw30YhWhUvlTurtdTUm2ArCAOHpSge1QisA/s1440/p2420_p_v8_ac.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="960" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgb7qsnW5xO038XIzbj0TngxYFeiw3dU07uoOjRWS8HcJxZT1OVZ3DDblIoHgnWbHFeNVfPOP1CaSMVZdQ5f41lOkxg4EHlL-iUaMDVL8k-ymDi7CShBH00CGKwnCJ1Ulw_-TY592sIXygLYJrBcoowv-Khw30YhWhUvlTurtdTUm2ArCAOHpSge1QisA/s320/p2420_p_v8_ac.jpg" width="213" /></a></b></div><b><span style="font-size: x-large;"><br /></span></b><p></p><p>The first film to premiere Bing Crosby singing the iconic “White Christmas” song, has fallen to the side lines due to the popularity of Crosby’s more recognizable “White Christmas” movie, of the same title as the song. “Holiday Inn” happens to also display all the holidays throughout the year, starting with Christmas and finishing on Christmas. Crosby shares the screen with Fred Astaire, who’s drunken dance sequence is at the highest level of perfection as we might expect from Charlie Chaplin, Buster Keaton, and even Jackie Chan. The film has some superb comic timing, with plenty of comedic bits that still earn laughs even with today’s standards. And it also has Bing Crosby in Black Face… so… um… yeah… </p><p>Hey, I wonder if our Prime Minister saw this film? </p><p><br /></p><p><br /></p><p>And there we have it. 50 quick Christmas Movie Reviews. </p><p>For everyone writing and contacting me in regards to Hallmark Christmas film review, I have come to the conclusion that I will have to skip this little tradition. I may get out a quick list like this solely on Hallmark films, but the likelihood this year is not looking promising. These last couple months have had a few surprises in my life that have altered my schedule causing me to push out certain projects. So for those of you looking forward to my Hallmark analyzing, sorry but this may have to wait until next year. </p><p>That being said, new projects have entered my life and I shall be getting a new live show coming in 2023. More to come about that next year. </p><p><br /></p><p>Thanks for reading these reviews and I would love to hear if there's any obscure Christmas movies you think I should be taking a look at, or ones that you watch each year that are not on other people's traditional holiday movie watching lists. </p><p>I hope you all have the best and happiest of Holidays! </p><p><br /></p><p>JP Fournier</p><div><br /></div>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-1239627012934982952022-06-27T20:55:00.005-07:002022-06-30T17:48:32.192-07:00Pride Movies 2022 - Week 4<p> In this week, I was able to finish more films to fulfill my a film per day during the Pride Month of June. '</p><p>This final assemble of films certainly took a toll on my emotions. They were certainly the more emotionally complex films I have watched this month, with the exception of one marvelously absurd comedy. After doing this for the past 4 years, I have conditioned my self to fear <span face="arial, sans-serif" style="background-color: white; color: #202124; font-size: 16px;">LGTBQIA2S+ movies that take place in the past. If the film's story is set at least 10 years in the past, it is a safe bet that it is not coming with a happy ending. As new </span><span style="background-color: white;"><span face="arial, sans-serif" style="color: #202124;">LGTBQIA2S+ stories are surfacing more and more each year, the variety of types of films will be diversifying too. This year is the first year that 5 major film productions are releasing </span></span><span face="arial, sans-serif" style="background-color: white; color: #202124; font-size: 16px;">LGTBQIA2S+ films to theatres and from major labels. This is promising news as it will expand audiences and if they do well, which a couple have already done, then more funding will be coming down the pipe. The future is looking bight for </span><span face="arial, sans-serif" style="background-color: white; color: #202124; font-size: 16px;">LGTBQIA2S+ movies. </span></p><p><span face="arial, sans-serif" style="background-color: white; color: #202124; font-size: 16px;">And to finish this years Pride Month month, here's my last installment. </span></p><p></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 20</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">A Normal Heart</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXlqwcGK9ztzIblANvzucrNeYSj_XS1iAUR4WNflUZcdJImmhDQ0i7m2OQnf52RCvBzpT5mSMkKqJ8-wZBdsrDisj6BKMolA8aXc2OtK8_vynmA7-5x0aNMHtXskpPnE4avF4VvvGfsHT2SNZ6qI6agiI1tbklabchCVe70C1qHQMB2c_JBfmIvHobUA/s2164/thenormalheart.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2164" data-original-width="1452" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXlqwcGK9ztzIblANvzucrNeYSj_XS1iAUR4WNflUZcdJImmhDQ0i7m2OQnf52RCvBzpT5mSMkKqJ8-wZBdsrDisj6BKMolA8aXc2OtK8_vynmA7-5x0aNMHtXskpPnE4avF4VvvGfsHT2SNZ6qI6agiI1tbklabchCVe70C1qHQMB2c_JBfmIvHobUA/s320/thenormalheart.jpg" width="215" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Some incredible performances highlight this very important
subject matter on the freedom and rites of gay men fighting for help against
the aids epidemic in the early 80s. I had wanted to see this for a while, as I
am a big fan of HBO films and due to the top grade names attached to the
project. help</p>
<p class="MsoNormal">It take a bit of time for me to get engaged in the film and
I did find myself moved by much of the story, yet I couldn’t help but feel this
was an over written and undercut jumble of a script. Maybe the stage play runs
smother. However the film that runs nearly 2 hours and 20 minutes suffers from
too many monologues, 3 of which are different characters just explaining how
mad they are at the world on their situation. One particular monologue, over
acted by a minor character had all the information delivered in the first 2 to
3 lines yet continues to nearly 5 minutes of repeating the same information in
multiple methods. Nearly every character needs a moment for the actor to
display their acting chops and for a film that brings up the outrageous concept
that people wanting to fight Aids is only for ego boosting, this amount of
monologues feels counterproductive (this ironic use of this cinematic platform
appears to be a run-on characteristic in Ryan Murphy films). The film did very
well at reminding me that it was a written play turned into a movie, breaking
my empathy for the film’s characters and making me angry that this topic should
have been handled with more care. This is a shame, as this should have been a
powerful cinematic history lesson. </p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 21</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Firebird</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjURJ9mJBx2W7LVQtEZ7qd5VGzFkO_EwmDJdI-eYFKuNtRaI1NLplvFluPPHaixT8DS6MPAF-ZDYjDdmPaHQET-Ywthz8o7sm8OX0rP820hcLhHcg0SseUhQUltquTH379lq9agD9ys4Iv56cEyhZA1h5nTf-D9w3K0b5xb_s2_dn4lEIz7_mEK4tnWvQ/s273/imagesfirebird.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="273" data-original-width="184" height="273" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjURJ9mJBx2W7LVQtEZ7qd5VGzFkO_EwmDJdI-eYFKuNtRaI1NLplvFluPPHaixT8DS6MPAF-ZDYjDdmPaHQET-Ywthz8o7sm8OX0rP820hcLhHcg0SseUhQUltquTH379lq9agD9ys4Iv56cEyhZA1h5nTf-D9w3K0b5xb_s2_dn4lEIz7_mEK4tnWvQ/s1600/imagesfirebird.jpeg" width="184" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal"><i>This review may contain spoilers.<o:p></o:p></i></p>
<p class="MsoNormal">This was suggested to be by a few people, all claiming this
is not the typical movie about gay characters. And I am not sure where this
notion of it not being typical comes from. We get a love between two men,
during a time and location that would condemn them for their relationship. One
marries all the time having an affair on his wife and child to fulfill his
emotional needs. The other suffers in silence as he watches his loved one take
on the role of a heterosexual man pulling them further away. This is a very
typical gay character story. Yet the icing on the cake is when the film borrows
the ending of "Portrait of a Lady on Fire" a far superior film.<br />
Now while this sounds like a negative review, I would like to stress that the
acting is strong, the cinematography is lush, and the very predictable story
flows by smoothly. This is not a terrible watch. However, for me it was too
familiar and with the ending shot being a blatant rip off of a recent critical
hit, that was the straw the broke the donkey's back.</p><p class="MsoNormal">So in the end, the reason I didn't care for "Firebirds" is because I watch a lot of films. Others will probably enjoy this, but for me it's too familiar and unoriginal. </p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 22</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Any Day Now</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7nd4CLLyCT8zwwCMG6IK63lNwfCrE3tJLBsNQvoeh2KZlmg5l_w8uj7mEaWZaq3U3t0Y6T3mjZcjUBcfycltdk5KCHM0Qj_I-or2gGST9VrJcm3fNd7MCxbqnk_CAucnwODeXocQfiSbiY215h2J301cV7rKqBr2aLWB1EH6L70hAJUobfIABn932wA/s2048/MV5BMTA3MjM5MjYwNDleQTJeQWpwZ15BbWU3MDcxNTIzNzg@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1386" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7nd4CLLyCT8zwwCMG6IK63lNwfCrE3tJLBsNQvoeh2KZlmg5l_w8uj7mEaWZaq3U3t0Y6T3mjZcjUBcfycltdk5KCHM0Qj_I-or2gGST9VrJcm3fNd7MCxbqnk_CAucnwODeXocQfiSbiY215h2J301cV7rKqBr2aLWB1EH6L70hAJUobfIABn932wA/s320/MV5BMTA3MjM5MjYwNDleQTJeQWpwZ15BbWU3MDcxNTIzNzg@._V1_.jpg" width="217" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">An absolute tearjerker. </p>
<p class="MsoNormal">Based on the true story of two gay men trying to adopt a boy
with down-syndrome during the 70s, “Any Day Now” does not present the promise
of a happy story. However, this is a joy to watch. </p>
<p class="MsoNormal">Alan Cumming is a tour de force as Rudy Donatello, a drag
performer whose unfiltered smart mouth is his biggest asset as well has his
worst enemy. </p>
<p class="MsoNormal">While I knew where this story was heading, because of
history, I was not expecting it to hit me as hard as this film did. Yes, it’s
probably more manipulative than the average films, but this is a history lesson
and message that could use a bit of skillful coloring. </p>
<p class="MsoNormal">Truly unforgettable. </p><p class="MsoNormal">Be warned: This ending had me crying a second time after the film even as I describe the ending to a friend. </p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 23</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">XXY</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnuZYuJME0qCMnhkwCZQCCO23Gc_JCfLoxafMZ7MuN-2cS2GQqcdRoZLyXGZQODwQXIaoAzwWt856l3UHOiusIY2Ag7quCTwH1ZsJrr7OiIXNLw50ldnrql4a0WLetxaKOk4A21oY42U6WqdzNY9_bWDWqypuNTxlhb7wzNne2etNg2_nSVEaIzeSaqQ/s1600/81lVC4NeQJL._RI_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnuZYuJME0qCMnhkwCZQCCO23Gc_JCfLoxafMZ7MuN-2cS2GQqcdRoZLyXGZQODwQXIaoAzwWt856l3UHOiusIY2Ag7quCTwH1ZsJrr7OiIXNLw50ldnrql4a0WLetxaKOk4A21oY42U6WqdzNY9_bWDWqypuNTxlhb7wzNne2etNg2_nSVEaIzeSaqQ/s320/81lVC4NeQJL._RI_.jpg" width="240" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">This is the type of film that I adore! Yet, while I would like people to experience it, it's not a film that certain people will be able to handle or accept the storyline. </p><p class="MsoNormal">Alex, an intersexed teenager, living her life as a female,
will need to make the decision which sex Alex will spend his/her adulthood as,
before the opportunity to change is passed up. When the family brings in
another family to visit them during the summer, Alex' parents start questioning if they made the right choice
to raise their child as a daughter and worry about being able to help Alex be
comfortable making the choice that will be right for Alex.<br />
"XXY" dives into deep questions, respecting the complexity of the
decision being personal along with how society's lack of knowledge and
understanding may also effect the personal needs. The film does not shy away
from some graphic details, displaying a violent act that makes the Alex's
future more involved. <br />
Ricardo Darín gives another incredible performance as Alex's father, who's
tortured by wanting what is best for his child but afraid to make the wrong
choices. The film does take a bit of time getting into the thick of things, as
it slowly brings in the audience to the whole tale (which is told in the
synopsis). It has a short runtime but packs in a lot of ideas, details, and
emotional connections to our characters. People in this film feel alive and
realistic, as the film offers no clichés, tropes, or flashy gimmicks to
romanticize the subject matter. It just tells an adult story for intelligent and mature audiences. </p><p class="MsoNormal">When you see a film as deep, sensitive, and intellectually profound as this one, it shines a light on the embarrassing linear thinking and small minded dipshits who cannot tell the differences between biological sex and sexual identification. I am glad a film like this exists and has attained critical praise. There is a small piece of honesty from the father, as he talks about seeing Alex for the first time at birth, as doctors warned him about his child's differences, "All I could see was... perfect. My child is perfect." that had me teary eyed. Right on target message perfectly encapsulating the beauty and importance of every single human, regardless of what a miss-educated and miss-guided society still needs to learn even in the 20th century. <br />
Unique and captivating display of a distressing view of our social limitations, as well as a poignant, and sincere look into the complexities of
genders.</p><p class="MsoNormal">I loved this film. </p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 24</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Holding the Man</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLd_Oi76tn5kSkzRk4m426yMVYu-wjqtskQp3epKUeos2ynNGjxze42QK2beFrrQAW0Fa3H9y8PBFYD_oHPrrrnYjT-ydiz22Hm9NYq9IHwXqMhQTNkHUs2o7w_xwowzJQSSC2Y8AiqzBe-MwcqQ6mY77bmIQ0ZDro2XACVY2HOnhMDen5fkQzaNeO6g/s3508/MV5BMTAyNTUyNDM3NzZeQTJeQWpwZ15BbWU4MDkzMDAyNDYx._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3508" data-original-width="2421" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLd_Oi76tn5kSkzRk4m426yMVYu-wjqtskQp3epKUeos2ynNGjxze42QK2beFrrQAW0Fa3H9y8PBFYD_oHPrrrnYjT-ydiz22Hm9NYq9IHwXqMhQTNkHUs2o7w_xwowzJQSSC2Y8AiqzBe-MwcqQ6mY77bmIQ0ZDro2XACVY2HOnhMDen5fkQzaNeO6g/s320/MV5BMTAyNTUyNDM3NzZeQTJeQWpwZ15BbWU4MDkzMDAyNDYx._V1_.jpg" width="221" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Based on the beloved best seller by Timothy Conigrave and
his 15 year love affair with Craig Stott, as they juggle many obstacles,
religious beliefs, condemning family members, long distances, career choices,
and medical afflictions.<br />
I knew this was going to make me cry. It has all the working of the best type
of tearjerkers. Loveable, yet flawed, characters, stunning cinematography,
extraordinary performances, along with great chemistry between our two leads.
There is a moment of silence near the end that is so powerful, that the silence
only amplified how loudly I was breathing while crying.<br />
Yet another film to add to the seemingly never-ending list of sad endings in
films about gay men. This feels like a trope to me at this point, but when the
film is put together with this high quality, it still packs an emotional punch.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 25</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The Half of It</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiPiZmH5nfj1zHxDn2oIG9OKWHAPwOPMNgK7eusTCmPffE3TZlXDJuBTc5T0t_hX8zXPqxHOGZAiT2HzACkj1QmIiNGB_DtK9jvaAsUM_8XURWPVmmEkdpQ7Q0HjAYPjn0CPEmMnjK-NVm9NtMWPWB3aWgrj6bIt9XdgMGGAPY9s7UB9HmExYqZ4Mgag/s2222/MV5BY2RlZmZkOTUtMDI5Ni00ZjZmLWI1OTItZmUwNWE4ZWVjNzFiXkEyXkFqcGdeQXVyMTkzODUwNzk@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2222" data-original-width="1500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiPiZmH5nfj1zHxDn2oIG9OKWHAPwOPMNgK7eusTCmPffE3TZlXDJuBTc5T0t_hX8zXPqxHOGZAiT2HzACkj1QmIiNGB_DtK9jvaAsUM_8XURWPVmmEkdpQ7Q0HjAYPjn0CPEmMnjK-NVm9NtMWPWB3aWgrj6bIt9XdgMGGAPY9s7UB9HmExYqZ4Mgag/s320/MV5BY2RlZmZkOTUtMDI5Ni00ZjZmLWI1OTItZmUwNWE4ZWVjNzFiXkEyXkFqcGdeQXVyMTkzODUwNzk@._V1_.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Cute blend of "Cyrano De Bergerac" and
"Pygmalion" with an added LGBTQIA2S+ angle. Leah Lewis and Alexxis
Lemire both bring natural performances to a script that relies mainly on
stereotypes, the dumb handsome oblivious jock, the dumb handsome shy jock, and
other students that appear to be excited by anyone's method of entertaining
them. This doesn't hurt the film too much as the script leans on the plot
devices from the classic romances, which require the characters to act
according the what the plot requires, rather than behaving like realistic people.
The film does have some nice writing, mixed in with the generic notes. The
narration which usually works against a films likability works here. There's
also great metaphor about one last stroke of paint on a practically finished
painting, that returns at the best moment. But the film's directing betrays the
clever touches, by not understanding how sound and voices flow. There's a
sequence where a church full of people get interrupted by our three main leads,
building to a speech from Lewis, who speaks at a low volume from a balcony,
then in mid speech descends a staircase only to come out at the back of the
church. While we the viewers can hear her, because she's miked for the filming
purpose, there is no way anyone in that church would hear her articulating
throughout that walk down. There's plenty of poorly chosen director choices,
that show a lack of common sense and understanding of all the characters in the
scene, beyond what is felt needs to be presented in a romcom.<br />
And although this sounds like major complaints, it still hits all the right
marks when it comes to corny romantic comedies. It has a couple good laughs
(while much of the humor doesn't work), it has beautifully shot romantic
environments, and there's a pretty musical score that highlights the emotional
tones that should already be obvious.<br />
This is a nice film, despite being very flawed.</p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 26</b></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>A Secret Love</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinnUQjFfqAycDvzbUgGJjk54WMyBj6SwnRHcNet3DrdXb1sa7w75kQnJ6lZnDK5x6ryx48mLws-Oc9C7q-BuUo8I5Y6GZ2HXWHC7D940WYHBc3Bbnct-kK818N2nqn5--ar89u2t_qnMr0O-9aeHIjAtxX1qilDMAdqJ8EZMq72o1zCD5k1L3IaGIleQ/s2222/MV5BNzRlMmUzNjUtMDczOC00YjQ5LWE0NDMtY2RkNzI5ODA4NmU3XkEyXkFqcGdeQXVyMTMxODk2OTU@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2222" data-original-width="1500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinnUQjFfqAycDvzbUgGJjk54WMyBj6SwnRHcNet3DrdXb1sa7w75kQnJ6lZnDK5x6ryx48mLws-Oc9C7q-BuUo8I5Y6GZ2HXWHC7D940WYHBc3Bbnct-kK818N2nqn5--ar89u2t_qnMr0O-9aeHIjAtxX1qilDMAdqJ8EZMq72o1zCD5k1L3IaGIleQ/s320/MV5BNzRlMmUzNjUtMDczOC00YjQ5LWE0NDMtY2RkNzI5ODA4NmU3XkEyXkFqcGdeQXVyMTMxODk2OTU@._V1_.jpg" width="216" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">Wholesome, beautiful, and absolutely heart-warming
documentary honoring the love within an over 70 years relationship of two
ladies who kept their relationship closeted for 65 years, and their choice to
let their family know the truth as they return home for their final years.<br />
The runtime is a short 81 minutes, yet the emotional impact is enormous.
Through this extraordinary love story, we get to see the change in politics,
religious belief, plus the degree of acceptance and understanding of people's
lives.<br />
A lot of documentaries focusing on lgbtqia2s+ lives often focus on the mistakes
people have made in the past and the atrocities faced. So it's wonderful to
watch a film demonstrating advanced and sophisticated the generations have
become throughout the years.<br />
Absolutely lovely.</p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 27</b></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>I am Jonas</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQk5cIRlxE8V7GL4BrwmqrGHz8tKDV7V1tY9F7iDCYH6NT14ghoWCWf8Fy6b12SKKNw6G5Y7vMqWlcz052B7ddnrZ2wkiGOISr7GHK_R5aj3Ake3RySRFLTjmFVacjXTukmIPCeWBJPcPlP_uK9_bOfUMOIUDWKnereQBF0Pk5b6VAvw_qUelYBkLBKA/s1538/MV5BNDNkYmM1YzItMGNjMC00MWYwLTliYmMtZDU2ZDU0M2Y4NmQ2XkEyXkFqcGdeQXVyMjE4NzY3Mw@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1538" data-original-width="1153" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQk5cIRlxE8V7GL4BrwmqrGHz8tKDV7V1tY9F7iDCYH6NT14ghoWCWf8Fy6b12SKKNw6G5Y7vMqWlcz052B7ddnrZ2wkiGOISr7GHK_R5aj3Ake3RySRFLTjmFVacjXTukmIPCeWBJPcPlP_uK9_bOfUMOIUDWKnereQBF0Pk5b6VAvw_qUelYBkLBKA/s320/MV5BNDNkYmM1YzItMGNjMC00MWYwLTliYmMtZDU2ZDU0M2Y4NmQ2XkEyXkFqcGdeQXVyMjE4NzY3Mw@@._V1_.jpg" width="240" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">"I am Jonas" tells the tale of our title character
from two periods in his life, flashing back to when he was a shy and timid 14
year old who befriends and falls in love with the rebellious and confident
Nathan, as well as his life as a sexually confident adult haunted by a tragedy
of his past he is still searching for answers to explain.<br />
Right from the opening, there's no uncertainty that we are heading to a
depression conclusion. The film makes no effort to try and disguise its bleak
nature. And although audiences will be able to piece together the majority of
where this film is heading, how and what type of tragedy did surprise me.<br />
Director, Christophe Charrier, does a great job of transitioning from past to
present, allowing bright colors and sunny weather to identify the past as Jonas
is finding confidence and happiness, compared to the darker tones as he's
struggling to deal with his everyday life still clinging to and hoping to
regain something from his past. The performances are all around great and there
is some good chemistry amongst the two young leads, causing the tragedy to have
that much more of an emotional impact. The conclusion is certainly not
something that would be attempted by a major studio. However, while it may not
wrap everything up with a pretty bow, it cleverly brings the audience into
feeling the frustration and uncertainty that Jonas is experiencing.<br />
Not a happy film but at least it will linger in my thoughts well after I would
like it to.</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 28</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">First Period</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilQVH9LzUV5Q8azR3WlzQQM5iyReU_9Vhc7-sC2WPxBGsCzUPOTbzNTFW6Wp4Efq2jHwj3mr8VhKbycGDK0woHwR_sk5I9CNQZYD9xsoZppWgh8-X3tnirpBWtUy8SMIpb7aZq3GOudy84t_BFb1hJ886Hdo8kqRI4OqMUqLjCx1MFxLVn9JZpmHBOBw/s1414/MV5BMTgzMzc0MzA4OV5BMl5BanBnXkFtZTgwNjc4NjkwNzE@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1414" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilQVH9LzUV5Q8azR3WlzQQM5iyReU_9Vhc7-sC2WPxBGsCzUPOTbzNTFW6Wp4Efq2jHwj3mr8VhKbycGDK0woHwR_sk5I9CNQZYD9xsoZppWgh8-X3tnirpBWtUy8SMIpb7aZq3GOudy84t_BFb1hJ886Hdo8kqRI4OqMUqLjCx1MFxLVn9JZpmHBOBw/s320/MV5BMTgzMzc0MzA4OV5BMl5BanBnXkFtZTgwNjc4NjkwNzE@._V1_FMjpg_UX1000_.jpg" width="226" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">The might be the closest thing we get to a Tina Belcher live
action one off. </p>
<p class="MsoNormal">This is the kind of comedy that really works for me. Much of
the humour is played straight faced and relies on the obliviousness of our two
leads. Instead of hammering in punch lines or even edit the film to accent a
joke, the performers use restraint in their delivery, allowing the constant
jokes to flow out like regular common speech. Absurd and crude with dashes of
slightly obscure parodies (for example it has a fun take on “Top That” from
1989’s “Teen Witch”). </p>
<p class="MsoNormal">There’s a free copy of this on YouTube however it is
slightly edited, while it doesn’t require too many edits, there are some good
jokes that do suffer. </p>
<p class="MsoNormal">A fun watch that I know I will be revisiting again. </p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 29</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Love is Strange</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxB8pHocAgnIOwtbVSKPtb7J50U8t9kfu7-LVL856h9O5SzRcd3ljVk4jpvQa5nnwT53C0jAdoijVThnbjOtZIPUcpzRSVj6pzevSuhxqClxMQlzl2JQXX4bN9GzYopKc-TMRBvacP9Ubo1TQU8TeS7y1EgDIsHh4ACXf3cFcbDXMHtb5M2etnF4OBfQ/s1618/MV5BMTk5MTkxOTI1N15BMl5BanBnXkFtZTgwNzAwNDA4MTE@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1618" data-original-width="1093" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxB8pHocAgnIOwtbVSKPtb7J50U8t9kfu7-LVL856h9O5SzRcd3ljVk4jpvQa5nnwT53C0jAdoijVThnbjOtZIPUcpzRSVj6pzevSuhxqClxMQlzl2JQXX4bN9GzYopKc-TMRBvacP9Ubo1TQU8TeS7y1EgDIsHh4ACXf3cFcbDXMHtb5M2etnF4OBfQ/s320/MV5BMTk5MTkxOTI1N15BMl5BanBnXkFtZTgwNzAwNDA4MTE@._V1_.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Ira Sachs delivers another exceptional character driven
story of real life conflicts, this time looking into the lives of people who
share the same small quarters. John Lithgow and Alfred Monila just lose
themselves in the roles of two lovers who after 39 years together tie the knot
and find causing Monila to lose his job as a Catholic teacher. This causes them
to sell their apartment and seek shelter with their friends and family as they
search for a new place. Torn apart, stressed, and trying to make the best of
their situation, their good manners, patience, and city life style experience
pressure that will either get them closer to their families or push them
further away.<br />
Sweet, wholesome (with some foul subject matters), and charming as all sin.
This feels fresh, heartfelt, and genuine.</p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 30</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Making Love</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUqbSFdtQ_AosiGzmpia7ZaOJMSQRm6q6I2V1dHF4mx45fxvjL-xPDpcgdYGak_BVmyK0hJUkDBucHqhFOLpJBmimdG9R5htNrCgJeoIj20Znb9SLd5EtNCcbiHiHpldtnglLg7sbgnVhnzYQCd9j_39-ivjSlwkg31B0347ndSHv_DjqGipqb1gSWkQ/s1500/dD4sjWlAx9rKDH3vs5AH0fdJgqH.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUqbSFdtQ_AosiGzmpia7ZaOJMSQRm6q6I2V1dHF4mx45fxvjL-xPDpcgdYGak_BVmyK0hJUkDBucHqhFOLpJBmimdG9R5htNrCgJeoIj20Znb9SLd5EtNCcbiHiHpldtnglLg7sbgnVhnzYQCd9j_39-ivjSlwkg31B0347ndSHv_DjqGipqb1gSWkQ/s320/dD4sjWlAx9rKDH3vs5AH0fdJgqH.jpg" width="213" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p class="MsoNormal">How is this not on people's lists for important and landmark LGTBQIA2S+ films? </p><p class="MsoNormal">Way a head of it's time, "Making Love" (1982) tells the story of a doctor and loving husband who starts exploring his long repressed attraction to men. When he meets up with a charismatic Bart, he starts discovering what life can be when he let's himself free.</p><span style="background-color: white;"></span><p></p><p class="MsoNormal">"Making Love" is a nicely written and superbly acted character study of a loving couple having to face a masked truth about their relationship. The film doesn't have villains, it doesn't point fingers, but handles the situation maturely with respect to a couple that truly loves each other, even when they must face the ultimate truth. Heartfelt and daring, this is a film that seems to have been forgotten in the by mainstream audiences, as I have never seen it on cable tv, never on movie channels, and have never seen it being sold on dvd or even vhs.</p><p class="MsoNormal">Hopefully this gets the dues it deserves someday, as it's a nice and emotionally effective piece of cinema.</p><p class="MsoNormal"><br /></p><p class="MsoNormal"><br /></p><p class="MsoNormal">I have also watched 4 other films that were picked in my Random Movie Review Video. </p><p class="MsoNormal"><a href="https://www.youtube.com/watch?v=V18pLwKEjWk">https://www.youtube.com/watch?v=V18pLwKEjWk</a></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><br /></p><p class="MsoNormal">And there we go, another month of Pride moves, some to watch and some to avoid. Most of the films I have seen this time around are worth seeking out and viewing. Lots of great films out there currently. </p><p class="MsoNormal"><br /></p><p class="MsoNormal">Till the next blog. </p><p class="MsoNormal">Later</p><p class="MsoNormal">JP Fournier</p>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-11125506745377701792022-06-19T18:42:00.003-07:002022-06-19T19:18:01.063-07:00Pride Movies 2022: Week Three - Genre Films<p> For the third week, I focused on genre films with LGBTQ+ themes or main characters. While this does limit the titles available to pick, horror, sci-fi, action, and other other genre films are becoming more popular in the LGBTQ+ cinematic audiences. Some of the popularly opened up with Netflix accidentally put "The Babadook" into their LGBTQ+ lists. The film doesn't have any themes, characters, or storylines that connect to LGBTQ+ lives. Yet, that year, The Babadook monster became a reoccurring costume and symbol in Pride week/month parades and decorations. This mistake caused the film to get an unexpected new audience, along with a huge bump in viewership, showing studios a demand for genre films with from a hungry and growing audience for cinema. We are now seeing LGBTQ+ characters showing up in the DC universe and Warner Brother Action Cartoons, and even the Marvel Universe and the Star Wars Universe are making efforts to expand their identities (however, they are still showing plenty of cowardice when it comes to their products in foreign countries). Thankfully, more is coming in the near future and it is appearing as though the orientation of the character is not slowing down productions, distributions, or lowering the numbers of audience members. Well... at least it is starting to appear like we are getting there. </p><p>Here are the genre films that I took in this week for Pride month. </p><p style="text-align: center;"><b><span style="font-size: large;">Day 13</span></b></p><p></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">You’re Killing Me</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibp_sTjpygNWGXO2RhGfgdeUjsXBElIGsXXBBTxfiwE17W0JmVTCicneo-w9gd9uOHrwh13no9a9BKqqScblPJv839Rv0hfYM-rH5FtP5RpZYVVx_44oKmzYZCfs7waGkcXI6cKGVp1Lf8natoMqXjRjUPTjdFrwEYKB1JwrPt3wTc8sg2A7SnN5xOGQ/s1080/youre.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="788" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibp_sTjpygNWGXO2RhGfgdeUjsXBElIGsXXBBTxfiwE17W0JmVTCicneo-w9gd9uOHrwh13no9a9BKqqScblPJv839Rv0hfYM-rH5FtP5RpZYVVx_44oKmzYZCfs7waGkcXI6cKGVp1Lf8natoMqXjRjUPTjdFrwEYKB1JwrPt3wTc8sg2A7SnN5xOGQ/s320/youre.jpg" width="233" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Basically a one joke film where the joke progressively gets
funnier as the story goes on.<br />
Joe, a mentally disturbed serial killer, keeps confessing his murders to his
new boyfriend who keeps reading his confessions as a joke influenced by his
comedy Youtube videos. As bodies start missing, the group of self adsorbed, oblivious, nit-wits keep missing the clues to figure out the truth about Joe... which he
confesses openly and frequently.<br />
"You're Killing Me" is a fun watch, with some great comic
performances, walking the fine line of satire and absurdity. There's plenty of
laughs that build as the film progresses. Beautifully satirizes the
miscommunication and expectations within relationships. I did feel the first
half could have been punched up with more jokes and humor at the beginning as
it took me sometime to figure out the film's sense of humor. When the film
begins with some vulgar abuse, I was set off to think this may have a serious
note to it. But nope. It's purposely ridiculous.<br />
Fun premise, delivered with a spirited independent style.</p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 14 </b></span></p><p></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Riot Girls</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKy7ZXm4uLauogr_al3OPt81L0VcJAhxgxyh7FPj4uvCpJOp_oJJusO_6vbN5hOKEsxzvCsCDWGAXQXhpfOf9oh3uzhHDyydPHtCV_qg1VvYhQ2Cd1ArhsT4_yxPS4fS_CBD6EQRWSo8gl7BMmox_sLy1k5MgoWS_UMoYrQb9Q0KbBgNQ3GXQpxeoEwQ/s1778/MV5BY2Q5YmMyM2UtM2E3MC00YTBjLTg4ZjQtOWY4ODYxODAyYmEzXkEyXkFqcGdeQXVyNTU0NzI3OQ@@._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1778" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKy7ZXm4uLauogr_al3OPt81L0VcJAhxgxyh7FPj4uvCpJOp_oJJusO_6vbN5hOKEsxzvCsCDWGAXQXhpfOf9oh3uzhHDyydPHtCV_qg1VvYhQ2Cd1ArhsT4_yxPS4fS_CBD6EQRWSo8gl7BMmox_sLy1k5MgoWS_UMoYrQb9Q0KbBgNQ3GXQpxeoEwQ/s320/MV5BY2Q5YmMyM2UtM2E3MC00YTBjLTg4ZjQtOWY4ODYxODAyYmEzXkEyXkFqcGdeQXVyNTU0NzI3OQ@@._V1_.jpg" width="216" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p class="MsoNormal">Truthfully I tried watching this one twice last year during this same time. Both times I never finished because I kept falling asleep. And that is no different this year. There’s something mundane and too simple that I cannot stay involved in the story. This time I finally did it and with the rocking soundtrack mixed with a fun synthesized score, I still found myself struggling to keep my eyes open. The film continuously uses comic book panels for transitioning scenes. Plus the film attempts to be cool, hype, and punk, with bad ass characters speaking and acting like bad asses. But something feels too wholesome and family friendly, despite the constant swearing and sudden blasts of extreme gore. </p><p class="MsoNormal">Even though “Riot Girls” realize on the specific music choices, the film itself doesn’t have a sense of rhythm and feels poorly paced. The acting is weak, even from actors that have proven to be good in other films. There’s one moment of ghastly gore then mediocre action after. To show a man’s face get blown apart from back to front is a shock. Then the film has nothing like that to follow. The scene happens in the middle of the film and doesn’t build up tension or add to the character development. It just comes off more like a nuisance. This has an amateur quality but not in a fun spirited way. It technically works more as a test film, and may be satisfying for people that watch films on a linear level, but anyone looking for something of substance, a unique or interesting cinematic voice, or even something a bit originality, you probably should just avoid it. </p><div><br /></div><p>
</p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 15</b></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Bruised</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmZaX0Z6zkM2L0V5qcf_MaPC_nYD8igslHC3NxpPUuWHkj82YhIKFEKEVl8Afw0QDsrIYDk7KoyOaZxtYW1Ck48mFNvEzhpmAp-nRlgvcGCwkzc68GXr1FHYY2Da4uR91Irvy1NU4nxW9qsQwu2yTKi18ElXkhAxcow52VJxgSZr0uyg2O2syrF2LR-w/s2222/MV5BMWRjZGZiNjktNDU3Ni00ZWZkLWEwNDEtZDcwMTA3ZTdmMzEzXkEyXkFqcGdeQXVyMTkxNjUyNQ@@._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2222" data-original-width="1500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmZaX0Z6zkM2L0V5qcf_MaPC_nYD8igslHC3NxpPUuWHkj82YhIKFEKEVl8Afw0QDsrIYDk7KoyOaZxtYW1Ck48mFNvEzhpmAp-nRlgvcGCwkzc68GXr1FHYY2Da4uR91Irvy1NU4nxW9qsQwu2yTKi18ElXkhAxcow52VJxgSZr0uyg2O2syrF2LR-w/s320/MV5BMWRjZGZiNjktNDU3Ni00ZWZkLWEwNDEtZDcwMTA3ZTdmMzEzXkEyXkFqcGdeQXVyMTkxNjUyNQ@@._V1_.jpg" width="216" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">"Bruised" is for people who like "Rocky" but thought, I wish the film was more depressing like "Angela's Ashes". <br /></p><p class="MsoNormal">Taking the winning formula from “Rocky”, new films tend to
enhance the turmoil the desperate fighter is dealing with in their lives. Halle Berry is in top form as Jackie, a once popular Mixed Martial Arts fighter, who’s fallen from her heights after losing in the ring to an opponent
that was beyond her status. Losing her jobs as a cleaning lady, relying on her
abusive manager for help, and finding support from alcohol, she suddenly has
the boy she left at birth dropped off at her doorstep. She’s gets back into
fighting and gets one more shot to be able to turn her life around. You know
the story.<br />
What hurts this familiar script is how the depressing bits drag on much longer
than necessary, trying to make the final fight all the more important. The
performances are great, the characters do come across a bit clichéd (forgivable
for this type of sport film), and the musical choices heighten the heavy
emotions. The look of the film is bleak, dank, and often filthy to look at,
even when some solitude and inspiration comes along, it still has low tone
lighting, giving it a dreary feeling. Thankfully, the final fight is worth
taking in the downer and often hard to watch depressing builds up. Berry is
convincing as a tough fighter and someone trying to find her inspiration to get
the job done. I am a sucker for a melodramatic sports film, and they don’t much
more melodramatic than this.</p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 16</b></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>The Craft: Legacy</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje-VAcdKgvHlKZcLE1FBBAeRaWBiq2oOS-UviId5IWCbGQgtFhuhHcz-a0vOOZsxVkOMF-Dq5SDKjRmQNWO_jTxSW4lQJ-cQ7ZG8NKk7N2ShRhJLIFEUmMEXN4_NbGEMU0eJcdXZOZ52pLNi9MB6SEmWXw399d-z2pJQIE3em6ye_wCvPjK-ukc9cQWA/s3840/60bf7bd06d6b7e001e452315.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2160" data-original-width="3840" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEje-VAcdKgvHlKZcLE1FBBAeRaWBiq2oOS-UviId5IWCbGQgtFhuhHcz-a0vOOZsxVkOMF-Dq5SDKjRmQNWO_jTxSW4lQJ-cQ7ZG8NKk7N2ShRhJLIFEUmMEXN4_NbGEMU0eJcdXZOZ52pLNi9MB6SEmWXw399d-z2pJQIE3em6ye_wCvPjK-ukc9cQWA/s320/60bf7bd06d6b7e001e452315.jpg" width="320" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">The title is technically a spoiler for a reveal that this
film believes is... revealing.<br />
"The Craft: Legacy" does have four good actors (the cast is not the problem) as the quartet of
teens figuring out their witch powers, unfortunately they barely allow the four
any characters to show off their talents. We do get to know one of the girls,
our protagonist, yet the other three are nearly a side note.<br />
The film tries to revive the spirit of the first "Craft" film by
doing less with itself. We get less time debating the ethics of using powers on
others, we get less stories about each girl, and we get less powers being used.
There's a bit of a battle with an antagonist but it is over quicker than it
starts up.<br />
I didn't find this boring or troublesome as other past horrors being revamped,
yet that's because it doesn't have much meat on the bones. This is simple,
quick, and lacking of its own persona.<br />
Won't be a film my limited memory banks will waste valuable space on.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 17</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Julia</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirgzeZHI-bSq_91AUNnbFWr5DrM3_AA1CxG2EoesK31_29fgdJB0EQf-kvX3xUvxmZLONXf-gos5I7YSF71IyE-BKSMZB9Ju_HMWWNxizEugC82_97876a6Wb-alm2VQn7zxAK2cb_PlfA4YpQeBhuFvzO-q9Ts_e5R3hRi-AC_InHkBHZkc4PxaAe5A/s1487/MV5BMTk1MTUzNDU3MF5BMl5BanBnXkFtZTgwNzAxMDI2MTE@._V1_FMjpg_UX1000_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1487" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirgzeZHI-bSq_91AUNnbFWr5DrM3_AA1CxG2EoesK31_29fgdJB0EQf-kvX3xUvxmZLONXf-gos5I7YSF71IyE-BKSMZB9Ju_HMWWNxizEugC82_97876a6Wb-alm2VQn7zxAK2cb_PlfA4YpQeBhuFvzO-q9Ts_e5R3hRi-AC_InHkBHZkc4PxaAe5A/s320/MV5BMTk1MTUzNDU3MF5BMl5BanBnXkFtZTgwNzAxMDI2MTE@._V1_FMjpg_UX1000_.jpg" width="215" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Rape/revenge film attempts to break the mold by adding an
underground club of mysterious vigilantes but doesn't explore the concept
enough to make it rise above other nasty films in the same subgenre. Julia, a
quiet plastic surgeon assistant, finds herself near death, wrapped up in a
tarp, naked, raped, and bloody as she was left for death. Not going to the
police, she gets connected to a vigilante who starts trainer her on how to
murder rapists by the book. Although the rules of this group is to never take
things personally, she starts having a relationship with her mentor, as well as
she is harboring some ideas about retribution of her own. “Julia” might be a
bit easier to digest than other more brutal films in this sub-genre, however it
still is off putting does offer a few nauseating to watch sequences, some which
may be from real life operations. There’s much more genital mutilation than is
necessary. And the film has an awfully bleak atmosphere, causing this to be a
very disturbing watch. The film offers quality and stylish cinematography, as
well as a very purposely set up music list. One of the issues comes from the
pacing, as the acceptance for revenge and the training do slow up the film’s
momentum. This is a drag for the first hour only to lead into more graphic and
disturbing material. The film delivers a campy script with a secret society of
killers yet attempts to maintain a grounded level of realism. And this is an
issue because it doesn’t fit the script. When a group of victims turned into
cloaked killers that string up castrated rapists in some underground hidden
base, telling a rape victim that she cannot take her rape personally is just
silly, naïve, and impractical. This is for those that enjoy the nastier pieces
of dark cinema, but even though it is competently filmed, I cannot see it being
a hit amongst the very limited audience that endure it.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 18</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Boat Trip</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD_uQCAY8yI-fb3YJJm2BLukXeGnwCwJoEwmjJfYoltwbAdzz7Y4JDCFmZRIqApvM5X4PQHvwTAtkKpBY7wf2Co_jJuFFAJlLEQ9M6H2eqflpeAsNYPhSgQdhFB2zE04LHetH8CqDR3HURmvrtjEBKdmuRHh5BpNTDjX-BCK7zJ03v2yXl23Lsdp_c2w/s475/MV5BMTQ2MzA4OTIyNF5BMl5BanBnXkFtZTcwMDI1MzAwMQ@@._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="475" data-original-width="343" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiD_uQCAY8yI-fb3YJJm2BLukXeGnwCwJoEwmjJfYoltwbAdzz7Y4JDCFmZRIqApvM5X4PQHvwTAtkKpBY7wf2Co_jJuFFAJlLEQ9M6H2eqflpeAsNYPhSgQdhFB2zE04LHetH8CqDR3HURmvrtjEBKdmuRHh5BpNTDjX-BCK7zJ03v2yXl23Lsdp_c2w/s320/MV5BMTQ2MzA4OTIyNF5BMl5BanBnXkFtZTcwMDI1MzAwMQ@@._V1_.jpg" width="231" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">What kind of genre does "Boat Trip" fall into? A boner comedy... of course. </p><p class="MsoNormal">That being said, I still don't know what kind audience that this film was aiming for? The
focus of the story is the hetero romance, yet the premise is selling the story
for homophobic people from the 80s? I am still mystified by its existence.<br />
Even looking past the outdated and problematic plot, the film still focuses on
our protagonists having to keep up a lie, for some reason that is unclear,
besides the writer didn't know how to prolong the story to three acts with
quality writing.<br />
What is the most baffling is that the film tries to walk the fine line of being
supportive to gay men by the end, but only after dropping plenty of offensive
scenes like Cuba fainting and nearly becoming catatonic because he's discovered
he's going to be surrounded by gay men. But our heroes become comfortable
around gay men because they are able to hook up with their ladies, in the end.
Honestly, I would have been less offended and appalled if the film doubled down
on the derogatory jokes. If they was excessively disrespectful and purposefully
displeasing, I probably would have been amazed by its audacity.<br />
This is shockingly ill-conceived.</p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 19</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Death Factory</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVYAza0MJJjTyIKnDqilNnvo9OvzDCTBnOBi1sMFQAqelsXmqOlc3PkMBHZ7pkAdwbMcT8J_3RU_Lj-EdwnVTrYOK8CfNHdNfOspgfEzjG6pGCVHD1Y0piYqRyhc-0GczbbGU5QyJyOWVpXYrIIo7tPT6Fbl9uFpTLXDou08X2PuQ9dkdnoef-H9DCrA/s1500/MV5BNzFjYmI2OWYtYTFhYy00NzU0LTg0ODctZDY0NjkwZmJmMGExXkEyXkFqcGdeQXVyMjY0NTk3MDA@._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1062" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVYAza0MJJjTyIKnDqilNnvo9OvzDCTBnOBi1sMFQAqelsXmqOlc3PkMBHZ7pkAdwbMcT8J_3RU_Lj-EdwnVTrYOK8CfNHdNfOspgfEzjG6pGCVHD1Y0piYqRyhc-0GczbbGU5QyJyOWVpXYrIIo7tPT6Fbl9uFpTLXDou08X2PuQ9dkdnoef-H9DCrA/s320/MV5BNzFjYmI2OWYtYTFhYy00NzU0LTg0ODctZDY0NjkwZmJmMGExXkEyXkFqcGdeQXVyMjY0NTk3MDA@._V1_.jpg" width="227" /></a></span></div><span style="font-size: large;"><br /></span><p></p><p class="MsoNormal">A bus load of strangers find themselves battling for their lives against 6 serial killers that have been resurrected by black magic.</p><p></p><p class="MsoNormal">“Death Factory” aka “The Factory”, aka “The Butchers: Meat & Greet” is purely exploitation. Tons of unnecessary nudity, torture porn, graphic gore, bad jokes, and even a bunch of choreographed fight sequences, make up this turd of a film, yet all the awfulness also makes it anything but boring. I have to admit I laughed with the film a couple of times. And whatever title it sticks with, the film, although poorly written, as evident through the dialogue, does a nice job of ramping up the momentum as the film progresses.</p><p class="MsoNormal">It’s sleaze as all hell, but I at least it knows what it wants to be and how to tell a comic book style action horror story.</p><p class="MsoNormal">Seeing this on LGBTQ+ movie lists kind of baffled me until the end when a character explains they are gay. It didn’t appear to have any effect on the story or the ending climax when it happens (at least not that I could tell). But I suppose it still counts.</p><p class="MsoNormal">Even though I am not giving one star like so many other do, don't get me wrong, this is still very tasteless.</p><p class="MsoNormal"><br /></p><p class="MsoNormal"><br /></p><p class="MsoNormal">To finish up this month of Pride films, I have saved a lot of the classics, the artistic, and best reviewed films. That being said, I also watched one of the most obliviously offensive LGBTQ+ films that has come out in the last couple years. More offensive than "Boat Trip" you ask? Yeah. "Boat Trip" at least was trying to be offensive. </p><p class="MsoNormal">Till next week. </p><p class="MsoNormal">JP Fournier</p><p class="MsoNormal"><br /></p><p></p><p class="MsoNormal"><br /></p><p></p>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-33550181695660294552022-06-12T09:27:00.000-07:002022-06-12T09:27:00.426-07:00Pride Month Movies 2022 - Week 2<p> This week, I will admit, I did get off track while catching up on "The Boys" season 3. Sure, the series does fit nicely into LGTBQ+ watching, but I did have to catch up on my movie watching. Because of this, my choices primarily were based on the short lengths times of the films/shows. This was primarily a convenience choice week for me. That being said, here's the latest LGBTQ+ films I explored this past week. </p><p style="text-align: center;"><b><span style="font-size: large;">Day 6</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Coby</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_khntII0AEfaUX8ZkiBDM3eoIgyFZjcU7fYjIqVvzuMsEYuAXoGFSVs33CtVECeKiNuPWG3-2IYNN3P8b_5ggsGJqE6tKngxWA9dO_vzkyPFop6m6XA5OlAPxoI_12ESJqeHRUNdoQCxwUbQMOr6wukq6lTapV6RgLx6ZFEuYrHb3JytgBsTQAWmC4A/s1600/71Ua9zTemoL._RI_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_khntII0AEfaUX8ZkiBDM3eoIgyFZjcU7fYjIqVvzuMsEYuAXoGFSVs33CtVECeKiNuPWG3-2IYNN3P8b_5ggsGJqE6tKngxWA9dO_vzkyPFop6m6XA5OlAPxoI_12ESJqeHRUNdoQCxwUbQMOr6wukq6lTapV6RgLx6ZFEuYrHb3JytgBsTQAWmC4A/s320/71Ua9zTemoL._RI_.jpg" width="240" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>Small town smack in the American Midwest. Suzanna age 23 changes gender and becomes a boy: Coby. Her transformation deeply disrupts the lives of all who love her. Ultimately, Coby’s chrysalis becomes the one of a whole family compelled to modify their own perspective. Not only a physical metamorphosis is at stake here but also a spiritual one that eventually takes place under the director’s luminous and unexpected eye.</p><p>Simplistic, straight to the point, look at the progress of Suzanna at the age of 23 changing genders and becoming Coby. While the synopsis reads “Her Transformation deeply disrupts the lives of all who love her.” We don’t get to see too much of the disruption, as much as we see the adaptation and acceptance. What makes this documentary ultimately more powerful, is how little disturbances and difficulties the film focuses on. It is nice to see how successful and progressive the shift is nowadays. The film allows the viewers to see the progress from filmed testimonies from Coby, as well as confirmation conversations with Coby’s family and friends. This is a non-exploitation documentary telling personal tale of a person that becoming their true self and remaining loved by the people in their lives regardless of the change. Fictional films as well as documentaries often focus on the negative effects on people going through either the operation or the acceptance in society. This documentary shows how Coby’s history doesn’t affect his work, his marriage, and his relationship with his parents. Sure there is some time that has past and all the people involve do talk about some of the difficulties, yet this is not the focus. “Coby”’s power comes in its plainness and the uplifting change that is shown as a triumph. </p><p>While its straightforward storytelling does cause it to feel shorter than it could have been.</p><p><br /></p><p style="text-align: center;"><b><span style="font-size: large;">Day 7</span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The Broken Hearts Gallery</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSMAIYAVmHWHJGjuBB-HGmX1_fOvX1MFyZqr_WNTdBNFsIKrJuC9drVoPhgG7eaUjyqGFZDgHbucbO--BWx2XWbp0tdckaHcVztjypj1yDcnPAwqV_ggWjHPVp89oqVb486tZbwcVWZEhlaARC-4Ufqh-TC3TNoUY7DCML1dMyjZmYUtaz8GAh6hFdug/s1920/MV5BYzJjNWExODktNDZiMS00YzUyLWE2ZTgtYjMxZWZkNGU4YTI3XkEyXkFqcGdeQXVyNTUyMjUxMTM@._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1920" data-original-width="1296" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSMAIYAVmHWHJGjuBB-HGmX1_fOvX1MFyZqr_WNTdBNFsIKrJuC9drVoPhgG7eaUjyqGFZDgHbucbO--BWx2XWbp0tdckaHcVztjypj1yDcnPAwqV_ggWjHPVp89oqVb486tZbwcVWZEhlaARC-4Ufqh-TC3TNoUY7DCML1dMyjZmYUtaz8GAh6hFdug/s320/MV5BYzJjNWExODktNDZiMS00YzUyLWE2ZTgtYjMxZWZkNGU4YTI3XkEyXkFqcGdeQXVyNTUyMjUxMTM@._V1_.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>
</p><p class="MsoNormal">I found this title on multiple LGBTQ+ film lists and besides
one side character, this doesn't fit on those lists.<br />
That being said, this is a very annoying romcom. Geraldine Viswanathan, who has
been usually good in other films, is one note here. Ok it might be 2 notes,
loud and irritating. Regardless, she's practically unwatchable. In ever scene,
she's either over acting, reacting to everything everyone says with too much
eye acting, plus having a snarky non-humorous response that's delivered as
though it is supposed to have comic timing. And the film mistakenly presents
her as a character to root for.<br />
The concept of people donating their cherished possessions from relationships
that ended in heart break to a collected art exhibit could have something
interesting to say. Unfortunately, this is not a film that attempts to be
anything more than a smart mouth protagonist being treated unnaturally kind
from those around her. This theme is a interchangeable excuse for our two main
leads to continue to deal with each other and unconvincingly fall in love. It
feels like the audience this film was aiming for was the self-righteous spoilt
assholes demographic.<br />
To say this didn't work for me is an understatement. This is shit.<o:p></o:p></p><p class="MsoNormal"><br /></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 8</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Wildhood</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnrAUY6UjB75ydrBLirxAUvqZywgAITrE-8FLQiuCKyR-ZqVaIvKIuC0oMHDo5Thj3b-7e4yeTSZ-yiYebeLp4V8Ej656fMeRMGVx617D0cJlVJpyuYMCqac7e6fNGq0et1bEklGrvC5lpkP6dS91ngOwvIqmwdssoCtQDt6QFyojeBnB3-2jAezzbng/s1778/MV5BZDg4ZWM4NmMtZTQ1Ni00M2ZkLWE5NTctZjI5NTg0ZjlmMzI1XkEyXkFqcGdeQXVyMTMwNjQxNDU1._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1778" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnrAUY6UjB75ydrBLirxAUvqZywgAITrE-8FLQiuCKyR-ZqVaIvKIuC0oMHDo5Thj3b-7e4yeTSZ-yiYebeLp4V8Ej656fMeRMGVx617D0cJlVJpyuYMCqac7e6fNGq0et1bEklGrvC5lpkP6dS91ngOwvIqmwdssoCtQDt6QFyojeBnB3-2jAezzbng/s320/MV5BZDg4ZWM4NmMtZTQ1Ni00M2ZkLWE5NTctZjI5NTg0ZjlmMzI1XkEyXkFqcGdeQXVyMTMwNjQxNDU1._V1_.jpg" width="216" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p class="MsoNormal">"Wildhood" showed some promise to be something
unique and original when advertising LGBTQ+ themes mixed with the Mi’kmaw
heritage. However, the film does slip into a generic road movie trope even if
it has new packaging.<br />
Luckily the film is nicely acted and the pacing is smooth, clean, and
respectable to it's themes. Our two main leads have good chemistry, and both
bring out quality performances. There's some pleasant cinematography and a good
heart at the soul of it. I only wish it didn't feel so familiar.<o:p></o:p></p><div style="text-align: center;"><span style="font-size: large;"><b>Day 9</b></span></div><div style="text-align: center;"><span style="font-size: large;"><b>Bit</b></span></div><div style="text-align: center;"><span style="font-size: large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFzwFt-H8e48tWiF0EYR9DhIKNi6KbgLEusCj1PHbugLSn6n6PJ3ywVwTv7lC69bgX4sgKhjj0u0sN4RG8fAdbPXMFwqeg9-bgaX4R1RK6j6Dcl28JWY-7-qUqRVpG3SyEaDARTarPhMZpXgMdrw92i0ZB_4IKRsQSuDe_bjEcuLmxUNbn2AE4mmDC5g/s1350/MV5BOWE0YjFhYTUtMWE2Zi00OWJkLTg2MzItY2VlYzUxMWE4YTM3XkEyXkFqcGdeQXVyMjE5MzYzNjU@._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1350" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFzwFt-H8e48tWiF0EYR9DhIKNi6KbgLEusCj1PHbugLSn6n6PJ3ywVwTv7lC69bgX4sgKhjj0u0sN4RG8fAdbPXMFwqeg9-bgaX4R1RK6j6Dcl28JWY-7-qUqRVpG3SyEaDARTarPhMZpXgMdrw92i0ZB_4IKRsQSuDe_bjEcuLmxUNbn2AE4mmDC5g/s320/MV5BOWE0YjFhYTUtMWE2Zi00OWJkLTg2MzItY2VlYzUxMWE4YTM3XkEyXkFqcGdeQXVyMjE5MzYzNjU@._V1_.jpg" width="256" /></a></div><b><br /></b></span></div><div><p class="MsoNormal">If "The Lost Boys" was written with LGBTQ+ in
mind, you may end up with something very similar to "Bit".<br />
Moving to a new city, this time LA, our protagonist meets up with a gang of
vampires who turn her into one of them, only to have her question her new
lifestyle, as well as hide her vampiric afflictions from her family and past
friends. The similarities to Joel Schumacher's cult hit are too many to count,
yet "Bit" does have its own voice and characters to establish its own
identity.<br />
While the script and some of the directorial choices do show some nice touches
throughout the film, "Bit" has an issue with the players appearing
constantly sleepy. Even when our leads are supposed to get into a heated
argument or tormented by complicated emotional issues, they are still
delivering their lines at the same melancholy state. For a film that deal with
night clubs, partying, and with a few action pieces mixed it, it feels like a
bit of a slog.<br />
Not a terrible watch as it does have some interesting themes worth exploring.<o:p></o:p></p><p class="MsoNormal"><br /></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 10 </b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Life Partners</b> </span></p><p class="MsoNormal" style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieUBzzPJJ0bZJqk0gbFgo09V_oLulVutwKzrevwAcOUV3q2f5R0z4888SbwLX-mqHSS3QwK5aTO9jgR7lW6xxXjNJr8XywwWpZZ-_e3_2OnKwRmL4TKrnpkfX-N3XQSHK5ef_tiXfqrlZpTZ0M4CiKJ11n5hrI4w5SRecVnL69nlzOvF1kRVtyM6JD-w/s1500/434samTfccB2N7zl0saWp9ev5pL.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieUBzzPJJ0bZJqk0gbFgo09V_oLulVutwKzrevwAcOUV3q2f5R0z4888SbwLX-mqHSS3QwK5aTO9jgR7lW6xxXjNJr8XywwWpZZ-_e3_2OnKwRmL4TKrnpkfX-N3XQSHK5ef_tiXfqrlZpTZ0M4CiKJ11n5hrI4w5SRecVnL69nlzOvF1kRVtyM6JD-w/s320/434samTfccB2N7zl0saWp9ev5pL.jpg" width="213" /></a></div><span style="font-size: large;"><br /></span><p></p><p class="MsoNormal">Cute comedy/drama about two best friends who find their friendship being pulled apart by their different sexual lifestyles. Leighton Meester and Gillan Jacobs have great chemistry as best friends, and they build enough credibility to make you root for their connection to stay strong. The film tends to meander a bit with non-essential scenes, none of them dull or unwatchable but a few had me wondering where the film was heading. Comedy is found in awkward situations, quirky characters, and witty banter. This is not breaking the mold but still providing fun performances, descent dialogue, and a few strong laughs along the way.</p><p class="MsoNormal">Just simply a pleasant watch.</p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 11</span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The Sensei</span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;"></span></b></p><div class="separator" style="clear: both; text-align: center;"><b><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfe_1paTKX0jh7MtdTWiWrkDKd4iggJYNVEmLxSYMeiP9q0UQZ6VBPguYtdRSU_aQFkkSbSm-5SOrlGizSfbdeCLsW0TmblXYphb3_fZuP3GJlmB55B14RYYWk_i8MNh7DF9jQ4QTIyD0z6ekHwlF7FGBQEvideCMbxxBVR0fbuu1zw5K6mOF5YBCZJQ/s2156/MV5BMTUzNDYyNDI3MF5BMl5BanBnXkFtZTcwMzMyODQxMw@@._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2156" data-original-width="1538" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfe_1paTKX0jh7MtdTWiWrkDKd4iggJYNVEmLxSYMeiP9q0UQZ6VBPguYtdRSU_aQFkkSbSm-5SOrlGizSfbdeCLsW0TmblXYphb3_fZuP3GJlmB55B14RYYWk_i8MNh7DF9jQ4QTIyD0z6ekHwlF7FGBQEvideCMbxxBVR0fbuu1zw5K6mOF5YBCZJQ/s320/MV5BMTUzNDYyNDI3MF5BMl5BanBnXkFtZTcwMzMyODQxMw@@._V1_.jpg" width="228" /></a></span></b></div><b><span style="font-size: large;"> </span></b><p></p><p class="MsoNormal">Starts off like another rendition of "The Karate Kid" but this time Daniel-san is gay. Set in the 80s, the small town as brutal violence towards homosexuals, there's rampant fear of AIDS, and the homophobes are also racists too. The melodramatic set up is perfect for a three-act set up to a final fight, however "The Sensei" is much more than a popular cliché. There's something building up that changes this film at the halfway point to something much more dramatic and poignant.</p><p class="MsoNormal">Quality wise this resembles a 90s straight to video action cheapo, with cameos from a few lower tier actors and some sloppy editing. The chase sequence at nighttime is a sure tell of the film's lack of cinematic quality. But what the film does have is a strong story that knows exactly where it is heading, even if the audience is being lead astray. The acting is on point and the ending is way more emotional than I might has expected my weekend action film to deliver.</p><p class="MsoNormal">At first I enjoyed this, looking forward to our movie baddies getting their well deserved beating and the film does deliver that (a round house kick followed threw with a crowbar to the face, is way more satisfying to see than I expected).</p><p class="MsoNormal">This was a welcome surprise, that really lands the sentimentality by the end. The film could have benefitted from some better production values but in the end, this won has its heart in the right place.</p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 12</span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Snapshots</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDujkCqQ91yTtyY6eEA7LIeBHXs3cTdxGl2LZM2JTm05TYB3wHSxiEEQKXx7W6XMPc0MtdTlaAbqmRHg7yvH4nW-TtfFp0230rhH66UVZV31N_osi-yxew-LurA4LKjjI53hjuY5Mu6KGkV5Usvrdn2q0x6SQ_fmgvy3OlHnnvTWv4Pn2MhHqh7gsDOg/s574/9f18cabd-3a0d-44c3-8528-d93f9a5c6f26.webp" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="574" data-original-width="400" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDujkCqQ91yTtyY6eEA7LIeBHXs3cTdxGl2LZM2JTm05TYB3wHSxiEEQKXx7W6XMPc0MtdTlaAbqmRHg7yvH4nW-TtfFp0230rhH66UVZV31N_osi-yxew-LurA4LKjjI53hjuY5Mu6KGkV5Usvrdn2q0x6SQ_fmgvy3OlHnnvTWv4Pn2MhHqh7gsDOg/s320/9f18cabd-3a0d-44c3-8528-d93f9a5c6f26.webp" width="223" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">Rose (Piper Laurie) has been spending her past 50 years fishing at her lake house. When her daughter and granddaughter come to visit, the topic of Rose finding a new place more suitable for her age, Rose’s secret life will soon come to the surface, especially as it may affect her granddaughter’s future. “Snapshots” is a simple and beautiful tale of love and loss. The film is nicely structured slipping back and forth between past and present, allowing the two timelines to intersect with ease. Unfortunately, the acting, while delivered by some seasoned actors, can get a bit over the top and feel unnatural. Piper Laurie rises to the occasion with a strong and heartfelt performance. This might also be an issue caused by some awfully contrive dialogue. But in the end, this still won me over and had my eyes tearing up with a earnest conclusion. </p><p class="MsoNormal"><br /></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">While not a film/movie, I also watched: </span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Stand Out: An LGBTQ+ Celebration</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimi062bMgIva2Denm7Hi4R4wLHrR2iHZ-H4N7XeOkclzw1C5JlyIrrYM-e43-wSqv2tBLQ7H2IpzMFeSC6Urc18oPNseBKwVjFL7tCvbR66n1fjM9A50aw4TRaYdIKOleHNmyW_v54U3JZNILYBxjK_lFdhuPpZMT5zEBb_Ne-D5sQWRiVF4Gdep5P1Q/s630/AAAABVeB5etl8RsWX0kas1NutDuqsg5z__eYxyLU-Gq7Btic3wSPxNvaaa_nTGKM5BQPlkUpGlyKiwxjELzIEn5rjH5czTJA_r8iLO9mboFouBaYMrZ-4p94Z-OaW7-acO56pHg-zg.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="630" data-original-width="450" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimi062bMgIva2Denm7Hi4R4wLHrR2iHZ-H4N7XeOkclzw1C5JlyIrrYM-e43-wSqv2tBLQ7H2IpzMFeSC6Urc18oPNseBKwVjFL7tCvbR66n1fjM9A50aw4TRaYdIKOleHNmyW_v54U3JZNILYBxjK_lFdhuPpZMT5zEBb_Ne-D5sQWRiVF4Gdep5P1Q/s320/AAAABVeB5etl8RsWX0kas1NutDuqsg5z__eYxyLU-Gq7Btic3wSPxNvaaa_nTGKM5BQPlkUpGlyKiwxjELzIEn5rjH5czTJA_r8iLO9mboFouBaYMrZ-4p94Z-OaW7-acO56pHg-zg.jpg" width="229" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">There’s some great sets and some talent within this big variety of performers. Tig Notaro was the ultimate stand off for me and followed by Scott Thompson’s Buddy Cole was such a treat. Also, great to see Marsha Warfield and Sandra Bernhard again. I wish they would have given Lily Tomlin, Billy Eichner, and even Stephen Fry more time for their own sets, instead of just have them introduce other people. I was happy to get introduced to Gina Yashere and Bob the Drag Queen and look forward to seeing more from them soon. But all that aside, where was Todd Glass and James Adomian? I saw Todd Glass on stage at the start with everyone; he’s even listed in the cast on Letterbxd, yet not in the credits at the end of the special. And did I miss James Adomian? What happened to him, he's amazing? Todd Glass worst bits are worlds funnier than some of the sets that made it in this special. I understand that this event would have been way longer running than 96 minutes we are presented with. The edited material becomes very evident with the quick trimming of Wanda Sykes' set, that as her building up to an immediate thank you to the event. Felt ripped off in that respect as Sykes is awfully funny in practically everything she's in. This was just a tease of good performers. Now, I have been on comedy shows myself that have been stretched over the recommended 2-hour limit and they easily wear out the laughs before the finale. It’s quite the feet to put off a show of grandeur with this many performers and to try and give them all enough time to shine on their own. It is practically a disservice to some of the lesser known up-and-comers to be on the same show and must follow a polished and near perfect set from the exceptionally talented Tig, with a mediocre, hardly funny, one joke song. I couldn't help but be catty and judge each act comparing them to other acts in the same show. Its not fare to them, but it's also nearly impossible not to do.</p><p class="MsoNormal">But on the other hand, this is an important and empowering event presenting a few legends in the industry. Yet, there were 5 acts that were not only exceptionally forgettable but didn't appear to understand the level of quality that would be expected for a show of this magnitude. If there is a time and place to present your best comedy, this should certainly be it. And if this is those weaker performers best, then the editors should have helped their careers by not slipping them in amongst professionals.</p><p class="MsoNormal">This is a case of quantity over quality. I understand that this is about inclusivity, but quality would have been great representation too. There are some sets that are worth seeing and deliver plenty of laughs, just too bad it's not all worthy of stage time.</p><p class="MsoNormal">I do hope this is a reoccurring event, but I also hope they are a more diligent with the scheduling. And perhaps show us Todd Glass, especially if he is there.</p><p class="MsoNormal"><br /></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><span style="font-family: georgia;">And there we have it. Another week of LGBTQ+ films to consider. </span><span style="font-family: georgia;">This up coming week, I am getting excited because I know a few of the films are ones I have been meaning to see for a couple of years. I will be exploring more of the genre films, scifi, fantasy, thrillers and horror. So until then... have a good week. </span></p><p class="MsoNormal"><span style="font-family: georgia;"><br /></span></p><p class="MsoNormal"><span style="font-family: georgia;">JP Fournier</span></p><div><br /></div><div><br /></div><br /></div>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-48753093466298613292022-06-05T22:13:00.004-07:002022-06-05T22:41:48.411-07:00Pride Month Films 2022: Week 1<p> Hello my friends:</p><p class="MsoNormal"><span style="font-family: georgia;">Prime month is here again and as it has become my yearly
tradition in the month of June to dedicate my movie watching time to catching
up on the films focusing and honoring the LGBTG+ lives. This year, I have
rounded up a fine mix of art-house, mainstream, and classics films that I have
been meaning to watch for several years now. Other years it’s been kind of a
crapshoot, just watching what came down my path. I am glad to say that finding
quality LGBTQ+ films has become a much easier process as streaming sites have
been focusing on providing Pride films as the demand have become much higher. </span></p><p>
<span style="line-height: 115%;"><span style="font-family: georgia;">This year I am glad to say that I have a
spectacular mix of top quality films. And don’t worry, I have a few duds, a few
lowest rated and reviewed misfires, plus a few that will challenge my morals
and strong stomach, as I know a lot of my readers return to see what awful
films I endure. That being said, I started off strong this year. Here’s the
beginning of my month of LGBTQ+ films.</span></span></p><p><span style="line-height: 115%;"><span style="font-family: arial;"><br /></span></span></p><p style="text-align: center;"><span style="line-height: 115%;"><span style="font-family: arial; font-size: large;"><b>Day 1</b></span></span></p><p style="text-align: center;"><span style="font-family: arial; font-size: large;"><b>Swan Song</b></span></p><p style="text-align: center;"><span style="font-family: arial; font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_oNsnrnahKAVyyqbHbR5Nn9YO5HrPm-FKR_PonKEpFQM2b4ulvXr729GT39a5gHAu18TgWkUmY54s0j0w_tQTsVrKeuh4SnJg0ZLmYpe_vxipMbOg59LUWjPVVzF9sHeimQ5rkCL-8WskHwKm_wHCuSxHLmrhSG4DnszWyoJ-vpYylOZJVLGPFAYxhQ/s1481/MV5BYTM4YmI5NzItNjViZS00MmE2LWE3ZWUtMTI0ZTg4ZWM2NWU4XkEyXkFqcGdeQXVyMTA2MDU0NjM5._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1481" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_oNsnrnahKAVyyqbHbR5Nn9YO5HrPm-FKR_PonKEpFQM2b4ulvXr729GT39a5gHAu18TgWkUmY54s0j0w_tQTsVrKeuh4SnJg0ZLmYpe_vxipMbOg59LUWjPVVzF9sHeimQ5rkCL-8WskHwKm_wHCuSxHLmrhSG4DnszWyoJ-vpYylOZJVLGPFAYxhQ/s320/MV5BYTM4YmI5NzItNjViZS00MmE2LWE3ZWUtMTI0ZTg4ZWM2NWU4XkEyXkFqcGdeQXVyMTA2MDU0NjM5._V1_FMjpg_UX1000_.jpg" width="216" /></a></span></div><span style="font-family: arial; font-size: large;"><b><br /></b></span><p></p><p class="MsoListParagraph" style="mso-list: l0 level1 lfo1; text-indent: -18pt;"><!--[if !supportLists]--><span style="font-family: arial;">1)<span style="font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span><!--[endif]-->Udo Kier is spectacular as Pat Pitsenbarger, a
retired hairdresser who’s decided to venture back into the world when a former
client has requested his talents for her funeral. Stepping out of his comfort
levels, he embarks on a trek through a small town, discovering his effect on
the people, their effects on him, and rediscovering his inner beauty, even if
it is for one last time. From each place, person, and even product that Pat
encounters, we get to see his strengths, his vulnerabilities, and his broken
heart, all hidden beneath his sassy confidence and style. This film is really
touching, from awkward encounters, to heartbreaking reveals, all mixed with
humour, tender moments, and rewarding triumphs. This is a delightful character
piece that demonstrates how good Udo Kier can be. There’s a lot of care and
devotion given to telling Pat’s tale and it’s a joy to experience.</span></p><p>
<span style="line-height: 115%;"><span style="font-family: arial;">This is a real charmer.</span></span></p><p><span style="line-height: 115%;"><span style="font-family: arial;"><br /></span></span></p><p style="text-align: center;"><span style="line-height: 115%;"><span style="font-family: arial; font-size: large;"><b>Day 2</b></span></span></p><p style="text-align: center;"><span style="line-height: 115%;"><span style="font-family: arial; font-size: large;"><b>Fire Island</b></span></span></p><p style="text-align: center;"><span style="line-height: 115%;"><span style="font-family: arial; font-size: large;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivorIerGYN1EMoQaYndW788OBCZL8kk4qYP-oHU2FkXi3uBR_lqNrAu6SXZxsOZCqEdKBbgoZyNXSscQYOS654PCBDOpozfRPchEP7Sa1M21v6bkEtGOfeQBJ9T8bYuCm9Y-UzJ1h-XmfOaSzqmYyGUSq-4iDI4OM6IUpcwVqtbhlPlXTe_kd_OwbBAA/s2000/MV5BNjBiZjc3YzItYWQ0Ni00YjZlLWFjYTAtMTBiNzM5ZmMxOGExXkEyXkFqcGdeQXVyMTEyMjM2NDc2._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2000" data-original-width="1334" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivorIerGYN1EMoQaYndW788OBCZL8kk4qYP-oHU2FkXi3uBR_lqNrAu6SXZxsOZCqEdKBbgoZyNXSscQYOS654PCBDOpozfRPchEP7Sa1M21v6bkEtGOfeQBJ9T8bYuCm9Y-UzJ1h-XmfOaSzqmYyGUSq-4iDI4OM6IUpcwVqtbhlPlXTe_kd_OwbBAA/s320/MV5BNjBiZjc3YzItYWQ0Ni00YjZlLWFjYTAtMTBiNzM5ZmMxOGExXkEyXkFqcGdeQXVyMTEyMjM2NDc2._V1_.jpg" width="213" /></a></span></div><span style="font-family: arial; font-size: large;"><b><br /></b></span><p></p><p><span style="font-family: arial;">When the film opens with a Jane Austin name drop, you will already know every plot point that is coming down the lane. But the tropes we get are tried and true and still crowd pleasers today. “Fire Island” is like a Jane Austin boner comedy, centering its attention on a bunch of dudes all trying to get laid, with plenty of partying, sexual exploits, and classes with the upper and lower classes. The cast likable, the humour often lands, and music is spectacular. It captures a spirit of youth, the strong bond of friendship, and the excitement of new romance. There’s a comfort to the familiar romcom clichés and “Fire Island” leans heavily on the recognizable formulas with pride. </span></p><p><span style="font-family: arial;"><span style="line-height: 115%;"></span></span></p><p><span style="font-family: arial;">There’s a great deal of time making the island appear like a top tear resort. Even as a heterosexual male, I kinda wanted to visit this Island Party. It looks like a blast!</span></p><p style="text-align: center;"><span style="font-family: arial; font-size: large;"><b>Day 3</b></span></p><p style="text-align: center;"><span style="font-family: arial; font-size: large;"><b>The Delta</b></span></p><p style="text-align: center;"><span style="font-family: arial; font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial; font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaUM5UPZMGy1fZK_FP4kllU67Jg9DHs8Qcy4IKm8JB-vC1uCATOxE3ga5cqgM3kGaH7WtY7-3Mc6Bs7BhR2k3swHrYnAqu8azvQdt7UmGuqDyugl0RgKuq1LkEhn6OyVoO_ViDbJfg1ZYGAGnoQUnvO1-XaDK9kmMatpaMOzgAzzCVtOLsYX5nD3ChXA/s1412/MV5BNDVjN2NmZGItYTE1My00ODIzLWE2YzAtMzgzMDhkZWNhMjVmXkEyXkFqcGdeQXVyNjk1Njg5NTA@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1412" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaUM5UPZMGy1fZK_FP4kllU67Jg9DHs8Qcy4IKm8JB-vC1uCATOxE3ga5cqgM3kGaH7WtY7-3Mc6Bs7BhR2k3swHrYnAqu8azvQdt7UmGuqDyugl0RgKuq1LkEhn6OyVoO_ViDbJfg1ZYGAGnoQUnvO1-XaDK9kmMatpaMOzgAzzCVtOLsYX5nD3ChXA/s320/MV5BNDVjN2NmZGItYTE1My00ODIzLWE2YzAtMzgzMDhkZWNhMjVmXkEyXkFqcGdeQXVyNjk1Njg5NTA@._V1_FMjpg_UX1000_.jpg" width="227" /></a></span></div><span style="font-family: arial; font-size: large;"><b><br /></b></span><p></p><p class="MsoListParagraphCxSpFirst" style="mso-list: l0 level1 lfo1; text-indent: -18pt;"><!--[if !supportLists]--><span style="font-family: arial;">1)<span style="font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span><!--[endif]-->The multi Independent film festival winner
certainly packs a surprising punch. Shot in <span style="background: white; color: #202122; line-height: 115%;">16mm film</span> by director Ira Sachs (“Love is Strange”), “The Delta”
tells the tale of an 18 year old Lincoln who slips away from his girlfriend,
school mates, and family, to engage in sexual acts with unknown men. One night
he meets up with Minh, a Vietnamese homosexual who’s burdened with racism and
homophobia from his past. The two head out on a boat trip together during one
night and open up their inner feelings to each other. As the night progresses,
the two find themselves getting into more trouble than they bargained for,
leading each to reveal who they truly are inside. </span></p><p>
</p><p class="MsoListParagraphCxSpLast"><span style="background: white; color: #202122; line-height: 115%;"><span style="font-family: arial;">While
this may sound like a generic drama, “The Delta” captures a realism that is
comparable to films such as “Kids”, “I, Daniel Blake”, and “The Florida Projects”,
and even "Dazed and Confused”. The dialogue doesn’t feel scripted, the acting
doesn’t feel rehearsed, and film stock often resembles low grade material that
would be filmed by household cameras. The camera works like an invisible spectator,
present yet unknown to the characters. This allows for our cast of misfits to
misbehave, to show vulnerability and even capture moments of deep secrecy. And this
voyeuristic approach allows a couple of the more intense scenes to have a lot
of weight to them. A reveal at the end took me completely by surprise, as this
is not a direction people would come to expect from a film from the 90s
tackling the subject about LGBTQ+ lives. This is a much deeper and more complex
film than it would let up from the surface. This is the type of unique and
brave independent films that I love.</span></span></p><p class="MsoListParagraphCxSpLast"><span style="background: white; color: #202122; line-height: 115%;"><span style="font-family: arial;"><br /></span></span></p><p class="MsoListParagraphCxSpLast" style="text-align: center;"><span style="background: white; color: #202122; line-height: 115%;"><span style="font-family: arial; font-size: large;"><b>Day 4</b></span></span></p><p class="MsoListParagraphCxSpLast" style="text-align: center;"><span style="background: white; color: #202122; line-height: 115%;"><span style="font-family: arial;"><span style="font-size: large;"><b> 4th Man Out </b></span><o:p></o:p></span></span></p><p class="MsoListParagraphCxSpLast" style="text-align: center;"><span style="background: white; color: #202122; line-height: 115%;"><span style="font-family: arial;"><span style="font-size: large;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMhaXA9znWEdpnkEDmw_qFJZSFsAc5xDIMIrb0KTVaKyuhP0ZTJDZuGDGqiAfB3YwrNP6WB-Ot46Ga_1oq4H9ZC1nzu2SmMa2BjmQ9m2AS0IP5oT3hIu7r8DepJQ0PGFHCDMt0G1beP8YTVSf3wTN_-Jt6B2AagkYE0BTPy_JRQ3KufxGVz3BKO8KtMQ/s2728/MV5BMTg2Nzk3MDI5Nl5BMl5BanBnXkFtZTgwMzM3MjQ1NzE@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2728" data-original-width="1840" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMhaXA9znWEdpnkEDmw_qFJZSFsAc5xDIMIrb0KTVaKyuhP0ZTJDZuGDGqiAfB3YwrNP6WB-Ot46Ga_1oq4H9ZC1nzu2SmMa2BjmQ9m2AS0IP5oT3hIu7r8DepJQ0PGFHCDMt0G1beP8YTVSf3wTN_-Jt6B2AagkYE0BTPy_JRQ3KufxGVz3BKO8KtMQ/s320/MV5BMTg2Nzk3MDI5Nl5BMl5BanBnXkFtZTgwMzM3MjQ1NzE@._V1_.jpg" width="216" /></a></span></span></div><span style="font-family: arial;"><span style="font-size: large;"><b><br /></b></span></span><p></p><p class="MsoListParagraphCxSpFirst" style="mso-list: l0 level1 lfo1; text-indent: -18pt;"><!--[if !supportLists]--><span style="font-family: arial;">1)<span style="font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;">
</span><!--[endif]--><span style="background: white; color: #202122; line-height: 115%;">Good
intentioned film starts off with forced awkwardness and artificial behaviours to
push through the plot but comes off relatively successful in the end. After a
night of drinking, Adam comes out to his 3 jock friends causing the quartet to
reconfigure their unique bond. And comedy ensues...? </span></span></p><p class="MsoListParagraphCxSpMiddle"><span style="background: white; color: #202122; line-height: 115%;"><span style="font-family: arial;">Much of
the comedy doesn’t work in this film and becomes the majority of the jokes rely
on the boys being overly ignorant to gay lifestyles. When one joke works it is
quickly followed by explanations and doubling down on the same joke, just in
case people didn’t catch the first joke. To find these jokes somewhat funny, people need to drop their intelligence levels back to an 80s mentality. The films trying to be pro-gay take a ton of keep shots about being gay, as it its trying to play both angels, poking fun at while trying to praise the same groups immediately after. The writing is not only too obvious
sometimes, we also get scenes that don’t have much value to the story as well
as lead the film off into odd directions causing the film to feel disjointed
and unsure of itself. The film does get on track closer to the ending and
begins to find its own voice as well. What helps is the charisma and
performances from out two leads, Evan Tod (Adam) and Parker Young (Chris). Whenever
the two are on screen the scenes are easily acceptable. The rest of the cast...
well... are pretty forgettable and hard to even pin point their characters. One
I believe is insecure... but he becomes a convulsive reader for some reason. While
the other guy is just a poor man’s Bobby Moynihan... and that’s all I got out
of him. But the film’s main focus is on the two best friends Adam and Chris and
the chemistry between the two feels like a valid friendship. <o:p></o:p></span></span></p><p class="MsoListParagraphCxSpLast"><span style="background: white; color: #202122; line-height: 115%;"><span style="font-family: arial;">
</span></span></p><p class="MsoListParagraphCxSpLast"><span style="background: white; color: #202122; line-height: 115%;"><span style="font-family: arial;">While
some of the comical writing did get tiresome very quickly, the film did turn around at the final 20 minutes. The less it was trying to be a jokey joke comedy, the more charming it became. Not a film I would recommend seeking out, but one that wouldn't be a waste of your time if you stumbled upon it on a lazy afternoon. </span></span></p><p class="MsoListParagraphCxSpLast"><span style="background: white; color: #202122; line-height: 115%;"><span style="font-family: arial;"><br /></span></span></p><p class="MsoListParagraphCxSpLast" style="text-align: center;"><span style="background: white; color: #202122; line-height: 115%;"><span style="font-family: arial; font-size: large;"><b>Day 5</b></span></span></p><p class="MsoListParagraphCxSpLast" style="text-align: center;"><span style="background: white; color: #202122; line-height: 115%;"><span style="font-family: arial;"><b><span style="font-size: large;">Theorem</span></b><o:p></o:p></span></span></p><p class="MsoListParagraphCxSpLast" style="text-align: center;"><span style="background: white; color: #202122; line-height: 115%;"><span style="font-family: arial;"><b></b></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtUe4BKI4ECYjoPMAWsNFN7FZZQPUJ-Ag8XKkZj6L4_7DiAQWbXftZ-6c6aVzxRb0lmvqk67jLXFk-v6eE3ujVtsvdLHoMw5XppmO1VO6G7tGSBheN4U_-YoM6STizs-cyeQ3iR1T1_shTepppQI7FYrnSzbU_ejHmlNJ3C1i-D1bpv-AqQWl1qiJCHA/s1200/k7rEBaYUTgdxVqYl9aZm5ZcoB41.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtUe4BKI4ECYjoPMAWsNFN7FZZQPUJ-Ag8XKkZj6L4_7DiAQWbXftZ-6c6aVzxRb0lmvqk67jLXFk-v6eE3ujVtsvdLHoMw5XppmO1VO6G7tGSBheN4U_-YoM6STizs-cyeQ3iR1T1_shTepppQI7FYrnSzbU_ejHmlNJ3C1i-D1bpv-AqQWl1qiJCHA/s320/k7rEBaYUTgdxVqYl9aZm5ZcoB41.jpg" width="213" /></a></b></span></div><span style="font-family: arial;"><b><span style="font-size: large;"><br /></span></b></span><p></p><p class="MsoListParagraphCxSpFirst" style="mso-list: l0 level1 lfo1; text-indent: -18pt;"><!--[if !supportLists]--><span style="font-family: arial;"><span style="color: #202122; line-height: 115%;">1)<span style="font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal;"> </span></span><!--[endif]--><span style="background: white; color: #202122; line-height: 115%;">An unidentified stranger visits a bourgeois
family and ends up having sex with each member, as well as their maid. Upon
each encounter, each individual has an epiphany about their lives, changing
their paths entirely. This stranger suddenly leaves the family causing them to
face the lives they had suspected they had escaped from. “Theorem” has shown up
on a few “Science Fiction Film” lists and while I cannot identify it as a scifi film myself, I can see how some may give this a fantastical spin. The film is
certainly a mystery and does have moments that do slide into surrealism as well
as dreamlike. At the time of filming, director Pier Paolo Pasolini was report
to be struggling with his sexuality and this can attribute to some of the
themes such as of being comfortable in your own sexuality, in your own
clothing, and in your place in life are all present. A nice multilayered score,
ranging from classical to jazz, and even a funk is nicely arranged from Ennio
Morricone. And the cinematography by Giuseppe
Ruzzolini offers much sensuality, comedy, and even awe (especially in the final
climax). There’s many interpretations on who or what the stranger is and what
the film means and regardless of how this speaks out to you, it is an
accomplished piece of unique cinema. <o:p></o:p></span></span></p><p class="MsoListParagraphCxSpLast"><span style="background: white; color: #202122; line-height: 115%;"><span style="font-family: arial;">
</span></span></p><p class="MsoListParagraphCxSpLast"><span style="background: white; color: #202122; line-height: 115%;"><span style="font-family: arial;">Truth be
told, going into this film only knowing Pasolini’s “Salo”, I did find myself
getting worried when our stranger had already had sex with three of the
characters then was spot half naked running outside with the family dog. But
thankfully good taste prevailed.</span></span></p><p class="MsoListParagraphCxSpLast"><span style="background: white; color: #202122; line-height: 115%;"><span style="font-family: arial;"><br /></span></span></p><p class="MsoListParagraphCxSpLast"><span style="background: white; color: #202122; line-height: 115%;"><span style="font-family: arial;"><br /></span></span></p><p class="MsoListParagraphCxSpLast"><span style="color: #202122; font-family: georgia;"><span style="background-color: white;">If this is a sign of the quality of films I am in store with month, I think I shall be getting through unscathed. We'll have to see how the following weeks treat me. </span></span></p><p class="MsoListParagraphCxSpLast"><span style="color: #202122; font-family: georgia;"><span style="background-color: white;">Till then, thanks for reading. Please feel free to share the Pride films you are watching this month and let me know of any you think I should toss into my viewing schedule. </span></span></p><p class="MsoListParagraphCxSpLast"><span style="color: #202122; font-family: georgia;"><span style="background-color: white;">JP Fournier</span></span></p><p class="MsoListParagraphCxSpLast"><span style="background: white; color: #202122; line-height: 115%;"><span style="font-family: arial;"><br /></span></span></p><p class="MsoListParagraphCxSpLast"><span face=""Arial","sans-serif"" style="background: white; color: #202122; font-size: 9.5pt; line-height: 115%;"><br /></span></p><p class="MsoListParagraphCxSpLast"><span face=""Arial","sans-serif"" style="background: white; color: #202122; font-size: 9.5pt; line-height: 115%;"> <o:p></o:p></span></p><div><br /></div>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-63115507514368675222022-05-13T22:20:00.008-07:002022-05-14T12:35:52.849-07:00The shit I watch 2022<p> It's been some time since our last blog, which came out in February as we were saying farewell and releasing our final episode of he audio Movie Jerks Podcast (for those searching for the archive episodes, we are still figuring out a format to release them to public still. please be patient). </p><p>Like every year, I am still watching strange, unusual, and often obscure cinema/films. Here's a quick update on some of these bizarre, awful, or even surprisingly excellent titles I have watched this year. </p><p><br /></p><p></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Mansion of The Doomed</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqh1NvyCv_UDYLC9sdb0fjq_E8vZK0pqfjO1obFaC2dodyDVRkfFVoiYWM15uR3HmqLT9tmpD3qffxGiIHRQ76QmFkqPEXkpk4MpD3mKzpGw-WqAdic_eC2diIqM1teaio2N1JsIz7csLL__Vr5Ppg30Ke0ghPV-AqK3or7guEyP7DoMymWQ0LTIpvuA/s1511/MV5BMjYzMTJhZWEtZTdjOC00MzljLTllYzQtNWI3NTYwMmUxNzFjXkEyXkFqcGdeQXVyNzc5MjA3OA@@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1511" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqh1NvyCv_UDYLC9sdb0fjq_E8vZK0pqfjO1obFaC2dodyDVRkfFVoiYWM15uR3HmqLT9tmpD3qffxGiIHRQ76QmFkqPEXkpk4MpD3mKzpGw-WqAdic_eC2diIqM1teaio2N1JsIz7csLL__Vr5Ppg30Ke0ghPV-AqK3or7guEyP7DoMymWQ0LTIpvuA/s320/MV5BMjYzMTJhZWEtZTdjOC00MzljLTllYzQtNWI3NTYwMmUxNzFjXkEyXkFqcGdeQXVyNzc5MjA3OA@@._V1_FMjpg_UX1000_.jpg" width="212" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">I have seen carsploitation, nunsploitation, and even
spacesploitation, but never eyeballsploitation.<br />
For those people with very specific eyeball removed from socket eye balls fetish, this
film fills the void.<br />
A mad scientist kidnaps people, removes their eyes and places them in a cell in
the basement. He's hoping to do an eye transplant for his daughter who lost her
eyes in a car accident. You know... that old chestnut.<br />
Strange film focuses on the eyeless prisoners planning a prison break near the
end. Before that we get creepy kidnapper scenes that get really uncomfortable
when he's attempting to kidnap a little girl.<br />
More of an interesting oddity rather than being an entertaining thriller.</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The Requin</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIx4i6c2G-OOhb7cZO0ih0SpIbVDmpgkeiYAx-QyeNYtFJtsx6Q38q5oKUEJGuqJ3FKkBHLoBbAGLOJd_1qWjhTqdx4OxYoTbshUZ49_FMI8HYZzwEuCEI3AAmKNTBlUZv6UIyFjVCLuwrwnrmi9_9a2t6TNCoC5UxEEnM1XoOkuoD9DSSNSt8czPq9Q/s1486/MV5BNjZkZjRhOGQtZGM2Yy00YmMyLWE5ZTctNzAzYTY5ODNhZTE5XkEyXkFqcGdeQXVyMzQwMTY2Nzk@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1486" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIx4i6c2G-OOhb7cZO0ih0SpIbVDmpgkeiYAx-QyeNYtFJtsx6Q38q5oKUEJGuqJ3FKkBHLoBbAGLOJd_1qWjhTqdx4OxYoTbshUZ49_FMI8HYZzwEuCEI3AAmKNTBlUZv6UIyFjVCLuwrwnrmi9_9a2t6TNCoC5UxEEnM1XoOkuoD9DSSNSt8czPq9Q/s320/MV5BNjZkZjRhOGQtZGM2Yy00YmMyLWE5ZTctNzAzYTY5ODNhZTE5XkEyXkFqcGdeQXVyMzQwMTY2Nzk@._V1_FMjpg_UX1000_.jpg" width="215" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">And we already have a contender for the worst film of 2022.
“The Requin” is another fake CGI shark film, only this time our protagonists
are floating on a villa that was pushed out to sea during a storm. Director
Le-Van Kiet, who gave us the thrilling “Furie”, appears to have dropped all the
fast paste momentum of that action packed parent rescuing a kidnapped child
martial arts fest, for a bad green screen floating house being attacked by
inconsistent shark attacks.<br />
The film advertises sharks but doesn’t get to them until the last third of the
film. Before they arrive we are presented with an insane performance from
Alicia Silverstone that is so bad, I thought she was trying to channel Tommy
Wiseau. It’s bad but it starts becoming hilariously bad as it attempts to be
sincere. The cinematography, which is often an eye sore, is not trying to hide
the poor special effects and the visual seams of the phone backgrounds, let
alone the bad shark effects.<br />
This is an ugly mess that will probably earn more laughter than attempted
thrills. The 89 minute run time feels like 2 hours, especially with the third
act that comes across like an afterthought. But even though I cannot in good
conscious give this more than just 1 star, I did find some unintentional
entertainment in it. But I may have also been laughing to keep my sanity intact
too.<br />
For those that enjoy unintentionally terrible cinema... this might be
your bag.</p>
<p class="MsoNormal" style="tab-stops: 47.25pt;"><span style="mso-tab-count: 1;"> </span></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Incredible Violence</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_cWI0OMFMFZcoMMbwZCYCZ-Xe5hd7l8sCanVzHn4t1CM2e-sbKG7HD55TYdwPwiML9cOp521skuPOdzUIkH7nBMNorOXxOX58zPwx0S2eBVFBJLbajAWVNriNl2EUa0oeNj04xDRaVliP3Wm8u59TetxHENgnWoq_TlycaCBxSEI71DyqkbHPhlQZxg/s1200/Incredible_Violence-702572135-large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="809" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_cWI0OMFMFZcoMMbwZCYCZ-Xe5hd7l8sCanVzHn4t1CM2e-sbKG7HD55TYdwPwiML9cOp521skuPOdzUIkH7nBMNorOXxOX58zPwx0S2eBVFBJLbajAWVNriNl2EUa0oeNj04xDRaVliP3Wm8u59TetxHENgnWoq_TlycaCBxSEI71DyqkbHPhlQZxg/s320/Incredible_Violence-702572135-large.jpg" width="216" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">A great concept for half of the film that allows everything
to be flipped upside down in the last act. The film in its entirety is a clever
satire of elevated relevancy and power of movies.<br />
A desperate director turns an abandoned into an experimental movie set that has
a group of actors getting their scripts in real time format. The group is
instructed to repeat the same party sequence over and over each day as the
events start to get more frightening and depraved as they lead the crew into
violent territories.<br />
The film analyzes the Milgram experiment, the study on how far people will set
aside their morals if they are following instructions from a form of authority.
As the actors begin to get instructions to torture the other actors, it asks
the question of how far will someone go when they believe it is not real, when
they believe the other actors are in on the project, and how far will they go
to obtain fame. And adding a protagonist whose grasp of reality is already in
question, makes this film an intense, frightening, and very uncomfortable
watch. And just as I felt I knew where this film was heading, it surprised me
with new ideas, twists, and great performances to sell the unexpected and
uncanny storyline.<br />
I enjoy a film that can not only make me purposely cringe and creep me out, all
the time surprising me along the way. "Incredible Violence" has an
atypical dark sense of humour demonstrated through a run on gag of a commercial
for a celebrity autopsy that also starts to get weirder and alarming as it
goes.<br />
This is a low budget baddy that will only for a selected group of
genre fans.</p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Love Land</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiraLpTP7pwSY0Nmra64R5J-HVP0hF4NQ9WLMMPjaoN5zdvkXAcJKr-lqjAbmyeWWjH8K87R4gQBaRWDovDD9AvEwrOG-0iSuuh9qyiPSCyVsJQIZN3P2ia5ibAuaU0Zz9SY7oKhhDWSgeDlui1W0564WrdNzbDKSuQ8IljgJgioiibeblid0uQy4KqQg/s2460/MV5BMTc0NTU4MTEyMV5BMl5BanBnXkFtZTgwNjcxMTc3MjE@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2460" data-original-width="1620" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiraLpTP7pwSY0Nmra64R5J-HVP0hF4NQ9WLMMPjaoN5zdvkXAcJKr-lqjAbmyeWWjH8K87R4gQBaRWDovDD9AvEwrOG-0iSuuh9qyiPSCyVsJQIZN3P2ia5ibAuaU0Zz9SY7oKhhDWSgeDlui1W0564WrdNzbDKSuQ8IljgJgioiibeblid0uQy4KqQg/s320/MV5BMTc0NTU4MTEyMV5BMl5BanBnXkFtZTgwNjcxMTc3MjE@._V1_.jpg" width="211" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">Ivy, a 24 year old with an intellectual disability, finds a
new romance with a 16 year old, Oscar, that works at the same tattoo shop as
she. After an intimate night, Ivy starts misbehaving and getting herself in
compromising positions in the search to gain Oscar's approval. When her stunts
get out of control, Ivy's sent to stay at a care facility for people with
disabilities. There she meets up with Roger, resident with down syndrome, who's
become very accustom to the facilities and the lifestyle it offers him. When
Ivy finds out Roger's has the capability of getting his own house through
assisted living, Ivy finds a way out of her predicament.<br />
"Love Land" could easily fall into the realms of a cliché driven
sappy melodrama, but instead it stays grounded and respectful of the mature
story it is presenting. It allows humor to slip in without editing timing
signals accenting jokes. The film allows the viewer chances to question the
motives and actions of the characters, instead of dropping exposition notes to save
the audience from worry, fear, or anger, this allows for hope and wonder to
remain until the final conclusion.<br />
Down to earth performances, all characters with disabilities are actors that
are afflicted by the exact same disabilities, heighten the film's authenticity.
The build up and final conclusion is satisfying probably because it didn't go
the direction I expected it to, but ended as it should.<br />
A real gem of an independent film.</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Last Man Down</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdD0nU7z1B0U4beKKo1ovm0wPYlwn-umFYgQW-REcDMg-agTvQtW3eVLdX2q2-mfGtuFkZWJZtgU6I5LI75GHJvYsP2SETE--Esktj_gJRRniMOFzz7XNzgdpG4e7t5dzIdoSW9L4DcANzHG8vkMaXZ0wqaaGTDxi6cmn_4Ep1uAXTEtdtUdJMIk8wjg/s3000/MV5BMDkyMjA3OWQtMTM3OS00MGJmLThmM2ItOTQ0YTdiMjgzZGNkXkEyXkFqcGdeQXVyMjM5NjEzOQ@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="2025" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdD0nU7z1B0U4beKKo1ovm0wPYlwn-umFYgQW-REcDMg-agTvQtW3eVLdX2q2-mfGtuFkZWJZtgU6I5LI75GHJvYsP2SETE--Esktj_gJRRniMOFzz7XNzgdpG4e7t5dzIdoSW9L4DcANzHG8vkMaXZ0wqaaGTDxi6cmn_4Ep1uAXTEtdtUdJMIk8wjg/s320/MV5BMDkyMjA3OWQtMTM3OS00MGJmLThmM2ItOTQ0YTdiMjgzZGNkXkEyXkFqcGdeQXVyMjM5NjEzOQ@@._V1_.jpg" width="216" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">I believe the original title was "Testosterone:
The Movie".</p>
<p class="MsoNormal">This is a film that needs to be seen to be believed. Muscle
bound bearded man takes on an army of muscle bound bearded men, in this brutal
action influenced by action films of the 80s. However, in this film, the focus
is on exaggerating all the crazy tropes we have come to know from those past
He-man- esque beat 'em ups of the past. The punches sound like thunder, the men are mysteriously greased up when fighting, and our protagonist suffers more than
any other Christ figure before resurrecting again to fight man to man combat
with the insane baddy. </p>
<p class="MsoNormal">And do we hear some bad ass rock guitars? You bet your ass
we do! </p><p class="MsoNormal">Even though the film delivers some high level tropes, it is lacking on any other qualities. The acting is stale, the dialogue barely there, and the story is so generic that it doesn't provide any suspense to the focused action scenes. I appreciate the audacity of the film, only wished it was more rounded. </p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">AINBO: Spirit of the Amazon</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTLX2pzUTF0fSHd5hGMgputveh8VEhU7rRUT_cYcxnnTmTsWL1CTTC4PtqMslZFpWjSXAx1hK04__yd5sfNtBy3HUCJWQAabLr2XVvcqss3SWyMVJqK81XYcVi7x_L7DJP-8cAUslwk54oaUGxyI1018jWka9J16vW5r65Y5LdbpcA40GK9A5WUh8bTQ/s1035/MV5BMGEwYzk1MjctMmM2YS00NGEzLWE0NzQtNjhhMzMzY2NkYWJiXkEyXkFqcGdeQXVyMzY3MzcyNTE@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1035" data-original-width="700" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTLX2pzUTF0fSHd5hGMgputveh8VEhU7rRUT_cYcxnnTmTsWL1CTTC4PtqMslZFpWjSXAx1hK04__yd5sfNtBy3HUCJWQAabLr2XVvcqss3SWyMVJqK81XYcVi7x_L7DJP-8cAUslwk54oaUGxyI1018jWka9J16vW5r65Y5LdbpcA40GK9A5WUh8bTQ/s320/MV5BMGEwYzk1MjctMmM2YS00NGEzLWE0NzQtNjhhMzMzY2NkYWJiXkEyXkFqcGdeQXVyMzY3MzcyNTE@._V1_.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Umm... there's a bunch of nice colors used in this film.<br />
The titles “Ainbo” reflects the quality of the film, being that it’s nearly
something that is likeable, like a rainbow, but not nearly complete enough to
be what we like. It is not hiding what it is borrowing and nearly not
understanding how its inspirations worked in their entirety. Besides the colorful visuals, this will probably bore children too. </p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Hell Hath No Fury</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZRbitaDFygTASYyJcQHLxfe1otBaYqE4aAiFfRgHWgU1Decf5h_XPPIKyCHHBRSPmWonHAlKOdB3qqy09LjYgWnbfehcBnPnGknIrLwxzyGi9PRqlqIDmmiL1aDBGdNfiGF567i5FT9lNArvRfgtd-PzuCINW5uNo0wlyGIypPI_jXU4afVlrYvPhaA/s2048/MV5BYzBhYmE5ODYtNTk0ZS00YWY3LWE0MWYtODc3MmJkZTE5ZmVkXkEyXkFqcGdeQXVyNzcwMTYxNg@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1382" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZRbitaDFygTASYyJcQHLxfe1otBaYqE4aAiFfRgHWgU1Decf5h_XPPIKyCHHBRSPmWonHAlKOdB3qqy09LjYgWnbfehcBnPnGknIrLwxzyGi9PRqlqIDmmiL1aDBGdNfiGF567i5FT9lNArvRfgtd-PzuCINW5uNo0wlyGIypPI_jXU4afVlrYvPhaA/s320/MV5BYzBhYmE5ODYtNTk0ZS00YWY3LWE0MWYtODc3MmJkZTE5ZmVkXkEyXkFqcGdeQXVyNzcwMTYxNg@@._V1_.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Low budget war thriller utilizes its minimal budget
masterfully by keeping the majority of the film in one location, a graveyard,
and loads up the film with plenty of squibs, smoke, gunfire, and blood effects.
The tale of a French nationalist Marie DuJardin is condemned by her country as
a traitor and nazi conspirator. American soldiers rescue her, forcing her to
help them find the hidden nazi gold, before the nazi soldiers arrive to reclaim
it. The film could easily work as either a tight whodunit back and forth about
mind game about whether the gold exists or not. Or it could also be a tense
small group defending their grounds from multiple lines of attacking enemies.
If the film would have leaned towards one style, it might have been a terrific
action thriller. Instead, it’s just ok. The dialogue between action pieces is
drawn out and not memorable and the action pieces while nicely shot, don’t have
the build up to draw in suspense and stakes.<br />
Jesse V. Johnson does demonstrate his talent for filming action. The cast also
helps this tiny film, with a strong performance from Nina Bergman as Marie,
Louis Mandylor as commanding American soldier, and Daniel Bernhardt (while his
accent does need work) fitting the image of an intimidating nazi. Each
character is only provided with comic book 2 dimensional stereotypes but plays
up the clichés with integrity. The film knows it is camp action and doesn’t
attempt to be more than that.<br />
Not the most memorable of Jesse V. Johnson’s action flicks, but it’s also
delivering enough to be satisfying to action film fans. People looking for
depth or 3 dimensional characters might want to skip this one.</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Bite Marks</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdN9lAT4aaIpS3H_2hlneQx-W5H0tX0697n3r7rHOOnwZmGPmxaNt3VhpjrQCo58WqI9yuJwuR30YmheGwGdoIfOxxn78XG83BscUXro6vlKhjGRAktWapZb4GpAL8052VZYs84xadLYeSeDW8cwRJTlrXbbpZL1PtqdyeT_yIZ-eXh_W-_yiK5MEgtA/s1650/MV5BMjI5OTU1OTU0Ml5BMl5BanBnXkFtZTgwNDYyNTQyMTE@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1650" data-original-width="1275" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdN9lAT4aaIpS3H_2hlneQx-W5H0tX0697n3r7rHOOnwZmGPmxaNt3VhpjrQCo58WqI9yuJwuR30YmheGwGdoIfOxxn78XG83BscUXro6vlKhjGRAktWapZb4GpAL8052VZYs84xadLYeSeDW8cwRJTlrXbbpZL1PtqdyeT_yIZ-eXh_W-_yiK5MEgtA/s320/MV5BMjI5OTU1OTU0Ml5BMl5BanBnXkFtZTgwNDYyNTQyMTE@._V1_.jpg" width="247" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">The tagline "Wrong on so many levels" does not fit
this mild adult gay horror/comedy. The film is just as tame as it is low
budget. It does have an independent charm and a self aware fun spirit to it,
but that still doesn't save this poorly told and barely funny campy farce.<br />
One of the only highlights is seeing Stephen Geoffreys (Fright Night) drop in
for a cameo. Stephen Geoffreys had a mild cult status back in the 80s with
multiple roles in horror and genre films, then transitioned into gay
pornography films. Having him spout some vampire teeth and ever a "You're
so cool, Brewster" reference was a nice touch. Geoffreys has some film
charisma still, which only makes the lack of charisma and talent from the rest
of the cast more obvious.<br />
I can see this doing well in front of the right spirited and drunk audiences
but watching it on my own, I just became too aware of how poorly the acting is
and how the poorly written jokes, obvious references, and even some meta humor.
The film incredibly becomes less funny as the film progresses. In the hands of
professional actors or comedians, there might have been some laughs but
unfortunately this is just a awkward watch.<br />
Not one I can recommend.</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Shut In</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXYjcGDFiSxkU-CpQu68NulflHsljpWZLhFLU618PwwRNujt81uOBMAtt9pDha8X6GUX-ycxM0kDnw6qvPfKMdFVRd4JUfZ-bZw3lVm9ejJJDgtpFpyucz-zEW2PWPP3xo2V8mhpUBKHr0uq97BY2bW9nCF-X5_B-owq8cAgYAorHQNYGqPipMYLKoyA/s2100/509917.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2100" data-original-width="1400" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXYjcGDFiSxkU-CpQu68NulflHsljpWZLhFLU618PwwRNujt81uOBMAtt9pDha8X6GUX-ycxM0kDnw6qvPfKMdFVRd4JUfZ-bZw3lVm9ejJJDgtpFpyucz-zEW2PWPP3xo2V8mhpUBKHr0uq97BY2bW9nCF-X5_B-owq8cAgYAorHQNYGqPipMYLKoyA/s320/509917.jpg" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal"><i>This review may contain spoilers.</i></p>
<p class="MsoNormal">Whenever a film presents adorable children in mortal danger,
I am usually in pins and needles right to the very end. And despite its flaws,
"Shut In" still had me feeling that experiencing that dreadful apprehension that I didn't want to see where this is heading.<br />
The story is basically a mother; behind on payments and struggling to keeps a
safe environment for her two children, and finds herself locked in a storage
room, while her meth addict husband and his pedophile friend are outside with
the two kids. It is up to the mother to use her brains and figure out away to
escape and save her kids.<br />
Nicely shot and pleasantly well acted, "Shut In" does have some
writing and directing issues. This could be a simple story of the survival
choices of a desperate mother, yet the film inserts a lot of biblical imagery
and symbolism that does not fit this story. One obvious piece of imagery, is
when our protagonist ends up getting a nail stabbed into her palm, you know...
like Jesus Christ. Unlike Bergman's "Wild Strawberries" this
reference to Jesus doesn't have any meaning in the story or connection to the
character, besides some hack writer trying to shoehorn in a Jesus reference just
for the sake of a Jesus reference. Doing this, not only demonstrates a lack of
understanding the importance of the story details but also shows a lack of
understanding... well... Jesus. Our protagonist is just not Jesus like in any way. And this is a reoccurring issue with Christian based cinema, not understanding the Bible. There is nothing wrong with having your main character not be Jesus-like and still have an audience cheer them on. <br />
The film also edits to hide simple laws of physics as well as common knowledge.
There's a scene where our protagonist is standing on her tippy toes on a stool,
stabbing at the ceiling trying to carve a hole to the room above her. She is
barely able to reach high enough to chip away at the ceiling that has rotted
away due to a leaky bathroom. Yet once she has made some way through the
ceiling, she suddenly gains an extra foot on that stool and is about to grab
onto something solid and pull herself up and through a tiny spot. There's
plenty of edits and cuts to make this appear plausible yet for the naked eye to
people paying attention, this doesn't jive.<br />
Lots of genre films may exaggerate physical abilities for the sake of action or
genre tropes. For instance, in this film we get a villain about to carry a
child with hand that's suffered third degree burns, while threatening a knife
on a second child at the same time. In a stylized genre film, exaggerated or
ignoring fundamental laws of biology can be used to heighten the threat, the
conflict and perhaps even build a rhythmic flare to action, but as this film
attempts to create a realistic threat to our endangered family, ignoring human
physicality to set up plot devices and conflict or resolutions, breaks the
strength of the suspense. If the film abandons or ignores details to in order
to push it through the conflicts, it comes off lazy.<br />
The little girl is great. The camera work and lighting is adequate. And the
actors are providing acceptable performances. This is watchable but it's not at
all intellectually satisfying.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Anon</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpJ_khQfXhd7f-yvyR5idrWf5715wMe7FvDh5t1iRX-qYeLp3JxEh1SGd_BOq3UMvQMpVntSJBK2jfxERe9aUeiwTzQlH8ogCQev8ARB5APVgws8LhiiDiU7FCy7NP3oiwLz6HUyDFHy712zh_nhV1lAOWGtZx-83-LMLvSkqAfbkL6L638t70EpiA4g/s2048/MV5BMjE0MjIwMDE2MV5BMl5BanBnXkFtZTgwMzM5MDQzNTM@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1382" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpJ_khQfXhd7f-yvyR5idrWf5715wMe7FvDh5t1iRX-qYeLp3JxEh1SGd_BOq3UMvQMpVntSJBK2jfxERe9aUeiwTzQlH8ogCQev8ARB5APVgws8LhiiDiU7FCy7NP3oiwLz6HUyDFHy712zh_nhV1lAOWGtZx-83-LMLvSkqAfbkL6L638t70EpiA4g/s320/MV5BMjE0MjIwMDE2MV5BMl5BanBnXkFtZTgwMzM5MDQzNTM@._V1_.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Another film where I am baffled by all the negative reviews.
Mind you, most of those reviews just declare the film is a "stupid"
movie without any further validation for the claim. And when a majority of reviews just repeat the film is "stupid" and cannot back that claim up, I find the film often is the opposite of their slant.<br />
Andrew Niccol has created another high concept, neo noir, science fiction,
mystery with a ton of far out ideas. In the near future, people's identities
can be hacked into to obtain memories and visuals, in order to solve and
prevent crimes. The world created here is stunning, with vintage cars,
immaculately clean streets, and up scale classy fashion. This is a New York
without crime, without the need for cell phones, and where everyone's
identities are available just from the look of an eye. This world without
anonymity, not only limits crimes and immoral behaviors, but this would also
make people more cautious and less risk taking. The lighting and color palettes
reflect a world weird imaginations and creativity appears to be narrowed and
confined, much like people's willingness to be seen letting loose. This is a
controlled environment and the film doesn't need to have a character explain
this to the audience.<br />
As the mystery does progress we do get some well needed exposition, which may
be awkward dialogue for people already aware of how their world and technology
works, but assists the audience, like myself, in keeping up.<br />
Amir Mokri's cinematography is stunning and aesthetically pleasing to the eyes.
However, when seeing people's point of view, the camera control is always too
symmetrical and smooth flowing, which doesn't feel human. Strange choice to
make the recorded memories nearly more pleasing to view than the non-memory
storytelling, but at least there is a specific style to differentiate the two.<br />
Christopher Beck's musical score gives the film a nice intriguing feels, as
well as the aesthetics of a heist film, during the strategy breakdown montage.
Real strong work that doesn't appear to get to enough praise.<br />
The acting is tight, the story keeps revealing new concepts as it progresses,
and Clive Owen is nicely fitted as Sal Frieland, an ideal film noir protagonist
that's struggling with inner demons. While the final reveal didn't surprise me,
the torture technic used on Owen in the third act is emotionally devastating
and bleak in concept.<br />
Like many high concept films, there's plenty of questions I have about the
gimmicks presented and the logistic about them. But regardless of some of the
ideas that worked and didn't work for me, this is not a
"stupid" movie.</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Striking Range</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVbowcGTWmSA3EX5kCQbVbIctbdJMtACjDnQdB6BafTm86qNOJm6tSQwu6oAEOpba_sW61X8-sBMTsW3QukaixauNgT0At5RyMyT3P6dAfiiXTOuLnBcsAE_Qx6SeP4mZqqXm2VS4CH2RQ95t_5wKGyxMmbZKJA1a1584F4N0wtMNFg2Qs4_cbRh5FTA/s1440/MV5BY2NiNDdhYWEtNjg4My00ZTBhLWE0YzgtMDU5NWE2MzcwNzRjXkEyXkFqcGdeQXVyNzk3NDUzNTc@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="960" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVbowcGTWmSA3EX5kCQbVbIctbdJMtACjDnQdB6BafTm86qNOJm6tSQwu6oAEOpba_sW61X8-sBMTsW3QukaixauNgT0At5RyMyT3P6dAfiiXTOuLnBcsAE_Qx6SeP4mZqqXm2VS4CH2RQ95t_5wKGyxMmbZKJA1a1584F4N0wtMNFg2Qs4_cbRh5FTA/s320/MV5BY2NiNDdhYWEtNjg4My00ZTBhLWE0YzgtMDU5NWE2MzcwNzRjXkEyXkFqcGdeQXVyNzk3NDUzNTc@._V1_.jpg" width="213" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">"Striking Range" has all the qualities of a poorly
executed failed pilot to an upcoming action television series. Lou Diamond
Phillips is giving it his best and bringing energy to a script that barely has
no character and no voice. The film, while delivering plenty of excuses for
action, is bland, lacking excitement, and delivering plenty of moments
attempting humour but failing on every level.<br />
This is a strange film that has plenty of masked disposable villains, yet the
plot is that of a stalker film? Is the stalker actually hiring goons to help him stalk? By the end, I was struggling to keep focus.</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Fresh</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiY0oYsVQ5ZVq44qVpW6cmLn07G4ePJKqRnS6vGgili1UfmBF3HvBcuElJ6rqGq5d6L_3ATV8hghp3HKgjWCeILVpBEGjwreqDH9D1COqTBWzm7aDCtG3_jU1jG8714AnXgvjA0rCDjfoBYHZQV5HJLsirObLf_auDaiH1f11qj_QPuSyFs7XlDpZ7EQ/s1241/MV5BYTUzNDY5MjctYmJjNi00NDQzLTg4M2UtYTExMTI1ZTVlMzE2XkEyXkFqcGdeQXVyODc0OTEyNDU@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1241" data-original-width="833" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiY0oYsVQ5ZVq44qVpW6cmLn07G4ePJKqRnS6vGgili1UfmBF3HvBcuElJ6rqGq5d6L_3ATV8hghp3HKgjWCeILVpBEGjwreqDH9D1COqTBWzm7aDCtG3_jU1jG8714AnXgvjA0rCDjfoBYHZQV5HJLsirObLf_auDaiH1f11qj_QPuSyFs7XlDpZ7EQ/s320/MV5BYTUzNDY5MjctYmJjNi00NDQzLTg4M2UtYTExMTI1ZTVlMzE2XkEyXkFqcGdeQXVyODc0OTEyNDU@._V1_.jpg" width="215" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">I am thankful for the many reviewers that advised to go into
this film knowing as little info as possible. Knowing a few basic details might
cause anticipation to get in the way of the creative and measured timing of
those reveals. This is one of those rare films where the style does uplift the
substance, but also fits and enhances the genre blends.<br />
It's gross, hip, funny, unique, and has a directorial voice that I look forward
to experiencing more.<br />
Sebastian Stan carries a lot of the quirkiness and fiendishness of the film.
But his colourful performance is enhanced by the strong lead performance of
Daisy Edgar-Jones, as Noa, and her best friend Mollie, played by Jojo T. Gibbs.<br />
Perfect soundtrack, confident and creative camera work, along with a smart
script makes this a must see for fans of really dark comedies.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;"><br />As You Are</span></b></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_x6o1E9SHdwZQ0Mv9llwmVTRzcxMoskCr-0I5HxOavHsKt1RGu60Dl5QMxzoEULORr-xoaalSDWqyLhiJ4a03zeCwk5m8J8VDB1776MABC789xx-bgSUHsHpSO7Y37CccFoNbp6u30DxAOuob61d-Tyb-XiJ5miuqTH-886staQB4QPpknFr6jxbgvw/s1328/MV5BZWFiMjdjODktMWY4YS00MWU0LThiNDUtNDI4ODY0NzhhMGFkXkEyXkFqcGdeQXVyNjU1MjQzMjQ@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1328" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_x6o1E9SHdwZQ0Mv9llwmVTRzcxMoskCr-0I5HxOavHsKt1RGu60Dl5QMxzoEULORr-xoaalSDWqyLhiJ4a03zeCwk5m8J8VDB1776MABC789xx-bgSUHsHpSO7Y37CccFoNbp6u30DxAOuob61d-Tyb-XiJ5miuqTH-886staQB4QPpknFr6jxbgvw/s320/MV5BZWFiMjdjODktMWY4YS00MWU0LThiNDUtNDI4ODY0NzhhMGFkXkEyXkFqcGdeQXVyNjU1MjQzMjQ@._V1_FMjpg_UX1000_.jpg" width="241" /></a></div><p></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;"><br /></span></b></p>
<p class="MsoNormal">Two lonely high school boys become friends when their families move
in together. As the two of them are tormented by bullies, an abusive father,
and struggle authorities, their bond starts to builds into something stronger
than just friends. And this relationship will lead the two into tragedy and a
criminal investigation.<br />
“As You Are” starts the tale by giving a glimpse at the tragic event but
doesn’t let the audience into what transpired until the very end. Flashbacks
leading to the climatic event are interspersed with clips of the characters
involved being interrogated by police in regards to the boys’ relationship. The
film likes to lead the audience into multiple directions, showing that there
could be more to the story than meets the eyes.<br />
What makes “As You Are” standout are the superb performances from Owen
Campbell, as Jack, a shy introvert who care for his single mother, and Charie
Heaton as Mark, an adventurous rebel who’s defies his assertive father. We feel
their relationship build and strengthen throughout their desires to find out
who they are, their struggles, and their achievements, as well as their shared
girlfriend Sarah, played marvelously by Amandla Stenberg. This is a tough film
to watch, because you know that tragedy is coming their way and each choice and
mistake them make may lead them to something may separate them for good.<br />
Some people may be a bit disappointed in the final conclusion, as it is not a
conventional Hollywood ending. Once the film lets you in on the secret of the
tragic event, the credits immediately hit the screen, not allowing an audience
to decompress what they just witnessed. This isn’t a graphic film, but its
heavy on emotion and may trigger certain people’s sensitive pallets.<br />
This is a strong debut film from writer and director Miles Joris-Peyrafitte,
who does use some strong story telling tactics, like a montage of time passing
shown from the outside of a house looking in through a window, or a continual
aerial shot when the two boys are making poor choices.</p><p class="MsoNormal">"As You Are" is a strong feature that may go unseen by the audiences this amazing piece of work deserves. </p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>The Incredible 2-Headed Transplant</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin237hy9Sqf_KlmpOSHOk6CuKAcgRB5fhCyaV4v15HqeNIigc7gphr114SrwexHYEM3pyKuOJ6G1PyF-Gddw0jqB78yrXXkwiBhLG9Mb6Z3ZSM7hlPOK5OzmZaJnCPbFGca9lif6OeszEgHJ1XUkeExKOscAcjy5IaHTgXDVEx4rd_Sic8EG9JDpEjLA/s1515/MV5BZWQwYWNiNjgtN2U4ZS00MzA4LTk0ZTktMjUyZGRiMWQ4ZDMxXkEyXkFqcGdeQXVyMTQ2MjQyNDc@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1515" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin237hy9Sqf_KlmpOSHOk6CuKAcgRB5fhCyaV4v15HqeNIigc7gphr114SrwexHYEM3pyKuOJ6G1PyF-Gddw0jqB78yrXXkwiBhLG9Mb6Z3ZSM7hlPOK5OzmZaJnCPbFGca9lif6OeszEgHJ1XUkeExKOscAcjy5IaHTgXDVEx4rd_Sic8EG9JDpEjLA/s320/MV5BZWQwYWNiNjgtN2U4ZS00MzA4LTk0ZTktMjUyZGRiMWQ4ZDMxXkEyXkFqcGdeQXVyMTQ2MjQyNDc@._V1_FMjpg_UX1000_.jpg" width="211" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">The "Citizen Kane" of transplanting the severed
head of serial rapist onto the shoulder of a mentally challenged strong
man movies.</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Rooftops</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin3W-uMwn9Ws0KTMNld3ItfnG8LweRWHVHOAHdr2wfkeEy7hSBEAhI4C9avnCAZh5fdpxlBjtGis7flGkc9BdZbrMslLUEjVLWw_66MJxzlPNMRmnk55NEKPk77pRR_t6etQxhPsASPneXDzGI8CKhtlj6te3rY2PYM87jHMDPyFh4bWdJnGgsUAJHEA/s640/MV5BZmZkYWYyZjQtZDdiYy00MTk0LTgyMWQtMzAyYjEwNTQ3ZjUxXkEyXkFqcGdeQXVyNjc1NTYyMjg@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="424" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin3W-uMwn9Ws0KTMNld3ItfnG8LweRWHVHOAHdr2wfkeEy7hSBEAhI4C9avnCAZh5fdpxlBjtGis7flGkc9BdZbrMslLUEjVLWw_66MJxzlPNMRmnk55NEKPk77pRR_t6etQxhPsASPneXDzGI8CKhtlj6te3rY2PYM87jHMDPyFh4bWdJnGgsUAJHEA/s320/MV5BZmZkYWYyZjQtZDdiYy00MTk0LTgyMWQtMzAyYjEwNTQ3ZjUxXkEyXkFqcGdeQXVyNjc1NTYyMjg@._V1_.jpg" width="212" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Strange attempt at redefining "Romeo & Juliet"
with two young adults from different lifestyles falling for each other despite
a world that would encourage them to stay on their own sides. This time instead
of two rivaling families, "Rooftops" takes on an economic stance
between being homeless and off the grid compared to someone who's not.<br />
Unfortunately, the film gets off the track it initially lays out, changing to a
battle between thugs and our protagonist trying to keep his surrogate home
living on the rooftops of abandoned buildings. Also the hero's sidekick,
Squeak, played by Alexis Cruz, who appears to be the comic relief, might be one
of the worst characters and performances to his theatres in 1989. The direction
given to the cast instructs them to laugh at Squeak's pathetic attempt to stand
out amongst the crowds and drop sad quips about every situation. It's annoying
and cringe worthy and so bad, this misstep is one of the most memorable items
of "Rooftops".<br />
The film does put a lot of effort introducing Capoeira, martial art that
combines elements of dance, acrobatics, and music, but fails to make it bled
with the plot and story, it works as a side note rather than a plot device.<br />
It does have some good music, the two main leads having some chemistry
together, and there are some really nice shots of the unbelievable world on
rooftops. But I can understand why this was a huge bomb in the box office in the 80s and
early 90s.<br />
It is tough to watch a film where potential is present but so many poor choices
over power the film's promise.</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>McBain</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5R9DzjwU94pq3kdWBx-2weaw3ubMFWR8Qv4ex-xe7Q3svVx6rmEyt75z-ZluW28eCgD_d5QZUCAycHYGCC8wanqOry4rchNxtYqccJzedY1MN7kGlJd1B0l3l3fW-cKVAZNAqOuXGKs4lRDR-f5fqXF1ohB-WzCKQMwAZqGNWoniFrqCiZN8vPJqNZQ/s699/mcbain-movie-poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="699" data-original-width="500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5R9DzjwU94pq3kdWBx-2weaw3ubMFWR8Qv4ex-xe7Q3svVx6rmEyt75z-ZluW28eCgD_d5QZUCAycHYGCC8wanqOry4rchNxtYqccJzedY1MN7kGlJd1B0l3l3fW-cKVAZNAqOuXGKs4lRDR-f5fqXF1ohB-WzCKQMwAZqGNWoniFrqCiZN8vPJqNZQ/s320/mcbain-movie-poster.jpg" width="229" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">As violent as an Italian exploitation flick,
"McBain" makes very little sense and has plenty of ridiculousness
scenes and actions that it should be classified as a comedy, rather than an
action.<br />
I am still trying to figure Christopher Walkens' strange accent. He plays, more
like stands in the spot, of the title character McCain, who's a Vietnam war vet
turned mercenary? Truth is, I am pretty hazy on the majority of this film. The
first 30 minutes is so incoherent I started wondering what film I was watching.
And after lot of bizarrely information-less expositions, the film suddenly
springs into violent mode, with McBain and his crew massacring a drug gang for
money, only to be lectured about drug dealer's life styles.<br />
The film then follows up with laugh out loud strange choices, like shooting a
pilot from one cockpit window into another one, nearly every action scene with
hundreds of extras laying out on the ground as dead bodies, and people
constantly talking about how McBain is so good at what he does, but there's no
indication about what he does to understand what we are suppose to be rooting
for. I am getting both frustrated and baffled again thinking about it. <br />
There's constant slaughtering of innocent villages, plenty of squibs, a tone of
explosions, people falling from towers after getting shot, people falling from
towers and getting hung, people falling from towers are they are blowing up,
and plenty of bombs that shoot up bodies into the air setting them on fire.
This is a film that will mow down soldiers with heavy machine gun fire killing
all the bad soldiers but not killing the prisoners amongst them. Just throw out
any knowledge of physics, common sense, and sense of reality, because this film
doesn't follow any of those.<br />
This film is so insane it is almost entertaining... almost.</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Out of Death</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr94_8cF5LEWLS_qap81d_It6FUu4oblnKja3L1nVJ2EYT_t4L7LOoC8UhEEYAOWYELlFLhg8vGCebjq695D_g2tm400FrgkxX8ryvwC9kUOK9NeeQ0Eb_7u4esRKl1ag0Llt-TlXWTbCbbIChV10eq8r70k8K64JkUZRUxJuEWjplkPaOoiL3enJlSQ/s1129/Out-of-Death-2021-movie-poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1129" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr94_8cF5LEWLS_qap81d_It6FUu4oblnKja3L1nVJ2EYT_t4L7LOoC8UhEEYAOWYELlFLhg8vGCebjq695D_g2tm400FrgkxX8ryvwC9kUOK9NeeQ0Eb_7u4esRKl1ag0Llt-TlXWTbCbbIChV10eq8r70k8K64JkUZRUxJuEWjplkPaOoiL3enJlSQ/s320/Out-of-Death-2021-movie-poster.jpg" width="227" /></a></b></div><b><br /><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Out of curiosity, I find myself checking in to films like
this just to see if Willis makes any effort.<br />
This one had a slight bit of visible effort. Knowing now his unfortunate medical condition makes all the new Willis films feel inappropriate. So it's kind of a relief to see him delivering something than just line reads. <br />
This script unfortunately is laughably terrible. There are no reasonable character choices
to be had here. <br />
If this was a script written by a "Bot" I wouldn't be surprised.</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Malone</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7zFtJdxigsJRGOTTD850Nt4u6hWcp27B47OMrVj3q6VoUBOXyGqebUkSyRf94lBeOjal8khg6fezBBOhjFbR66sfwUFYc7BP7hKRW3CFN1XdIhlNX8WPCihAAtA4Ny0SLPur0KPvaKTi-iLoW8QcOy4zdfiy0wvoM5tMCv5S86dDq8G2meL6vytkY6g/s1920/MV5BNWVlNDNlMWItOTk0Zi00MTk0LTg4YTItNDVjNDU1MDZjNjM3XkEyXkFqcGdeQXVyNzMzMjU5NDY@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1920" data-original-width="1122" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7zFtJdxigsJRGOTTD850Nt4u6hWcp27B47OMrVj3q6VoUBOXyGqebUkSyRf94lBeOjal8khg6fezBBOhjFbR66sfwUFYc7BP7hKRW3CFN1XdIhlNX8WPCihAAtA4Ny0SLPur0KPvaKTi-iLoW8QcOy4zdfiy0wvoM5tMCv5S86dDq8G2meL6vytkY6g/s320/MV5BNWVlNDNlMWItOTk0Zi00MTk0LTg4YTItNDVjNDU1MDZjNjM3XkEyXkFqcGdeQXVyNzMzMjU5NDY@._V1_.jpg" width="187" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">80s actioner just swimming in clichés and tropes but the
best kinds.<br />
A man with a special set of skills, decides to leave his employers only to
escape from his life of murdering. When his car breaks down in a small town, he
finds himself getting involved with the local bully land developer trying to
push the towns folk out of their homes. The more he stands up for those who
cannot stand up for themselves, the deeper he starts annoying a higher power
trying to rid the towns people to gain their properties.<br />
"Malone" offers nothing new and little to no surprises. The strength
of the film comes from Burt Reynold's charismatic strong silent type, as well
as the stunning setting of a small town in the midst of surrounding mountains.
The villains might be the most unique piece of writing in the whole film. They
are a group of radical Americans looking to gain strength in numbers to over
take the government (sound familiar). These country traders are so arrogant,
they believe that Malone's car breaking down was no accident because they are
so important and dangerous that the only thing that makes sense is an assassin
was hired to eliminate them. Their arrogance limits their grasp of reality,
which also gives Malone an upper hand. Suspense is built when the villains
start taking desperate cheap shots at Malone and the people around him.<br />
The film does show it's age with some clumsy editing in the action scenes.
There's also a couple of script writing missteps in logic, like when Malone
kills a villain with the same method the villain murdered someone earlier,
saying "How does it feel?" Yet, when the first murder happened, Malone was
no where in sight to see this villain perform this heinous act. This is a case
of the script allowing the characters to know the same information as the
audience. It's lazy writing.<br />
In the end, this is still a fine watch. Characters are likable, villains are
despicable, and the build up works well enough to have the audience forgetting
how big Reynold's hair is.</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Disconnect</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnsyvZiRW884D6j781j81EJl6WWeTcPAOEwk2nWL77PAJHWpkReLGV5P_m8E2DcZqL3wMatQPgerlVV2YyOkXY1qM6a_CdfK1IHVpDwKr_WWI22QuHebpv-wxkUakjGAevbw0BdNLvGHkgtVke08HSd8S3fUAm34NAbosvudUpLwzu8EOn01d6vNBy5A/s667/ec5826888a1c4f7bc8c14d0801421a4a62ce77c14866f7a7e6606f2823430975._UY500_UX667_RI_V_TTW_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="375" data-original-width="667" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnsyvZiRW884D6j781j81EJl6WWeTcPAOEwk2nWL77PAJHWpkReLGV5P_m8E2DcZqL3wMatQPgerlVV2YyOkXY1qM6a_CdfK1IHVpDwKr_WWI22QuHebpv-wxkUakjGAevbw0BdNLvGHkgtVke08HSd8S3fUAm34NAbosvudUpLwzu8EOn01d6vNBy5A/s320/ec5826888a1c4f7bc8c14d0801421a4a62ce77c14866f7a7e6606f2823430975._UY500_UX667_RI_V_TTW_.jpg" width="320" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Physics and common sense be damned.<br />
Daughter of a dead mom gets a time travelling phone that allows her to call the
past, and future, allowing her to call her mom and find out she was murdered.
But not before spending an afternoon making prank calls to the past.<br />
This is an embarrassing rip off of "Frequency" with Dennis Quaid and Jim Caviezel, without any of the
charm, suspense, and emotions. Instead we get some very amateur acting that
walks a fine line between bad improvisation and failed volunteer church play.
There are a few unintentional laughs but not nearly enough for this to be
worth recommending.</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>From Zero to I Love You</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFK5KLmX4IauFe9AGcs7Fmw4-gX8Q-p42gaeiOKfOotFehpQ8Zkbc5xEBxm6qpr-nMY91phZAV8S2hxMjUn_2mVm5y-pkF44zeva0s6Q9dOMNY6mFZVfxsKARnS5wn7dZdvaXM1H8uhpL5I6EkFFXSZY4MZJugc9UyNuymst9hZMZxgJDtK-apn3fY-w/s1500/kgDv49oeNSIUy8LH4KXudZ8H4Iy.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1061" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFK5KLmX4IauFe9AGcs7Fmw4-gX8Q-p42gaeiOKfOotFehpQ8Zkbc5xEBxm6qpr-nMY91phZAV8S2hxMjUn_2mVm5y-pkF44zeva0s6Q9dOMNY6mFZVfxsKARnS5wn7dZdvaXM1H8uhpL5I6EkFFXSZY4MZJugc9UyNuymst9hZMZxgJDtK-apn3fY-w/s320/kgDv49oeNSIUy8LH4KXudZ8H4Iy.jpg" width="226" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">Pretty dull romance that has an amateur quality, subpar
acting, generic camera shots, and script that feels aged as well as overly
written for such a simple and common plot.<br />
We have two gents who fall for each other when they first meet, spending a nice
night together. Unfortunately, one is still married and is still somewhat
denying his homosexuality, while the other finds himself in a relationship that
is not emotionally stimulating him. They attempt to go on with their lives,
meeting once and a while only to go back to their lives without each other.
This denial between both leads to complications in their lives forcing them to
deal with the truth.<br />
Regularly this type of film might try to convince the audience that when the
two lovers are together, life is better. Little tricks could be used, like
lightening up the screens, having the edits and transitions smoother and
softer, or even tweaking the music choices or score. We do get is plenty of
scenes showing them be imperfect and stressful to those around them. Both the
main leads give adequate performances, which does cause them to rise above most
of the over acting and awkward acting around them.<br />
The film even doubles down on removing any emotional connection to these two at
the end showing the two pricks choosing to purposely disappoint others with no
regard of hurting, inconveniencing, and disrespecting others in their lives. <br />
A romance film shouldn't have me rooting against the two protagonist's
relationship.<br />
When you don't feel any hope for the romance, the film comes off boring. And this is usually the kind of love story I fall for, yet when you offer two protagonists that are absolute self centered assholes, I just don't give a shit.</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Songbird</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0oz9ujYHQVR3eufHxQOljledYg8Tfxu6r_uNsZ7r-IHft7kqLVpNoLwNwFotEsTFl6GmBWPpUgfnZTtadXqTDt121oL2BuuZPLoFRh-ce7xMeT4WjMJWlEijruo9dr2uLoELc69tAGDkY3o9aVRFmQKlNaIvYkth1maygVQ_ju-iwhX5EwzZCYq2oUA/s1500/a99eb0201d178142a41ddefde547b42c.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1069" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0oz9ujYHQVR3eufHxQOljledYg8Tfxu6r_uNsZ7r-IHft7kqLVpNoLwNwFotEsTFl6GmBWPpUgfnZTtadXqTDt121oL2BuuZPLoFRh-ce7xMeT4WjMJWlEijruo9dr2uLoELc69tAGDkY3o9aVRFmQKlNaIvYkth1maygVQ_ju-iwhX5EwzZCYq2oUA/s320/a99eb0201d178142a41ddefde547b42c.jpg" width="228" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Outbreak film becomes more obviously out of touch after
we've been living through a real life pandemic. Lacking characters to care for,
situations that are relatable, and playing with multiple pacing issues, and
awkward changes in tones, "Songbird" is a tough watch to endure
through to the ending.<br />
Luckily it is easily forgettable.</p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>The Seed</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9wyqfvPNwC8WRyq1yB0mRgDkJaGQc0vhs6aR59iIvR0zG_8LQvAnUOGtlR7ObSG71ghm3Bqadmvy3cOzvuxeS0eR7il1Vy5l2kbj2TAl6Um-VFyM6s-85JwwCWXOzYR8V5z2N2q9eFenAOTFIUFtZDtX2coOP5bxUvfg0XOI1I7a7D8A_xO_cMuGnTA/s3543/MV5BYjM1NjZiNzAtZDJlZC00ZTUzLTllOGYtZGYxZDI2ZjMyMjk1XkEyXkFqcGdeQXVyNTIyMjU5NQ@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3543" data-original-width="2426" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9wyqfvPNwC8WRyq1yB0mRgDkJaGQc0vhs6aR59iIvR0zG_8LQvAnUOGtlR7ObSG71ghm3Bqadmvy3cOzvuxeS0eR7il1Vy5l2kbj2TAl6Um-VFyM6s-85JwwCWXOzYR8V5z2N2q9eFenAOTFIUFtZDtX2coOP5bxUvfg0XOI1I7a7D8A_xO_cMuGnTA/s320/MV5BYjM1NjZiNzAtZDJlZC00ZTUzLTllOGYtZGYxZDI2ZjMyMjk1XkEyXkFqcGdeQXVyNTIyMjU5NQ@@._V1_.jpg" width="219" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">Alien insemination b-flick disguised as a cosmic horror.
“The Seed” starts off like a satire, poking fun at some ditsy California
wannabe models but drops any forms of caricature in the second half when the
horror takes center stage.<br />
One of the most off putting thing about “The Seed” despite the bad dialogue,
aggressively unfunny comedy (nerd with phony zits is supposedly funny), and the
attempt to be original by retreading familiar grounds, is the color grading.
Good lord. Someone has an eye for ugly. The colors are so over saturated I
started getting a head ache watching this unmemorable piece of cheap
exploitation. If the artificial color scheme was suppose to represent the phoniness of our main characters, it could have at the least toned it down when the film wanted us to care for the leads. But I am giving the choice more credit than it deserves. This is just a result of poor filming. <br />"The Seed" feels long, it is uninteresting, and not weird or unique enough to make
an impression.</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">A Ghost Waits</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtz9th39PRJd8lAOgS7tGFD-TCB8cWpYP4rRyquZ6g5eAJ1WOsQ8z17pl-d9LpBLpmU4t2cAfcYMXyDbQmxrqwR3DGhFZEET4VvzGoYJKoMizkStXVUknb-1847HTiLQ9bMto95HNgxv_dpGkz63e7rvJefZN_XVbGupxFVFYSfpKyVlAZCb8rfYu_XQ/s1500/81G+30715RL._SL1500_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1202" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtz9th39PRJd8lAOgS7tGFD-TCB8cWpYP4rRyquZ6g5eAJ1WOsQ8z17pl-d9LpBLpmU4t2cAfcYMXyDbQmxrqwR3DGhFZEET4VvzGoYJKoMizkStXVUknb-1847HTiLQ9bMto95HNgxv_dpGkz63e7rvJefZN_XVbGupxFVFYSfpKyVlAZCb8rfYu_XQ/s320/81G+30715RL._SL1500_.jpg" width="256" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">This is the kind of independent film I adore. While the plot
synopsis may sound somewhat familiar grounds, the execution and vision is fresh
and fun. From start to finish the film offers plenty of witty and clever
laughs, while building up the charm of its gimmick as well as the characters
involved.<br />
Quick, clever, and even emotionally satisfying, “A Ghost Waits” is delightful
horror parody that proves limited budget, locations, and simple practical
effects still can deliver great entertaining.</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Hero and the Terror</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie9DYZtOAxhMia98b-IHBI92Mm_Yabt9pULCYtg4D3gGTlY-cXzcevQ6oqT0SdZa4XzCd4Sxow4zi_TxWtuMw-xeKGUP6LHLBUbTyNSMhQN2N4Yo3tJ0Eyk6a4XuFWjT5jcXct1oF7d0Sq3O9vaiD-ldMWGZUwFo4LvoNn41rDan1BoMvFF2unyamiHQ/s1567/MV5BMmE3ZmU5NzYtZDM1Ni00MTY1LWJmMmUtZmNmZDdjYmM5OWYyXkEyXkFqcGdeQXVyNjMwMjk0MTQ@._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1567" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEie9DYZtOAxhMia98b-IHBI92Mm_Yabt9pULCYtg4D3gGTlY-cXzcevQ6oqT0SdZa4XzCd4Sxow4zi_TxWtuMw-xeKGUP6LHLBUbTyNSMhQN2N4Yo3tJ0Eyk6a4XuFWjT5jcXct1oF7d0Sq3O9vaiD-ldMWGZUwFo4LvoNn41rDan1BoMvFF2unyamiHQ/s320/MV5BMmE3ZmU5NzYtZDM1Ni00MTY1LWJmMmUtZmNmZDdjYmM5OWYyXkEyXkFqcGdeQXVyNjMwMjk0MTQ@._V1_FMjpg_UX1000_.jpg" width="204" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">What a strange film.<br />
Chuck Norris plays a cop who lives with a bit of fear after nearly being killed
by a serial killer known as "The Terror", that he takes down. This
affects his sleep and a bit of post traumatic stress disorder. That's right,
Chuck Norris is playing someone who feels fear!<br />
When the powerful psychotic, Simon Moon, AKA "The Terror" escapes
from his prison, this causes more stress to Norris who's expecting a baby. The
film drops a couple disconnected actions sequences with Norris taking out drug
dealers and purse snatchers, all the time he's trying to romance his pregnant girlfriend
who's overdue and experiences some midlife crisis on top of mood changes caused by the pregnancy. <br />
It feels like two completely different films mashed together, especially during
the clumsy birth scene that has Norris playing the comically awkward panicky
husband who's overwhelmed by the coming of his child, mixed with his cop buddy
being brutalized by "The Terror" at another location. This film splices bad sitcom comedy with depressing violence and expects either one to still work. <br />
One of the most off-putting sequences has Norris plus other police and
political figures upset to find out that the women murdered were not raped,
because if they were not raped then it probably means that "The
Terror" is out and murdering again. Are they insinuating that all regular
murderers rape their victims? And if so, is "The Terror" method of
murdering much more horrifying? What the hell Chuck?<br />
This is an absolute tonal mess. However, despite some gross script choices, the
film delivers a ton of unintentional laughs. Almost every scene Norris is
trying to be romantic and charming are so cringe worthy and out of place, that
they made me laugh each time. And lets get this straight... I was not laughing with Chuck. <br />
Worth experiencing once, despite being terrible at so many levels.</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">You Won’t be Alone</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio9LtK8mk6fhQIvlw8f2lq1jw8sPHSbFsX0WHtKRu4zIwPz5NgsWJN5xjyqAGOD5kg8i5wdB4HgvGfmtIN5A9xRBXerhekG3zNQ0SBNE4sC9p1o_prQfqaN7GDijsVuyI_ylquvxZmvsU-2yvqFAyIPJ592FYckSv7Q3scNDI1k4hrcZw5L3wr2Xei8g/s1600/MV5BMmU2MDkyZWMtYjJmNi00YjE1LWIzODctZjNjZmY0OGMzNzQzXkEyXkFqcGdeQXVyMDM2NDM2MQ@@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio9LtK8mk6fhQIvlw8f2lq1jw8sPHSbFsX0WHtKRu4zIwPz5NgsWJN5xjyqAGOD5kg8i5wdB4HgvGfmtIN5A9xRBXerhekG3zNQ0SBNE4sC9p1o_prQfqaN7GDijsVuyI_ylquvxZmvsU-2yvqFAyIPJ592FYckSv7Q3scNDI1k4hrcZw5L3wr2Xei8g/s320/MV5BMmU2MDkyZWMtYjJmNi00YjE1LWIzODctZjNjZmY0OGMzNzQzXkEyXkFqcGdeQXVyMDM2NDM2MQ@@._V1_.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Deeply profound and emotionally complex folk horror is a
stunning piece of existentialism.<br />
The film follows the multiple shells of a shape shifting witch, who analyzes
and experiences the many levels of humanity as she hops from multiple sexes,
ages, and even beings. Deprived of a childhood, incapable of speech, and
sterile, she experiences multiple ordeals most humans take for granted or
become accustomed to taking for granted, as well as being overwhelmed by. The
film explores struggles of power, sexuality, youth, aged, religion, fear,
jealousy, motherhood, death and loss, just to name a few. Filmed in 4:3 ratio,
the tight screen reflects our protagonists inability to see the whole picture,
narrowing down her perspective, as well as her focus.<br />
The absolutely stunning cinematography, the somber tones and atmosphere of
dread always looming over every incident that she takes in, chilling
performances, haunting musical score, and the calculated growth of our cursed
narrator makes this a cerebral experience worth returning to. This is masterful
work of theatrical art. But that being said, it's a work of profound art and not cheap jump scare horror thrills for average audiences. Even through this is one of the best cinematic experiences I have had in 2022, I wouldn't dare recommend this to someone who thinks "The Fast and Furious" series have depth. </p><p class="MsoNormal">Upon writing my review on Letterbx, I have already had two self proclaimed "movie fans" write me complaining that the film "wasn't scary enough" and didn't have "a satisfying villain" (Sigh). This film is my 2022 litmus test movie to find out who understands the different between cinema film and a simple pop-corn movie. Every year, we get films that out people for not being able to read a film beyond the simplest linear plot. And "You Won't Be Alone" is one of those films. Keeping that in mind, it is still not for the faint of heart and easily offended. This is a brutally honest depiction of an era when quality of human life was not civilized. </p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Insight</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgblvLGOUJSC2a7hueqnN9CuZer-r6bQxw4DfBqpDtiDbgCAwuRjTcNOFdWH5z_n65zznGGz_B4Wlro22qWoCdTz-A785LfcBcCq3ald4Wc5CQRp9Dz7xHG_q33rRk2v6AnE49KR1dvD-U9MnO5XJwL6Wt0eEJcR19KNrZwpDUPXrSqACBzySo7pU-oqw/s3000/MV5BMWI1OWY3MzItNTEyNi00OTRkLTk1ZmYtMmZmM2FiNzg4ZGNlXkEyXkFqcGdeQXVyNTcxMTU0MjA@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="2000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgblvLGOUJSC2a7hueqnN9CuZer-r6bQxw4DfBqpDtiDbgCAwuRjTcNOFdWH5z_n65zznGGz_B4Wlro22qWoCdTz-A785LfcBcCq3ald4Wc5CQRp9Dz7xHG_q33rRk2v6AnE49KR1dvD-U9MnO5XJwL6Wt0eEJcR19KNrZwpDUPXrSqACBzySo7pU-oqw/s320/MV5BMWI1OWY3MzItNTEyNi00OTRkLTk1ZmYtMmZmM2FiNzg4ZGNlXkEyXkFqcGdeQXVyNTcxMTU0MjA@._V1_.jpg" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 7.5pt; vertical-align: baseline;"><span style="font-family: "inherit","serif"; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">I spent the whole film watching Ken Zheng and thinking, "Ahhh.
That's so cute. He thinks he's an action hero."<br />
Action scenes are somewhat ambitious but display a lack of coordination and
physicality in our little protagonist. The fights sequences appeal more
authentic in the "3 Ninjas" trilogy.<br />
The story is bland, the acting is a mix of over acting or bad choices, like the
tough female cop losing her badge and appearing like she was dumped by her
lover. Or the acting is stale, with no character development to have the actors
work with anything.<br />
This is a film you would expect from an ambitious junior high schooler. It's
kind of cute but it also still needs time for growth.<o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 7.5pt; vertical-align: baseline;"><span style="font-family: "inherit","serif"; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><o:p> </o:p></span></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 7.5pt; text-align: center; vertical-align: baseline;"><span style="font-family: "inherit","serif"; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><b><span style="font-size: large;">The Girl in Cabin 13</span></b><o:p></o:p></span></p><p class="MsoNormal" style="line-height: normal; margin-bottom: 7.5pt; text-align: center; vertical-align: baseline;"><span style="font-family: "inherit","serif"; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><b></b></span></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3_L5VS4n81XYyw_rdTIpyEeBgKsljTupaqJwkXbKsb9cyaxvBAklzEEQLbEJY348GJHJ2eT8zHYK4UIUfyEaQUGiYTTaQZa7AIxkf6ebOphJsBnN0P3_lhbgoYfBS8bdF326LpT8md_21mm6b7YZXbw3uz81Hu_37tdI3k_17V8iGzOyz2FZ_mTjD8g/s1600/MV5BMzhlMzkxZDktMzJhMy00NmQyLWFiODctMzFlZTExOTA5MTdjXkEyXkFqcGdeQXVyNzk0NjYxNDY@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3_L5VS4n81XYyw_rdTIpyEeBgKsljTupaqJwkXbKsb9cyaxvBAklzEEQLbEJY348GJHJ2eT8zHYK4UIUfyEaQUGiYTTaQZa7AIxkf6ebOphJsBnN0P3_lhbgoYfBS8bdF326LpT8md_21mm6b7YZXbw3uz81Hu_37tdI3k_17V8iGzOyz2FZ_mTjD8g/s320/MV5BMzhlMzkxZDktMzJhMy00NmQyLWFiODctMzFlZTExOTA5MTdjXkEyXkFqcGdeQXVyNzk0NjYxNDY@._V1_.jpg" width="240" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal" style="line-height: normal; margin-bottom: 7.5pt; vertical-align: baseline;"><span style="font-family: "inherit","serif"; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;">If you are looking for "The Strangers" but thought the acting
needed to feel amateur, the dialogue resemble unintelligent bitter teens, and
have protagonists that make embarrassingly moronic choices... you are
in luck.<o:p></o:p></span></p><p class="MsoNormal" style="line-height: normal; margin-bottom: 7.5pt; text-align: center; vertical-align: baseline;"><span style="font-family: "inherit","serif"; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><b><span style="font-size: large;">Crow Valley</span></b></span></p><p class="MsoNormal" style="line-height: normal; margin-bottom: 7.5pt; text-align: center; vertical-align: baseline;"><span style="font-family: "inherit","serif"; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-CA;"><b></b></span></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirXgox3m1AL8ScOERNSsGv4cB6-P8dsFiKDFudsUuOxshUKjtrJ3F8sMjO43sVliHCd0VLuce8bIneFoSGGERdiinLDDFFEnDLxm7vITaXFfhg6-j-wiWyQ1moWh1R26f4IyW7hbz8qT5gtceYBn55lDybD2F_tTr6J6MVBfgibgm8hG8qJ5GuX6v8Vg/s1024/Crow_Valley-285360727-large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="725" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirXgox3m1AL8ScOERNSsGv4cB6-P8dsFiKDFudsUuOxshUKjtrJ3F8sMjO43sVliHCd0VLuce8bIneFoSGGERdiinLDDFFEnDLxm7vITaXFfhg6-j-wiWyQ1moWh1R26f4IyW7hbz8qT5gtceYBn55lDybD2F_tTr6J6MVBfgibgm8hG8qJ5GuX6v8Vg/s320/Crow_Valley-285360727-large.jpg" width="227" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">"Misery" ripoff from someone who doesn't
understand why Stephen King's story and movie adaptation works.<br />
Even if you had not seen the immaculately better "Misery" this is
still a waste of time, with bad acting, poor script writing, and amateur
filming. Cheap on all levels... and not in a fun ironic way.</p><p class="MsoNormal" style="line-height: normal; margin-bottom: 7.5pt; vertical-align: baseline;"><br /></p><div style="text-align: center;"><b><span style="font-size: large;">Counterforce</span></b></div><div style="text-align: center;"><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRwbrvDBfijW1L7IBUobYe55z83gAnCQtEV5nN_8JgtNV72hhvRC8H-XyW-h9hec8AbiZ0lmTjuCZ6_Y36Opx3AUPvc8pE_8wWSPGAlAdJM78I6E6HOeAq5AeG_CNsWYneHSkq-73IRLCPPUsqio3myGbN74DyGqvflNQ7RbDCVg-VP3z2B56zECUcHg/s750/jRp0Zb2UJh7Gf8xMR30TCw9fzkP.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="750" data-original-width="500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRwbrvDBfijW1L7IBUobYe55z83gAnCQtEV5nN_8JgtNV72hhvRC8H-XyW-h9hec8AbiZ0lmTjuCZ6_Y36Opx3AUPvc8pE_8wWSPGAlAdJM78I6E6HOeAq5AeG_CNsWYneHSkq-73IRLCPPUsqio3myGbN74DyGqvflNQ7RbDCVg-VP3z2B56zECUcHg/s320/jRp0Zb2UJh7Gf8xMR30TCw9fzkP.jpg" width="213" /></a></div><span style="font-size: large;"><br /></span></b></div><p></p><div><p class="MsoNormal">Michael Rooker and Robert Patrick, in an action film about corrupt
cops... count me in.<br />
“Rogue Force” starts off alright, with Rooker planning an FBI agent who
specializes in investigating and hunting down crooked cops. He’s following patterns
that make him believe that there will be a massive break down of violence. His
character is interesting; he’s confident, calculated and maybe a bit unhinged.
Robert Patrick also gives a fine performance... however as I was watching I
became aware of something awfully annoying... Does everyone have their walkie
talkies on full volume all the time? There is not a moment in this film that is
not bombarded with artificial noises in the background and it’s primarily
walkie talkie talk that is not connected to the main scene.<br />
And then I started to realize how terribly boring the action scenes are. Both
major action sequences are the have the same structure. Cops are pinned down
and in run our one female cop to the rescue. No change in the action scene
structure, which appears to be copy and paste for the script.<br />
The action scenes should be the highlight here, with the film putting plenty of
emphasis on training, yet camera work and choreography is as dull as can be.
There’s a blurb at the end explaining how the film had special help from actual
police trainers, so I have no doubt they probably have realistic techniques but
this doesn’t equal entertainment.<br />
The film also ends abruptly, showing that even the filmmakers didn’t care to
complete this with any elegance or class. I can understand why this is not a
household name.</p><br /></div><div style="text-align: center;"><b><span style="font-size: large;">Ravage</span></b></div><div style="text-align: center;"><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihPmzBbFqe_ttfDHLx-L9wR6GYIU25He0moSFBj_4cq16KSKydkM_mzr1C1yVBqo_BweRn5ZxE8TgREI-S7hapZl9Skyjj1M01oeIYqABgHswmgooX07EvsbnXvCfWkwYDl-UTKJZke37tgAs-nOe1_EXjOgPVREks6eWHmyoHWLby_YrP9f_w5xrNhQ/s2838/MV5BOTZmMTM4MmMtOTgzOC00ZjRmLWIyMDUtNzZhNzYyMGRiNmU0XkEyXkFqcGdeQXVyNjEwNTIzMzA@._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2838" data-original-width="1916" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihPmzBbFqe_ttfDHLx-L9wR6GYIU25He0moSFBj_4cq16KSKydkM_mzr1C1yVBqo_BweRn5ZxE8TgREI-S7hapZl9Skyjj1M01oeIYqABgHswmgooX07EvsbnXvCfWkwYDl-UTKJZke37tgAs-nOe1_EXjOgPVREks6eWHmyoHWLby_YrP9f_w5xrNhQ/s320/MV5BOTZmMTM4MmMtOTgzOC00ZjRmLWIyMDUtNzZhNzYyMGRiNmU0XkEyXkFqcGdeQXVyNjEwNTIzMzA@._V1_.jpg" width="216" /></a></div><span style="font-size: large;"><br /></span></b></div><div><p class="MsoNormal">Confusing exploitation film that cuts from the exploitative
violence but only after setting it up.<br />
The story is about a lady who witnesses savage murder and captures the event on
camera, only to be captured by the sadistic maniac responsible. She escapes and
engages in some cat and mouse chases, forcing her to become as brutal as her
assailants.<br />
What is bizarre is that the film takes time setting up our protagonist's traps
and plans of attacks, putting emphasis on setting up the results of these
actions. However the film cuts from showing any of the violence that it puts so
much effort building to. The script also leads to an absolutely repulsive
finishing climax, that in retrospect didn't make biological sense to me, but
this an exploitation film and the line between reality and imagination can
forgivably be crossed when the exaggeration is meant for entertainment.<br />
What I can applaud this film for is some of the ambitious set pieces and action
pieces. The film has the usual stealth attacks but also has action scenes
consisting of hanging out of moving vehicles and a trapeze style escape from an
enormous barn. There's plenty of variations to this usual subgenre and the film
speeds through it's short runtime. However it still comes off feeling like it's
holding back it's strongest cards.<br />
For fans of survival horrors.</p><p class="MsoNormal"><br /></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Finding Love in Mountain View</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi__KViafgfwEwYG5_gba6uwUkxu5GlYNn9xLcR5H6jn9nXWxiUQohe3Bn7xRJsH5KdXNtc0CfrJEng3Mqm5HraXv4GgW9KYJW0A-gnsReWTY0G1twrQjGnzGGTuEyn5IRNbEnRF-KR4nV2FWrfOoTtQ3FIHRCUSpW29JfGur7xNC4G7TpYEcwmUOyFLQ/s960/finding-love-in-mountain-view-147016.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="660" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi__KViafgfwEwYG5_gba6uwUkxu5GlYNn9xLcR5H6jn9nXWxiUQohe3Bn7xRJsH5KdXNtc0CfrJEng3Mqm5HraXv4GgW9KYJW0A-gnsReWTY0G1twrQjGnzGGTuEyn5IRNbEnRF-KR4nV2FWrfOoTtQ3FIHRCUSpW29JfGur7xNC4G7TpYEcwmUOyFLQ/s320/finding-love-in-mountain-view-147016.jpg" width="220" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">I believe I have seen three Hallmark Christmas Movies with
the exact same storyline. This is just too innocent and positive to match a
storyline about children losing their parents and being subjected to a new
guardian who's got to get her life together and figured out before she marries
her out of touch boyfriend, while she's falling for a more handsome single man,
who's a perfect fit for a surrogate father for this new orphaned kids. It is
missing realistic human conditions and reliability to the subject matter.<br />
Like a cheap, the sentimentality and absence of suspense and/or challenge to
this film's characters makes this too artificial and sweet to extract any
authentic emotions. It's pretty void of realism.<br />
If you can ignore how dumb this film thinks its audiences are, then it's
fairly inoffensive. Otherwise it's shamelessly dispensable.</p><p class="MsoNormal">Curse you HALLMARK!!!</p><p class="MsoNormal"><br /></p><p class="MsoNormal"><br /></p><p class="MsoNormal">And there we have it. A good sample of the strange mix of films I have endured this year. (sigh) I am sure more will come in the near future. </p><p class="MsoNormal">JP Fournier</p><p class="MsoNormal"><br /></p><p class="MsoNormal"><br /></p><br /></div>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-37613954387892861922022-02-13T14:24:00.000-08:002022-02-13T14:24:12.696-08:00Valentine's Day Movies 2022 <p> This Valentine’s Day, my ex-girlfriend, Kate, and I will be
getting together to share what we both love the most. I shall be providing a film
(or two) for us to watch together, as I love watching movies and showing great
films to friends, loved ones, and well practically anyone really. Kate in
return wants to cook us up a spectacular meal, as she loves trying out new recipes
and sharing her experiments with people. I am certainly getting better deal in
this exchange, as she’s an incredibly talented chef, whereas I won’t have to
work hard on making a movie but get to apply something that someone else has
made. The most I must do, as far as work, is pick a film. But if you are a serious cinephile, like me,
this pick can be still be a huge endeavor.</p><p class="MsoNormal"><o:p></o:p></p>
<p class="MsoNormal">For those who don’t know me, picking the right film for the
right person is something I take pride in. I even created a popular, 10 year
run, podcast based on picking films to stir up people’s passions, often
negatively for entertainment’s sake. For Kate, a person who’s often announced
her disinterest in movies/film, the choice should be good enough to work
against years of disliking movies. She’s a hands-on person that loves crafts, a
fan of crime podcast, but mostly she’s a book worm that enjoys a good romance
yet doesn’t care much for the common Hallmark style of fantasy romance. Her
dislike of corny, sappy, and ultra melodramatic romances might not surprising anyone
who knows her, the workaholic single mother who juggles three jobs as well as raise
two boys, that shows a stern, stoic, and tough exterior. Yet, despite her
disapproval for the Harlequin romance types, how we met might be considered
perfect for a lighthearted romcom script. <o:p></o:p></p>
<p class="MsoNormal">If I were to tell our story, I would have to start from a cold
morning in November of 2020, in a Save On groceries store. <span style="mso-spacerun: yes;"> </span>As I was picking up my usual items, minding my
own business and being respectful of other people’s distance, I kept feeling that
odd feeling that someone was intensely staring at me. And as I turned to see
who this might be, I saw Kate, head tilted to the side trying to get a better
view of my face. Both of us were masked, yet the two of us did recognize each
other eyes and for a few seconds, those seconds that your brain slows down to
savor a moment, we stood looking at each other. She broke our silent, perhaps
awkward, staring contest and asked, “I’m sorry to ask this… but do I know you?”
I admitted that I was going to ask the same thing, and the two of us lowered
our masks to show our full faces. Neither of us could make the connection but
felt that more certain that we had seen each other before. We finished our
shopping together, asking each other questions trying to find out where we
might have seen each other before. Not able to make the connection, we said our
farewells and went back to our day’s chores. I went a few blocks over to my
barber and got a haircut and she went to pick up a package that was awaiting
her to a near by post office. After my haircut I went to one of my favorite
coffee shops and ordered a latte for my walk home. Not paying too much attention
to my surroundings, I felt that strange feeling like I was someone was
intensely staring at me. And as I turned to go wait for my coffee, I saw Kate,
head tilted to the side trying to get a better view of my face. “I’m sorry to ask
this… but do you have a twin?” <o:p></o:p></p>
<p class="MsoNormal">I told her “Yes. And he needs a haircut badly.” <o:p></o:p></p>
<p class="MsoNormal">“Oh. Then you must be the twin that needs to lose weight?” I
laughed immediately but she stepped back shocked at herself. “Oh my god! That
was so rude. I cannot believe I said that. I am so sorry. I was trying to be
funny.” Which only made me laugh more. I ended up walking her back to her place
as we talked further about our desire to both eat healthier and exercise more,
a conversation inspired by her comment about me losing weight. She explained
that her favorite thing was to get up early in the morning and jog while
listening to a podcast. And as we reached her place and I was saying my farewell,
she asked if I would like to go for a walk on that weekend. I asked if she didn’t
mind this non-jogger interrupting her routine run while podcast listening. And
her response was simply, “You have comforting eyes.” <o:p></o:p></p>
<p class="MsoNormal">We met that following Saturday morning and found ourselves
meeting up the next Sunday morning too. It was on the second Saturday, that she
remembered where she had recognized me. It had been snowing that week and was
snowing still that morning. We both, against our physical desires to stay in
doors still met up. And as we had to step over a mound of snow to cross a
street, I extended my arm to help give her balance. It was just gesture that
brought back a past memory. <o:p></o:p></p>
<p class="MsoNormal">“This might sound like a weird question.” She removed her scarf
to show me her face. “Did you ever perform stand up comedy in Regina?” And as I
looked at her smiling face, I immediately recalled how we recognized each other.
<o:p></o:p></p>
<p class="MsoNormal"><i>It might have been 15 or 16 years ago; I was performing in
Regina during their gay pride week. Our Yuk Yuks show had a decent size crowd,
but many people were taking in the festivities all around the city. In the
crowd was a university ex-girlfriend named Angie. Angie brought her current
husband, he brought his friend, and his friend brought his wife… Kate. After the
show, I was asked to join Angie at her table as she bitterly explained to her
husband how I broke up with her in an elaborate story that depicted me as a
villain. Her husband and his friend couldn’t have been less interested in her
victim performance, as they were both, like Ang, too drunk to engage in any
sincere dialogues. Kate, their designated driver, was not only unimpressed by
their behaviors but was paying for all their bills trying to put an end to
their night. When she stepped out to go to the washroom, I too left the table
looking for some escape from the any further embarrassment, the three drunks snatched
Kates, purse, jacket, and keys, stepped out and drove off leaving her on her
own. <span style="mso-spacerun: yes;"> </span>I spotted Kate returning to her
table and realizing she was abandoned. I could see the frustration, the shame,
and the sadness hit her. I went back to her asking if she was ok. She explained
that she suspected the three went to the casino, as they usually did when they got
drunk together, and because they were threatening her that they could go without
her being a party pooper. “Usually when this happens, I just end up walking
home and worrying that they don’t get arrested or in an accident. But tonight…”
and she pointed to the outside, “it’s raining, and they took my jacket.” <span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span>I was
in no financial state to be dishing out money for her to get a taxi, being a
Canadian amateur comic, so I asked if I could walk her home. The bar offered me
an umbrella and the two of went out to endure the rain. </i><o:p></o:p></p>
<p class="MsoNormal"><i>The walk may have only been about 15 or 20 minutes, but it
was long enough for both of us to share stories about how Angie was not a good person.
Kate explained that she had a babysitter that night and she had been looking
forward to a night out all week, as that was very uncommon in their lives,
which made this night even more poignant to her. I told her a couple of anecdotes
about embarrassing experiences I have had in front of crowds hoping to help her
feel better about her predicament as well as put a smile back on her face. The
umbrella we were borrowing wasn’t terribly big, so I made sure to hold it over
her. While she appreciated my efforts, she locked arms with me to allow me to
stay close enough to keep me somewhat dry too. I remember Kate commenting on us
resembling an elderly couple, that look like they are holding each other
because they love each other but were more likely using each other as crutches
trying not to fall. She didn’t know if she felt their leaning on each other for
support was cute, poetic, or sad because it is just their age wearing them out.</i>
And it was my gesture of extending my arm out for her that triggered Kate’s memory
of us walking in the rain hunching together like an old couple. <span style="mso-spacerun: yes;"> </span><o:p></o:p></p>
<p class="MsoNormal"><i>When we reached her place, I stayed with her as she knocked
at her own door hoping that their babysitter was not asleep. She thanked me for
the walk home. I told her I wished I knew how to picklocks. And as my memory
recalls, there was a few seconds of silence, those seconds that your brain
slows down to savor a moment, as we stood looking at each other drenched in
rain. I remember thinking, “I wish she wasn’t married.” If this were a movie,
this would be the moment when the two of us leaned into each other and kissed.
And if this was a Hallmark movie, this would be the moment when we leaned into
each other, nearly kissed before being interrupted by some outside interference.
And perhaps this is meant for a Hallmark film because it was at that moment
when Kate’s babysitter answered the door. </i><span style="mso-spacerun: yes;"> </span><o:p></o:p></p>
<p class="MsoNormal">I told Kate that I remembered our walk together. She told me
how Angie is still an awful person, although she does do her best to avoid communicating
with her. And we laughed. Then before I could drop some witty rebuttal about
how lucky I am she didn’t add me to Facebook, we fell into a few seconds of
silence, those seconds that your brain slows down to savor a moment, as we stood
looking at each other with our cheeks getting rosy in the cool snowy weather.
Then Kate kissed me. And for the rest of that day… well… let’s just say Kate
and I were not concerned about Covid restrictions. <o:p></o:p></p>
<p class="MsoNormal">That following month was nice. Because of her schedule, we
could only see each other on weekend mornings. We did our best to see each other,
often spending time chatting on the phone about what we could do the next time
we met. I even told people that I was dating someone, which is completely out
of character for me as I prefer my private life to be… well… private. I got to meet
her youngest boy who came over and played VR games with me, and seeing her son
have so much fun, Kate changed her mind on the value of video games. I also got
to show Kate a couple movies that changed her mind on the quality time spent
watching a film. She taught me a few tricks on eating healthier and educated
and possibly scarred me with stories of the crimes that have been reported throughout
Canada. We spent New Years eve together, as we watched the illegal fireworks
display from my apartment’s balcony view, believing that the following year would
be remarkable. <span style="mso-spacerun: yes;"> </span><o:p></o:p></p>
<p class="MsoNormal">But if we are comparing our story to a romantic film, our story
continued passed the end credits. As the months of January and February came
into play, the two of us started becoming less interested in hanging out and
sharing ourselves with one and other. This wasn’t a case where either of us disliked
each other, we just were realizing we were not meant to be each other’s true love.
In the month of January, I found myself longing to sleep in the mornings. If we
did meet up for a walk, she would often begin an hour earlier to get a run in,
meet for about 10/15 minutes, then get back to her run and podcast. Our phone
conversations became shorter and less frequent. Kate even started encouraging a
fellow friend of mine to ask me out on dates, as she felt I would be better
with Alana instead (that might be another story for another time). And as I
have explained how we met, how we connected, and how we fell for each other, at
no point have we ever lost any respect or admiration for each other, we just started
feeling differently about each other. Some may explain it as growing apart, yet
we see it as growing a better understanding our each other and our relationship.
<span style="mso-spacerun: yes;"> </span><o:p></o:p></p>
<p class="MsoNormal">In the Hollywood romances, it is insinuated that the couple
that defeats all odds within the conflict of the film, will remain together forever.
And that there’s no other kind of relationship that is worthy struggling for
other than that of true love. Very rarely (I can count the times I am aware of
on one hand) a romantic film will tell the story of a romance that became something
stronger, a friendship. Oddly enough, a good friendship is not considered a
strong pusher of movie ticket sales. The selling of a romantic relationships,
true love, and even marriage is so dominant in television, movies, and novels
that even as I write about Kate and I being better friends than lovers, some
readers will be telling themselves that I am either in denial, I am missing
reading our relationship, or that it will turn around on us again and we’ll be
aware that we are true lovers all along. We know now we were more in love with
the story of us being lovers than we were interested in us being lovers. <o:p></o:p></p>
<p class="MsoNormal">So that being said, the question still remains; what film do
I pick to watch with Kate on Valentine’s Day? <o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Here’s a few that I took a gander at in 2022. <o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The Killing of Two Lovers</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhY58K9eoALdvsWw9CxfVJRBk1biC-ET1piMZCj5y_bIDD2UxgtMSsP4a1_GKdjPN59x6TuFkRSs_XehKvFryVly5kI1uUIRV88Vi8qAeLSlaKVF5RdTnrB9lR4aojQ9-OOQvEghfllHlBFzE3jTmm8NsJDvcvckyA7jFzk0tBXmZw651sUQ9Jh7p0Qhg=s1600" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEhY58K9eoALdvsWw9CxfVJRBk1biC-ET1piMZCj5y_bIDD2UxgtMSsP4a1_GKdjPN59x6TuFkRSs_XehKvFryVly5kI1uUIRV88Vi8qAeLSlaKVF5RdTnrB9lR4aojQ9-OOQvEghfllHlBFzE3jTmm8NsJDvcvckyA7jFzk0tBXmZw651sUQ9Jh7p0Qhg=s320" width="240" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">If you are looking for a serious drama, analyzing what it is like to be in a relationship that is struggling to stay relevant… “The Killing of Two Lovers” may not be the best film to watch on Valentine’s Day. </p><p class="MsoNormal">With so many art house films over using the specific aspect ratios as a gimmick, it's nice to see one use a 1.37 : 1 aspect ration with a story that fits and can also be argued as necessary.</p><p class="MsoNormal">The story is about a marriage in the middle of a breakdown. They live in a small town that is spatial, minimal, and set in a open field with mountains in the distance. If this was widescreen, the town would feel open and free. whereas closing in the walls of the screen, we get a more cramped feeling matching the claustrophobic feeling of not being able to escape the emotional torment felt between the married couple.</p><p class="MsoNormal">Steller acting, superb pacing, and an emotional weight that is unavoidable, "The Killing of Two Lovers" is gripping and confident tale of the turmoil of a complicated marriage.</p><p class="MsoNormal">While I do highly recommend giving this one a shot, be warned: The film opens with the husband pointing a gun at his wife and the man she's sleeping with... and it doesn't get much more uplifting as it progresses. So yeah... maybe not the best for a Valentine's day date. </p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b><br /></b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>I Want you Back</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiYBHMIwvnJZd6GSsjx4umAksYUy-E76QOQK9vtq4oQuPJtBz9dHDWRuZptAvBucp5wNPnYFItue-CldJmFOMz7w7Uenl91LihLFlr9eG3Qez_rGQ59bA4WOQM5R53U3JFDbyx1NVQx5HkDgltrBboWP9EQiLBh_FhF9eSssHySJoYG2pt3fC4OYQs_bw=s2880" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2880" data-original-width="1944" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEiYBHMIwvnJZd6GSsjx4umAksYUy-E76QOQK9vtq4oQuPJtBz9dHDWRuZptAvBucp5wNPnYFItue-CldJmFOMz7w7Uenl91LihLFlr9eG3Qez_rGQ59bA4WOQM5R53U3JFDbyx1NVQx5HkDgltrBboWP9EQiLBh_FhF9eSssHySJoYG2pt3fC4OYQs_bw=s320" width="216" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p class="MsoNormal">“Strangers on a Train” crisscross plot for romcoms, has two recently dumped strangers becoming friends and plotting to ruin each other’s ex’s relationships. And as the rules in a romcom would dictate, the two friends would find love within each other.</p><p class="MsoNormal">We’ve seen plenty of films like this before and “I Want You Back” does not offer anything new to the genre. But what we do get are some fun comical performances and a couple of nicely structured comical bits, such as the dress rehearsal for a elementary school’s “little Shop of Horrors” or a party with some young bar hoppers. Both Charlie Day and Jenny Slate give endearing performances that help land a few of the expected comical turns. The film relies on being predictable but offers a bit of a twisted dark edge to make it easily watchable.</p><p class="MsoNormal">What holds it back at the “save the cat” moments, when the film believes that the audience require reasons and actions to care for our two protagonists more than we already do, after their tragic separations. We get one scene where Charlie Day jumps to the rescue of a senior citizen lady who gets spooked by some passing skaters. The sequence is so unnatural and awkward it is odd that they still kept it in the film all together. When the film pushes the plot, it feels insecure. When the films allows the comical sketch like sequences to carry out the jokes, it works.</p><p class="MsoNormal">The film nearly overstays its welcome, going on for an hour and 51 minutes, which is roughly 15 minutes too long for this type of comedy. Still when it comes to romcoms, you could do so much worse.</p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Cyrano</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiO8NICVqZxz-4gjxhrdaptJzIJlnMPK-0NhBIgetFNP6_KFtE8mvpSMdcSIT_uhdBCu2vxHiVrrhCZ7L9R6ovffa9ZylevWOFIIxWUR5uVyvJwESX7lOAQ_wsee-BqTMuVaIKUx3K45ZvlhJb2kMNeK8-1ouQ21vAf93qipHbs3s0a1pQfgoIKMso-jQ=s4096" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4096" data-original-width="2765" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEiO8NICVqZxz-4gjxhrdaptJzIJlnMPK-0NhBIgetFNP6_KFtE8mvpSMdcSIT_uhdBCu2vxHiVrrhCZ7L9R6ovffa9ZylevWOFIIxWUR5uVyvJwESX7lOAQ_wsee-BqTMuVaIKUx3K45ZvlhJb2kMNeK8-1ouQ21vAf93qipHbs3s0a1pQfgoIKMso-jQ=s320" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">Let me start by saying “Cyrano De Bergerac” is one of my all-time favorite plays. It’s a play about characters that sacrifice their own personal needs, like the need to be with the one they love, to see them happy, even if it is with another person. The play demonstrates a highly romanticized way of displaying unconditional love… and then we have the new musical “Cyrano”. </p><p class="MsoNormal">Edmond Rostand’s gloriously romantic play has been adapted to screen with much greater treatment than this latest musical attempt. And this one is a real disappointment, considering all the great talent that’s involved. We have a director who’s demonstrated multiple times his talent, a cinematographer that often impresses, and a main lead that can carry a whole motion picture on his own. Peter Dinklage is good, as might be the sole reason to take in this misfire.</p><p class="MsoNormal">The main issue comes in the adaptation. For a play that is famous for its romantic verse, the dialogue often feels condensed and therefore cheapened, dropping plot points as if just checking off a list of the most iconic bits. A great example of how misguided the choices are, is shown in the guard’s song. The song begins with the incredible Glen Hansard, the award-winning singer/song writer of “The Frames” and main lead in “Once”. His voice is so perfect for the song, even though the tune is misplaced rhythm for the dark emotional tone of the scene and elevates the melody like only someone of his talent can do. Then the next two singers, while not terrible, appear to decrease in quality of singing as they come. For the emotional impact of the song, why wouldn’t they finish with Glen Hansard?</p><p class="MsoNormal">The cinematography is a mixed bag as well. This might be due to restrictions caused by covid conditions, but the issues are not in the framing or the crowds of people, but in the coloration. The war sequences could be breathtaking, but suffer from some washed out colorations, some failed mist or fog effect, and from unnatural light.</p><p class="MsoNormal">In the end, this classic play, as iconic as it is, comes off dry of any emotional pitch of its original material. Fans of the play should stick with Jean-Paul Rappeneau’s award winning 1990’s adaption "Cyrano De Bergerac", or even 1987’s romcom, “Roxanne”.</p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Mary Me</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhuuYCOjUGWnsK9dZmsbfD0gcs_yTUk8CrEU_qC2qSWD0Cxo8gXF1vgcZXHgxvctAebW4zcxdVaXWIBo9I8hZiA_gVUwK2HbEnpfpE1HE0gAbR2tM2RgiAE-OgEk7VdNTDU-STtuH8gMOWVej6X6Vk0I1Xx7FP-WzJSKBDgYykOOzpGkIwIlN_8i6wXzg=s1583" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1583" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEhuuYCOjUGWnsK9dZmsbfD0gcs_yTUk8CrEU_qC2qSWD0Cxo8gXF1vgcZXHgxvctAebW4zcxdVaXWIBo9I8hZiA_gVUwK2HbEnpfpE1HE0gAbR2tM2RgiAE-OgEk7VdNTDU-STtuH8gMOWVej6X6Vk0I1Xx7FP-WzJSKBDgYykOOzpGkIwIlN_8i6wXzg=s320" width="202" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">Ridiculously silly script is both ironically funny and a sincere throwback to the romcoms of the 90s. The cast rises above the witless writing giving a reasonable excuse to ignore the constant convoluted flaws in logic, absence of common sense, and the abundance amount of corny clichés. Even the music is not very memorable, yet Lopez performs them with such talent and class that it is easy to accept the illusion that this is iconic music.</p><p class="MsoNormal">As much as this is not the type of film for me, I did enjoy the pacing, the performances, and the nostalgic feeling like I was watching a film felt a decade too late.</p><p class="MsoNormal">This is a Hallmark Christmas movie with a budget and A listed actors. And not in a bad way... completely bad. It's meant to raise the spirits, get a few laughs, and hopefully warm hearts. And in some parts it is successful. Jennifer Lopez is dazzling, Owen Wilson is charming, and there's chemistry between the two. Everyone, even the antagonist, is kind, happy, and has a witty (witty used lightly here) rebuttal to every to every comment and subject. People watching this with a cynical mind will end up rolling their eyes right to a terrible headache.</p><p class="MsoNormal">This film embraces the clichés and is stronger for it.</p><p class="MsoNormal"><br /></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Just Swipe</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEg_KcQBtzcBTXoLJ-qtvpiUejgIZn0UwtoqXzzjAljIaL3wVIdXH0a6CFOuUM9wwYVRNPrbNXgRNYBUtmYQdPhUDv7E6qlpGnUXV9s9EqUpQ0PslyNvjhyTN-sT13OV1sFaXwGJTN8dqEVkyRbdN0ssqDpKtFSQ1F6YzUgBVqo2oFpHUlmKrs8Sdah1ag=s1473" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1473" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEg_KcQBtzcBTXoLJ-qtvpiUejgIZn0UwtoqXzzjAljIaL3wVIdXH0a6CFOuUM9wwYVRNPrbNXgRNYBUtmYQdPhUDv7E6qlpGnUXV9s9EqUpQ0PslyNvjhyTN-sT13OV1sFaXwGJTN8dqEVkyRbdN0ssqDpKtFSQ1F6YzUgBVqo2oFpHUlmKrs8Sdah1ag=s320" width="217" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">Another Covid lock down romance, with a judgmental single lady trying out online dating and giving a chance to a handsome charming man who… god forbid… has a high hair line. How progressive of her. She and her two friends, allow him into their group and finds out he may not be presenting himself as the rich and wealthy bachelor they accepted him as. </p><p class="MsoNormal">Low budget film tries to deliver humorous bits of dialogue, that in the right hands could possibly be funny. Unfortunately, there is a disconnect with the conversations missing out on the natural timing of close friend banter. Other films attempting to film conversations on Zoom or Skype, allow the actors to communicate with each other in the same screen. Most of the screen time appears to be a single camera shot of the actor, not coming from a computer cam or digital feed. There are a couple moments when they split screen the characters, but it still doesn’t feel like they are talking to each other in real time. They may be, but it certainly doesn’t feel like it. </p><p class="MsoNormal">I have seen a couple of these actors in other projects, and I know they can deliver lines. Sometimes this film does give them moments to be funny, sincere, and insecure, yet it doesn’t work together. </p><p class="MsoNormal">“Just Swipe” also tosses in some unfunny bad dates in-between the main characters relationships to give the title some merit and to fill in the evident lack of material. </p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Belfast</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjs_YIgyVAXcNNzHT9cH4ymSEXekuLV-ySlixcAZrCipwy65NDTK_tD2ra9y_P-dR67WMEs3QQ-WJlp7QMQvLmhcbxQGnpeYt4FAC1gD5W0-IPMFwq2C5lIVEkaSi9Ak-a_-OGVGH11wnSWmwZ3o8JI48NRzrQ-kr5HF-FgQwr06kciJ9MlrVm1oGMWVQ=s1481" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1481" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEjs_YIgyVAXcNNzHT9cH4ymSEXekuLV-ySlixcAZrCipwy65NDTK_tD2ra9y_P-dR67WMEs3QQ-WJlp7QMQvLmhcbxQGnpeYt4FAC1gD5W0-IPMFwq2C5lIVEkaSi9Ak-a_-OGVGH11wnSWmwZ3o8JI48NRzrQ-kr5HF-FgQwr06kciJ9MlrVm1oGMWVQ=s320" width="216" /></a></b></div><b><br /><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">What a beautiful film.</p><p class="MsoNormal">While this will be classified more as a coming of age story, or perhaps historical fiction, and definitely a drama, there's a couple of romantic sequences that should put this in people's romantic film lists. </p><p class="MsoNormal">Caitríona Balfe, Jamie Dornan, Judi Dench, and Ciarán Hinds deliver some of their finest performances, in this warm and emotionally impactful coming of age tale. But among these strong seasoned performers, little Jude Hill, our protagonist Buddy, is captivating and exceptionally compelling. He's a star.</p><p class="MsoNormal">I loved the use of black and white filming here, as it represents recollection of memory in contrast to theatrical and cinematic expression. The cinematography from Haris Zambarloukos, spellbinding, stunning, and a loving ode to Belfast, sometimes changes into being a bit uneven, dull, and filled with generic establishing shots. The beautiful shots, which are many, stands out above the normalcy, but like the story, the quality tends to teeter.</p><p class="MsoNormal">While I did feel a bit of a slug within the middle, the film's emotional impact is undeniable. By the end, I had a few tears welling up along with a smile on my face. Touching, heartfelt, and admirable filmmaking, that delivers a warm loving side to Branagh's talents.</p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Danny Doom</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhft0KK3sR6YHmT257KgC93cd8iHS58_xXfae1P8TeoNE_ffM4-xachT27-N7Ui0u5hRa_i6yl5ZMpBeM6aUHeCbe62TWoRok4_VLciizs15ZnlpyiM2okH9Cqm9eYhQjiTE5L3XSqT-5riaiDO6hQNPc5diWvHzrNWpqQxDQaS9Nrs6vMxf4bM9gFc9g=s3150" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3150" data-original-width="2100" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEhft0KK3sR6YHmT257KgC93cd8iHS58_xXfae1P8TeoNE_ffM4-xachT27-N7Ui0u5hRa_i6yl5ZMpBeM6aUHeCbe62TWoRok4_VLciizs15ZnlpyiM2okH9Cqm9eYhQjiTE5L3XSqT-5riaiDO6hQNPc5diWvHzrNWpqQxDQaS9Nrs6vMxf4bM9gFc9g=s320" width="213" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p class="MsoNormal">Morally stunted romcom about a boy born on 9/11 believing he’s cursed and finding comfort in religion. He obsesses on the only attractive lady he knows, following her around and believing that god has made them for each other. So, he dresses up like a “bad ass” (as bad ass as a Christian film can handle), pretends to be this alter ego to gain time with his female crush, all the while trying to get her to respect the stalking Christian version of himself in the process. And like all out of touch films, there’s no consequences for the lies and deceptions. Oh, the film toys with consequences but no real mental damage and trust issues ever arise in the end.</p><p class="MsoNormal">In the hands of another writer/director, we would have seen a new horror/thriller. Yet, this film pits the title character as a hapless romantic and expects audiences to side with him, despite being an atrocious creep. The acting ranges from “don’t want to be in this movie” to “high school student who believes their school assembly sketch is going to make them a star.”</p><p class="MsoNormal">I do think it's nice that this community made a film, but they should be keeping it within the community.</p><p class="MsoNormal">Inaccessible and shamefully dreadful attempt at making a romantic comedy.</p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Supernova</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhZgjYSIqHsCMnSSfZKG6pCVvAKugX6sOgEiOkJR9P6PvpD5wta8H-KtiOhm-InneRlYNa-YfFR3l7JZSteZGnAPqRwsde5PhhC4k2FK4hAaSNB5H50c7SLuh6bww9OuLy7qLnH6KZ8xdmnOwY4UgXEk6JvrnNd_qgYbDlzHQPhlrOfojBMnH1nhM3WAA=s1400" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1400" data-original-width="930" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEhZgjYSIqHsCMnSSfZKG6pCVvAKugX6sOgEiOkJR9P6PvpD5wta8H-KtiOhm-InneRlYNa-YfFR3l7JZSteZGnAPqRwsde5PhhC4k2FK4hAaSNB5H50c7SLuh6bww9OuLy7qLnH6KZ8xdmnOwY4UgXEk6JvrnNd_qgYbDlzHQPhlrOfojBMnH1nhM3WAA=s320" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">I believe I have brought this film up in a past blog, but I believe it needs a second look. </p><p class="MsoNormal">Absolutely heartbreaking in all the right ways. </p><p class="MsoNormal">After Tusker (Stanley Tucci) was diagnosed with early-onset dementia, he and his 20-year lover Sam (Colin Firth) take a road trip where they will have to confront the unavoidable future. The film is structured in 3 acts, the 1st with the pair by themselves, 2nd with loved ones and family, and the 3rd by themselves again. There are so many quotable lines in this film, and it certainly helps that every line is performed with so much tender conviction and honesty. One sequence with Tucci explaining astrology and the significance of supernova’s is so sincere and genuine I was sad when it ended. There is so much power in the simplicity of this romance, that even a thank you speech at a supper moved me to tears. </p><p class="MsoNormal">This film displays more outstanding cinematography from Dick Pope (Reflecting Skins) who really knows how to capture the beauty of landscapes, nature, and human emotions. “Supernova” is an undeniable tearjerker with superb performances, writing, and even a haunting musical score. </p><p class="MsoNormal">This is one of my favorites from 2020.</p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>The Apartment</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiLFlUEAQTy06zk6zQ7Cmix-41gloYBbO3OAOXsuL2WEfsuKWRbm6oCnBErNUUmOZoyw7LrR2JzkSaERrWmdglIhCAdKCwYtEMud0d_6jZcwX2RAX-dNbjlgBbyGIq154HexmpbfYTFF0uqTXWLE7vu2XTwR1CglrDTZFy8Xbcxxnko0pnrO016wFfp1g=s1430" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1430" data-original-width="906" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEiLFlUEAQTy06zk6zQ7Cmix-41gloYBbO3OAOXsuL2WEfsuKWRbm6oCnBErNUUmOZoyw7LrR2JzkSaERrWmdglIhCAdKCwYtEMud0d_6jZcwX2RAX-dNbjlgBbyGIq154HexmpbfYTFF0uqTXWLE7vu2XTwR1CglrDTZFy8Xbcxxnko0pnrO016wFfp1g=s320" width="203" /></a></span></div><span style="font-size: large;"><br /><b><br /></b></span><p></p><p class="MsoNormal">"The Apartment" is on of those award winning , on most people's "best of..." lists films I have been wanting to see for numerous decades now. One of those film's I was embarrassed to say, I have never seen. And now that I have finally treated myself (how I spent my New Years Day), I can honestly say, "What a treat!" </p><p class="MsoNormal">There's not one scene, one word, and one direction that is not meticulously measured and perfectly executed to bring together the high standard for all romantic films to strive to reach. </p><p class="MsoNormal">Even the small details have so much character. When a ringing phone call brings fear and worry, the phone is shot up front giving a force perspective to make the phone appear more menacing. From the specific moments when people smoke, where their eye lines are pointing when having conversations with other people, and even the blocking positions on scene build on the incredibly tight storytelling. All the nuances of Jack Lemmon’s Baxter, all the strength and pain of Shirley MacLaine’s Miss Kubelik, and all the scummy charm of Fred MacMurray's cheating Sheldrake, make this an exceptionally captivating romantic comedy. </p><p class="MsoNormal">So good, I forgot I was watching a movie.</p><p class="MsoNormal"><br /></p><p class="MsoNormal"><br /></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Borrelia Borealis</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj13EE8r7Ife__hqkksrBAKri2nhJM0q8S5mwrzokrSUhhMpJ5_UPEvTU-AKjV8F6dnGD7nioTuDJAwcMOd3DQpzhWfAF8Oo2vIwPOVD70zl6O1E22sITvtkrz5imO2Q3DWvApJPBYYdXBfb8huZDPwMEhp_WaPsUjrtYkVAIyTk_8RciEfCiLRAke-8w=s1501" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1501" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEj13EE8r7Ife__hqkksrBAKri2nhJM0q8S5mwrzokrSUhhMpJ5_UPEvTU-AKjV8F6dnGD7nioTuDJAwcMOd3DQpzhWfAF8Oo2vIwPOVD70zl6O1E22sITvtkrz5imO2Q3DWvApJPBYYdXBfb8huZDPwMEhp_WaPsUjrtYkVAIyTk_8RciEfCiLRAke-8w=s320" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">During lock down times, a lonely mentally and emotional troubled lady accidentally connects with a charming man over the internet and the two of them while being miles away, connect physically through some telepathic miracles. The two of them work out their inner traumas while trying to figure out a path to meet up in the physical world. </p><p class="MsoNormal">Written, directed, and starring Kathryne Isabelle Easton, the film comes off feeling like an amateur audition, with an actor who’s decided to not read the material requested but instead present their own personal monologue. The film touches multiple subjects as rape, alcoholism, agoraphobia, rape, depression, suicide, and did I mention the rape subject is child rape? While all these subjects are ones that should be discussed in more respectable films, here they feel like tools to show off an actor’s versatility, or in this case, lack there of. It doesn’t have any to offer any of the subjects, no insight, no connecting lines, and no impacts on the outcomes of the film. These uncomfortable and graphic subjects are just there because it allows an actor to force cry on screen. And because the acting and writing is so transparent, watching this makes you feel like you are participating in the disrespect and narcissistic cluelessness. </p><p class="MsoNormal">I took a couple of days to sleep on what I had just witnessed in order to give the poor performer some benefit of the doubt... but then I saw the poster. There's two main characters yet we see her face twice on it. Maybe she's better fitted for TikTok or Instagram. </p><p class="MsoNormal">Avoid this one at all cost. </p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Long shot</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi5U0dY0_St00og0iWRtIovstozAMIQ2kdylW8EOW9vhheSsfeKmAfVFZ-8XKqc52P4Wk46sn65QgV0ykwIk66ZsCz-ddkM-JCagGyJRcLBwuowLGI0nrAZCHXlXrYOajd_MlV7XLhCxdnjjOTulsc7C8ovwEChS_qDgggIhT0OMRoR7_IPUkxbSZRb2A=s1778" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1778" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEi5U0dY0_St00og0iWRtIovstozAMIQ2kdylW8EOW9vhheSsfeKmAfVFZ-8XKqc52P4Wk46sn65QgV0ykwIk66ZsCz-ddkM-JCagGyJRcLBwuowLGI0nrAZCHXlXrYOajd_MlV7XLhCxdnjjOTulsc7C8ovwEChS_qDgggIhT0OMRoR7_IPUkxbSZRb2A=s320" width="180" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p class="MsoNormal">Here’s one that worked for me, and I am quite shocked it does not come up on more people’s top ten lists of best romantic comedies. </p><p class="MsoNormal">This is an odd couple romance, with two unlikely stereotypes connecting and despite a world that works against them to stay together. Both leads Charlize Theron and Seth Rogen are funny, captivating, and their chemistry is next too none. This is a film that had me emotionally connected to their relationship and worried about the obstacles that may interfere with their happiness. Of course, it helps when the whole cast is made of up of some of the best character actors, delivering sharp witty dialogue. </p><p class="MsoNormal">This is the level that all romcoms show be aiming for. </p><p class="MsoNormal"><br /></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">He’s All That</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjWCFzNk6kwCHipNDwEGBrCvQURf0dAspY9y5Qq4_4exjsotHJR8361S8pSgkgwDPOG-HKPQTxddoPzrT7BzPQGzbvQLTvHuhzShx_21-x6N2fTILkE97a7PStKsh5wDELGV2exWOY0fEGNZYv7gcVk_gep--Z4HJxeE4SdLVaoY5M-AV5zwE_n2wT28A=s2222" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2222" data-original-width="1500" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEjWCFzNk6kwCHipNDwEGBrCvQURf0dAspY9y5Qq4_4exjsotHJR8361S8pSgkgwDPOG-HKPQTxddoPzrT7BzPQGzbvQLTvHuhzShx_21-x6N2fTILkE97a7PStKsh5wDELGV2exWOY0fEGNZYv7gcVk_gep--Z4HJxeE4SdLVaoY5M-AV5zwE_n2wT28A=s320" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">If I had seen this one earlier, it would have made my worst films of 2021 list. </p><p class="MsoNormal">“He’s All That” is technically a reboot of “She’s All That” with Rachael Leigh Cook and Matthew Lillard returning as adult roles. Freddie Prince Jr., Kevin Pollak, Anna Paquin, Kieran Culkin, and even Paul Walker did bother coming back (of course Paul Walker has a perfectly good excuse). The film attempts to recapture the fame of the original, “Pygmalion” or even, “My Fair Lady” with a popular upper class person grooming a less attractive individual to win a bet, only falling in love in the process. </p><p class="MsoNormal">Woke people have already been attacking the morality and message delivered from the original “Pygmalion” play, “My Fair Lady” musical, and “She’s All That”, claiming it’s sending the wrong message that people are only as good as their outer image. So, in 2021, this studio decided it was the best time to revamp the tale, cast a TikTok celebrity (because they are respected by the common audiences) and switch the gender roles, because it was the gender that was the problematic item. The film does try to solve this body shaming issue by giving a generic beauty on the inside speech at the end, but it doesn’t fit the subject matter or message of the rest of the film, which only makes it more cringe worthy. </p><p class="MsoNormal">To make matters worse, the film doesn’t have a voice of its own. Really, but it stars a TikTok influencer, how does it not have a voice of its own, you might ask. Well, it tries to recreate the dance sequence in “She’s All That”, throwing in Matthew Lillard as a principal dancing for comic relief. And the film even ends with Sixpence None the Richer’s song “Kiss Me”, with Rachael Leigh Cook dancing to it, just to remind people how good the original film was. It’s sad to watch and you feel sorry for it, like when you might see that high school jock who’s gone on to nothing but drowning his sorrows with empty bottles rehashing the past as if the world has not forgotten about him. It’s sad but it’s also understandably right as anyone might expect. </p><p class="MsoNormal">“He’s All That” is not all that at all. </p><p class="MsoNormal"><br /></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The In-Between </span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEggtJLmkQOxJ48-TqRc4SxKbFUzBNIZRjwtTAwlCS0CbVCl_Jzu7zPdPynz0nsZHZ3SaQejRX5vJsqSqRaIBaWGN-x9uHmLBu9vEx_T9ipsLO0ojbw1UtmeB3STV7dQQeDmYIApUpk1YpnTVppGTbvzWqhg_kpayoTKSwWB3eMHh0_SL9Xfi9RoSZoYhg=s3000" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="2025" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEggtJLmkQOxJ48-TqRc4SxKbFUzBNIZRjwtTAwlCS0CbVCl_Jzu7zPdPynz0nsZHZ3SaQejRX5vJsqSqRaIBaWGN-x9uHmLBu9vEx_T9ipsLO0ojbw1UtmeB3STV7dQQeDmYIApUpk1YpnTVppGTbvzWqhg_kpayoTKSwWB3eMHh0_SL9Xfi9RoSZoYhg=s320" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">This might work for some people. The structure of showing different moments in our protagonists' lives that range from before and after a car crash that results in the death of Skylar (Kyle Allen), leaving Tessa (Joey King) alone to deal with the tragic separation on her own. The film weave back and forth through flashbacks and returns to the present after the accident events with ease, never causing confusing between the time jumps. To add to the story, Tessa is having visions and strange occurrences that may be within her head or Skylar trying to reach her from the afterlife, or "The In-Between". Both actors do a fine enough job with what they are given, unfortunately what they are working with is a bunch of lazy writing.</p><p class="MsoNormal">The film that juggles the concept of what is real and what might be fantasy, doesn't give much time to the audience to enjoy any mystery in the reveal as it present's it's own reality. I suppose it wouldn't be a teen romance if it was siding with the realistic side of this tragic tale. But that being said, what is happening to Tessa is leading her to realize a lesson about herself and how to accept loss. And this is usually a captivating and relatable topic, however this film doesn't give the audience any change to see what's happening on their own. Everything, all the personal feelings each of our two lovers feel, are explained to them by everyone around them in each scene. "The reason you are feeling that way is because your parents...", "You think he's still with you because you haven't been able to... blah blah blah!" And every character, doctors, parents, surrogate parents, friends, teachers, and even a crazy senior that has a godlike understanding of spiritual connected between two stranger teens, engages in telling people what and why they are feeling they way they do... and they are basically right every time. I don't mind if it was something trying to figure out what the other is feeling, but these talks are not for our characters to figure out each other, but to drop exposition to the audience, instead of finding more subtle or clever ways of telling the story. This makes the film feel disconnected, artificial, and even lacking emotions where the subject is primarily understanding emotions.</p><p class="MsoNormal">This is another teen romance, whereas the love between the two teens far outweighs the torment, the efforts, and the love from those around trying to help out. For those that think about others outside their own self serving desires, it may be a bit much to care about what is happening between these two lovers. The tragedy is not only misunderstood by nearly every connecting character, for plot sake, but unnatural and nearly laughable. The amount of supposed caring people that don't understand how Tessa might still be upset with a death lover is staggering. I also didn't notice what causes Tessa to learn her life impending lesson, besides this is the time in the script where our character should have learn her lesson, so she now has learnt her lesson.</p><p class="MsoNormal">At the start, I was happy to hear INXS' "Never Tear Us Apart" and it was nicely used within the context of the film. And then it gets played so much throughout, by the end, I was despising the song.</p><p class="MsoNormal">Wow. The more I write about this, the more I am realizing how much it doesn't work for me. I guess in the end, I think the two leads actors deserve better material than this.</p><p class="MsoNormal">If you are looking for love after death romance, stick to 1990's "Ghost". For "The In-Between" is a dismal and lackluster attempt at the same sort of themes.</p><p class="MsoNormal"><br /></p><p class="MsoNormal"> </p><p class="MsoNormal"><span style="font-family: arial;">So there you have it. A few hits and misses when it comes to romantic films. Hope this felt people find the right films, or at least avoid the wrong films this Valentine's Day. </span></p><p class="MsoNormal"><span style="font-family: arial;">And if you are wondering what film I shall be picking for Kate... it's what ever film she wants to watch. She's going to be my guest and she's welcome to pick something she might enjoy, regardless of my opinion. </span></p><p class="MsoNormal"><span style="font-family: arial;">I maybe a Movie Jerk, but I am not an Asshole. </span></p><p class="MsoNormal"><span style="font-family: arial;"><br /></span></p><p class="MsoNormal">I would love to hear what you, my readers are choosing to watch this heart filled commercial driven love day. What films do you like to watch with your loved ones. Or even better, what films made for a bad date experience? I always enjoy to hear everyone's movie watching stories. And looking forward to hearing yours. Thanks again for reading. </p><p class="MsoNormal"><span style="font-family: arial;">JP Fournier</span></p><p class="MsoNormal"><br /></p>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-54288842597509258222021-12-30T19:20:00.005-08:002021-12-30T21:05:32.188-08:00Worst films of 2021<p> Well, (sigh) it's that time of year again when I list the worst films I saw in the year. I skipped this topic last year, being that I wanted to avoid adding more negativity to 2020. Since 2021 was also a stressful year, this list is more for my own personal therapy. I also saw a few other critics lists of the worst of 2021 and I felt the need to address their incompetence and pathetic reviewing. </p><p>Let me start by saying, if any list of the worst films of 2021 show "Space Jam: A New Legacy", "Halloween Kills", "Venom: Let there be Carnage" or even "The Matrix: Resurrections", then that person or group responsible for that list is not only wasting your time but ignoring common sense to appeal to fanboys and people who don't understand the meaning of the word, "WORST". The poor excuses for people to pick these films is because they didn't like some of the outcomes of the script, some overstated theme, the film should have been rated "R" but was not, or they felt it was hard to follow the story. One review from a highly reputable YouTube channel complained about how they didn't agree with Bugs Bunny's antics. "NOT MY BUGS BUNNY!" and therefore every well intended meaning, all accomplished and flawless special effects, all jokes that did work, the art designs, and the fact that the film has a cohesive storyline that makes sense from beginning to end, is now the "worst". </p><p>So now that I have gotten that off my chest, let's be clear, my list is of course just my opinion. However, even though there might be people that disagree with me, it is not based on how many viewers I hope to gain or obtain. </p><p>I chose the films in this list from those that I gave either half a star or one star in my reviews on Letterbxd, which is my tool for keeping track of so many films with his aging mind. To date, I have watched 612 movies in 2021 (of mixed dates) and out of the 612 movies, only 155 of them are 2021 released films. So out of those 155 films I saw released in 2021 here's the list of the ones I hated the most. </p><div><br /></div><p style="text-align: center;"><b><span style="font-size: large;">Music</span></b></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiegzV3Tqd3BrAu2S_qWd2ecwhnTvioGjFt7oif_m0LT3f4bnupPuBGRB9pZcfmVxh-ugIO3WYzBXD3G4_zBXpDxIc-FBgbGrYVzajb0SqMXqmDB7FTwE2FWAR3-gDeA5KCUG3TWSRx_yzscdUwjiYVKr7_Eeo6AZxZf56RQ64CUWZ4X_YumUaTMxdY2w=s1481" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1481" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEiegzV3Tqd3BrAu2S_qWd2ecwhnTvioGjFt7oif_m0LT3f4bnupPuBGRB9pZcfmVxh-ugIO3WYzBXD3G4_zBXpDxIc-FBgbGrYVzajb0SqMXqmDB7FTwE2FWAR3-gDeA5KCUG3TWSRx_yzscdUwjiYVKr7_Eeo6AZxZf56RQ64CUWZ4X_YumUaTMxdY2w=s320" width="216" /></a></div><p style="text-align: center;"><br /></p><p>Let me start with the one movie that can consistently be found in everyone's worst of 2021 list within the top three films, more commonly 1#. The film has an equal amount of obliviously offensive and emotionally manipulative subject matter as well as technical flaws and severe pacing issues. </p><p>I should not feel this embarrassed for a cast by the ending climax. But holy cow, for a film, written and directed by a musician as talented as Sia, you would expect it to be... not so tone deaf. </p><p>The film is about a girl with autism named Music, who's now under the guardianship of her half sister, Zoo, a recovering alcoholic. The synopsis insists that Music ends up teaching Zoo about how to live life... but I didn't get that take during my viewing. </p><p>We get bizarre cameos, none of them really offer anything to the story, besides tone shifts that don't fit. We get musical dance numbers that I thought was what Music was seeing in her head or imagining, yet these musical numbers spread out further than her knowledge and other characters tales. </p><p>The story is not about a person with autism but about the recovery mentally and emotionally of Zoo. Her sister having autism is more of a plot device for unearned sentimentality and some proof that autism wasn't researched beyond a grade school level of education. This is not only hard to watch script wise but structurally too. The film adds extra characters right in the middle of the main story, that don't have any purpose besides prolonging the film... maybe adding an extra musical number. And the ending... wow. It would almost be laughable if I didn't feel so sorry for everyone involved. </p><p>I would have given this the popular half a star, but I did enjoy the music. Some of the songs are nice, but they couldn't help me leave without a lousy feeling in my stomach.</p><p style="text-align: center;"><b><span style="font-size: large;">Thunder Force</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhgRWkGVW-6SOpQ81lnGnwHSum3f9JYXc2FCQDGRIYLZhB1DzHaWEt0DBD6zDSOyUiSO8PFrPc3Bbi1CrJkd1JD-9ky9o17Xo9JP02H6DLqN1TNt08abQfDdxDj_hW41ZzJ7WAMJ3RKTjgvXsnTqfGiRYznsa8OvY0H1ggSg6n_KpYWsd1Br-yRVmnAkQ=s2222" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2222" data-original-width="1500" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEhgRWkGVW-6SOpQ81lnGnwHSum3f9JYXc2FCQDGRIYLZhB1DzHaWEt0DBD6zDSOyUiSO8PFrPc3Bbi1CrJkd1JD-9ky9o17Xo9JP02H6DLqN1TNt08abQfDdxDj_hW41ZzJ7WAMJ3RKTjgvXsnTqfGiRYznsa8OvY0H1ggSg6n_KpYWsd1Br-yRVmnAkQ=s320" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>In the training montage, McCarthy throws a shotput, which is said to weigh the same as a regular sized man, across a street into another building destroying the building's sign... for comedy. A few days later as her strength increases, she is boxing with a regular sized man in a boxing ring, where she punches him out of the ring. These scientists don't understand increasing powers get stronger through... increasing. Or the filmmakers don't care about common sense. Regularly I would blame bad editors that were not placing scenes in chronological order but because the whole script is just one awful joke after another, most of the time feeling like they are oppose to the story. Like the scientist who creates superheroes, makes herself one despite having anxiety issues when it comes to confrontations. </p><p>Speaking of confrontations, jokes ironically are made about the lead henchman and his cohort not delivering their lines with intimidating timing, and the two actors that deliver them cannot deliver them with comic timing to make their blunder funny. Even Jason Bateman's appearances cannot earn any laughs. Melissa McCarthy is putting an effort into the film, but Octavio Spencer appears to be bored and annoyed by this lousy script. This is so unfunny that it made me sad. </p><p>This was my first contender for worst films of the year. I knew it would still be in this list despite what else came out. </p><p style="text-align: center;"><b><span style="font-size: large;">Christmas Freak</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEivKa5freWv2jJ5fNs5ozeuVdsK2gUN4jLEoN_JbDor48P40q1tnG3Kd15DcKYK_gg0WTbKvcNcn4-rg3HPKPrQevwh2xELVoZUby6E9D0_Ih3W9cuU_-qOvffoon1C3EcRQ14Ax8x4ZPo-3C0WOeJ2cgU3bvglyceAkiWXESC_hGwYBYIGyb3s2vLWlg=s1080" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="788" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEivKa5freWv2jJ5fNs5ozeuVdsK2gUN4jLEoN_JbDor48P40q1tnG3Kd15DcKYK_gg0WTbKvcNcn4-rg3HPKPrQevwh2xELVoZUby6E9D0_Ih3W9cuU_-qOvffoon1C3EcRQ14Ax8x4ZPo-3C0WOeJ2cgU3bvglyceAkiWXESC_hGwYBYIGyb3s2vLWlg=s320" width="233" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>Rudy, a poor man's Pee Wee Herman, celebrates Christmas everyday, and as Valentine’s Day is coming up, he's annoying and making everything faithlessly awkward as he denies the existence of other days besides Christmas. </p><p>The poster appears like this is going to be a comedy horror, and it might be a bit horrific, but not for the right reasons. Plenty of close ups, plenty of overbearing colors, and plenty of terrible acting, make this a chore to get through. While there is nothing wrong with the concept of a people that have obsessive compulsive disorder connected to Christmas, better films would have this character be a part of a plot or storyline, like him having to learn a trade, Rudy being accidentally mistaken as a mob boss, or going on a road trip in search for a stolen bike, this film figures his character oddities is enough... and it's not. </p><p>There's not much story, not much variety, and very little entertainment here. This is more fascinating as an anomaly. For people that like to watch a film and wonder the whole time, did somebody think this might be entertaining?</p><p>Embarrassing on all levels.</p><div><div style="text-align: center;"><b><span style="font-size: large;">Dream Catcher</span></b></div><div style="text-align: center;"><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgCaI67fLLbDnRne1xRFlp0RzmSG9cCxqEwJcNN8HiTjqr6DvbphoNik-9TRXHeWBUl9jRV9YXQ6lYMoHIEWMfD9-_k9QMBsTEAQB85kRstLuvRnvCWPcOufL5RP-X7J_ey8sjdB8H17Zyhn28OcCHRoCmwdvvmxO8zG_C4pZZNP0jv4Q6zoCYglPbzlQ=s3000" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="2025" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEgCaI67fLLbDnRne1xRFlp0RzmSG9cCxqEwJcNN8HiTjqr6DvbphoNik-9TRXHeWBUl9jRV9YXQ6lYMoHIEWMfD9-_k9QMBsTEAQB85kRstLuvRnvCWPcOufL5RP-X7J_ey8sjdB8H17Zyhn28OcCHRoCmwdvvmxO8zG_C4pZZNP0jv4Q6zoCYglPbzlQ=s320" width="216" /></a></div><span style="font-size: large;"><br /></span></b></div><div><br /></div><div>Very unlikable characters drag out a slasher film's runtime by dropping exposition dumps throughout. I don't think I know a film where two sisters need to remind themselves constantly that they are each other sisters. If I were to keep calling my brother “My Brother” and reminding him we are related repeatedly every time we are together, he would probably slap me. But in this film, nobody talks like average people. Instead, everyone just engages in "as you know" conversations, reminding everyone about their pasts and what they are dealing with currently. </div><div><br /></div><div>And what they are dealing with currently, they are not dealing with like normal people. The writing is so poorly constructed that I started wondering if this film was trying to make some commentary on something, but my hope for something substantial was soon extinguished as a couple fleeing a masked killer from one room, literally runs through a doorway into another person and believes that the second person is the masked killer from behind them... and it doesn't appear to be played for laughs. </div><div><br /></div><div>This is shitty and embarrassing filmmaking that needs to be avoided and forgotten.</div><div><br /></div><div style="text-align: center;"><span style="font-size: large;"><b>Safer at Home </b></span></div><div style="text-align: center;"><span style="font-size: large;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiBGdJe7SlQD4kD5oEM1mPdZBvJAZRIJxdFy4aAGUkVhVI2S_2F7-imqibzAmMy5TfVn6M1bLjhBdYErsipfjVz9F3z1fLkYrtCJMcGWnj3ZgwRU9hV92lt5cNJpo6Bo6fjrQv7MkI2zKcjUXYPQMMgYs9uzAf3jbSltqTXau0b6ndtle2H1yKyA9TBqg=s1667" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1667" data-original-width="1242" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEiBGdJe7SlQD4kD5oEM1mPdZBvJAZRIJxdFy4aAGUkVhVI2S_2F7-imqibzAmMy5TfVn6M1bLjhBdYErsipfjVz9F3z1fLkYrtCJMcGWnj3ZgwRU9hV92lt5cNJpo6Bo6fjrQv7MkI2zKcjUXYPQMMgYs9uzAf3jbSltqTXau0b6ndtle2H1yKyA9TBqg=s320" width="238" /></a></div><b><br /></b></span></div><div style="text-align: center;"><span style="text-align: left;">Another film shown from a Zoom meeting type of video chat during the Covid days. This time a group of friends join online for a birthday part, and all ingest a pill that may incite some dangerous behaviors. </span></div><div>The film starts off fine, with some good acting and some natural dialogue. Then once the incident happens that sets the plot in motion... common sense and common knowledge is thrown right out of the window. This film has characters saying that ambulances won't come to an emergency because of covid. This is a film that has people trying to hide from the police or other characters but leave the phones lights on, even when running outside in the dark. And the predictable ending meant for shock is more laughable than some of the modern comedies. Another found footage film that requires people keep their cameras on and positioned perfectly straight on action that they shouldn't be predicting will be directly in front. The film drops any common sense, common knowledge, and even common courtesy for their audience by insulting our intelligence. </div></div><div><br /></div><p style="text-align: center;"><span style="text-align: left;"><span style="font-size: large;"><b>The Power</b></span></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjZLQtjYgXUgOTB5zwRINN6kKvCUQhiN0di_x0_r6kZwSXSHqrYsZszYFkA6mYJc6ySGkz6KZBnyUwUlU2dJAYj06hDyofLRECwnKSfNYMIN2rQsUxiF21f-Ml8-8oAepVINrT7McG0zzkWMhu09g4N-fXP9CD17kXgELzmJvjMWSDnKo61xrrh9GkdVA=s1800" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1800" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEjZLQtjYgXUgOTB5zwRINN6kKvCUQhiN0di_x0_r6kZwSXSHqrYsZszYFkA6mYJc6ySGkz6KZBnyUwUlU2dJAYj06hDyofLRECwnKSfNYMIN2rQsUxiF21f-Ml8-8oAepVINrT7McG0zzkWMhu09g4N-fXP9CD17kXgELzmJvjMWSDnKo61xrrh9GkdVA=s320" width="213" /></a></div><p>Spoiler Alert:</p><p>Besides the compelling and physically demanding performance by Rose Williams, this is a complete miss for me. And it surprises me that a lot of reviewers appear to support this film. Don't people watching use all the information presented in the film to clarify the ending, especially when the ending is attempting to be a surprise? </p><p>I like the location of a children's hospital at night, during the 70s, but even in the 70s, a hospital would have bright lit halls and rooms for nights. The idea that this place is so dark constantly was the first indicator that this film is not written with intellectuality. And the darkness works against a lot of the cinematography as I strained to see a lot of the scenes. One of the first jumps scares, I had to back and a few times to see what the visual scare was to match the ridiculous volume jump of screeching noises. Maybe the sound was so obtrusive because the filming of the scare was so poorly captured that they needed something to demonstrate the nurse was in peril? What ever the reason, the jump scares came across as insecure distractions to the weak characters and poor storytelling.</p><p>This script had me laughing when I think the intentions were to disturb me or at least set up some suspense. After our protagonist nurse is sexually assaulted by a paranormal assailant, she returns to two other nurses for help but is told by one nurse to suck it up as the safety of the patients is more important. And our protagonist is convinced to stay quiet, or she might seem weak and lose her job. Now I know there are situation in real life where a rape may be ignored because people are afraid or worried about how it may affect their lives or profession, but wouldn't these two ladies be at least concerned about their own wellbeing? And from this point on, nothing in the script felt genuine or connected to common sense. Characters make choices and play out actions that do not resemble natural thought processes. I couldn't stay interested in the action happening on screen because I didn't know if I was watching a farce on poorly written horror tropes, or if this film was taking the ridiculous writing seriously. Even the paranormal violent sexual assaults, are not the examined as violent sexual assaults as much as they are just messages for another topic.</p><p>I usually don't speak of spoilers in my reviews, but I cannot understand how a ghost that is trying to prevent more rapes to happen to another patient would attack and rape a kindhearted vulnerable and scared young nurse to reveal a secret about a rapist? This child ghost is just as much a villain than the real rapist in real life, but maybe even more so as multiple death happens at the hands of a possessed nurse. In this case, two negatives don't make a positive.</p><p>What and who am I supposed to root for in this film? This is a terrible script that doesn't understand the story it is telling as a whole. Don't create a twist ending, if you cannot understand what that twist means and relates to the other film.</p><p>I usually enjoy the Shudder exclusive movies, but this is utter junk hidden behind a whole lot of misuse of darkness literally and metaphorically.</p><p><br /></p><p style="text-align: center;"><b><span style="font-size: large;">Baby Oopsie</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhrIvzKsb2MQiFhFl3csYuWvb8KFrpEvaEjsDLGpYS40u58asYVo-JvDrN5s6NSxxf0Rpqnvsx-2D8IKeKbhQWCRZ0u-lTaFEcmOHQwzO62dt8Iw6UsC18XzJEE8UR4Pxyx0ySTE-YmuJ5oD1zIoEafxCc11MPTdYpSd9b6twLNdvGyyaUHhfis0hdIjw=s2560" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2560" data-original-width="1920" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEhrIvzKsb2MQiFhFl3csYuWvb8KFrpEvaEjsDLGpYS40u58asYVo-JvDrN5s6NSxxf0Rpqnvsx-2D8IKeKbhQWCRZ0u-lTaFEcmOHQwzO62dt8Iw6UsC18XzJEE8UR4Pxyx0ySTE-YmuJ5oD1zIoEafxCc11MPTdYpSd9b6twLNdvGyyaUHhfis0hdIjw=s320" width="240" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>Who would have thought that a solo film for a character from a forgotten franchise from 29 years ago wouldn’t be a homerun of a hit film? </p><p>“Baby Oopsie” is one of the Demonic Toys members from 1992’s failed attempt to create and add a new “Puppet Master” type of franchise series to the Full Moon catalogue back when Full Moon movies had some popularity. The Demonic Toys only had about 3 films (short lived for a Full Moon series) and didn’t take off like it’s predecessor. </p><p>This film follows the solo adventure of “Baby Oopsie” a doll that can pee in it’s diapers like a real baby. A lonely and meek doll collector, Sybill, struggles to make a mark in life and lives off a bit of fame from her doll videos she uploads to YouTube. When she is delivered a burnt and damaged Baby Oopsie doll, she restores it to a health condition and ads a red glowing pentagram marked gear to the doll’s mechanic inners. This awakens Baby Oopsie, an evil murderous doll that is bent on getting revenge on everyone who’s wronged Sybil. For the doll to stay alive, it needs to murder people, so once Sybil’s small circle of assholes who torment her have been eliminated, Baby Oopsie will have to find new victims to stay alive. </p><p>I know what you are thinking... "That sounds amazing! How is this in the worst list?" Well...</p><p>While this sounds like a knockout hit, it unfortunately doesn’t have the sense of humor, the self awareness, and even the campiness to make this B-grade concept entertaining. Most of the issues lie within the executions… technical executions, not murders. For instance, when Sybil is chopping up a body in tub to get rid of the evidence, the camera pans on the actor who’s being dismembered face showing the actor blinking and grimacing with the fake blood splattering in her face. Not bothered by her arm being hacked off, but a little sprinkle of red drops in the face is unpleasant. </p><p>When making an evil, smart-mouthed, murderous doll, you should give it a voice that can deliver all the corny one liners. And the voice here is not only annoying but completely not suitable to make this poor dialogue the least bit forgivable. When the voice actor starts screaming, her voice distorts because the sound crew were not able to adjustment the sound levels before. There is so much potential for a baby named “Baby Oopsie” who sometimes uses a chainsaw, to be a fun film. This unfortunately is not it. </p><p style="text-align: center;"><b><span style="font-size: large;">Calm Like a Bomb</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgaXwrhOiG_RTF72Xw2zwdjB8McfNku8-3_2i6omHi4PUFsbTAwi6aqkCdn8DhZo7vOVlgJSiqgO7Q4msLk9W04LquL9tWvqNu041mQlreIkoN7M88Zb2Y2qlV14zzmGAkrtCRw4fhI8xoy9O55Urh0aJ9il58oznbPlHZ7p7iE2W9TC0IpECt2jczmyA=s1472" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1472" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEgaXwrhOiG_RTF72Xw2zwdjB8McfNku8-3_2i6omHi4PUFsbTAwi6aqkCdn8DhZo7vOVlgJSiqgO7Q4msLk9W04LquL9tWvqNu041mQlreIkoN7M88Zb2Y2qlV14zzmGAkrtCRw4fhI8xoy9O55Urh0aJ9il58oznbPlHZ7p7iE2W9TC0IpECt2jczmyA=s320" width="217" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>This art house revenge film is about a bearded hooded guy getting revenge on the creeps that murdered his girlfriend. The synopsis claims this is all taking place for one night. The gimmick is violence is beyond words, so the film has no words spoken. Instead, we get to hear a lot of grunting, coughing, and a ton of vocal abstract noises that normal people don't make, in replacement of words. </p><p>A film that ambitiously attempts to tell a story without dialogue is usually my cup of tea. However, in “C.L.A.B.” the film using the much less confusing abbreviation of the title, the storytelling is dreadful. Plenty of scenes are transposed over other scenes that don’t have many connections, like a man moaning and stabbing a knife at a steady beat over strange angle pictures of a warehouse roof or walls. There’s ten minutes dedicated to walking behind a victim through a street/highway, until he is finally shot dead. And if you think 10 minutes might not be a long time, then you probably haven’t watched this sequence. </p><p>The film offers little to no information about violence. And even the violence is not preformed well, for instance there’s a moment when a victim gets shot in the leg and we see a phoney spray of off-color CGI blood then as the same victim’s throat is slashed, we get to see fake looks light colored practical blood. </p><p>There are a couple sequences that appear nicely framed and shot, but when comparing these to the rest of the film, I can only assume they happened by happenstance. The film will take a full minute to transition to another scene, only focusing on a blank corner of a room or blurred streetlights. None of the camera angles make sense, as the cinematographer either only films in Dutch angles or has a serious physical neck illness. </p><p>This is a challenge, not a fun one, to get through. Boring, excessively prolonged, and often incomprehensible. Oh and did I mention it is boring? </p><p><br /></p><p style="text-align: center;"><b><span style="font-size: large;">Covid 19 Invasion</span></b></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjuJIPQR2aJjBC_I7vpNFJbeiK3rY1umMh3T-oqyyLvmBuK6nizhCTQ1dmH-Dake_Mn39ZfUaK5knIJ9Zux7bysEX2Pda3LkgxMydh_8rMDpjeyG04iP1vH1TkYsILCh3m7R1koB5KMN6hKbHbEVptUG9HWzaBE1sPL7wfnCmHknBze_ok5nm8X1j_tnQ=s1500" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEjuJIPQR2aJjBC_I7vpNFJbeiK3rY1umMh3T-oqyyLvmBuK6nizhCTQ1dmH-Dake_Mn39ZfUaK5knIJ9Zux7bysEX2Pda3LkgxMydh_8rMDpjeyG04iP1vH1TkYsILCh3m7R1koB5KMN6hKbHbEVptUG9HWzaBE1sPL7wfnCmHknBze_ok5nm8X1j_tnQ=s320" width="213" /></a></div><p style="text-align: center;"><br /></p><p>I am looking forward the Rifftrax or Mystery Science Theatre 3000 tackling this strangely adorable little violent post apocalyptical covid themed adventure.</p><p>I laughed more than I thought I might. The dialogue is humorously terrible and delivered with either over acting or no acting at all.</p><p>The synopsis reads that the film is about 100 vs 1, yet the cast consists of 12 maybe 20 people. Then there's a nice thank you note right before the credits claiming that the small team had to endure a lot of obstacles during the covid shutdowns. And I suddenly was endeared to this mess of am action film.</p><p>There's plenty of entertainment to be had, even if it is unintentionally triggered.</p><p>The final shot is spectacular. Only thing missing would be "The Simpsons" dog with shifty eyes.</p><p style="text-align: center;"><b><span style="font-size: large;">Taste of Blood</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjL3eo7gGDW2hdo7nUL-B5bnzJ8rAixlCbjYfZU1MD9_XM8m2GBKXps33DSwOtgu_WaUQHICQLeJqTxEA_WYK21vNUvbMasT5cy70jiQzlIr0i5gG4nnboEa12ZIoGdxPrxAgHHZCp7_EKO40EWMSTNhabZqAQlAKphxC4Y3ZtUHKr5yAZ40Hq3dc0G1w=s2667" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2667" data-original-width="2000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEjL3eo7gGDW2hdo7nUL-B5bnzJ8rAixlCbjYfZU1MD9_XM8m2GBKXps33DSwOtgu_WaUQHICQLeJqTxEA_WYK21vNUvbMasT5cy70jiQzlIr0i5gG4nnboEa12ZIoGdxPrxAgHHZCp7_EKO40EWMSTNhabZqAQlAKphxC4Y3ZtUHKr5yAZ40Hq3dc0G1w=s320" width="240" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>This makes community theater look big budget.</p><p>It's bizarre watching the out of touch acting, but thankfully everyone seems to have monologues.</p><p>There's a moment when a character is stabbed, and CGI blood is put onto the person's hands... as they are sitting still! WHY? Just paint their hands red. Use ketchup, use a red felt marker, or even put their hands in a cold freezer for a few minutes until they start freezing and turn red. All those suggestions are not only cheaper, but they would look %100 more realistic than the inconsistent CGI that even for a split second disappears before the next cut.</p><p>This is junk. Nearly perfect for Riffing with drunk friends but still to slow and boring to hold everyone's attention.</p><div><div style="text-align: center;"><b><span style="font-size: large;">The Misfits</span></b></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgCSTjMEZu-Ib7A23xolvauKOCpS0WNc7t8L8fx7SF1BZwCje0EaOYJSnVELfF6Y1j_-EL_zQBYpnXYrUO7Svn_415DsYjSUrwI1N76v44ma_YVJxs_tN8Hesyo7bzrHO6vZ6ua5OVUJBros9DK6FRAbHXytwxdpG9tMIb2BapHDadPGdc5z6MF4yjRLQ=s1218" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="739" data-original-width="1218" height="194" src="https://blogger.googleusercontent.com/img/a/AVvXsEgCSTjMEZu-Ib7A23xolvauKOCpS0WNc7t8L8fx7SF1BZwCje0EaOYJSnVELfF6Y1j_-EL_zQBYpnXYrUO7Svn_415DsYjSUrwI1N76v44ma_YVJxs_tN8Hesyo7bzrHO6vZ6ua5OVUJBros9DK6FRAbHXytwxdpG9tMIb2BapHDadPGdc5z6MF4yjRLQ=s320" width="320" /></a></div><div style="text-align: center;"><br /></div><div>Tim Roth deserves better roles than this. And so does Pierce Brosnan for that matter. They are not the issue with this film. Both actors are raising the quality of this poorly written tiresome sub-genre. </div><div>Generic to a tee, "The Misfits" should be a poster child for bland writing. We get, "So as you are telling me..." exposition drops, annoying narration along with flash card introductions to our characters and disconnected to the story pulp culture references. The film even gives our characters the overused slow-motion walking in one horizontal line "Reservoir Dogs" sequence, along with a character trip cliché joke. </div><div><br /></div><div>The plot takes enormous leaps in logic and believability, which works in some films but this one doesn't exaggerate enough for the ridiculousness to be entertaining. Unforgivably forgettable. </div><div><br /></div><div>Disappointing Renny Harlin film.</div><div><br /></div><div style="text-align: center;"><b><span style="font-size: large;">Dear Evan Hansen</span></b></div><div style="text-align: center;"><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEg6Gi18LeiKfH_CuNJuMy58oG5XxFRWj31qE0SsXjF9DRuKzCagOlZGLDzWhguw6K66o0eZFWFZXmIRGMh9iYpQBBfRNeheSDKzbF55I1IuqX6_gzuMd9_tMViEfTh21CiQszO5ipKKXxZaXCilt_dloGd7lV3eXm3o9nUARm0GqMxhQlDQhdgycNcKZQ=s1200" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="960" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEg6Gi18LeiKfH_CuNJuMy58oG5XxFRWj31qE0SsXjF9DRuKzCagOlZGLDzWhguw6K66o0eZFWFZXmIRGMh9iYpQBBfRNeheSDKzbF55I1IuqX6_gzuMd9_tMViEfTh21CiQszO5ipKKXxZaXCilt_dloGd7lV3eXm3o9nUARm0GqMxhQlDQhdgycNcKZQ=s320" width="256" /></a></div><span style="font-size: large;"><br /></span></b></div><div>"The right message at EXACTLY THE RIGHT TIME." says the Hollywood Reporter. </div><div><br /></div><div>Really? The right message? Did you watch the same film Hollywood Reporter? What is the message this film is presenting? Lie as long as it is never discovered and if it does and you're caught, just keep on living your life. Or: it's ok to lie to people and take advantage of their grief if you yourself are just as lonely and depressed as others. This film made me feel morally sick... because (contrary to popular belief) I have some morals or at the least like to tell myself I do.</div><div><br /></div><div>Yikes. The whole advertisement attach to this film is about how uplifting it is suppose to be. Strangely, if this film was advertised as a stomach-turning look into the mind of a truly disturbed delusional creep, then I might be more forgiving of all it's faults. Probably not though, as it's still delivers one of the most insanely bad main performances I have seen this decade. </div><div><br /></div><div>Maybe I am being too hard. Maybe Ben Platt was going for psychopath. The character of Evan Hansen is certainly a sociopath, and his lies and deceptions go never come across as redeemable or even understandable. The actor just looks too old for his peers which makes him appear more like a predator posing as a teenager. His body language reeks of a date rapist, with his shoulders always up and his head tilted down yet still leaning into people like he's trying to smell them or get a peep down their shirts. This does show the dark side of humanity and displays it nicely... so I am not sure how this is supposed to be uplifting.</div><div><br /></div><div>The film also doesn't understand how to maintain a tone. When news of a suicide is bringing everyone down, the film attempts for a quick laugh at boys taking a selfie with a dead boy’s locker. And when the film's most dramatic song is suppose to tug at the tear strings, Platt's sporadic facial expressions are so crazy that it's awkwardly comical.</div><div><br /></div><div>This is all annoying being that there are some good performances going to waste in this oblivious mess of a musical.</div><div><br /></div><div>The melodies and compositions of the music is still good. It's too bad the story/play's writing doesn't match the musical talent. They took out one of the characters developing songs too, with the two mothers asking for assistance in mothering, causing the film to be more focused on the one person that I didn't care for... the main character.</div><div><br /></div><div>Also... I don't think I grasp what the significance of the tree metaphors means. And I have a feeling the director and producers don't too. </div></div><div><br /></div><p style="text-align: center;"><span style="font-size: large;"><b>Women</b></span></p><p style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi0eNjhhyOHmMETy0UHmn6qrWMPh-16i54QiUB1YbAS-X4xW83dZ9DXa-nBNXkOEux9YhBZsa04ZNyLHT1WGyH-zV3HT76D_A2fvLK75yefzFHC_a8f5akTjeKvR23z4kclQAJ3phIGfyg_gxgpz8UhlgLHwotpVsldrsQM4w-249qn69TEWDaav7lotQ=s2923" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2923" data-original-width="2000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEi0eNjhhyOHmMETy0UHmn6qrWMPh-16i54QiUB1YbAS-X4xW83dZ9DXa-nBNXkOEux9YhBZsa04ZNyLHT1WGyH-zV3HT76D_A2fvLK75yefzFHC_a8f5akTjeKvR23z4kclQAJ3phIGfyg_gxgpz8UhlgLHwotpVsldrsQM4w-249qn69TEWDaav7lotQ=s320" width="219" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p>Ok performances cannot redeem this drab serial kidnapper story that I believe thinks it has a point, but fails to deliver any real commentary, let alone suspense.</p><p>The story is a small-town detective is tracking down a serial killer responsible for mutilating and tossing out his victims after they have been physically and sexually warn out. This supposedly connects to a kidnapped lady who's being trained by a sociology professor how to be the "perfect woman" with a very twisted style of Pygmalion influenced treatments. His method is to tie up women to a chair and gag them, while they are bombarded with loud sound waves of loud buzzing and machinery drilling sounds(?) and flashing lights. I am not sure if she's wearing headphones to protect her ears from the noises or if the noises are being transmitted through them. This whole scene is unclear. And it becomes even more unclear when he puts another lady into the same situation, tied to a chair and gagged, but this time with no headphones. If they are being tortured by loud sounds, why does he gag them? After this treatment, which doesn't appear to affect the subject, is completed, the lady is then instructed how to present herself by the training of another kidnapped victim. He then does things like teach the ladies piano, tied them to chairs and make them watch him swim, as well as treat them to fancy meals.</p><p>I believe we are supposed to make the connection that he's the brutalizer of the first victims. Sure, he's a creep and a villain in his own rights, but the film doesn't really make that connection for us.</p><p>My biggest issue with the film is the slightly out of focus camera work. I thought that it might have been my tv a couple times, but the film demonstrates it can pull focus on a lot of scenes. There is one particular meeting with the detective and the teacher, where the teacher enters the room from the opposite side of the detective with the camera shot is from behind the detective but both characters are out of focus. Why? We know who both characters are. There is no purpose to do this besides making the shots hard on the eyes of the viewers.</p><p>I believe my goal in finishing this film solely relied on wondering how more confusing it might get. The story is general, poorly written yes, but it follows a straight narrative, yet the direction makes choices that I didn't understand.</p><p>And one of the worst sins, especially in an exploitation film, is leaving the audience with a boring ending. Did everyone working on this film just not care by the end? Because I certainly didn't.</p><p style="text-align: center;"><b><span style="font-size: large;">Home Sweet Home Alone</span></b></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiHgc-b9VGts4tBe_r626LC0aQy4FOo1iY9DQqAcnYdjhy8QAoLt51FR0zsdjIOQVZySGILPEwlmSBneN9aqBwD0dD34J26FqmHK52xv81HAlSAul5ZPKHQNiVGsxBbExG6rwYC18RT7vhsRqnyOBIQGTOWIgR-FKRnfFRkHAemfUcaq51NTi6JDjAydQ=s1478" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1478" data-original-width="1182" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEiHgc-b9VGts4tBe_r626LC0aQy4FOo1iY9DQqAcnYdjhy8QAoLt51FR0zsdjIOQVZySGILPEwlmSBneN9aqBwD0dD34J26FqmHK52xv81HAlSAul5ZPKHQNiVGsxBbExG6rwYC18RT7vhsRqnyOBIQGTOWIgR-FKRnfFRkHAemfUcaq51NTi6JDjAydQ=s320" width="256" /></a></div><p><br /></p><p>People thought I was being facetious when I explained that I “Cancelled my subscription to Disney+” after watching this film. But no, that was completely true. This commercialized piece of marketing turd gone wrong, is a perfect example why I am not a fan of the product Disney has been producing in the past decade. </p><p>If I found out a Disney representative that okayed this confused muddled up piece of shit of a script was trying to get fired... Brilliant. That person deserves a good firing. </p><p>I would love to hear the pitch meeting for this, "You know how people love John Hughes and Christopher Columbus' holiday classic, but we are still unable to piss on Hughes grave or shit on Columbus' front yard? Well do I have a script for you!" This might explain why they hired the director of "Dirty Grandpa" to direct. </p><p>The film makes the child unlikable and the robbers poor people trying to feed their children. Oh yeah, let's cheer on the rich shit who's only characterization is he's rich and upset he didn't get his McDonald's food, while he electrocutes, tortures, and even shoots pool balls at the heads of parents sacrificing all for a meal for their children. Holy fucken shit, is this film oblivious. </p><p>Merry fucking Christmas Disney+ subscribers! </p><p style="text-align: center;"><b><span style="font-size: large;">Ghost Tale</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgq2NpemIXxoTZryKLEhtKVwV2AgRhkBPlf_TiAw3Fl2_1RACxeDy6u5860snt-afhTkW3c3Aonj1R3NTz7xeCwNDEvSyhRkzhVcFmXVNpK4v7BCXXQ2CmpasL6BHNIKxLCfB3PZdGBaFiBv0zkBktiYRbMSKYaEAAEm9EQpllqV15nHw5aQUyeDuS4pw=s1500" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEgq2NpemIXxoTZryKLEhtKVwV2AgRhkBPlf_TiAw3Fl2_1RACxeDy6u5860snt-afhTkW3c3Aonj1R3NTz7xeCwNDEvSyhRkzhVcFmXVNpK4v7BCXXQ2CmpasL6BHNIKxLCfB3PZdGBaFiBv0zkBktiYRbMSKYaEAAEm9EQpllqV15nHw5aQUyeDuS4pw=s320" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>An ominous ghost sporting a nefarious sock puppet? How could this go wrong? "Ghost Tale" shows us how this can go wrong.</p><p>This concept reeks of parody, satire, or even absurdism, yet there's barely a sense of humor present. Or it could take itself seriously enough to be creepy or uniquely atmospheric. However, this fails on establishing on a style. The sock puppet barely shows up and when it does, I think they were trying to go for a scare. They certainly didn't get a laugh as I would have expected from a haunted sock puppet.</p><p>The characters are not compelling, the ghost story is uninteresting, and the build up plus the scares are barely present. The final reveal of the ghost is masked with a blurred special effect that feels cheap and sloppy.</p><p>With it's short runtime, "Ghost Tale" proves that even a small concept still require more than just a gimmick.</p><div><br /></div><div><div style="text-align: center;"><b><span style="font-size: large;">God’s Not Dead: We the People</span></b></div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEha4GoHqUzzXtW7wqtcbwoPQTWvRZI_4SYjNsWpcdC8HdACygnzhmEjmRNgRdFdNcma7Y2cfqh3xUQSmWuW7z0GgDzs6XGXQGmDOMQUIZ3zgddO2u7D6SbZyaJlcaOzPvYAv0QSDvb5tSogB0cQbKRvIZYG3wT7KGmiZIJ-YvBvXFtAD3t462ymcC2tog=s2880" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2880" data-original-width="1944" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEha4GoHqUzzXtW7wqtcbwoPQTWvRZI_4SYjNsWpcdC8HdACygnzhmEjmRNgRdFdNcma7Y2cfqh3xUQSmWuW7z0GgDzs6XGXQGmDOMQUIZ3zgddO2u7D6SbZyaJlcaOzPvYAv0QSDvb5tSogB0cQbKRvIZYG3wT7KGmiZIJ-YvBvXFtAD3t462ymcC2tog=s320" width="216" /></a></div><br /><div><br /></div><div><br /></div><div>It’s not a complete “worst of…” list without mentioning a “God’s Not Dead” sequel. </div><div><br /></div><div>It’s a shame they didn’t stick with the director and writers of their 3rd instalment, which was a step in the right direction. The third film was slightly self aware. But you cannot sell Christian oppression when you are self aware and seeing issues on all sides, even admitting to the sin of needing change.</div><div><br /></div><div>So, this time the story is about a home schooling set up by Christians that are not keeping up the the proper level of education, missing science, math, reading and writing, history, and such as they focus on bible studies. I went to a Christian school from kindergarten to graduating high school and there’s plenty of time for all the lessons without missing out on any liturgical studies. The state is looking to intervene, not because they are teaching the bible, but because they are not teaching adequate levels of other subjects.</div><div><br /></div><div>The film slightly tackles the concept of how the information implanted into a child’s mind can influence how a child thinks in the future. And yet, it is clueless that the opposition is fighting the protagonists on the same subject. There’s a real disconnect with the same questions it’s trying to pose. The film does cleverly interrupt an explanation of thanksgiving that could easily be responded to by supporting native rights, with a phone call from a supporting storyline that has no relevant connection to the main story.</div><div><br /></div><div>In the heat of the hearing, one of our protagonists says that the education curriculum teaches both the progressive and anti-faith in equal measure, as if that is a problem. Which caused me to ask myself... what is this film fighting against, again? Isn’t that what education is about, learning ever thing? Oh right, but this film requires a fake conflict that allows the protagonist to give a “freedom of speech” speech at the climax, where the freedom of speech was not the subject of concern. And it delivers it in spades.</div><div><br /></div><div>Stay tuned to the end credits where the film sites multiple cases that the films are inspired by. Many of which don’t connect to the story that we just transpired. Like the rights of an ex-boyfriend to have no custody of visitation rights to the mother’s adopted daughter. Or one discrimination case where a religious school was prohibited to participate in a tuition voucher program. There’s a couple that debate the difference between private school and home school. But none of them remotely support what we just saw.</div><div><br /></div><div>The writing is poor, the supporting acting are dreadful, and the tacked on extra storylines have little to do with the main story but waste our time and drag out a 30 minute story into a 90 minute runtime.</div><div><br /></div><div>The biggest problem is seeing good performances by David A.R. White and William Forsythe being wasted in such laughable drab material.</div><div><br /></div><div>I don't know why I am hoping for a fifth chapter. lol</div></div><div><br /></div><div><br /></div><div><br /></div><div>And there you have it. These are the worst films I sat through in 2021 that were released in 2021. For those of you that know my history with movies, you may have noticed that I have not included any of the worst Hallmark Christmas Movies in this list. 2 reasons, I don't consider them real movies, but television specials, plus after a full month of being bombarded every where I go with Hallmark Christmas Movie trivia, games, and questions for a month... I am enjoying not having to revisit those films for another list. </div><div><br /></div><div>Before I get any request this year for a "Best of 2021" I usually don't create those because it takes me close to mid February to catch up with all the films I would like to see from the previous year. </div><div><br /></div><div>So until my next blog...</div><div><br /></div><div>Happy New Year and here's to another year completed and left in the dust. </div><div><br /></div><div>JP Fournier</div><div><br /></div><div><br /></div><div><br /></div>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-68939444307904211332021-12-22T21:19:00.004-08:002021-12-23T09:07:29.603-08:00<p class="MsoNormal">For some time I was feeling accomplished, knowing I was a head of schedule and would have completed my 25 Christmas movies and 25 Hallmark Christmas movies under the time I expected... then I watched the final Hallmark Christmas Movie for myself this year. And just like that, I felt my time wasted. </p><p class="MsoNormal">This year I was invited on CBC Radio One to talk about the "Science Behind Hallmark Christmas Movies" and "The Best and Worst of Hallmark Christmas Movies". Representatives of Hallmark invited me to play Hallmark Christmas Bingo with them. Not a day went by that I didn't have someone text, email, or message me about which Hallmark film they saw. Everyone was very nice... but I realized I don't care about talking about Hallmark Christmas movies with people that either want to bash all Hallmark films and those people that cannot see anything wrong with Hallmark films. So.... almost everyone. </p><p class="MsoNormal">But despite how terrible this round turned out to be, most of the time, I did finish a couple days early to enjoy my travels for Christmas. </p><p class="MsoNormal">Here's the final films I watched. </p><p class="MsoNormal"><br /></p><p class="MsoNormal"><br /></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 13</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The Advent Calendar</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjgh8OGDv_Zpbm5ZlmkiyKITitX6GKCytc8XKhlN8wicpzPAXoRk2EPF938vkurNv14Uy0o-NSN6BZc20zphk3kXe5HkUo9dKk2mG6dopMyKLINvEES8255TAiPTqEHf_-YGuj0k7h-Wl2P3QsNXwDTVGy07zgi4UQIVDyQ1GBxnen65lXGjW01ZmdZEA=s1200" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1058" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEjgh8OGDv_Zpbm5ZlmkiyKITitX6GKCytc8XKhlN8wicpzPAXoRk2EPF938vkurNv14Uy0o-NSN6BZc20zphk3kXe5HkUo9dKk2mG6dopMyKLINvEES8255TAiPTqEHf_-YGuj0k7h-Wl2P3QsNXwDTVGy07zgi4UQIVDyQ1GBxnen65lXGjW01ZmdZEA=s320" width="282" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">The synopsis makes the film sound a bit more structured than
the actual film. It mentions the advent calendar where each door opens
repercussions in the real world, some good and some bad. But the film doesn't
really structure the outcomes as good nor bad, but more uncontrollable being
that a person cannot stop the outcomes or they die. But we never get an example of how the person opening the calendar doors will die, plus there are multiple characters opening these doors. So the rules don't feel enforced or even relevant. <br />
The presentation is often nice, with some fancy camera work, some nice designs,
and some good lighting. The acting is above par and each character has a
particular quirk or dark side that makes them stand out. However, a horror
movie gimmick that counts the days to a final climax should have tension
building up as the number raise. Once you figure out where the film is heading,
knowing the number of cast members and characters that have speaking roles, the
suspense in what's to come is easily figured out before the film has a chance
to get there. One of the main reasons why the countdown doesn't amount to and
build up in horror, may be due to the amount of times the film feels the need
to repeat the calendar's rules, replay scenes connected to each day, and have
to recount the days that have past over and over. I wonder if the screenwriter
was trying to make a reference to "The 12 Days of Christmas" song
with the continual counting.<br />
There are some interesting ideas at play here and the actual advent calendar is
a great design in and of itself. But there's no escalating tension, character
build up, or elevated conflict to have this "play by the rules"
horror stand out among its peers.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 14</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Legend of the Christmas Witch </span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgZvrnuVw9OeI5mTf6xXYOMbA7YILokrvuY7fEWzoykUozEK0lu2JqqODKrmQg_ObeGbEvNbF4U-A7Uw5rGWkcSQ608t3ZuqyWrCfo1vUIu0eJ9IEysTTfqq9p6p9r1Wpo7omtQCxx44L_voYLl66l5EclTeYc7lplaiAUKr9fdv85TfjSpXdwwq3Hw0A=s1404" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1404" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEgZvrnuVw9OeI5mTf6xXYOMbA7YILokrvuY7fEWzoykUozEK0lu2JqqODKrmQg_ObeGbEvNbF4U-A7Uw5rGWkcSQ608t3ZuqyWrCfo1vUIu0eJ9IEysTTfqq9p6p9r1Wpo7omtQCxx44L_voYLl66l5EclTeYc7lplaiAUKr9fdv85TfjSpXdwwq3Hw0A=s320" width="228" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">A group of elementary students must learn how to work
together when their teacher is kidnapped by some goons one day. They cannot ask
for help from any adults because they believe their teacher maybe the infamous
Christmas Witch, a folk tale gift giver like Santa, who goes into people's
homes and leaves good gift for good kids and bad ones for the bad kids.<br />
This harks back to the days when children adventures show children in mortal
danger. Directed by the same horror director, Michele Soavi, also the man in
black with the half silver face in "Demons" that created
"Cemetery Man", it's no surprise this gets a bit dark. Our kid
adventurers are thrown into a trash compactor, shot by tranquilizer darks (one
kid even recognizes the tranquilizer dart by it's scent), and tied to moving
poles while a mad man shoots a machine gun at the moving targets above their
heads. Our witch, who's an attractive lady and the kids teacher during the day,
only to change into the hag at the stroke of midnight, gets kidnapped, tied up
to one chair, tied up to another chair, tied up in a cage, tied up to Christmas
tree where she's about to be burnt, tied to rope from the roof, tied up on a
mountain and placed inside a large bubble, that is tied to a wall and that's
basically her character arch. We do get to learn that she is jealous of Santa's
popularity and see a hilarious Santa chugging a pint of beer as he complains
about how unprofessional she is.<br />
There is a turn around in momentum when the kids talk about never being ok with
bullies, but these bullies are trying to kill the kids and are shooting at
their heads with machine guns. Not quite the image of bullies we all know.<br />
For the most part this is a quickly paced action film for kids, with plenty of
cliffhanger moments (some literally cliffhangers), with some fun dark humor,
some unintentional humor, and a great message about having to find strength in
numbers, so Marvel Universe fans will probably enjoy this.<br />
There's some nice macabre images but the film does appear to be held back by
some budget restraints. Nonetheless, there are worst Christmas children in
peril action films out there.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 15</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">A Boy called Christmas </span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhB840gN1l5gCsMq9sp0ylQI21MtKi7JVbbdvCcJi-t-wCeazKEkoE5aN5u-TxhZdF1sNGZBacCAQiF4yFVYc3rox6DX6vWTUufl-csbM4jBKuwkmnmAvKrOf1gQtVhNvvo4SQ-4Y3y-Jq4SBLllJwsxdtAABH6JTEHqxOcMwC_eDksTBNg8WZMSXqQYA=s3000" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3000" data-original-width="2045" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEhB840gN1l5gCsMq9sp0ylQI21MtKi7JVbbdvCcJi-t-wCeazKEkoE5aN5u-TxhZdF1sNGZBacCAQiF4yFVYc3rox6DX6vWTUufl-csbM4jBKuwkmnmAvKrOf1gQtVhNvvo4SQ-4Y3y-Jq4SBLllJwsxdtAABH6JTEHqxOcMwC_eDksTBNg8WZMSXqQYA=s320" width="218" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">I would have preferred the whole movie be Dame Maggie Smith
telling the story to the children. Her scenes with the kids are adorable,
funny, and feel genuine. Her sequences are so good it nearly saves the film.<br />
The story itself is not all that interesting even though it has all the
elements that could make an action packed children's adventure. There's a
couple interesting characters and the visuals are pleasant, with some dazzling
special effects, yet it feels somewhat empty. This might be due to how basic
and underdeveloped our main lead is. Nicholas, although saddened by the loss of
his mother, is morally flawless and his talents or good luck happens often
because he's our main hero character. He's a child that happens to be correct
all the time, among adults that as a whole are all flawed and morally corrupt,
until the script requires them not to be. So when Nicholas has a win it doesn't
feel earned or natural. This causes the adventure to feel disconnected and dull,
as there's no suspense when you have a character that's perfect, even if he's
just a child.<br />
A great example of the disconnect of this film happens when a child is being
returned to his parents after being away for a long time. The parents door is
knocked on to allow them to come out side to the crowd of people and for
emotional effect (which doesn't work) the crowd separates to reveal the child
at the back of the people. If the reunion of a child to the grieving parents is
important, then why waste these precocious moments for presentation? Get the
kid at the front of the crowd to his parents! This is movie logic and there's a
lot of poor phony decision like this throughout.<br />
Jim Broadbent's king role might be the stand out during the actual story. And
Stephen Merchant has a few fun lines as the talking mouse, among a lot of
forced humor that does not work.<br />
This is fine for children, but it won't be a necessity for people's Holiday
viewing.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 16</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Cooper’s Camera</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEizRkWU3pxgPTZYMayngq8c2SK4Edjaecc2WGdxaaUeySHqwCObRmOnkSq0btngenvcBGJY5cwFlQlHsGmk4OzEa4sdAhjrtzykYiPCwN0GOo8-o2PFwLoZRCHBLOa3PmpNBnYHiLLRqK8JmmDF-XNCb7ZzqLu0Czsy-CgbIKKwgSqdGwA733BXEVwJfQ=s500" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="375" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEizRkWU3pxgPTZYMayngq8c2SK4Edjaecc2WGdxaaUeySHqwCObRmOnkSq0btngenvcBGJY5cwFlQlHsGmk4OzEa4sdAhjrtzykYiPCwN0GOo8-o2PFwLoZRCHBLOa3PmpNBnYHiLLRqK8JmmDF-XNCb7ZzqLu0Czsy-CgbIKKwgSqdGwA733BXEVwJfQ=s320" width="240" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Found footage attempt at creating a Canadian crude
"National Lampoon's Christmas Vacation" with a mix of overly flawed
family members getting together for Christmas, as they pass the video camera
around capturing all the personal worst of each member.<br />
What "Cooper's Camera" does provide is a handful of fun comic
performances mixed with some over the top and over the level of funny
exaggerated extremities in character choices and actions. I admit to laughing
at a couple of moments only to find myself sighing in annoyance as the film
plays out jokes too long and to extreme. When someone says something
accidentally inappropriate, the film feels the need to hammer down that mistake
by having the person continuously repeat the same info but change it to a
double entendre, then repeat it again spelling out the rudeness of the joke.
This pattern happens so often, I was wishing I had the actual video tape to
throw into a fireplace and watch it burn.<br />
The film also doesn't demonstrate an understanding of editing. We get one scene
that is nearly funny, with the family singing carols. The kid holding the
camera films is father then it cuts to the other side of the room to show other
people. Instead of showing a quick turn of the camera, which would look sloppy
and it might ruin the comic timing (or it would just have to be timed better).
This camera doesn't have two lenses to capture two sides the room at once, so
this edit makes no sense. And we get a lot of these lack of understanding
filming techniques throughout the whole film.<br />
More annoying than funny, "Cooper's Camera" was a huge let down,
knowing the talent within the production.<br />
Very juvenile and not in the fun way.</p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 17</b></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Make the Yuletide Gay</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi5l5_ooOCZCSX6Jn04Q0GnbjZxD190tZeRnuXdU8mBbYoWKp55GiWuxI25zh5y_nQBp83xQfCB_DXhzPUCtNzj7NMN35Y_JE3J9bZv_mKFZj99-Q-4g0zP4DzjGRkmqVCYwwhYhf1xpWdKFd4fKfMcY42u7liqAdSlvLjjGL84chVLWEzz9olTdwX0qA=s1500" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1049" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEi5l5_ooOCZCSX6Jn04Q0GnbjZxD190tZeRnuXdU8mBbYoWKp55GiWuxI25zh5y_nQBp83xQfCB_DXhzPUCtNzj7NMN35Y_JE3J9bZv_mKFZj99-Q-4g0zP4DzjGRkmqVCYwwhYhf1xpWdKFd4fKfMcY42u7liqAdSlvLjjGL84chVLWEzz9olTdwX0qA=s320" width="224" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">Low budget LGBTQ rom/com has a ton of character, charm, and
innuendoes. In fact, practically every second line is a double entendre.<br />
The story is about an openly gay college boy who travels back into the closet
when he heads back home to visit his parents for the holiday. Not knowing
hasn't told his parents about being gar, his lover surprises him with a visit,
causing both of them to role play as straight men.<br />
While the lack of budget is apparent in every shot, this simple film has a ton
of loveable comic performances, especially from the two parents, Sven, a pot
smoking professor and Anya, a giggly mound of love and walking positivity. Both
parents are exceptionally naïve to their son's sexual orientation, catching the
two men rolling around in the backyard and assuming their are just roughhousing,
catching the two shirtless in their bedroom and thinking they are just getting
ready to sleep, and so on and so forth. I had a huge laugh at the father
watching "A Charlie Brown Christmas" and laughing at the wrong
things, like "bald kid is sulking again. hahaha."<br />
It's just as predictable as a typical Hallmark Christmas movie, but with the
abundance of sexual double meanings behind every line spoken, this feel much
more free and untethered. With a sweet soundtrack, short runtime, and a family
positive message, "Make the Yuletide Gay" turns out to be a cute, if
not a bit raunchy, holiday film.<br />
It does attempt to set up for a sequel in mid credits, which may be a bit too
ambitious and felt out of place. Yet, there is a sequel. </p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 18</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">How to Deter a Robber</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEix_mgggTPy0YtNqhUQHIqJ5FTAHewwbxeQeB_kv03xRxbKXjdmnVAPuN7DFgkzB8EC5rKwCe9hFhqoYJdaDBhS2dX_fy-9vDMs7FTrXMX0tsnc9GqNgYMUYpRXs8f2CMSx0B6k4GIKH8QMSBiWTx8DsfroS-ee2jEZQyAELgX74FruTOKtLcUZ5YFmzA=s1440" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="960" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEix_mgggTPy0YtNqhUQHIqJ5FTAHewwbxeQeB_kv03xRxbKXjdmnVAPuN7DFgkzB8EC5rKwCe9hFhqoYJdaDBhS2dX_fy-9vDMs7FTrXMX0tsnc9GqNgYMUYpRXs8f2CMSx0B6k4GIKH8QMSBiWTx8DsfroS-ee2jEZQyAELgX74FruTOKtLcUZ5YFmzA=s320" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Madison an 18 year old college wannabe and her dumbbell
boyfriend Jimmy find themselves in the wrong place at the wrong time when their
next door neighbor's house is robbed. Being the only suspects, the two are
forced to stay back in State as the rest of the family travel off for the
holidays. They are paired up with their uncle to look after them, who’s more
than willing to encourage them to do what they need to do to “deter” any robbers.
And with all their prep, nothing will prepare the trio to deal with a pair of
amateur robbers, set for their house next.<br />
This indi film has some fun characters and a few entertaining lines but never
reaches to be anything more than just a pleasant comedy/drama. Our two main
protagonists are set up to be comical characters, making the wrong choices,
setting up cartoonish booby-traps, and even being too high or too drunk to deal
with real life situations. But with all their faults, their missteps, and tomfoolery,
there never feels to be any real consequences, danger, or even anything at
risk.<br />
It’s a pleasant enough watch but nothing to write home about.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 19</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">I’m Dreaming of a White Doomsday</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEi5KcA4-2rANf-Pwjr3cUJohAYDcw5pHL5b2e4L7-Tn9kg9mwvtBKVFP3_o4cHFuBff5KbuCdmgXY1VvLqZgDb_Cwii-YPpZitFztXs5D838I0vQqL9XalcPa0gyMVHH9TyhxHu3jxx4oev1zjDyWQ0SIdTCKi4SL14wZOYp6fdhJas9hkJ83PEZYR6og=s787" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="787" height="244" src="https://blogger.googleusercontent.com/img/a/AVvXsEi5KcA4-2rANf-Pwjr3cUJohAYDcw5pHL5b2e4L7-Tn9kg9mwvtBKVFP3_o4cHFuBff5KbuCdmgXY1VvLqZgDb_Cwii-YPpZitFztXs5D838I0vQqL9XalcPa0gyMVHH9TyhxHu3jxx4oev1zjDyWQ0SIdTCKi4SL14wZOYp6fdhJas9hkJ83PEZYR6og=s320" width="320" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Ambitious micro-budget post-apocalyptic Christmas movie is
surprisingly effective thanks to the second and third act.<br />
The story is about a mother, Kelly, who's doing her best to shelter her son
from the reality of the world's condition. They survive in a hidden bunker waiting
for the father to return with more supplies. As the probability of the father
not returning becomes more concerning, Kelly may have to surface to seek out
supplies herself.<br />
There's a nice reflection on how people take particular tradition for granted.
With an 71 minute run time it also doesn't drag out too long. I was
disappointed in a borrowed surprise from a more famous episode of "Tales
of the Crypt" but this still has enough of its own character to rise above
a familiar iconic horror ending.<br />
A nice change of pace among all the Holiday films that feel formulaic this time
of season. But this is certainly not for everyone, especially this time of year.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 20</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Holiday Mondays</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhQaLWhBCMNY_-T3FmMY_qQ9crph8-1a47A-yHpTyBx6_HwtVMbqvEKVtSEktNxQnWn6ArIMeVpsp8si7D1Sf59WF1wHcFJ9MiQ45UbHTuHrPwSRKGlxff_2Y43WLCXAgr3BlU05QvDjQeJlaKp9dz922XXwXqZtpoPCeYCrAeCaLRBAsIwHrzCclAFPQ=s750" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="750" data-original-width="500" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEhQaLWhBCMNY_-T3FmMY_qQ9crph8-1a47A-yHpTyBx6_HwtVMbqvEKVtSEktNxQnWn6ArIMeVpsp8si7D1Sf59WF1wHcFJ9MiQ45UbHTuHrPwSRKGlxff_2Y43WLCXAgr3BlU05QvDjQeJlaKp9dz922XXwXqZtpoPCeYCrAeCaLRBAsIwHrzCclAFPQ=s320" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Some of the most ambitious while simultaneous being the
sloppiest, fight choreography I have ever seen. The film's fight scenes, which are the main attraction for this film, are so clumsy looking, so slow, and so
poorly shot that the camera often captures the large gaps between the punches
and the connections, that the film nearly starts becoming a cute attempt.<br />
Dialogue is delivered as if our protagonists are delivering witty action hero
banter, quips, and jokes, with the proper tones but not on lines that deserve
them. I just finished the film and cannot for the life of me break down the
plot besides good guys fight bad guys. The ending was the icing on the cake
with an elderly man, slower than the average stunt man in this film, is the
final boss fight.<br />
This film gave me a good chuckle and I did find it find it rather entertaining
but not for the reason's I believe intended by the film makers and everyone
involved.<br />
Terrible film but it tries really hard.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 21</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Mother Krampus 2 – Slay Ride</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgr6OQUJN2tLUlK3Jv_EBdNhh89fOWTlw7f2KYbrWeWO4pyZ6bUkgLFcM-k-KGqMhxsCEmBI2FjoUpIsgwRhFv65ndMd00giURKwJ09K7hEr5cdW2M4aMsXo7e1ij7phygNFE-fx0TqFKQexmEI1PteQWtekTV0jpbuED0r6-BknW5DOmAd3O8lplaBgA=s2161" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2161" data-original-width="1530" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEgr6OQUJN2tLUlK3Jv_EBdNhh89fOWTlw7f2KYbrWeWO4pyZ6bUkgLFcM-k-KGqMhxsCEmBI2FjoUpIsgwRhFv65ndMd00giURKwJ09K7hEr5cdW2M4aMsXo7e1ij7phygNFE-fx0TqFKQexmEI1PteQWtekTV0jpbuED0r6-BknW5DOmAd3O8lplaBgA=s320" width="227" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Not sure why I bothered with this one when I didn't care for
the first film. Even more unsure why I finished it.<br />
Not a sequel by no means, this film is about a group of delinquent ladies who
find themselves being the next victims of a masked murdered.<br />
IMDB states that the film was shot for under 2 thousand dollars and after
seeing the film, I image that might be too high of a guess. The filming is
awfully amateur, poor lighting, poor cinematography (I even feel faint using
the term cinematography for this film), poor make up job, bad acting, bad
writing, and exceptionally bad directing. This feels like a one night of
filming, type of production.<br />
If I can say something positive about it, that would be that it sometimes
appears that the cast maybe having fun when they appear to hold back laughter
at their own performances.</p><p class="MsoNormal">This possibly is the worst Christmas themed movie I have ever seen. </p><p class="MsoNormal"><br /></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day </b></span><b style="font-size: x-large; text-align: left;">22</b></p><p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Love Hard</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjtiVIBb48eyuUlJNiBMdf_TmjhMjp0AACWteRybD2UuOtmhY-rPfaahsnZRuR_nj8rl542DSa-HKcIAz53PR_UqJcn6g4Yam8HGMGvV-_P0jm0r9gyXJcJNqMR2y9mx9gumDDZ1RGK_fKW7gsUYTZ2okRIO0Iu7YrBMdxaOz3grTf6Nvl-PGGO0ZwGnQ=s2222" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2222" data-original-width="1500" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEjtiVIBb48eyuUlJNiBMdf_TmjhMjp0AACWteRybD2UuOtmhY-rPfaahsnZRuR_nj8rl542DSa-HKcIAz53PR_UqJcn6g4Yam8HGMGvV-_P0jm0r9gyXJcJNqMR2y9mx9gumDDZ1RGK_fKW7gsUYTZ2okRIO0Iu7YrBMdxaOz3grTf6Nvl-PGGO0ZwGnQ=s320" width="216" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">Wow. I couldn't turn off my brain enough to enjoy this.<br />
I usually enjoy a film that relies on stupidity for comical outcomes but when
the film displays it's dullness in moments it's trying to be clever. Oh boy,
how on the nose this film is on poking fun at "Baby It's Cold
Outside"? Even when South Park, Family Guy, and nobodies on TikTok made
the same jokes 2 years ago when it was still relevant, this film is daring
enough to redo the same jokes but only slightly less funny. Now that's daring. What we, well those that read up about the song past the uneducated internet complaints, is that the song isn't sexist, male dominating, or rapey. And in fact, those that believed it was showed little to no respect for a lady's ability to flirt themselves. But the character, and obviously the screenwriter, do research past reading the least amount of valuable information from the internet. This is a jump on the bandwagon screenplay writing, not for the educated and intelligent. <br />
"Love Hard" tackles such hard topics, that have never been talked
about endlessly from the everyday non-researched common on all multimedia
platforms, such as is the concept of Santa Claus being creepy with kids on
their knees, embellishing your online portfolio on dating sites, and is
"Die Hard" a Christmas movie (by the way, this film has nothing to
add to that over used subject matter).<br />
The main character is highly unlikable; the film's crutch is leaning on
accepting lies, and ignoring a handful of terrible overacting performances from
the side characters.<br />
The two highlights would be the honest and natural performances from Jimmy O.
Yang and James Saito. They make the low grade dialogue from the script
tolerable. Matty Finochio as Lee, takes his role to the other end by of the
spectrum by hamming up his performance to fit the crudity of the script.<br />
In the end, the jokes are not funny, the emotions are unearned, and the
morality lesson doesn't fit the set up.<br />
It also doesn't help that the film keeps references and borrowing from better
movies.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 23</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Cash on Demand </span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjKfnN8G75sr0yw1yrYUu4iuzfn9nMXlUhnZfRTwHdchxhr6MOQA5uQrsCrKldMgM14bUMUrSxYDdg1MaKr1Lk2u62MOay9yVQSipa0KWX8zuxvhIqGxhVur0GEiRfVhOTiBETTeZ-QFthFPL3479b89EpsotSTGb1JFcwtgJjgNo4V7o2ar7J6PmldBA=s1300" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1131" data-original-width="1300" height="278" src="https://blogger.googleusercontent.com/img/a/AVvXsEjKfnN8G75sr0yw1yrYUu4iuzfn9nMXlUhnZfRTwHdchxhr6MOQA5uQrsCrKldMgM14bUMUrSxYDdg1MaKr1Lk2u62MOay9yVQSipa0KWX8zuxvhIqGxhVur0GEiRfVhOTiBETTeZ-QFthFPL3479b89EpsotSTGb1JFcwtgJjgNo4V7o2ar7J6PmldBA=s320" width="320" /></a></b></div><b><br /><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Captivating and fast paced heist caper that's action is
delivered in the tight and flawless dialogue.<br />
Peter Cushing delivers another spectacular performance as a Scrooge like bank
manager, forced to comply with a thief's demand in order to keep his wife and
son alive. He's demanding, hard to please, and a purist. On the other side of
Cushing, comes André Morell as the thief, who's charming, confident, cold,
calculated, and capable of violence at a snap. Both intelligent men are on
opposite sides of the situation but are forced to work together through this
situation, all the time trying to gain the upper hand without tipping off their
opposition.<br />
Smart, smooth, and even emotional, "Cash on Demand" fits well with a
Christmas setting, giving a perfect set up for the reason for the bank heist,
the out of sorts and unprepared actions from the bank manager and his
employees, and even the chaotic traffic of people in the heavy storm adding to
the atmosphere.<br />
While the film has a few Chekov's guns set up throughout, as well as some
obvious foreshadowing, it still delivers plenty of surprises, twists, and turns
to keeps this thrilling, as well as one in depth and enchanting character
breakdown from Peter Cushing.<br />
Although not a horror film, this has become one of my favorite Hammer movies.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 24</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Christmas Catch</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiaWTy4mk6pYrAleemANuf9vYeUKTE-xCaeEqrQx1aV4zFivQCTwDvoVfzA0dUVLSF_ttnWDTJuzFh9keCEY_xVIAWpm2lWQVIIzOtYQsnfZsnhN4wnatki-LolX2Hhzr9FIXi7TZuLnZ3H48spQ63DFeQN44y0rTipQf-Jr1tnhbIRnsPo2LbHOT-vWQ=s1365" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1365" data-original-width="1024" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEiaWTy4mk6pYrAleemANuf9vYeUKTE-xCaeEqrQx1aV4zFivQCTwDvoVfzA0dUVLSF_ttnWDTJuzFh9keCEY_xVIAWpm2lWQVIIzOtYQsnfZsnhN4wnatki-LolX2Hhzr9FIXi7TZuLnZ3H48spQ63DFeQN44y0rTipQf-Jr1tnhbIRnsPo2LbHOT-vWQ=s320" width="240" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">This is so close to the Hallmark Christmas formula that I
feel wrong not counting it as a Hallmark Christmas movie this year.<br />
There is some ironic entertainment here, as the film doesn't follow any form of
realism, common sense, or common knowledge, but makes up strange procedures,
tactics, and it's own strange manners of professionalism.<br />
Ridiculous, goofy, and not romantic, but bizarre, out of touch with reality,
and delivered by a cast that appears to relish in the camp. Lauren Holly
delivers an adorably peculiar performance as the chief of police.<br />
Best watched on your fifth glass... or bottle of wine, among friends that can
poke fun at the ghastly production.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 25</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Last Stop for Christmas</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjGSatqsMRhuHmq9j-W3fNHTvxYdT5_vXWchbGPGuUafGZIUiMnOTKgPHn99eOavg2bGb3EMj7oEkQM2APWUtBjZNH1_1qAnJ85uzF0YoEr9bo_yxMsmvfJMFMOY6wDXxMA11E9oyvd7OjR7OYIxOQx77lIV00qqif4cNBZ4jLUtk4Iug6LOGHUfq5-ow=s1600" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/a/AVvXsEjGSatqsMRhuHmq9j-W3fNHTvxYdT5_vXWchbGPGuUafGZIUiMnOTKgPHn99eOavg2bGb3EMj7oEkQM2APWUtBjZNH1_1qAnJ85uzF0YoEr9bo_yxMsmvfJMFMOY6wDXxMA11E9oyvd7OjR7OYIxOQx77lIV00qqif4cNBZ4jLUtk4Iug6LOGHUfq5-ow=s320" width="320" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Successful night club owner, Tony Towers, is taking a train
with his new fiancés heading home for a family reunion. When Tony moves from
cart to cart, he jumps forward and backwards into different time periods in his
life and the choices he makes in one cart can change the results in the next.
He is out to change his life and those he loves for the better the best he can
during the time allotted.<br />
For each decade, the film style changes the aspect ratio as well as the
techniques, such as fades, cuts, transitions, and lighting. There are plenty of
set designs, switching for the same timelines in accordance to how the changes
in the past affect the future. And one of the more magical and complimentary to
film styles is saved for the near end. The results are not only impressive but
helps deliver a compelling story as inner secrets and mysteries start unfolding
between the decades. Michael Sheen is solid as Tony Towers, adapting and
emotionally growing within every change and reveal of the world around him.
Cary Elves is nearly unrecognizable as Roger Towers, Tony’s ginger haired
brother.<br />
What excited me about this time traveling fantasy Christmas comedy is how crazy
it gets. Each time Tony jumps into another time zone, the worlds change so
drastically with tons of surprises that this becomes completely unpredictable.
The film requires the viewers to pay attention, not only to the previous
storylines but to understand how his world changes from the erased time zones
as well as the next upcoming time lines. This film doesn’t coddle to people who
don’t give it their full attention. We don’t get much exposition from cart to
cart, as Tony needs to figure out how things changed while playing along that
nothing has changed.<br />
Some of the makeup effects, often very good, may interfere with the emotion and
atmosphere set up for the upcoming news, for instance a spray tan and botox
appearing face comes right when a cart is bringing some tragic news. This
image, while it fits the character’s ego, does diminish the severity of the
tone.<br />
In the end, the film has a nice message that is properly set up and delivered.
While I enjoyed “Last Stop for Christmas”, this is not a Christmas movie for
the whole family. It moves as a rapid pace, doesn’t give time for people to
catch up, and it is not something that will help people relax during the
holidays.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: x-large;">Hallmark Christmas Movies</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 13</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Christmas Together With You</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEg2C6m2GCDiuS3jxYoeQJ5thJiFPteG05i9Sxj4wNc_91mvV2xb5_bd8M0qFAcwp0AqqgDz5iiYKp4gu5Y_zqZPAbpGgy2nWntfZMeSjCXzsS9xO88Rt66jqAViT-m3wGl1lQMj-fSjKijo0wtzrEYMq4PtJzvg7-cTjCYnjIukrXCtUKRW5srJYDKZvQ=s900" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="600" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEg2C6m2GCDiuS3jxYoeQJ5thJiFPteG05i9Sxj4wNc_91mvV2xb5_bd8M0qFAcwp0AqqgDz5iiYKp4gu5Y_zqZPAbpGgy2nWntfZMeSjCXzsS9xO88Rt66jqAViT-m3wGl1lQMj-fSjKijo0wtzrEYMq4PtJzvg7-cTjCYnjIukrXCtUKRW5srJYDKZvQ=s320" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Megan, an exceptionally talented, attractive, and heart of
gold single lady (Hallmark Christmas Movie main stage protagonist) convinces
her father type of friend, Frank, to go on a road trip before Christmas in
search of his long lost lover. Along the way, she meets up with a handsome
single male, who she doesn't get along with at first but ends up taking him up
on dates, as she's focused on hunting for Frank's lover.<br />
And romance ensues.<br />
This storyline has red flags written all over it, Megan never asks Frank why
his relationship with his ex never worked out, she gives into a guy that shoves
money in her face when he accidentally bumps into him and spills coffee, and
she divulges her life story to practically everyone at the drop of a hat. I
watched this with pins and needles, worried about what trouble she would get
herself into. But lucky for me, the Hallmark logo popped up on the bottom right
of the screen every now and then just to remind me, this is not based on
reality.<br />
The three lead actors are good in this film, bringing character to little
characters the script gives them. Harry Lennix is the standout, sharing his
tales of woe that I can understand how people might sink into his every word.<br />
I was happy to see that my cynicism in people's intentions did come into
fruition, as there's a slight surprise in our love story not being so perfect.
But this reveal did cause the film's last third to feel over written and
stretched too long.<br />
Not the worst Hallmark Christmas Movie, but still on par with their degree of
quality.</p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 14</b></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>The Christmas Shepherd</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEic011Fu54J-sPfarrgKlvbLo3_PPzr1KqowdsGaNJKcfXYk8nBEAQJakSd5ZJ7nfsLON1DYoMWgvCjBamycqU3zF1QIkvwF6JiLmoKm9ZuzLllpnSRxBafkJuTC_why40u3H03vQXB7s1xMMv9b48ad3RHtjRiRSV28vq5hrWM2bfLXw-kkoklfVz77g=s2400" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2400" data-original-width="1600" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEic011Fu54J-sPfarrgKlvbLo3_PPzr1KqowdsGaNJKcfXYk8nBEAQJakSd5ZJ7nfsLON1DYoMWgvCjBamycqU3zF1QIkvwF6JiLmoKm9ZuzLllpnSRxBafkJuTC_why40u3H03vQXB7s1xMMv9b48ad3RHtjRiRSV28vq5hrWM2bfLXw-kkoklfVz77g=s320" width="213" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">Hallmark film attempts to create a moral conflict. A German
Shepherd that belongs to a widow after her husband didn't come back from war,
loses the dog one day during a storm and has to fight to get him back, after a
single father adopts the dog to cheer up his grieving daughter. Who does this dog
belong too? Oh I don't know, maybe the person that owned him for over 5 years
and not the one who's been looking after him for less than 48 hrs.<br />
But the Hallmark film needs an excuse to have these two single 40 somethings
has a reason to hang out and potentially fall in love.<br />
Early attempt at the Hallmark Christmas formula starts off with some depressing
subject matter, an injured dog, a grieving lonely widow on the holidays, and
the potential of losing her one last companion. This one doesn't start to feel
like a Hallmark film until halfway through, when it becomes evident it's not
going to be a tearjerker of a dog Christmas/dead soldier husband on the
Holidays film.<br />
The dog is nearly an afterthought in the second half.<br />
This one doesn't have the usual sparkle and excessive christmas decorations
like all other Hallmark Christmas movies, but it also doesn't have the cheese
or the charm</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 15</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Time for Them to come Home for Christmas</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgJ7Y0weUjWKfxAY_1phX24wzlN_edvMHSF69tlaLSsvYoscbrSTwgfzud2P6Y8EhPJQB_HZdH4pMu9Mz72r6LTctlB8eOfzJoxBJOE5Cdpk-KuA4DM2nZcJ0Rc8WW9o1aH48CYZDk9smLL8PS1C7UDv45g1wB0bO7nLkfkQ4PPryKR4cncrLtLh_XVWw=s1500" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEgJ7Y0weUjWKfxAY_1phX24wzlN_edvMHSF69tlaLSsvYoscbrSTwgfzud2P6Y8EhPJQB_HZdH4pMu9Mz72r6LTctlB8eOfzJoxBJOE5Cdpk-KuA4DM2nZcJ0Rc8WW9o1aH48CYZDk9smLL8PS1C7UDv45g1wB0bO7nLkfkQ4PPryKR4cncrLtLh_XVWw=s320" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Amnesia patient wins the hearts of the medical workers in
hospital and goes on a road trip with a the single handsome medical attendant
who's got Christmas issues of his own. Is Hallmark even trying anymore?<br />
The amnesiac is a car crash victim, hit hard enough to send her over a bridge
and plunge into a frozen river, and only receives "A few cuts and
bruises" (not one blemish visible as that would be Hallmark Christmas
Movie too graphic).<br />
One of the romantic scenes, connecting our two travelers together is when they
dance to a song that used to annoy the nurse. The song they dance too, which is
also a call back later for reflective memories, has a chorus that sounds like
an angry goose trying to scream away predators. There's a moment when the two
start holding hands and looking at each other like they are going to attempt
their first interrupted kiss in a Hallmark Christmas movie, and a choir sings
"Oh Holy Night". Nothing like church, a super religious song about
Jesus' birth to get that sexual blood a pumping.<br />
I won't lie. I spent a lot of time laughing at this one, as it feels rushed and
uncared for. But because of the confusing choices, I was never bored.<br />
Sloppy, sloppy, stuff.<br />
And I am honestly interested to see what they change in the title for next
year.<br />
"Time For ME to Come Home for Christmas" 2018<br />
"Time For YOU to Come Home for Christmas" 2019<br />
"Time For US to Come Home for Christmas" 2020<br />
"Time For THEM to Come Home for Christmas" 2021<br />
so maybe...<br />
"Time for WE to Come Home for Christmas"??? Yeah, that sounds right.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 16</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Making Spirits Bright</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiRUtX5GN6n0YdOS1PYIhRVTNyqqQXKGPl38U2CsDd1afRXaxiLdHNJORysxK-EJ5LUS0cokmlaLDfBgvyLY53rdSGJMVlrltRVj4V2izmqVmGjiPSOODOUpmyLHHm--6U1qf4PC5OEKXE8zWB25JY5hwJ36AOmIpokBo5_HZlA7B7ksOWGgv9M703Iiw=s1280" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="180" src="https://blogger.googleusercontent.com/img/a/AVvXsEiRUtX5GN6n0YdOS1PYIhRVTNyqqQXKGPl38U2CsDd1afRXaxiLdHNJORysxK-EJ5LUS0cokmlaLDfBgvyLY53rdSGJMVlrltRVj4V2izmqVmGjiPSOODOUpmyLHHm--6U1qf4PC5OEKXE8zWB25JY5hwJ36AOmIpokBo5_HZlA7B7ksOWGgv9M703Iiw=s320" width="320" /></a></b></div><b><br /><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Christmas house decorating competition, for professional
Christmas house decorators.<br />
I have a suspicion that Hallmark didn't hire professional decorators as
consultants, as all the decoration displayed in this film is not only amateur
looking, but cheap, outdated, and somewhat ghastly. It doesn't help the
cinematography in this film is below average quality too. The whole crutch of
the film is that the rivalling decorators are suppose to be good at what they
do, but they would be lucky if the decorations were at best unmemorable.<br />
Most reviews I have read, good or bad, all claim to be doing something else
while watching this. I was not that forthcoming and watched it straight on.<br />
Both leads stand out as the two professional actors, and there's chemistry
between them. Unfortunately, everyone else in this appears uncomfortable in
their own shoes, uninterested in the material, and almost embarrassed to be in
this. This is not a jolly feeling film.<br />
Low quality for even the poorest Hallmark Christmas movies.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 17</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">A Christmas Treasure</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgjra8aV79dSWdKhyxzythGWtW1-dTZj0QAs4hddC5dH7RDECo2IMWHJimJsD8Bf23KzEW6IoWNkEocMUnRoOkh-KsZRqfxZy2DORslzJM4uFdSihCqgnq1F-EP7e4J5gBG-Qgb2NPw8tQrIJvleG9l1wnVFfEhb7vz5B1WruMKJKkceAiHKFbZ472VbQ=s1080" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="720" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEgjra8aV79dSWdKhyxzythGWtW1-dTZj0QAs4hddC5dH7RDECo2IMWHJimJsD8Bf23KzEW6IoWNkEocMUnRoOkh-KsZRqfxZy2DORslzJM4uFdSihCqgnq1F-EP7e4J5gBG-Qgb2NPw8tQrIJvleG9l1wnVFfEhb7vz5B1WruMKJKkceAiHKFbZ472VbQ=s320" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">A writer, Lou, is torn between moving to New York to become
a writer or staying in her home town and work at a newspaper. She meets up with
a dashing chef, Kyle, who's torn between getting a chef's job in Chicago or
staying in his hometown. And a 100 year old capsule is opened to reveal items
from the past too.<br />
The film presents a lot of dialogue with people discussing food and
preparations. One of the reoccurring themes mentioned about recipes is to keep
it simple, just meat and potatoes. And that's a great metaphor for this
Hallmark Christmas movie. It stays simple, never complex, and sticks with aged
old recipe. There's nothing spectacular about "A Christmas Treasure".
Both leads are attractive and have nice chemistry. The supporting actors don't
feel like contest winners and average joblos that cannot act. And there are
still plenty of Hallmark Christmas movie tropes to satisfy those that watch
ironically or genuinely.<br />
Pretty bland but harmless.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 18</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Our Christmas Journey</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjtHRw9EKwJbAzFU-1dofaKaqdh79HI7X7V99z6NFQIiP6Gqkz4UjmW_7e0h9wDnc5y1pG0wSUQriJnF-1PKXhUU_3TG-UA7al-L94RyQOBxUc2cMFD1U75-ymxQ0R8m3s0eCl-QI8LoUEYdWDYv4XbyQh--lrFGpcxloetFmVqPO-cJ4Pjelm52-DlTA=s1500" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEjtHRw9EKwJbAzFU-1dofaKaqdh79HI7X7V99z6NFQIiP6Gqkz4UjmW_7e0h9wDnc5y1pG0wSUQriJnF-1PKXhUU_3TG-UA7al-L94RyQOBxUc2cMFD1U75-ymxQ0R8m3s0eCl-QI8LoUEYdWDYv4XbyQh--lrFGpcxloetFmVqPO-cJ4Pjelm52-DlTA=s320" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">What’s this? A Hallmark Christmas movie that has a slightly
complex character?<br />
Holly Robinson Peete is great as Lena, a single mother that is struggling with
concept of distancing herself from her son who has autism. When he spends time
at a facility designed for students like him, she starts running through a
cascade of emotions, from insecurity, loneliness, worry, and doubt of self
worth.<br />
Like almost all Hallmark Christmas movies, we get a warm hearted romance we get
overly positive side characters, and an abundance of people trying out
Christmas drinks, foods, and holiday events. But unlike other Hallmark
Christmas movies, this one tackles the subject of the stress and fears that a
parent may go through when raising a child with a disability. This film doesn’t
use the subject of autism as a gimmick or a cliché to pull at the heartstrings.
The focuses fall on the mother’s point of view and her learning to accept help
from others. The question then starts arising if her hesitation is for her
son’s best interests or her own. And while the film brings up some questions that
could dig deep into our protagonist’s inner self, this is still a Hallmark film
and stays rather docile and meek.<br />
The acting is often quite good, even a game of Pictionary feels relatively
real.<br />
Better than the average Hallmark Christmas movies.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 19</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Battle of the Bulbs</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEia6FNLHYfU_kig_TxS4ffaxKrQoUNm8jlaZyyAXBcXtvWEHcwDKSGTFYH3tI-72Uw9iycrmf1Sv0lDY1OOj5-qWsH6hFAUgyC2athUbwy8dQ6913kHbUWVnbbkv1AtULdRUZaGxT0uf2RBfQthRRUiuDhpdVFFKMCJiZRhkmEunrC6oc-mzs1gnbQBvw=s1502" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1502" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEia6FNLHYfU_kig_TxS4ffaxKrQoUNm8jlaZyyAXBcXtvWEHcwDKSGTFYH3tI-72Uw9iycrmf1Sv0lDY1OOj5-qWsH6hFAUgyC2athUbwy8dQ6913kHbUWVnbbkv1AtULdRUZaGxT0uf2RBfQthRRUiuDhpdVFFKMCJiZRhkmEunrC6oc-mzs1gnbQBvw=s320" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Early Hallmark Christmas movie before their tried and true
predictable formula took over their scripts. This one has two rivalling old
friends battling for the title of best Christmas house decorations, in hopes at
winning their local city a competition. Their antics soon start to take effect
on wrecking the holidays for their families and the residents of their block.<br />
We have seen this story unfold multiple times before, in films and in real
life. This film begins with Daniel Stern, Bob, mixing up his iconic slapstick
comedy he demonstrated in the Home Alone series, along with the goofy overly
positive love for Christmas we would associate with Clark Griswold from
“National Lampoon’s Christmas Vacation”. This is basically the same
characterization with Matt Frewer, Stu. The film does drop a “save the cat”
scene, with Bob cheating the system to help provide a senior lady new
prescription lenses she cannot afford. This happens just before we are privy to
find out why both men hate each other, giving us set up for these men to act
like spoilt children.<br />
While there’s some funny sequences with both men angrily decorating their house
while glaring at each other from across the street, the humor presented in this
competition comedy never reaches a level of exaggeration to become... funny.<br />
Both Stern and Frewer are likeable but they feel rather restrained.<br />
This is as funny as an ugly Christmas sweater party.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 20</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Nine Kittens of Christmas</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiZ1WWmBTEeYYWaRK6T2z2NaOSAjT99vU-txfMCfI3a7dT5etPG7koooBjnypYxlEDDeOSr5isAxsuXISUuBW9KBsrCPzwfG_3RKCYB7DM42KO1A2Pt5CZrE_sA_0qQCmozm72VINSbAHS_fCPDOWgUgqagUdKk01w0MJL3kcWptbzcVjF1bqTV82Vy5A=s600" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="400" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEiZ1WWmBTEeYYWaRK6T2z2NaOSAjT99vU-txfMCfI3a7dT5etPG7koooBjnypYxlEDDeOSr5isAxsuXISUuBW9KBsrCPzwfG_3RKCYB7DM42KO1A2Pt5CZrE_sA_0qQCmozm72VINSbAHS_fCPDOWgUgqagUdKk01w0MJL3kcWptbzcVjF1bqTV82Vy5A=s320" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Hallmark's tried and true formula of generic Christmas
rom/coms has received a positive modification. Instead of using their usual
over head shots of the city or town as transition sequences between scenes,
this film uses clips of kittens being kittens.<br />
Both Brandon Routh and Kimberly Sustad have enough charisma and charm to
elevate a simple and plain script. Like many Hallmark films, there is little to
no conflict, little surprises, and a ton of Christmas traditions, foods, and
decorations. But this one had plenty of very cute kittens, so it was easier to
digest.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 21</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Dickens for the Holidays</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj6fphv6eZwtNhLWT8xx2BkMd9Gebp0ZAvNxpDp8AX1WejHOQA76RxDQ7BfjODwZnpB9NurwaJr1fDHC6ykLn6ZhE8q8TezR0BL71q7LXMdulvFPEum4BEbAqXlj3esg8_HOGTDPjRd-QqJju-WGtrigLAxClZIbWOp-5cSr1k_i88EIS1HLYlOcdBJ4A=s2048" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEj6fphv6eZwtNhLWT8xx2BkMd9Gebp0ZAvNxpDp8AX1WejHOQA76RxDQ7BfjODwZnpB9NurwaJr1fDHC6ykLn6ZhE8q8TezR0BL71q7LXMdulvFPEum4BEbAqXlj3esg8_HOGTDPjRd-QqJju-WGtrigLAxClZIbWOp-5cSr1k_i88EIS1HLYlOcdBJ4A=s320" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Another, "Well that wasn't too bad" Hallmark
Christmas movie.<br />
This one is focused on setting up a local theatrical production of Charles
Dickens' beloved "A Christmas Carol". The town's traditional Scrooge
actor has lost his voice and the production is desperate for a new performer to
take the lead, as well as drum up some new crowds. They pick an action hero
actor from the same town, which will but heads with the director until the two
fall into Hallmark Christmas movie formulas.<br />
Our lead's Scrooge performance is Hallmark good, but in other productions would
appear cheesy, forced, and even campy. But when seeing how tiny the production
turns out to be by the end, it actually makes more sense. Sure the people are
losing their shit over this amateur looking show, but this is a Hallmark movie
and mediocre it spellbinding to all people who love Christmas.<br />
This doesn't hold a candle to Dickens' work and it doesn't try to.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 22</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Sister Swap : A Hometown Holiday</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhQn1aMyr4MruDMgEyuYTdLMXcZx-ffdlrQZjZnPwsu0QeUjm-W3xJ3sMDtCgFZ0edTMystIWg_YFa1fNKyuqRfrs6OOMlNiOgazNmw_NGQP4EmoT9bRU0XzV6CgiAQCdsyfi5Sq5oW6cOAPtlPwQpup14AAHlOqDUsz_8Q3JoEr-OVP8vCOIBkgeN-3A=s2048" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEhQn1aMyr4MruDMgEyuYTdLMXcZx-ffdlrQZjZnPwsu0QeUjm-W3xJ3sMDtCgFZ0edTMystIWg_YFa1fNKyuqRfrs6OOMlNiOgazNmw_NGQP4EmoT9bRU0XzV6CgiAQCdsyfi5Sq5oW6cOAPtlPwQpup14AAHlOqDUsz_8Q3JoEr-OVP8vCOIBkgeN-3A=s320" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Kimberly Williams-Paisley and Ashley Williams are convincing
as sisters who love each other.<br />
The synopsis only explains that each sister lives away from each other and
doesn’t provide any story content. The “Sister Swap” duo films each focus on
one of the sisters’ adventure dealing with the issues that are happening in the
city they are visiting. The first is about re-opening a theatre and the second
film is about keeping a restaurant working smoothly.<br />
The selling feature is the scenes between the two sisters. Both have male
romantic leads wooing them, but the two are interchangeable and unmemorable. It
is as if the film could have been just as good without the romantic
heterosexual Christmas coupling up but because this is Hallmark, attractive
couples hooking up on Christmas is mandatory.<br />
Both stories intertwine and we get repeated clips. The main issue is that we
get some scenes with Kevin Nealon as their uncle Dave. These scenes, while
short, feel natural, authentic (rare in hallmark Christmas Movies) and
heartfelt. There is not enough Kevin Nealon.<br />
While the two sisters are likeable, Ashley showing off a lot of comic chops,
they do appear to be often in their own world, for instance dancing in the
streets while they talk to each other on the phone comes off playful at first
but when they do the same dance in the aisle while a movie is playing comes off
rude and inappropriate to the people that they are blocking the view of. Also
the film they show a crowd of people coming to support a closing theatre is a
home video of their past Christmases. Sure they show an actual film after this
but forcing this upon people is very narcissistic.<br />
I like that Hallmark tried a new type of gimmick but this is not breaking the mould.<br />
This feels like a cheat, as if they copied and pasted a script. And copying and
pasting just feels lazy.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 23</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Sister Swap :
Christmas in the City</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhvp0ULnvi0IiBNPM5WtH8dfiq1pAX4Q_U0r7Oqp00uwLbZiFT3J_EQSioPHwmEKQJtGyxSLTD_a98CEYzGeEZrIEif7Jkwy1IKfYvwkxorDynWNxbIF1qk6EYkT5_aWrLkJ_0zgFKP8hraT7oRvzJYOJ6f8WdGseyOTmT_25IkhQyFeZbCvowCMxFhbg=s2048" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEhvp0ULnvi0IiBNPM5WtH8dfiq1pAX4Q_U0r7Oqp00uwLbZiFT3J_EQSioPHwmEKQJtGyxSLTD_a98CEYzGeEZrIEif7Jkwy1IKfYvwkxorDynWNxbIF1qk6EYkT5_aWrLkJ_0zgFKP8hraT7oRvzJYOJ6f8WdGseyOTmT_25IkhQyFeZbCvowCMxFhbg=s320" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Kimberly Williams-Paisley and Ashley Williams are convincing
as sisters who love each other.<br />
The synopsis only explains that each sister lives away from each other and
doesn’t provide any story content. The “Sister Swap” duo films each focus on
one of the sisters adventure dealing with the issues that are happening in the
city they are visiting. The first is about re-opening a theatre and the second
film is about keeping a restaurant working smoothly.<br />
The selling feature is the scenes between the two sisters. Both have male
romantic leads wooing them, but the two are interchangeable and unmemorable. It
is as if the film could have been just as good without the romantic
heterosexual Christmas coupling up but because this is Hallmark, attractive
couples hooking up on Christmas is mandatory.<br />
Both stories intertwine and we get repeated clips. The main issue is that we
get some scenes with Kevin Nealon as their uncle Dave. These scenes, while
short, feel natural, authentic (rare in hallmark Christmas Movies) and
heartfelt. There is not enough Kevin Nealon.<br />
While the two sisters are likeable, Ashley showing off a lot of comic chops,
they do appear to be often in their own world, for instance dancing in the
streets while they talk to each other on the phone comes off playful at first
but when they do the same dance in the aisle while a movie is playing comes off
rude and inappropriate to the people that they are blocking the view of. Also
the film they show a crowd of people coming to support a closing theatre is a
home video of their past Christmases. Sure they show an actual film after this
but forcing this upon people is very narcissistic.<br />
I like that Hallmark tried a new type of gimmick but this is not breaking the mould.<br />
This feels like a cheat, as if they copied and pasted a script. And copying and
pasting just feels lazy.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 24</span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Next Stop Christmas</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgO11q3-_pQezFhQQj4L1aBQe2OYLo3eYHoyuoCGruuHy987r5mFY-RcQR7VAnCNu2ypxDJqHDbwTAd4Hy1-lT9IM0TrcedtYammhEwKdBHZf6QFEb2XHbn6rrnpTym8u0-MlledV7htajTFdzpnfXC9LOvpycLe-z7WpU9ypfCP69MIVwL2YrRHcYmAg=s1499" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1499" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEgO11q3-_pQezFhQQj4L1aBQe2OYLo3eYHoyuoCGruuHy987r5mFY-RcQR7VAnCNu2ypxDJqHDbwTAd4Hy1-lT9IM0TrcedtYammhEwKdBHZf6QFEb2XHbn6rrnpTym8u0-MlledV7htajTFdzpnfXC9LOvpycLe-z7WpU9ypfCP69MIVwL2YrRHcYmAg=s320" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">Simple, sweet, inoffensive and unfortunately forgettable.<br />The cast is fine, the cinematography is slightly above the Hallmark Christmas Movie standards, and appearance of Christopher Lloyd and Lea Thompson was a nice added touch.<br /></p><p>But this is a film where our protagonist takes a long time to learn about her situation, in order to have some sad desperate attempts at humor. We can accept our protagonist maybe slipping information the first couple times, but when this continues for half the film, it grows old quickly. Anyone watching will be well ahead of this film the whole time. </p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 25</span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Nantucket Noel</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgMhPgiy4G21WBfgGKVqZgpovA8YOmZwJxZQqLuqZC8RcqfL8Y0Ias--bDo_xhpUy74zanHUVYd8RfVCMMYIjMS-m0I6O1Kf4gE07WhhmCCDVuhryNTqhmVtjNSMHU8bctxAEz8M38IApoTKiNbQyrtdiTKquljZlYTV3QA2JttoQ9EwjbwUfp0bUUOKQ=s1500" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEgMhPgiy4G21WBfgGKVqZgpovA8YOmZwJxZQqLuqZC8RcqfL8Y0Ias--bDo_xhpUy74zanHUVYd8RfVCMMYIjMS-m0I6O1Kf4gE07WhhmCCDVuhryNTqhmVtjNSMHU8bctxAEz8M38IApoTKiNbQyrtdiTKquljZlYTV3QA2JttoQ9EwjbwUfp0bUUOKQ=s320" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Can people catch an illness from watching too many clichés
in a compact amount of time? Because I think I caught something.<br />
This is basically a better parody of the Hallmark Christmas movies than a lot
of the wannabes. We have a lady who owns a small business, a tree of businesses being condemned because of a rich man hates Christmas, and a handsome guy that saves the day. I literally just watch this film and have already forgotten most of the events that transpire in it. So dull and boring, I started getting angry that nobody was texting me to distract me, like they do every other film I watch in the comfort of my home. </p><p class="MsoNormal"><br /></p><p class="MsoNormal">And there we go, the end of the 25 days of Christmas movie watching. This year the percentage of good films was not very high. Glad to be over this challenge. Time to enjoy the holiday. </p><p class="MsoNormal">Happy Holidays everyone. Everyone but Hallmark. Fuck you Hallmark. </p><p class="MsoNormal"><br /></p><p class="MsoNormal">JP Fournier</p>
<p><br /></p>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-90960290228054255872021-12-11T15:54:00.005-08:002021-12-11T21:10:57.401-08:0025 Christmas Movies in 25 Days, plus 25 Hallmark Christmas Movies, 2021, Week 2<p> This week a saw a film so good, it made me raise my expectations on the Hallmark films, which I may have been getting soft on in the past year. This may have also been a cause of having a fever after getting my third vax shot and body reacting to it, but I am already looking forward to watching something that is not Hallmark films. I however am a man of my word, so I will still suffer through this. </p><p>Thank you all who reached out to me after my interview on CBC Radio One, in regards to the "Science of Hallmark Films". Here's the link - "<a href="https://www.cbc.ca/listen/live-radio/1-52-radio-active/clip/15883293-the-science-behind-hallmark-movies?fbclid=IwAR1IdZJMY9nqVKwTJQg6JZFGm9DwgjF7ORv_N5R1xYTtd1_XxRtX2lD-_w4">Science of Hallmark Christmas Movies</a>". I will be returning on Wednesday December 15th at 4:00 pm mountain time, talking about the best and worst of the Hallmark Christmas Movies.</p><p>For now, here's an early breakdown of this past week (will be busy tomorrow so decided to drop this a day early). </p><p><br /></p><p></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 7 </b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>The First Deadly Sin</b></span><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiNDjJK9nuZFEWQJkQBPFF05tluWuOTliVjSqXnYmvYdBZz6F-iEHBxlgZhsZwpmhTMoxaQ7a7gGnhOiXpjZORszSUzZBjW_mFmHyT34itxpzREDAQENuyfPjqzh_qnLCN34TdsfNQUcLQ7dj2HMIZYQPT7GR0KtLs7TFZJCY4JX2IX3gt6zHz-y9A6lQ=s2048" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1536" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEiNDjJK9nuZFEWQJkQBPFF05tluWuOTliVjSqXnYmvYdBZz6F-iEHBxlgZhsZwpmhTMoxaQ7a7gGnhOiXpjZORszSUzZBjW_mFmHyT34itxpzREDAQENuyfPjqzh_qnLCN34TdsfNQUcLQ7dj2HMIZYQPT7GR0KtLs7TFZJCY4JX2IX3gt6zHz-y9A6lQ=s320" width="240" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">Sinatra’s last film certainly left his audiences wanting
more. Just before retirement, Inspector Edward X. Delaney hunts down a serial
killer right around Christmas time. And while he is on the case, his wife has
taken mysteriously taken ill. Aged, burnt out and emotionally broken by his
wife’s condition, he’s still finish one final case.<br />
“The First Deadly Sin” chooses to stay gritty and grimy even though it’s set
during Christmas. This rough atmosphere, along with a methodical slow burn
pace, allows this in-depth and compelling character study to shine. Sinatra is
truly great. The script is a bit strange, from a solid police procedural it
will switch over to a strange medical drama. Besides adding to Delaney’s weight
on his shoulders, there is no connections between the two. Well, there might be
a connection but I couldn’t figure it out. Doesn’t hurt the performance though.<br />
Tough, solid drama.<o:p></o:p></p><p class="MsoNormal">I get it why this is not a Christmas classic. Oh boy this one is bleak. </p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 8 </span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Mother Krampus </span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">(AKA 12 Deaths of Christmas)</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgm_4hxVzg7ztV4vKl_z9-HkiHFuw9EkwGi51-JA_1nHiJMYWWJZNaUHNpaGf51xWL73PNKn_nTn1YRCmmwUzy-QoAANSfw34qcoca6oBgTDXkmMSmtAJAqN5Pl9HuuB6KUwxwQiJBFFKco8PMrsAsp6XYYi1ZoRFL9sc9AziGyM_sXp9ggJq4zR48Hfw=s2048" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1450" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEgm_4hxVzg7ztV4vKl_z9-HkiHFuw9EkwGi51-JA_1nHiJMYWWJZNaUHNpaGf51xWL73PNKn_nTn1YRCmmwUzy-QoAANSfw34qcoca6oBgTDXkmMSmtAJAqN5Pl9HuuB6KUwxwQiJBFFKco8PMrsAsp6XYYi1ZoRFL9sc9AziGyM_sXp9ggJq4zR48Hfw=s320" width="227" /></a></b></div><b><br /><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">The film claims to be based on the story of Frau Perchta, a
female version of Krampus from German folk lore. But instead, we get another
version of "A Nightmare on Elm Street" with children being murdered
by a vengeful ghost who was lynched by the towns folk who believed her to be a
child slayer.<br />
The story of Perchta is that she is either a beautiful white angel or a wrinkly
hag with a hook nose, who enters people's houses during the 12 days of
Christmas to check up on the children. She, like Santa or Krampus, knows if the
kids are good or bad. If good, the kids get a golden coin. If bad, she slits
open their stomach and stuffs them with either hay and garments or stuffs them
with spices and garnishes for feasting on. And this might be the one part the
film takes from her story. We do get a slit and stuffed stomach victim. But in
this film, she's kidnapping children and adults all willy nilly, inside,
outside, and she's murdering them in all sorts of Christmas themed fashions.<br />
Unfortunately, "Mother Krampus" attempts to give Perchta a backstory,
which only diminishes the mysticism and fun of the actual folklore. We never
get a sense of the powers, the abilities, and even the rules of Perchta, she
appears and disappears randomly, she uses gimmicky Christmas decorations and
items for her murders, and people are either attracted to her or petrified by
her with no explanation to either reaction. There's an attempt to give her a
tragic character, but regardless of her history she's still murdering children,
soooo...<br />
The film has lots of child kidnappings and murders, lots of gore, and most
deaths have the b-movie style of Christmas murders, like tying up someone with
Christmas lights for instance.<br />
Terrible acting, especially by really terrible child actors, a plot twist that
makes no sense, and poor production qualities makes this one a forgetful gross
and boring cheapo.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 9 </span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">A Clüsterfünke Christmas</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhXKP88ns2wVFKoNecYtRmWcEjXw999UewRFZHRZuCiKNGP_xIPgNf2XJC4x2EtbNhbCe9SsAWnxQ8Mdzk-9HWtvFS_gr1276OkH04ynvHNEbSn1C4H2OwgeBVIx_c4tMMo-sRgo9Lo3ylXm_HUsQxpxOo7bS7BmoMGgHtBpgxylDd554Q5zVzOVUGiGw=s1350" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1350" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEhXKP88ns2wVFKoNecYtRmWcEjXw999UewRFZHRZuCiKNGP_xIPgNf2XJC4x2EtbNhbCe9SsAWnxQ8Mdzk-9HWtvFS_gr1276OkH04ynvHNEbSn1C4H2OwgeBVIx_c4tMMo-sRgo9Lo3ylXm_HUsQxpxOo7bS7BmoMGgHtBpgxylDd554Q5zVzOVUGiGw=s320" width="256" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Oh great. Yet another Hallmark Christmas movie parody that's
main attempt at jokes is just slightly exaggerating the overly used
stereotypical commonly know tropes that we have seen made fun of countless
times already, but this time it's delivered at an annoying pace, rushing
through as many obvious jokes as possible.<br />
Ana Gasteyer and Rachel Dratch do bring a couple fun moments in their
performances and may have just written the best lines for themselves. Otherwise,
we get reused jokes like a soundtrack overpowering the actors only to show a
band playing near them. Jokes that nearly work have to stretch commonly known
details like changing Gingerbread Man into GingerPeople, because of a woke
world expectations, but leave out "bread" in Gingerbread just to make
a pun. We also get character announcing the use of a montage in a film. Yep.
That joke hasn't been done ever. And this film thinks the overuse of the name
"Clüsterfünke" is brilliant. Sure, it's a cute name the first couple
times but like the amateur performances, the lack of nuances, and the
recreating tropes without doing something funny with them besides recreating
them, it grows tiresome very quickly. So, by the time we actually get a joke
that works (a goodbye piece) the film has already worn out it's welcome.<br />
This feels like someone who's out of touch with the subject matter because they
have already decided they know what it is, without researching it. Some people
might find this funny, but holy shit I didn't.<br />
Stupid, obnoxious, and unoriginal.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 10 </span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Christmas Freak </span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjDYSvcA2r4EfTVDxegzp5PrVRAfDX4zr40YK-_2XAonGfiXgI_I7wZg9nSDuGpebzR3i9xovbHZ4OQPd37reoCal3XCb66oAmwt9BGYJJagCIemT8ZBVJQ1O_2Azha-siDA3w3HZqvqhqkpXwqCMsQv60WeWM3f420W8N4QuYfazLSd9hgLhHAWZmfjw=s1500" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEjDYSvcA2r4EfTVDxegzp5PrVRAfDX4zr40YK-_2XAonGfiXgI_I7wZg9nSDuGpebzR3i9xovbHZ4OQPd37reoCal3XCb66oAmwt9BGYJJagCIemT8ZBVJQ1O_2Azha-siDA3w3HZqvqhqkpXwqCMsQv60WeWM3f420W8N4QuYfazLSd9hgLhHAWZmfjw=s320" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Rudy, a poor man's Pee Wee Herman, celebrates Christmas
everyday, and as Valentine’s Day is coming up, he's annoying and making
everything laughlessly awkward as he denies the existence of other days besides
Christmas.<br />
The poster appears like this is going to be a comedy horror, and it might be a
bit horrific, but not for the right reasons. Plenty of close ups, plenty of
overbearing colors, and plenty of terrible acting, make this a chore to get
through. While there is nothing wrong with the concept of a people that have
obsessive compulsive disorder connected to Christmas, better films would have
this character be a part of a plot or storyline, like him having to learn a
trade, Rudy being accidentally mistaken as a mob boss, or going on a road trip
in search for a stolen bike, this film figures his character oddities is
enough... and it's not.<br />
There's not much story, not much variety, and very little entertainment here.
This is more fascinating as an anomaly. For people that like to watch a film
and wonder the whole time, did somebody actually think this might be
entertaining?<br />
Embarrassing on all levels.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 11 </span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The Apartment (1960)</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj85HU12zClNDE-A9TQLRvLjCu6U6KX7nsTmgA8p-4kKRjD5sjToZDhTNmkLC3h4S7yKSnPuREzl_fY1W8kqtFnb02gICx1y6luLWJcBfp_lDsERRPj_TAaMrWIcTojnH_JZbooXee1eVKdx14qEf-kR8XrwJqXkEyEIRQwRxEhueh2sEQPaLt-UzSdZw=s2048" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1328" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEj85HU12zClNDE-A9TQLRvLjCu6U6KX7nsTmgA8p-4kKRjD5sjToZDhTNmkLC3h4S7yKSnPuREzl_fY1W8kqtFnb02gICx1y6luLWJcBfp_lDsERRPj_TAaMrWIcTojnH_JZbooXee1eVKdx14qEf-kR8XrwJqXkEyEIRQwRxEhueh2sEQPaLt-UzSdZw=s320" width="208" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">What a treat.<br />
There's not one scene, one word, and one direction that is not meticulously
measured and perfectly executed to bring together the high standard for all
romantic films to strive to reach.<br />
Even the small details have so much character. When a ringing phone call brings
fear and worry, the phone is shot up front giving a force perspective to make
the phone appear more menacing. From the specific moments when people smoke,
where there eye lines are pointing when having conversations with other people,
and even the blocking positions on scene build on the incredibly tight
storytelling. All the nuances of Jack Lemmon's Baxter, all the strength and
pain of Shirley MacClaine's Miss Kubelik, and all the scummy charm of Fred
MacMurray's cheating Sheldrake, make this an exceptionally captivating romantic
comedy.<br />
So good, I forgot I was watching a movie.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b><o:p> </o:p>Day 12 </b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Christmas Vs. The Walters</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhqhhn5LDlibyOI56m1YwV-IGh_BZc_BsSzTZOeSZOBqSvkj1UQtY_Qn_Y_NgZzuuNJvM_opdo2f5yeAAPwflk40BBK9xNPoVSfOljOXvLTe0AotN3jZd5onmomQLo5lW81MBmySqSbyQJpAT5eKAOdGYz5l_bi_dCD-_JW9jsjKKcoqJyT1dgJ4Y1OHg=s1481" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1481" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEhqhhn5LDlibyOI56m1YwV-IGh_BZc_BsSzTZOeSZOBqSvkj1UQtY_Qn_Y_NgZzuuNJvM_opdo2f5yeAAPwflk40BBK9xNPoVSfOljOXvLTe0AotN3jZd5onmomQLo5lW81MBmySqSbyQJpAT5eKAOdGYz5l_bi_dCD-_JW9jsjKKcoqJyT1dgJ4Y1OHg=s320" width="216" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p class="MsoNormal"><o:p></o:p></p>
<p class="MsoNormal">Very misleading title, as the Walters family is never in
contrast, battling, or fighting against Christmas. Instead, they are somewhat
dealing with everyday life issues around Christmas time.<br />
Shawnee Smith is the highlight here as Diane Walters, a nine-month pregnant
mother being overwhelmed by all her duties to make this holiday special for her
family. Her spouse is overworking and travelling to obtain a special promotion,
her teenage daughter is being a teen and becoming somewhat disconnected with
her parents as well as gotten in trouble with the law trying to save a stray
dog, her sister and her haven't been connected through family history, and
Diane still hasn't gotten over the passing of her father on a Christmas past.
On top of this, she has an annoying neighbor who keeps rubbing his life and
Christmas decorations in her face, a hippy doctor (played comically by Chris
Elliot), and doctor's orders to not work so hard and rest.<br />
The film attempts to be a bit edgy and walk that fine line of a hip family that
plays by their own rules. Yet there's nothing out of the ordinary that they do
to earn this attempt at appearing rebellious. Until the dad walks into the neighbor’s
yard and punches out a blow-up snowman, which at this point feels out of place
and uncharacteristic of what we've learnt about this family.<br />
Despite the film they are trying to sell, it's still an ok Christmas movie. It
also has some fine performances, doesn't have condescending messages, and it
flows at a nice pace. The outdoor Christmas decoration conclusion doesn't land
like I believe the film makers thought it might have and it couldn't have been
something left on the cutting room floor to make this a better film.<br />
It's fine. It won't make anyone's Christmas tradition film lists, but it's not
so terrible that it would ruin a holiday too.<o:p></o:p></p><p class="MsoNormal"><br /></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: x-large;"><b>Hallmark Christmas Movies</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 7 </b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Christmas Contest </b></span><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj4fSvGmW7Yaaf3qsaoSViEg7mmROS9FYnc9p1jt5hRoT6CHmJJr57SsgB_F4LGGX8JPq7xXcBo8qxX0RtTq1bvJs2PD4-7P6Pe7DZMqP4stJ3CxRwRjQ07H_LNFLwsZnDEPMLyZ26lVYymhJrGIjrZe50PTrQxGLFTy6sv5STISEUExvxjekIU1sB4xA=s1500" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEj4fSvGmW7Yaaf3qsaoSViEg7mmROS9FYnc9p1jt5hRoT6CHmJJr57SsgB_F4LGGX8JPq7xXcBo8qxX0RtTq1bvJs2PD4-7P6Pe7DZMqP4stJ3CxRwRjQ07H_LNFLwsZnDEPMLyZ26lVYymhJrGIjrZe50PTrQxGLFTy6sv5STISEUExvxjekIU1sB4xA=s320" width="213" /></a></span></div><span style="font-size: large;"><br /><b><br /></b></span><p></p><p></p><p class="MsoNormal">Maybe it might be better when Hallmark Christmas films stay
simple and basic. “Christmas Contest” attempts to mix reality show television
with competitive Christmas tradition games. With the contest, we get caroling,
cooking, decorating, and trivia. Our two love birds this time are old lovers,
one a sports celebrity and the other is a CEO to a company who’s lost her love
for Christmas. Yada Yada Yada.<br />
This one starts with some narration from Candice Cameron Bure that doesn’t have
any set up to the film. And we get back and forth behaviors and opinions from
our two soon to be lovers, that contradict their characters. By the end, I had
lost interest in what was trying to be accomplished by the two. This is all
over the place story wise. But if you like your comedy to be awkwardly unfunny,
his might be the film for you.<o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 8 </b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Five More Minutes</b></span><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiAw__SfuBwf-GCwNqxU13RqsDbaXjmAnknVXmUVXJacYjEWF6Jb1jl35pakRcxlZ_V-6BHCiAmKiroHpjVtqV0kE7OFM1r4zlyDbSz1AcbbNQ9IC5KyXiU5gSQT8T2OnHIgxDvbB0UnVNj_mnTvAJgVGempnq82bXm4LMEIjx8aNZqAlXDz9-vERhKJw=s1500" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEiAw__SfuBwf-GCwNqxU13RqsDbaXjmAnknVXmUVXJacYjEWF6Jb1jl35pakRcxlZ_V-6BHCiAmKiroHpjVtqV0kE7OFM1r4zlyDbSz1AcbbNQ9IC5KyXiU5gSQT8T2OnHIgxDvbB0UnVNj_mnTvAJgVGempnq82bXm4LMEIjx8aNZqAlXDz9-vERhKJw=s320" width="213" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p class="MsoNormal">Considering Hallmark Christmas movies talent in “borrowing”
plots, concepts, and repeating the plots and concepts they borrow within their
large turn around quantity of new films each year, reading the title “Five More
Minutes” and the film begins with a granddaughter wishing for more time with
her dead grandfather, I could have sworn this would be Hallmark’s version of
Mitch Albom’s “For One Day More”. And this is does borrow a portion from it,
however, it also is just another generic Hallmark plot too, with a single lady
meeting up with her old boyfriend, who joins her on a mission of interfering
with other people’s personal lives and romance ensues.<br />
I did have a good laugh each time everyone mentions “Five More Minutes” and the
film plays a chime sound effect as if a miracle in underway. The best mention of
“Five More Minutes” is when our protagonist recounts the day, she found out her
Grandpa died. She mentions that she called right after he died, but if only she
called “Five Minutes Earlier” she would have been able to hear his voice one
last time. But that wouldn’t be good because she would be talking to him as he
is dying. If she called five minutes earlier, she would probably have heard him
say, “Oh my heart. AHHHH!” then the sound effects of him hitting the floor
dead. That would have been way worse that not hearing his voice that day.<br />
This film has a bit convoluted message, buried under a vague uninteresting
romantic mystery, but it is a nice message. It’s just too bad this one is
crammed with hackneyed ideas it doesn’t develop any of them to create interest.<br />
It’s too bad they just didn’t remake Mitch Albom’s “For One Day More” instead
of just tossing the book’s gimmick quickly at the end.<o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 9 </span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Love, Lights, Hanukkah</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiW7nH_xNIKybxblg-iTU0oGaEx8uQQKesRkTwAbNDmI-kn6pZsbt97FB8GvsyXWA8Iq6bHSeKqN7LpjJ_YXIuVbs5leuSPBzz0KbQTRWIjK1lcT_usUJFlEwLESNlEOWBS4wZngAUhQG_n7LdKv6-QJA9xE-mmqX0RQ0uIiis9a_IzCPPGOnp1fOJXAA=s2048" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEiW7nH_xNIKybxblg-iTU0oGaEx8uQQKesRkTwAbNDmI-kn6pZsbt97FB8GvsyXWA8Iq6bHSeKqN7LpjJ_YXIuVbs5leuSPBzz0KbQTRWIjK1lcT_usUJFlEwLESNlEOWBS4wZngAUhQG_n7LdKv6-QJA9xE-mmqX0RQ0uIiis9a_IzCPPGOnp1fOJXAA=s320" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">This one is an all no type of offensiveness from Hallmark. <o:p></o:p></p><p class="MsoNormal">Girl finds her blood mother and finds out her blood mother
is Jewish. This means she now must become Jewish.<br />
I didn't know that. I didn't know finding out your blood parent doesn't follow
the same religion you were raised with, automatically changes your religion.
There is a moment in this film when our protagonist looks longing at a Santa
Claus decoration and new future boyfriend says, "I understand how you are
going to miss this." Wow. She just doesn't have the right blood for Santa
Claus.<br />
And that's about the level of intellectuality we get here.<o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 10 </span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">You, Me, and Christmas Trees</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEhGPkyv4sVD2HisWCQbkNHzxv7D4g2yZIp_tzUo0R2mjUYp5jDSipIqSsxqdIaIpH2aEuUuLwj7CBk6gZu-z97bKQAlmtddfZ1fpjkQe2ZlZjD7Imh8uCvdyzIfBOf5R8Uuxdz_Z2fe5fvQ4291YpEGAnaGYHXoN1YHetp3mJ4OZLScL5SoW7S73lYNhw=s1500" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEhGPkyv4sVD2HisWCQbkNHzxv7D4g2yZIp_tzUo0R2mjUYp5jDSipIqSsxqdIaIpH2aEuUuLwj7CBk6gZu-z97bKQAlmtddfZ1fpjkQe2ZlZjD7Imh8uCvdyzIfBOf5R8Uuxdz_Z2fe5fvQ4291YpEGAnaGYHXoN1YHetp3mJ4OZLScL5SoW7S73lYNhw=s320" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">This year's new Hallmark Christmas movies started off with
the most stereotypical trope heavy film.<br />
When people who don't watch Hallmark Christmas movies make fun of Hallmark
Christmas Movies, they will probably accidentally be references this film.
Let's count the tropes:<br />
1) Business that stays successful by only selling Christmas themed items is in
trouble and needs to get back enough sales before Christmas to stay afloat.<br />
2) Business lady makes herself busy with work to avoid celebrating Christmas<br />
3) Handsome single man teaches lady how to celebrate Christmas better.<br />
4) Both protagonists don't get a long at first.<br />
5) Every room has Christmas decoration, even barns and storage rooms for Christmas
trees.<br />
6) Hot Chocolate<br />
7) An event promoting sweets that would be a diabetic's nightmare.<br />
8) One Interrupted kiss<br />
9) Time for Coffee<br />
10) A second interrupted kiss<br />
11) Small town has enough people and business at Christmas to not only support
1 sole Christmas item seller but their competitor too.<br />
12) Another event that centered on sweets that would be a diabetic's Nightmare.<br />
13) A third interrupted kiss<br />
14) A full kiss before the credits<o:p></o:p></p><p class="MsoNormal">If you have seen people make fun of the stereotypical
Hallmark Christmas Movie, then you'll know all the steps to this film. Harmless
comfort food of a romcom. Not memorable but not offensive.<o:p></o:p></p><p class="MsoNormal"><o:p> </o:p></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 11 </span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Open By Christmas </span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjgR1YAE-s3yngtUNHF5lXWKKCPs-F2cX-4IQpKRN3rFIXX9KP6Gb3OKwDkIqarQFaEZZnYWJCv3fjxcQafjBFePYR8YKr_orTmQAqI0OJ1nTtG4e6y3qrSEGsf_Bdem5UEK76KQ0ThoIpnuwtUOSgsy0C0xa86TdN1RdP9bV7spU-0_qA4JFg9nXULmw=s1280" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="180" src="https://blogger.googleusercontent.com/img/a/AVvXsEjgR1YAE-s3yngtUNHF5lXWKKCPs-F2cX-4IQpKRN3rFIXX9KP6Gb3OKwDkIqarQFaEZZnYWJCv3fjxcQafjBFePYR8YKr_orTmQAqI0OJ1nTtG4e6y3qrSEGsf_Bdem5UEK76KQ0ThoIpnuwtUOSgsy0C0xa86TdN1RdP9bV7spU-0_qA4JFg9nXULmw=s320" width="320" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">Successful business lady goes back home and finds out her
parents are selling their home. While looking into her old items, she finds an
unsigned Christmas letter in a high school book, written by a fellow schoolmate
that had a crush on her. The letter explains that she never smiles enough in
high school and we all know how every lady everywhere love to be told they need
to smile more. And this letter charms her enough that she decides to search for
this mystery man. She meets up with one guy that she suspects could be the
mystery man, and even though she gets along with them and appears to hit it off
with them, because he turns out not to be mystery letter writer, she doesn’t
bother with him. Another guy she sees at a party that she suspects, she asks
directly if he was the writer but finds out he’s engaged to another man. Once
she discovers he’s gay and meets his fiancé, she backs away quickly as if the
two were aliens or trying to sell her a pyramid scheme. Yep, she’s not very
likeable.<br />
There’s another sub-story line about a single mother, engaged to a new man,
trying to maintain her friendship with her growing son, all the same time she
is planning her wedding with her new hubby. This story is not very interesting,
but it links with the main story, with both of the two men trying to keep a
surprise from the mother for Christmas.<br />
What makes this one an unforgettable Hallmark Christmas Movie is the even more
bland dialogue than average hallmark films. The actors don’t appear to be
comfortable with the dialogue too. There’s a huge disconnect in this film.
Brennan Elliott is the only stand out, as his performance feels natural and
therefore out of place in this film.<br />
This one is just plain terrible.<o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 12 </span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Christmas In the Air</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/a/AVvXsEj_kvzF-YkYaU84dln-fTSlOyRXatdzB8Lldr0BvYC25RiHZg9HYzNHlzKE3O0WKGOJHIbtDGQaAw_M73IFUQgopV23rcX-HVC9XcKGMmIC-osr1QaQgLDO1P24uk7mF3hH7bodIvYO3Jk71v2vGK9zq8tzMHxiCjQnB9wTZ8lTkRh_cCLNlTQhl7QW2g=s1501" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1501" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/a/AVvXsEj_kvzF-YkYaU84dln-fTSlOyRXatdzB8Lldr0BvYC25RiHZg9HYzNHlzKE3O0WKGOJHIbtDGQaAw_M73IFUQgopV23rcX-HVC9XcKGMmIC-osr1QaQgLDO1P24uk7mF3hH7bodIvYO3Jk71v2vGK9zq8tzMHxiCjQnB9wTZ8lTkRh_cCLNlTQhl7QW2g=s320" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">
</p><p class="MsoNormal">Single father needs a woman to help him organize and keep
his father duties in order. I know that in this story, it's this particular
father/man that needs help cleaning, organizing, and sticking to schedules to
be a better father to his kids, but throughout the film I couldn't help but
wonder if there ever was a film where a single mother required the help of a
man to help with cleaning, organizing, and sticking to schedules? This thought
kept having me wonder why this father was such a deadbeat to begin with as he's
framed as a good kind-hearted man, but because he doesn't have a lady in his
life to keep him in order, he keeps pushing his children's needs aside. Yep,
it's the absence of a woman in his life that makes him forget he has kids and
dad duties. That's all. And when he starts dating this lady, their frequent
childless dates don't take him away from his fatherly duties too? Of course
not.<br />
One thing that I will give this film credit for is that our protagonist is a
toy maker, creating new designs and although some of the inventions don't
really fall under a kids toy category (like a box with a hologram image of a
ballerina) the concept would still make a nice Christmas gift. The ideas for
trinkets and gadgets in this film attempt to create new ideas instead of just
rehashing old concepts but adding Christmas to the idea, like other Hallmark
film inventions in the past.<br />
Catherine Bell carries this film through the bland and condescending script.<o:p></o:p></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><br /></p><p class="MsoNormal">Thanks again for reading. Will be back next week with a few, I suspect, whoppers of Christmas films. </p><p class="MsoNormal"><br /></p><p class="MsoNormal">JP Fournier</p><p><br /></p>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-6554867537075681472021-12-05T21:21:00.002-08:002021-12-05T21:41:00.309-08:0025 Christmas Movies in 25 Days plus 25 Hallmark Christmas Movies in 25 Days, 2021 Week 1<p>As a lot of you who return to these blogs year after year know, every December I force myself to watch 25 Christmas movies in 25 Days, that I have never watched before. Plus I also watch another 25 Hallmark Christmas movies in 25 days that I have never seen before too. </p><p>This year I started with a blast, "8-Bit Christmas" which has become a new Christmas returning film for me. Admittingly, I do have little confidence in finding something as good for the Holidays but hopefully I can a few other winners. This week there were a couple ok films. And like other years watched one of the worst Christmas movies if not the worst movies of this year in the process. And then we get to the Hallmark Christmas Movies... </p><p>Speaking of which, due to my yearly tradition of watching so many Hallmark films throughtout the last few years, I am going to be on CBC Radio on Wednesday the 8th and again on Wednesday the 15th at 4:00 pm talking about hallmark films. So there is some positive news about my Hallmark films viewings.</p><p>Although I watched it before the 25 days, I would like to bring notice to Disney+'s "Home Sweet Home Alone". If you have respect for the first "Home Alone" movie, you will probably want to skip this intellectual vacuum of a heartless and artless marketing disaster. I went into it expecting not a great film, but one that might have been good hearted and cute. But the end, I needed to take a walk and calm myself down from how insulted and wrong I felt. Here is my review:</p><p><span style="font-size: medium;"><i> "We're rebooting "Home Alone". What director would be perfect for this franchise...? Hey, how about the director of "Dirty Grandpa"?</i></span></p><p><span style="font-size: medium;"><i>That does it. I am cancelling my Disney+ subscription.</i></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjq62VepVcwVrKte0whZefFMAND0LRVgsK5bNc6cjfVBjnZjBYPU0dTRKjiMBSg-OVxpi-B8uuJbRGKceJjItArPpRMWvgR2QI-RMwYlf51Fu8hDTC3rGBJID6F2mrlFioEtrregwAlTxF9/s1478/MV5BMDlkMzZiM2EtZDMxZC00ZWUwLTliMDMtMGMzMzE3NTEzMThiXkEyXkFqcGdeQXVyMTEzMTI1Mjk3._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1478" data-original-width="1182" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjq62VepVcwVrKte0whZefFMAND0LRVgsK5bNc6cjfVBjnZjBYPU0dTRKjiMBSg-OVxpi-B8uuJbRGKceJjItArPpRMWvgR2QI-RMwYlf51Fu8hDTC3rGBJID6F2mrlFioEtrregwAlTxF9/s320/MV5BMDlkMzZiM2EtZDMxZC00ZWUwLTliMDMtMGMzMzE3NTEzMThiXkEyXkFqcGdeQXVyMTEzMTI1Mjk3._V1_.jpg" width="256" /></a></div><br /><p>And this is true. I am cancelling my Disney+ because of this film. </p><p><br /></p><p>So here's the actual first week of Christmas Film reviews.</p><p> </p><p></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 2 </span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">I Trapped the Devil </span></b><o:p></o:p></p>
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNqBQiM3e9pPZrtFH65tfnp1pET4x2AQ2EeSWCQNJYfxNjkWl22ldF966R83ng3xWq5HNkXoG_dSmB18P_LioPAa5fqHEtCY0P8pjJfgp80wom9FDjIxITLGIU7SlrxD-rq0kyPpZcK_js/s1024/I-Trapped-the-Devil-International-Sales-Art.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="764" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNqBQiM3e9pPZrtFH65tfnp1pET4x2AQ2EeSWCQNJYfxNjkWl22ldF966R83ng3xWq5HNkXoG_dSmB18P_LioPAa5fqHEtCY0P8pjJfgp80wom9FDjIxITLGIU7SlrxD-rq0kyPpZcK_js/s320/I-Trapped-the-Devil-International-Sales-Art.jpg" width="239" /></a></div><p class="MsoNormal"><br /></p><p class="MsoNormal">High on atmosphere and style, yet low on plot and action,
this independent film nearly out stays its welcome. The film tells the tale of
a loner whose brother and sister-in-law come to visit him on Christmas, worried
that he’s not in a good mental state. What they find out is that he has someone
locked in his basement who he believes is the devil. And as the two try to get
to the bottom of how this situation came to be, they too start questioning the
validity of his guest. This would make a great stage play if they could trim
some of the repeated plot points and in head visuals. The actual visuals and
sound effects should be getting top billing here, as they have just as much as
a profound character than our minimum cast, who are good, mind you. Our three main
leads all provide enough panic, doubt, and depression to keep the story moving.
The atmosphere is steeped in dread, with the house barely lit with mute colored
Christmas lights, dust in the air, and the constant sound of cool breezes
blowing through an unsealed house. The main issue I had with “I trapped the
Devil” is that around the halfway point, I didn’t care if he had the devil or
not. My attention span had worn out. The script did not have enough layers for
me to question the final reveal. But I will admit that once we reached the last
10 minutes my interest peaked again, and the finale did pull me back in<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 3 </span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Dashing Through December</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVyogxDdw_hMmpgHC3lQqYoOndZdnQ2eopB3Cjnhu5ja4J98QSd22kDGkkjTuKIY7LQ_j5nPnJyYdgdY3qyOgrRN-v-P5Rdnx7PUkj52dflHo6BueKk-bQANy82Iroj2f9BfVEkHT6cT3P/s512/DASHING.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="512" data-original-width="346" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVyogxDdw_hMmpgHC3lQqYoOndZdnQ2eopB3Cjnhu5ja4J98QSd22kDGkkjTuKIY7LQ_j5nPnJyYdgdY3qyOgrRN-v-P5Rdnx7PUkj52dflHo6BueKk-bQANy82Iroj2f9BfVEkHT6cT3P/s320/DASHING.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Gay rom/com has the production value slightly above the
Hallmark Christmas movie but delivering a script that is not as aware of itself
as the Hallmark ones.<br />
Most of the dialogue is characters calling each other by what they use to be
back when they were in high school, “Hello Captain of the Cheerleading team”.
Even the mother of these 30 somethings calls one of her employees, “Hello Valid
Victorian, prom queen.” None of these character traits drops in the dialogue
feel natural or fitting. And this is the type of dialogue we get throughout,
exposition drops with “As you know”, “I don’t have to tell you” and “Remember
whens”, with obvious music cues with the emotions should be shifting when the
dialogue and acting don’t convey that enough.<br />
Andy MacDowell appears to be bored and tired by the film. The edited choices to
show her wincing, looking away, and sighing, kind of reads like she might have
been more disconnected from this film than what we see. If these are the best
shots of her... yikes.<br />
But what most people seeking this film out will care about is if the two
romantic leads have chemistry and are cute. They are two handsome men, but the
chemistry feels a bit forced. This is one of those film where the two leads do
not get a long and even disrespect each other at first. Until both find out
they are both gay, then suddenly that’s all they need to feel connected to each
other. Their hatred that was built up during the first 20 minutes of the film,
disappears nearly immediately.<br />
The most infuriating part of this holiday romance is seeing some of the nice
cinematography that every now and then shows its face, but must take a step
back for plenty of still camera long dialogue pieces. The lighting is always
great, the colors choices are stunning, and the cast is all attractive people.
If there was a bit more effort into the shots taken, they might not have had to
drop expositions describing what people were doing, instead showing us. The soundtrack
has a nice mix of country songs, along with a musical score that often
resembles guitar piece from “Brokeback Mountain”. This is a pretty film
aesthetically. It is just a shame the script is so lazy.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 4 </span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;"> Silent Night</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhMgihyphenhyphenmNR3amDo7Ngr9DOQNAwKL0i2p5cvKFwgfr_HEVmbCTaP1gtKGidK02lK5ddXn7eTkFAFijqrONUtegLGzmBoxZmH3sy1Kc5WrbfWXdawEe6EwDeL4ut_3f46Gtf2wq7NWfAwXdD/s273/download+%25281%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="273" data-original-width="184" height="273" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhMgihyphenhyphenmNR3amDo7Ngr9DOQNAwKL0i2p5cvKFwgfr_HEVmbCTaP1gtKGidK02lK5ddXn7eTkFAFijqrONUtegLGzmBoxZmH3sy1Kc5WrbfWXdawEe6EwDeL4ut_3f46Gtf2wq7NWfAwXdD/s0/download+%25281%2529.jpg" width="184" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Refreshingly bleak holiday film shines with some incredible
performances, especially from Roman Griffin Davis, and some darkly twisted
comedy.<br />
The story of a group of friends gathering for one last Christmas before the
apocalypse, has plenty of powerful moments and an ending that may be
predictable, but is nicely set up and emotionally draining. Each pair of
friends all their torches to bare and own up to as their ends come near and not
all their segments worked for me. However, the main family storyline with Keira
Knightley, Matthew Goode and Roman Griffin Davis is the showstopper. There's
plenty of philosophical questions being asked within this night that many films
would avoid, like deciding to kill a child for their benefit or yours.<br />
It is nice to see something dark, deep, and daring for the holidays.<br />
Also the musical score is quiet haunting and compelling.<o:p></o:p></p>
<p></p><p style="text-align: left;"></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 5</b></span></p><p class="MsoNormal" style="text-align: center;"><b style="font-size: x-large;">The Light</b></p><p></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1V2JH7tWENHNhHXRAEfCSokJmuUshBA9HAySgdaxwLp5Ed8LOyeEJusX45-p-eqBt-KPMfMtBmB6Tn4HkaD0PbR596Of315ZpAzP4eXA96XaaMrRX2H9nHBLsIml5f9BMfIP6DWhgEK_i/s2031/MV5BMmUxOWZiZWMtODVkYi00YmExLThkZjgtZTg3N2NhNmI5YTVhXkEyXkFqcGdeQXVyMjkwMTc2OTM%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2031" data-original-width="1598" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1V2JH7tWENHNhHXRAEfCSokJmuUshBA9HAySgdaxwLp5Ed8LOyeEJusX45-p-eqBt-KPMfMtBmB6Tn4HkaD0PbR596Of315ZpAzP4eXA96XaaMrRX2H9nHBLsIml5f9BMfIP6DWhgEK_i/s320/MV5BMmUxOWZiZWMtODVkYi00YmExLThkZjgtZTg3N2NhNmI5YTVhXkEyXkFqcGdeQXVyMjkwMTc2OTM%2540._V1_.jpg" width="252" /></a></div><br /><p></p><p></p><p class="MsoNormal"><o:p></o:p></p>
<p class="MsoNormal">Implausible, incoherent, and void of common sense,
horror/mystery about teens that are being harassed by murderous masked
psychopaths one night, only to return to hanging out with each other the
following days unsupervised and out and about to be harassed again, with
someone murdered, and repeat pattern until it's Christmas when the final teens
confront the masked slashers.<br />
Poor acting, poor directing, and even poor lighting for a movie that title is
"The Light", this wears it's amateurism on its sleeves. It even
appears that the film doesn't even know its own script. There's a moment when
our man leads questions the motivations of another character and is called out
for questioning his motivations, only for that other character to give a speech
10 minutes later about how nobody suspected him. Since there is very little
happening in each scene, you might expect the cast, the director, the editor,
or even the script writer to remember the limited dialogue details.<br />
There's Christmas decorations and Christmas imagery in all the advertisements
that I have come across and yet Christmas is only a set decor and has little to
nothing to do with the story. It's just an excuse to have cheap and ugly
looking color cell shades.<br />
Not interesting, not entertaining, and not memorable.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 6 </span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Pups Alone </span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3pDh3wuIdz9pwOhvxwpF4KKSuQ9wvSc0itU4u6vBHRSARr6xLAbBDpK2JOB-fSEUFsHof2NvKlXyjH_G_ohPRjjNBS-3HyoxBzpkxZDkl_edaN3mGdA07naQSHbW5UvHsuzPGFs1w0xtH/s900/MV5BODhjYWMwZDEtODQ4NS00ODA2LTk3NzAtNjc4MWI3YjZiOTRjXkEyXkFqcGdeQXVyMjMwNDgzNjc%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="608" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3pDh3wuIdz9pwOhvxwpF4KKSuQ9wvSc0itU4u6vBHRSARr6xLAbBDpK2JOB-fSEUFsHof2NvKlXyjH_G_ohPRjjNBS-3HyoxBzpkxZDkl_edaN3mGdA07naQSHbW5UvHsuzPGFs1w0xtH/s320/MV5BODhjYWMwZDEtODQ4NS00ODA2LTk3NzAtNjc4MWI3YjZiOTRjXkEyXkFqcGdeQXVyMjMwNDgzNjc%2540._V1_.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Yet another dog(s) protecting a house from robbers while the
family is away, movie adds nothing new to this strange subgenre but a cast of
colorful character actors. Dolph Lundgren, as predominantly on advertised as
the main actor, appears to be having some fun with this lazy and cheap family
comedy. The voices from Danny Trejo, Jerry O’Conner, and Jennifer Love Hewitt
do help bring up the value of this stinker, but not much as the editing, the
timing, and the performances around them are so poor.<br />
The main lead, a scientist who’s a single father and is ignoring his father
duties because he cannot get over the death of his wife, might be one of the
saddest poor sacks ever captured on film. He’s not only so self centered, but
he’s also winy, stupid, and mopes around so much that he’s impossible to root
for. And the film spends way too much attention on this dope, while only giving
some small scenes with the dogs. Keith David has a small cameo which only shows
how an actor can make acting look simple and easy, which just reminds us all
how everyone else is not helping the film.<br />
The dog sections do have some entertaining sections. As corny as it might be,
watching a dog write a letter and try and get it mailed, or even drawing up a blueprint
of their plan to stop burglars is cute. There are not enough of these scenes
though. Instead, we get two exceptionally unfunny and embarrassing numskulls
trying to rob the place. They are so aggressively unfunny that their pratfalls
and slapstick booby-trap antics are more cringe worthy than humorous. One booby-trap
is just one dog farting into the face of the robbers. And the camera angels are
often incomprehensible. One sequence has a dog nudging a bowling ball to roll
down a set of stairs, but the ball sudden is thrown into the chest of the
burglar who’s nearly at the top of the stairs.<br />
And once we reach the hour and 30 minutes and the crooks appear to be defeated,
the family is home to stop the burglary, and our main villain is confronted and
called out, the family ends up getting tied up and gagged and we’re given
another 15 minutes of Lundgren crawling through a booby-trapped doggy tunnel,
with the film cutting back to the family screaming behind their gags and the
burglars yelling at each other with police coming in and yelling more. I think
it is meant for laughs but it’s more headache inducing than comical. And then
the film ends on a joke that doesn’t make any sense but thankfully with a shot
of some cute puppies.<br />
Another contender for worst film of the year. But it is also one that has so
many crazy ideas, odd filming choices, and a whole bunch of bathroom humor,
that it would be fun to watch with a group of friends ready to riff and poke
fun at it all.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Hallmark <o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 2 </span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">My Family Christmas Tree</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOZcpV7o2fyFYtoyJYEZF61iAXczavAMsEiadJztYjUDgpvEnX9kuWNGFF7aTQ68ht-LiYn7aYYVsoBq6AVoITYUloL6XO3Q3NMjCnYIyOVhKMJg7XyOq5m-fnR5qgC1TA5qjr4yTr64rx/s1280/p20892686_v_h8_aa.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOZcpV7o2fyFYtoyJYEZF61iAXczavAMsEiadJztYjUDgpvEnX9kuWNGFF7aTQ68ht-LiYn7aYYVsoBq6AVoITYUloL6XO3Q3NMjCnYIyOVhKMJg7XyOq5m-fnR5qgC1TA5qjr4yTr64rx/s320/p20892686_v_h8_aa.jpg" width="320" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">When Vanessa finds out the results of a blood test, connects
her to a father she never met and his loving family, she sets off to meet them
right before the holidays. And as she is making herself at home with this new
family, starts falling for a handsome friend of that family, and starts
learning about herself in the process, details of her mother’s and father’s
past start to not add up.<br />
Typical Hallmark Christmas movie, filling the empty script spaces with people
enjoying holiday traditions. This one has plenty of story to tell, however it
stays as simple, innocent, and bare bones as all Hallmark Christmas Movies.
What makes this one slightly better than the average Hallmark Christmas films,
is the contagiously joyous performance by James Tupper as the surprise father.
He’s convincingly merry and spirited throughout, so as the story slightly edges
into a moment of disappointment, his emotional change has some valid effect.<br />
This is still predictable, still silly, and still Hallmarky, but it’s not as
egregious as its peers.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 3 </span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The Christmas Duet</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZFLdfKYz-AMdOoui7-KSmxMxIl4s8RwpnDDbRdjttcLA9AEcjPlJKLYNW1-9-SOgs9i-aTJ1R9pu_8WTEaRXYmicqIpLgruMxM4aw3yDFJXnv6Xbgye52hcLvv53vrhUqXHZrLYtfO-en/s1500/MV5BNTUxMmFjMjUtMzhkOS00ZDk0LWEzMDQtNWI1NDVmMTU0OGM2XkEyXkFqcGdeQXVyMTE3NDAwNTM%2540._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZFLdfKYz-AMdOoui7-KSmxMxIl4s8RwpnDDbRdjttcLA9AEcjPlJKLYNW1-9-SOgs9i-aTJ1R9pu_8WTEaRXYmicqIpLgruMxM4aw3yDFJXnv6Xbgye52hcLvv53vrhUqXHZrLYtfO-en/s320/MV5BNTUxMmFjMjUtMzhkOS00ZDk0LWEzMDQtNWI1NDVmMTU0OGM2XkEyXkFqcGdeQXVyMTE3NDAwNTM%2540._V1_FMjpg_UX1000_.jpg" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Chaley Rose doesn't appear to be comfortable for most of the
film. The film's highlight is the handsome, Rome Flynn, who not only is so
handsome, I suspected he wasn't human, but he's also a great musical performer
as well has charisma on screen to cover those that do not.<br />
This Hallmark film is selling a new Christmas song, which is just as
forgettable as this story.<br />
The one thing that stood out to me was a sleigh ride scene when a little girl
tells out lead that there's a boy in her class that told her she's his
girlfriend. Our protagonist then says, "Relationships can be complicated.'
Ummm. No, Hallmark! That's terrible advice.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 4 </span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The Santa Stakeout</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGCZXi0I3glX_U0zaud89YIDO2LJHELbZiUa7dCv8rG0J_QgmwFFtmTp4DlKaFtvumWHdns9mhuVEF68L_YcZkO-s_IRdZVhAYHgeINy_GMnlUq3clbBC5vD-a73F36M9AVVeyWc-WuNxj/s1499/MV5BYWUwMDI4NzgtMjFhMy00ZDM0LWIxMTctYmM5YzE2NWMyNDMzXkEyXkFqcGdeQXVyNjEwOTQ0OTY%2540._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1499" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGCZXi0I3glX_U0zaud89YIDO2LJHELbZiUa7dCv8rG0J_QgmwFFtmTp4DlKaFtvumWHdns9mhuVEF68L_YcZkO-s_IRdZVhAYHgeINy_GMnlUq3clbBC5vD-a73F36M9AVVeyWc-WuNxj/s320/MV5BYWUwMDI4NzgtMjFhMy00ZDM0LWIxMTctYmM5YzE2NWMyNDMzXkEyXkFqcGdeQXVyNjEwOTQ0OTY%2540._V1_FMjpg_UX1000_.jpg" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Better than average Hallmark Christmas movie because it does
not take itself too seriously.<br />
This is basically Hallmark's version of "Another Stakeout" with two
plucky detectives having to pretend they are a couple while they investigate a
string of heists that maybe connected to a man dressed as Santa Claus. Paul
Campbell, as detective Anderson, is having a lot of fun in this role,
delivering a lot of genuine laughs. Tamera Mowry-Housley, as detective Morris,
also has a few comic beats but plays well as the straight guy to Campbell's
playful antics. This could be more successful as a comedy if it were to have
attempted to have a bit more edge to the jokes. There's a rebellious sense to
the humor but stays at an innocent level of exaggeration that never reaches its
full potential. Unlike its peers, this Hallmark film leans on its strengths, in
the comedy, the mystery, and tongue and cheek atmosphere, instead of forcing
all its time on the romance, and this allows for he romance to be pleasant,
believable, and the icing on the cake. And finally, topping off the cast with
Joe Pantoliano only elevates this corny crime comedy, never hurts a film.<br />
Despite some of the forced in Hallmark tropes, some inconsistent dialogue and
plenty of "G" rated jokes that don't land, this still has plenty of
entertaining moments. This is not trying to be a romantic work of art but a fun
caper. And hopefully we get more comedic Hallmark Christmas movie roles for
Paul Campbell.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 5 </span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">One December Night</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJvxKh1d3Vr2P7szuoHr6yWp2NMLFQEMRR9PuDE1YD_85Eb45PbC0uZumkZGR6UoTfpVeeB43OwqM0YBkes6u3F81bzNBfMboQViBMr42YQji7tfR9yS2pXNpm_wKoYTDdlq1q_PVaDBjf/s1524/MV5BNmE1ZGZmMDgtZDdjMS00ODZlLWFjY2ItMDM1MWViYmM1NTAwXkEyXkFqcGdeQXVyOTA1MDAyNjc%2540._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1524" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJvxKh1d3Vr2P7szuoHr6yWp2NMLFQEMRR9PuDE1YD_85Eb45PbC0uZumkZGR6UoTfpVeeB43OwqM0YBkes6u3F81bzNBfMboQViBMr42YQji7tfR9yS2pXNpm_wKoYTDdlq1q_PVaDBjf/s320/MV5BNmE1ZGZmMDgtZDdjMS00ODZlLWFjY2ItMDM1MWViYmM1NTAwXkEyXkFqcGdeQXVyOTA1MDAyNjc%2540._V1_FMjpg_UX1000_.jpg" width="210" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Not the worst Hallmark Christmas movie but it’s best when
it’s being something more than our usual cliché Christmas romance. And it is
way more frustrating knowing that the potential that is missed.<br />
This one is about a Simon and Garfunkel type of musical duo named Bedford and
Sullivan. Peter Gallagher is Mike Sullivan the writer of the music and
perfectionist who ended up hitting the bottle too hard, trying to drink away
his stress. Bruce Campbell is Steve Bedford, the charismatic and media showman
of the group who’s been over working himself still touring as a solo act. When
the two of them are reunited for a holiday concert, each of their kids need to
work together as promoters to help make their reunion flow perfectly and to
keep them from murdering each other. Thankfully for Hallmark purists, the two
kids are two make a lovely couple and the film’s focus in on their romance.<br />
When the film is showing either Gallagher or Campbell, it is quite compelling.
Both have been given deep and well-groomed characters to perform with and each
bring levels of professionalism to characters. When the film is showing the two
couple, it lowers the momentum and quality that the two musicians build. I
watched this with a couple friends and as the film reach the second half, every
time our two romantic leads were babbling about their careers and their
fathers, we all tuned away and started looking at our phones. But whenever
Gallagher and Campbell were on screen our attention was locked. Bruce Campbell
even gives a heartfelt performance in one reveal that is a true showstopper and
even makes the build up for the finale even more important.<br />
The whole build up is setting up the importance of the final concert and once
we get there, the two songs we get from the duo are great. Unfortunately, we
only hear a third of one song, with it being interrupted by unnecessary
dialogue by our two boring lovers. Then the main song we get to hear about half
the song, with more terribly useless dialogue to step over the singing. It’s
very frustrating, especially hearing how good those two songs are. This is a
great example of how Hallmark Christmas movie clichés, tropes, and trademark
patterns can get in the way of a better film.<br />
It’s hard to watch a movie where a third of it is good, if not great, and the
other 2 thirds are forgetful, dispensable, and lifeless.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 6 </b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>It’s Beginning to Look a Lot Like Christmas</b></span><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX5TeBfJ_ShN12gWPcsvC0zkfNraR0vP9BmmwoZlvCnCtxE5H-Ew7Uk7e9AA5FvsD_bKBcQgTblAY8TPSPlqr3rbeeVOHMc4YCHio1PZn2CSfRmYUGZA0tzbrFXX2-7Xs3cySqjvsF0x1y/s1067/MV5BYTcyYmJhMmItZWRhZC00MTIwLTliNmMtMWY5NzU0MTdhYmMzXkEyXkFqcGdeQXVyNTQ2NjI3NDQ%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="700" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiX5TeBfJ_ShN12gWPcsvC0zkfNraR0vP9BmmwoZlvCnCtxE5H-Ew7Uk7e9AA5FvsD_bKBcQgTblAY8TPSPlqr3rbeeVOHMc4YCHio1PZn2CSfRmYUGZA0tzbrFXX2-7Xs3cySqjvsF0x1y/s320/MV5BYTcyYmJhMmItZWRhZC00MTIwLTliNmMtMWY5NzU0MTdhYmMzXkEyXkFqcGdeQXVyNTQ2NjI3NDQ%2540._V1_.jpg" width="210" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p></p><p>There's a little bit of extra effort put into this Hallmark romcom.</p><p>When a Christmas competition searching for a town who demonstrates the most Christmas spirit, two mayors, from east and west of Riverton take it upon themselves to make their own town the winner. And therefore, romantic situations may occur.</p><p>To distinguish one side town from the other, the decorating scheme has red and white on the west side and blue and white on the east. This is a nice touch, however each side is the exact decorations every where, with the exception of the one color. As the two mayors start to get closer, the color green starts to become more dominant a color. The color differences are one thing, but being that everything else is the same makes the appearance of the towns look even more artificial. And this is a Hallmark film where the decorations are too much. When the characters walk by stores and shops, there's Christmas trees side by side nearly blocking the windows for any view. There's a stage presentation that is so cluttered with reefs, trees, bells, balls, and lights that the audience looks uncomfortable crammed into the little space available. Throughout the film, characters complain about not having enough time to complete tasks, yet I couldn't only wonder how much time they all could spare if they only used a third of all the decorations every, so it appears like normal people's decors.</p><p>The split cities is a nice metaphor for relationships that don't work and how uniting or re-uniting a pair can be glorious and also be aggravating at the same time. However, this one Hallmark film doesn't have the chemistry between our two leads, the romantic sequences, or any pull to the outcome of the two leads. So when the two are giving their love speeches at the emotional climax, it doesn't feel earned.</p><p>This has the Hallmark waterdowned bland taste all over it.</p><p><br /></p><p><br /></p><p><span style="font-family: georgia;">First week down. Thought I would start off with some of the more normal looking films (sigh). I have ordered a couple of recommendations that may help tip the scale to the side of good films this year, but only time will tell if they make it to me before Christmas. Let's see how next week treats me. </span></p><p><span style="font-family: georgia;"><br /></span></p><p><span style="font-family: georgia;">JP</span></p>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-32481897912190675572021-11-30T21:20:00.003-08:002021-12-01T13:31:21.890-08:0025 Christmas movies in 25 days, with 25 Hallmark Christmas movies too. 2021<p>I am starting this year's 25 Christmas movie watching, along with 25 Hallmark Christmas movie watching, already tired and warn out by the Hallmark Christmas movie patterns. This is my own fault, having to siphon through Hallmark Christmas movies in order to obtain particular clips for my review videos, like the first video "<a href="https://www.youtube.com/watch?v=iZSxAEe9lqs&t=1s">Hallmark Interrupted Kisses</a>", I have three other concepts to work with, but honestly may only get one more Hallmark Christmas Movie video out this year, as I am not looking forward to have the Hallmark Christmas movies fill up all my time this holiday season. </p><p>What I have noticed, besides all the same generic romantic wannabe Hallmark films hitting all the streaming sites, I was still able to find 25 Christmas movies this year. It was not easy to find 25 unique films, but I think I did it. And some may be good too. Here's my start, a day early this year being that I would like to keep my Christmas Day open for taking a holiday from movie watching (maybe). </p><p><br /></p><p style="text-align: center;"><b><span style="font-size: large;">Day 1 </span></b></p><p style="text-align: center;"><b><span style="font-size: large;">8-Bit Christmas </span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSb7n-RTUcxog-74uBXpI6oo3ki37LJiiPCMwWQHN0CxqK-v7mbnz4OL-Sy8i4Cetc0ECnSk_39XZHDSpVFhPpI3evar_S65ZY_xOGKa6Png3PP7RY-Xc5FdF4oRYp9seAF3WvUJtaEg0o/s1280/8-bit.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSb7n-RTUcxog-74uBXpI6oo3ki37LJiiPCMwWQHN0CxqK-v7mbnz4OL-Sy8i4Cetc0ECnSk_39XZHDSpVFhPpI3evar_S65ZY_xOGKa6Png3PP7RY-Xc5FdF4oRYp9seAF3WvUJtaEg0o/s320/8-bit.jpg" width="320" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p></p><p class="MsoListParagraphCxSpFirst" style="mso-list: l0 level1 lfo1; text-indent: -18pt;"><!--[if !supportLists]--><span style="mso-bidi-font-family: Calibri; mso-bidi-theme-font: minor-latin;"><span style="mso-list: Ignore;">1)<span style="font: 7pt "Times New Roman";">
</span></span></span><!--[endif]-->This completely worked for me... by the end.<o:p></o:p></p>
<p class="MsoListParagraphCxSpMiddle">What is considered a modern version of “A
Christmas Story”, we have another Canadian director Michael Dowse (“Fubar”,
“THe F-Word” and “Goon”), taking the chair from Bob Clark (“A Christmas Story”,
“Black Christmas”, and “Porkys”) in telling a nostalgic Christmas story about a
child’s desperately wanting a special Christmas gift that adults warn him about
being bad for his health. This time instead of the infamous eye poking out
"official Red Ryder, carbine action, two-hundred shot range model air
rifle" the desired item is deadly Nintendo System. Narrated by Neil
Patrick Harris, this delightful kids film is a mix between the already
mentioned, “A Christmas Story” and the story telling bits of “The Princess
Bride”.<o:p></o:p></p>
<p class="MsoListParagraphCxSpLast">The kid acting is top notch, the adult actors
allow the kids to shine, plus the film has a few nicely added cameos as icing
on the cake. The film’s pacing is perfect, with multiple set pieces and
callbacks jokes. And while lots of people will be favoring the old classic film
as the holiday go to film, this has made my Christmas rewatch list. What makes
this one standout is where it is leading to. The set up for the heartfelt
ending is brilliant, simple, and a marvelous surprise. I love hearing the
Canadian accents throughout along with the few Canadian jokes sprinkled within.
This also has one of the best musical scores of the year too, with Joseph
Trapanese mixing up some exciting synth action music along with an emotional
uplifting orchestral theme that has influences from John Williams’ “Home Alone”
theme. Plenty of laughs, stunning holiday visuals, and an emotional surprise
that had me tearing up, makes this probably the best Christmas movie of the
year, if not one of my favourites of 2021. A perfect holiday film.</p><div style="text-align: center;"><b><span style="font-size: large;">Day 1 Hallmark Christmas Movie</span></b></div><p></p><p style="text-align: center;"><b><span style="font-size: large;">Christmas at Castle Hart</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg27Fv7Wdyyyiby7Gsbl8Eml-KOkmEGYeDIsA4752vZJdehggG_32Nmjg9tDI8FvXfDJJDzVunkfnWmDNDXWcVCinjZomKqaXb5Bmp0L6cGvoA-_MxNQ8ZblpRV8FQT45GSVVMrU4LTPMrx/s1920/MV5BODMzNmE0ZTItODRmNi00NjYwLTllNzMtYmIzM2JmOTk5M2I0XkEyXkFqcGdeQXVyODcyMTQ4MTc%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1920" data-original-width="1280" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg27Fv7Wdyyyiby7Gsbl8Eml-KOkmEGYeDIsA4752vZJdehggG_32Nmjg9tDI8FvXfDJJDzVunkfnWmDNDXWcVCinjZomKqaXb5Bmp0L6cGvoA-_MxNQ8ZblpRV8FQT45GSVVMrU4LTPMrx/s320/MV5BODMzNmE0ZTItODRmNi00NjYwLTllNzMtYmIzM2JmOTk5M2I0XkEyXkFqcGdeQXVyODcyMTQ4MTc%2540._V1_.jpg" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">Out of all the Hallmark Christmas movies that have been filmed
and released, it was only a matter of time for Ireland to be the separating
factor from all the others. While it appeared to have promise and charm, with
Stuart Townsend and the Hallmark Christmas movie staple goto actor Lacey
Chabert, along with a Celtic twist to the generic holiday tunes, the film does
miss the mark on multiple marks. For starters, it becomes very evident that the
time and care to make a likable film is not present in this cheap by the book
disposable rom/com. I had a good laugh each time they showed the giant wreaths
on the castle, that appear to be as real as the killer birds in “Birdemic”. The
first view of the castle allows a good glimpse of the awful effects and
highlights them as the camera shot fades away and the artificial wreaths don’t
fade away at the same timing as the rest of the picture. There’s another spot
when our two future lovers are sitting outside on snowy cement walls, and
Townsend sets down a cup into the snow, then suddenly the snow disappears in
the same scene. This laziness is atrocious. And the film keeps cutting to the fake castle over and over, each time displaying more incompetent and ugly special effects. I did get a good laugh at one camera pan around the castle that has the trees shrinking and growing at the wrong paces to appear 3 dimensional. </p><p class="MsoNormal">This is another rom/com where our protagonists lives out a
lie. It’s about two sisters that get fired from their waitressing job in New
York, head to Ireland for Vacation, then lie about being event planners when at
a pub. This leads to them getting hired for a castle’s main Christmas event as
well as them lying about their names, using the names of the company they were
fired from. There’s a moment when the
two sisters discuss their situation about using the wrong names, “It’s not like
it’s illegal.” Well, yes identity theft is actually illegal. However, I couldn’t
tell if this knew this and was joking or the writing was so poorly out of touch
that it believes nothing is wrong with lying as long as it is for a good
cause... like helping royalty. </p><p class="MsoNormal">Lacey Chabert should do more comical Hallmark Christmas movies,
she’s got good comic timing and she’s still has adorable charisma. While she’s
probably around the same age as Townsend, she doesn’t appear to have aged in
the past 10 years she’s been doing these Hallmark films. But this makes the
romance and the chemistry between the two leads feel awkward and kind of creepy.
It appears like a late 40 year old is trying to pick up a young 20 year old.
While there’s nothing wrong with that, it just doesn’t feel right. The comedy
however is put on the shoulders of the sister, played by Ali Hadiman as Margot.
She got a great face for comical expressions but the film captures a bit too
much eye acting, with her passing through multiple expressions for single
reactions. There appears to be a great comic actor in her, but this film relies
too much on her bringing the comedy. </p><p></p><p class="MsoNormal">For Hallmark fans, they won’t be disappointed as it hits the
Hallmark marks, overly decorated rooms, local Christmas traditions, a charming
main lead, and a positive and pleasant atmosphere at every turn. For film fans,
this may be a bit tiresome with all the messy editing, corny dialogue, and inconsistent
effects. <span style="mso-spacerun: yes;"> </span>Not to mention this may have
some of the ugliest fake snow Hallmark has ever displayed. </p>
<p class="MsoNormal"><o:p> </o:p></p><p class="MsoNormal"><o:p><br /></o:p></p>
<p class="MsoNormal"><span style="font-family: verdana;">Great start to the next 25 days. But I have a feeling this might be my last year of watching this many Hallmark Christmas movies. Only the next 25 days will tell. </span></p><p class="MsoNormal"><span style="font-family: verdana;"><br /></span></p><p class="MsoNormal"><span style="font-family: verdana;">JP Fournier</span></p><br /><p></p>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-19864622121059123202021-10-30T13:44:00.000-07:002021-10-30T13:44:18.750-07:00<p>Like every other year I embark in the 31 Day of Horror, I usually end my challenge the day before Halloween. This way, I can re-watch a classic Horror flick on Halloween, instead of gambling on yet another film I have not seen before. </p><p>This year, lots of the new horror film available focused more on the fear of confined locations. This was because of Covid, either through lack of safe locations to film with or just because it is a subject matter that everyone is dealing with currently. I am not a fan of confined spaces, so when it comes to dread and fears, this brand of horrors can really do the trick. But that being said, here's the last week of 31 Days of Horror for this year 2021.</p><p><br /></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 24, Movie 2<o:p></o:p></b></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Don’t Look Under the Bed</b></span><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPAuaQuPmKZTlWUSf1r6Lb6iTqhkmpxf4SaAdzWn0NERLEA_HASJ8vHWIvT1QAIrkxxzGaaj6qff9WcvgHcvoov_7XPm5PzgXuR7Xv_pEGx4PgioKqFutxSwPTi7KRXXH4d63Q5x9CrbnL/s1426/dont-look-under-the-bed-570363ed0d276.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1426" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPAuaQuPmKZTlWUSf1r6Lb6iTqhkmpxf4SaAdzWn0NERLEA_HASJ8vHWIvT1QAIrkxxzGaaj6qff9WcvgHcvoov_7XPm5PzgXuR7Xv_pEGx4PgioKqFutxSwPTi7KRXXH4d63Q5x9CrbnL/s320/dont-look-under-the-bed-570363ed0d276.jpg" width="224" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">With the reputation of being the scariest Disney Channel
movie, I can understand how this might have disturbed a few young children.<br />
The film itself has the annoying non-funny humor expected from a Disney Channel
film, with over acting, poor effects, and terrible dialogue. The special
effects are goofy and the coloration is often soft colored purples and greens,
giving the unworldly environments a friendly appearance. However, at the core
this is an alright story on the surface but has a very dark message if you are
reading between the lines. And this story message is basically, don't stop
believing or you'll be in mortal danger. Even if you have cancer and you start
believing in the medicine that saves you, instead of the
"make-believe-friend" that is not capable of healing you, because
once you stop believing, that imaginary friend becomes a child-napping ghoul.<br />
Wow Disney! I cannot say I am surprised parents might have been a bit angry
about this one. Is it scary? Well, there's a few disturbing sequences, like
demon hands coming out of a mirror, dolls and toys turning their heads slowly
to watch the kids, and a rhyming pale skinned grown man with quills coming out
of his face and wearing tights sneaking up on our protagonist on tippy-toe
while holding rope, as she is trying to untie the knotted sack her little
brother is in... may comes off a bit much for younger viewers.<br />
I can see the initial intentions behind this kid horror, but there's a few
missteps and ill choices that leave a sour taste after the film ends.<o:p></o:p></p>
<p class="MsoNormal">In the end, I did enjoy this, not for the quality but for
the audacity. I was laughing at the film more than with the film (never with
the film, good lord this is appallingly unfunny).<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 25 Movie 1<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The Wind (1986) </span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiejuLoEXGQ1CK7nkWtlhLhM486N5yqJijUq2RGXqBihGGPUmuZRdh9jMTPPw3hIK1twYGxUcaNxI_MXlB_2SFThWsiKTW2a0HQCDHaSkBlphTOnMj6T3aRAGMMJiZOCILSkQUFz540YBuq/s1361/MV5BNTY5Y2QwYWItYzM0YS00MGI1LWFlOTgtN2VmY2ZkNmU2ZWYzXkEyXkFqcGdeQXVyMTQxNzMzNDI%2540._V1_FMjpg_UX1000_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1361" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiejuLoEXGQ1CK7nkWtlhLhM486N5yqJijUq2RGXqBihGGPUmuZRdh9jMTPPw3hIK1twYGxUcaNxI_MXlB_2SFThWsiKTW2a0HQCDHaSkBlphTOnMj6T3aRAGMMJiZOCILSkQUFz540YBuq/s320/MV5BNTY5Y2QwYWItYzM0YS00MGI1LWFlOTgtN2VmY2ZkNmU2ZWYzXkEyXkFqcGdeQXVyMTQxNzMzNDI%2540._V1_FMjpg_UX1000_.jpg" width="235" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal" style="line-height: 115%; margin-bottom: 10.0pt;"><span style="mso-ascii-font-family: Calibri; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;">An author
rents out a secluded room to in a villa to get some isolated writing time to
herself. But unfortunately the island is also inhabited by a Wing Hauser.
Therefore she might get murdered. <o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 115%; margin-bottom: 10.0pt;"><span style="mso-ascii-font-family: Calibri; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;">The wind
comes from Italian director. The location and camera work capturing the Greek town
of Monemvassia is amazing, the atmosphere is haunting, and the story is
absolutely lunacy. Oh wait, its a Wing Hauser film. <o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 115%; margin-bottom: 10.0pt;"><span style="mso-ascii-font-family: Calibri; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;">What the
film does offer is one hilarious ending. <o:p></o:p></span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 25, Movie 2<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Boy Behind the Door</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjds7zIjoFDSIih9kL3sSHYwa6b9cbi1XyaM0prtoGXvXHzFDeWOCc_qR7KGNbDyG_H-ekcJwDtOytHF8B3nleONlSIm0q74DXxmIQUmap6tsevYEylr9pDpCGZHpaVq19vInePfuWMryRv/s929/33927_137414_ps_sd-high.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="929" data-original-width="620" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjds7zIjoFDSIih9kL3sSHYwa6b9cbi1XyaM0prtoGXvXHzFDeWOCc_qR7KGNbDyG_H-ekcJwDtOytHF8B3nleONlSIm0q74DXxmIQUmap6tsevYEylr9pDpCGZHpaVq19vInePfuWMryRv/s320/33927_137414_ps_sd-high.jpg" width="214" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Disturbing premise, made easier to digest with the great
child actors and a certain degree of hope that pushes through.<br />
The story is about two boys, kidnapped and separated, one chained up in a room
while the other left in a trunk of a car. When the kid in the car escapes, he
heads into the strange house unarmed in hopes to rescue his friend. What he
learns about the secret of their kidnapping is the most disturbing of all.<br />
The 90 minute run time flows by very quickly as the film never lets up on the
suspense and tension. These are two boys completely against the odds and the
film doesn't give them easy outs. Often the choices made by our little hero
won't be the obvious and this can be excused by knowing he's a little boy and
never had to deal with this situation before. These choices are like leaving a
weapon by an unconscious enemy, going into dangerous areas without a weapon
that he was able to use prior, and getting too scared to keep a phone plugged
in long enough for a police tracing when he could easily hide the phone behind
curtains. Watching this film you'll be able to see so many options for our
little guy to work with and tension is built through him not making those
obvious choices. This could be effective if the directing shows us that the
filmmakers are aware of these errors and choices. They do once when a blood
stain is left in an open area, the camera goes back to the spot to show the
stain was left, but in all other situations this acknowledgment to these
missteps are not present. So it breaks the suspension of disbelief when you
start becoming aware of these missed opportunities that keep consistently
piling up. You will need to ignore a lot to stay tuned with the action.<br />
Despite the overlooked script details, the performances are pretty top notch.
The villains are despicable and the two boys are mentally and physically pushed
to the brink. I hope these young actors get a lot of future work as they hold
this film together nicely.<br />
There's a lot of good attention to sound and locations. The house becomes a
character in and of itself. Secrets that get revealed about the house are
unpleasant. The film is going to be very divisive, as it makes a poignant
political stab, that helps set up the demise of the villains, but will also
feel a bit heavy handed.<br />
I enjoyed this film but saw plenty of places for tweaks to change it from a
good film to a great film.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 25, Movie 3<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Untitled Horror Film</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwl9AEozKKzqFldGr7vrufvEaVeI-QVBgPUCicA8H2LOQOt_XXs0oGUsAgtWW2hPkerKlmBoy-27P_urrjvsu5eYUE62nSVOlcTQknBbk33NTri2wVlhJLqw-u9WXpYczxOG7GwpJ56l_N/s2048/MV5BMTEzOWM3MDQtOTYxMi00ZmMxLTg3NWEtMTQ4YjlmMzY4NmZmXkEyXkFqcGdeQXVyNDQ5Nzg4NA%2540%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1396" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwl9AEozKKzqFldGr7vrufvEaVeI-QVBgPUCicA8H2LOQOt_XXs0oGUsAgtWW2hPkerKlmBoy-27P_urrjvsu5eYUE62nSVOlcTQknBbk33NTri2wVlhJLqw-u9WXpYczxOG7GwpJ56l_N/s320/MV5BMTEzOWM3MDQtOTYxMi00ZmMxLTg3NWEtMTQ4YjlmMzY4NmZmXkEyXkFqcGdeQXVyNDQ5Nzg4NA%2540%2540._V1_.jpg" width="218" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal" style="line-height: 115%; margin-bottom: 10.0pt;"><span style="mso-ascii-font-family: Calibri; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;">A cast of
actors, worried that their show is going to be cancelled, decide to film a
horror film, and accidentally summon an evil spirit who has a likeness to
violence in the process. <o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 115%; margin-bottom: 10.0pt;"><span style="mso-ascii-font-family: Calibri; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;">Since our
covid lockdown days, we have seen numerous attempts by filmmakers to film using
the confined lifestyle to within the confines of the film. There have been a
few successful attempts at filming during covid like “The Host” and a lot of
unsuccessful attempt too. “Untitled Horror Movie” is the most meta film of
these covid low budgeters. <o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 115%; margin-bottom: 10.0pt;"><span style="mso-ascii-font-family: Calibri; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;">The
premise is weak here. For the most part, it often appears like a desperate audition
tape. Ambitious but ambition doesn't equal talent. Now there are a couple of good performances, so
to speak. But the ensemble working as a combine cast does feel disconnected from each
other, not just because they are all in different locations, but because the
chemistry is not there. In some sequences, some characters are dropping jokes
while others are serious, but there’s never any natural unity or consistencies
to make it feel nothing more than bad improving with the actors not listening to
their co-players. <o:p></o:p></span></p>
<p class="MsoNormal" style="line-height: 115%; margin-bottom: 10.0pt;"><span style="mso-ascii-font-family: Calibri; mso-bidi-font-family: "Times New Roman"; mso-fareast-font-family: Calibri; mso-hansi-font-family: Calibri;">The main
issue with “Untitled Horror Film” is that it thinks it is already clever
enough. The film is not funny enough to be a comedy and doesn’t take itself
seriously enough to be scary. But because it is so set on being meta, the film
likes to admit it is not that funny and that it looks fake. Showing that you
are aware of your faults doesn’t make your faults less faulty. Meta films often
come off lazy in their admittance to calling out their own flaws. I feel that
if you know that you low points are, just calling them out and not fixing them,
is a cheap form of presenting and excusing mediocrity. <o:p></o:p></span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 26, Movie 1<o:p></o:p></span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Cry Havoc</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEmkl16xDB2cxFSIgvK3CBwBrtDhCUXi7O-P5Vew9P9i7VpTI47Rn-NP3d0-7FAZBYgJh7Dqkr1-f05kHchNwHhnHhWZo8nrd62rvqCFXO4bKCSyc94_kbc-36makYlhjeBC_iQJUAD_MS/s2048/MV5BNWE1MTNjOGItMTgyYi00Y2JmLWFmZDgtNjdjNGRkMTYzMTY2XkEyXkFqcGdeQXVyODcwNzA1MDE%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1484" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEmkl16xDB2cxFSIgvK3CBwBrtDhCUXi7O-P5Vew9P9i7VpTI47Rn-NP3d0-7FAZBYgJh7Dqkr1-f05kHchNwHhnHhWZo8nrd62rvqCFXO4bKCSyc94_kbc-36makYlhjeBC_iQJUAD_MS/s320/MV5BNWE1MTNjOGItMTgyYi00Y2JmLWFmZDgtNjdjNGRkMTYzMTY2XkEyXkFqcGdeQXVyODcwNzA1MDE%2540._V1_.jpg" width="232" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Cry Havoc recipe:<br />
One-part poor man's version of a more perverted Jason Voorhees... check.<br />
One part a poor man's version of Charles Bronson... check.<br />
A handful of unnecessary nudity... check.<br />
One long monologue by a poor man's Bond villain, spiced up with clips of gore
and nudity... check.<br />
And more nudity... check.<o:p></o:p></p>
<p class="MsoNormal">Voila, and you have a "Cry Havoc".<o:p></o:p></p>
<p class="MsoNormal">I like the concept of a rich villain keeping a monster such
as a Jason Voorhees in a confined ground to film and sell snuff films starring
this monster. Unfortunately, Havoc is not an interesting monster. The man under
the suit even appears bored with his own performance.<o:p></o:p></p>
<p class="MsoNormal">This is my first Robert Bronzi film. He's got the look down
to an art form. His performance might be a bit muddled up as it often appears
his voice is being dubbed over. The film doesn't require much acting from him,
so he does what is required.<o:p></o:p></p>
<p class="MsoNormal">The gore sequences are often well done, and luckily there's
plenty of gore, to support the lack of story, the lack of characters, and the
lack of integrity.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 26, Movie 2<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Why Don’t You Just Die</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwlZpX2sktq_5gws2kTq_IP5LU6OCCSLGGJAnlXHu-pGftYQXtfmnCHpHUYS3Pqnr3WLcQj2LNDv0rtOhc5anCL8EIZ-86RPOvSNUqZc7oyBICKYTLSMixNSBo6XrgpTOr4fJ1RlJu-96I/s2048/MV5BZmQ3OGExMzktM2Q2MC00NmFlLWI3ZjItMjVlN2Q3YjE3NTM0XkEyXkFqcGdeQXVyMTg0MTI3Mg%2540%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1382" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwlZpX2sktq_5gws2kTq_IP5LU6OCCSLGGJAnlXHu-pGftYQXtfmnCHpHUYS3Pqnr3WLcQj2LNDv0rtOhc5anCL8EIZ-86RPOvSNUqZc7oyBICKYTLSMixNSBo6XrgpTOr4fJ1RlJu-96I/s320/MV5BZmQ3OGExMzktM2Q2MC00NmFlLWI3ZjItMjVlN2Q3YjE3NTM0XkEyXkFqcGdeQXVyMTg0MTI3Mg%2540%2540._V1_.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Russian dark comedy was in my selection as a horror film to
watch this month. This is not technically a horror film, but the amount of
blood spray, graphic violence, and body mutilation, I think it fits nicely into
my horror movie watch.<br />
Starting off, this opening comes out strong and holds up with lots of energy
and fast action. It allows you to understand it's dark sense of humor up front.
And quickly sets up one of the best, fastest, and funniest methods of
delivering a Chekhov's gun I have seen to date. This had me laughing right to
the end when it masterfully comes into play again.<br />
This film also uses the over used Wilhelm scream but does it so loudly at a
point that doesn't deserve it, that it too caught me off guard striking big
laughs out of me. In this case, it almost feels like a mocking use of the corny
sound effect.<br />
The camera work is constantly creative and uses camera motion to exaggerate the
hits, bashes, falls, and blood splatters. And the coloration, while heightened,
never feels out of place yet fits well with and enhances the comical bleak
tones. It is a captivating looking film, even though it is primarily taking
place in one breaking down apartment room.<br />
I did find the second half slowed up as the story unfolded. For a film that
starts off with such an over-the-top action sequence, it's hard to maintain
that momentum throughout the whole film. But I wished it could have at least
matched that momentum by the end. Small complaint for a great film that remains
entertaining throughout.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 26, Movie 3<o:p></o:p></b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Deadly Manor</b></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWRkCiMUO6-vfdCrLzFhBAfIXvb3AIdv_bj4AMOMeBbP1OTRdQJnAbqio0wyOtS76O3peksPD7KmO5taAohdDOnNEP4b-mbhC2MoCzz3cdtzjQEn6FU2EpVwm41o3ye_aac2O4HcbX4-ww/s1170/poster-780.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1170" data-original-width="780" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWRkCiMUO6-vfdCrLzFhBAfIXvb3AIdv_bj4AMOMeBbP1OTRdQJnAbqio0wyOtS76O3peksPD7KmO5taAohdDOnNEP4b-mbhC2MoCzz3cdtzjQEn6FU2EpVwm41o3ye_aac2O4HcbX4-ww/s320/poster-780.jpg" width="213" /></a></div><p class="MsoNormal" style="text-align: center;"><br /></p>
<p class="MsoNormal">Mild and slow paced slasher flick that's main focus is the
house. There's some really nice shots of this spooky dilapidated mansion.<br />
However, despite the great location, this film drags out, with uninteresting
characters, dull performances, and poor make up effects. All the kills are
basically throat slashings, with the actor covering their throats to hide the
low grade blood marks by the fake knives.<br />
Some people may enjoy the uninteresting poorly performed banter amongst our
performers, but I just couldn't see any degree of charm in it. Also our final
girl might be the most unremarkable final girl in slasher flicks. She seems to
forget what emotion she's emoting between cuts.<br />
The final reveal was corny enough to get a few laughs out of me, but it also
feels cheap and sloppy in execution.<br />
This just didn't work for me.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 27, Movie 1<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The Unseen (1980)</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQwH8ouNV3NBgSwfbxPAKKlbV7u8i69iAzzOQykzAzojbXQQsDGim6hcuzynKJETS-jOIly9-vbcW25ynLL1286jZRtcr5nZ0rSHY0R9z_lLvplqMt6AqYUYcKGNfMHOx7S07udApcATOb/s768/bee72d3d02b92ee8e2dbf72821bebb05.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="768" data-original-width="512" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQwH8ouNV3NBgSwfbxPAKKlbV7u8i69iAzzOQykzAzojbXQQsDGim6hcuzynKJETS-jOIly9-vbcW25ynLL1286jZRtcr5nZ0rSHY0R9z_lLvplqMt6AqYUYcKGNfMHOx7S07udApcATOb/s320/bee72d3d02b92ee8e2dbf72821bebb05.jpg" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">I don't think anyone will ever accuse Stephen Furst of
holding back.<br />
I also cannot say that I have seen an 80s horror film that had me feeling
extreme emotions, anger, sadness, embarrassment, more anger.<br />
The film's about three lovely ladies getting invited into the home of a
welcoming and harmless in appearance nutcase, starts off like a regular horror
film, then switches full tilt, into something strangely perverse, offensive,
and kind of endearing all at the same time.<br />
Unfortunately, this ending was spoiled to me years ago by a cheap horror
documentary that spent its time giving away endings instead of saying something
of substance. And I had nearly forgotten this existed until a friend who knows
my taste well, recommended it to me.<br />
And despite some forced dialogue, it's bleak and depressingly vile content, I
ended up loving it more than I had expected. Mainly because I was in shock at what
I was seeing for most of the final act.<br />
Sydney Lassick is fantastic as our villainous psychopath. His playful singing
in the middle of absolute havoc is so bizarre, it's chilling and nearly more
terrifying and gross feeling than the two major horror story reveals. The ramped-up
action is only more impressive because of how despicable a villain Lassick
portrays.<br />
I am glad I saw it, because even knowing it's couple big reveals a head of
time, didn't hurt my enjoyment of this strange film that would never be made
today.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 27, Movie 2<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The GetAway</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv8RQ5iOJDGikdzPQQkgW0M4o5T_fdaCXt5g_i5J6d7LhWWpjkaE0ehYm4IG_ptvDm13ryAISeZvT7IFyzQq67AO1k3BVXiDQGflYbci3ceOo6zRKl5bLdW2feIv1dL_qSdytw0sPn1IXN/s2048/MV5BMzJkMDQ5MTYtZjNmZS00YWRiLWFkN2EtMWRhOWIyYTY3NTBhXkEyXkFqcGdeQXVyMTkxNjUyNQ%2540%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1418" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiv8RQ5iOJDGikdzPQQkgW0M4o5T_fdaCXt5g_i5J6d7LhWWpjkaE0ehYm4IG_ptvDm13ryAISeZvT7IFyzQq67AO1k3BVXiDQGflYbci3ceOo6zRKl5bLdW2feIv1dL_qSdytw0sPn1IXN/s320/MV5BMzJkMDQ5MTYtZjNmZS00YWRiLWFkN2EtMWRhOWIyYTY3NTBhXkEyXkFqcGdeQXVyMTkxNjUyNQ%2540%2540._V1_.jpg" width="222" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal"><span style="mso-spacerun: yes;"> </span>Predictable creeper
kidnapping a beautiful lady low budget flick, that doesn't offer anything new
to the subgenre, but is also not a complete bore.<br />
The cast deliver some fine characters that come out through dialogue not
focused on "as you know" and/or "I don't need to tell you"
type of dialogue.<br />
It's short and sweet and didn't annoy. And that's the best I can say.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 27, Movie 3<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The Addams Family 2 (2021) </span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNoQf5zKLGMxom61dJSLDrUDpdkRbo3czVikXuQjo3eVyCP8GFqhE2XrQirYPCHtGi49oMSPth-NiiCRXh93FQ7NSWumAkXAmUxtxEkLedI3k4-hIk8PGays-gxw5Mqn-SwvOERfN1znZB/s1500/MV5BNzQ5NzJjMDgtNzhjMC00NTQ2LTgzOTUtZThiMWMwYmYwMGYxXkEyXkFqcGdeQXVyMTkxNjUyNQ%2540%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1013" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNoQf5zKLGMxom61dJSLDrUDpdkRbo3czVikXuQjo3eVyCP8GFqhE2XrQirYPCHtGi49oMSPth-NiiCRXh93FQ7NSWumAkXAmUxtxEkLedI3k4-hIk8PGays-gxw5Mqn-SwvOERfN1znZB/s320/MV5BNzQ5NzJjMDgtNzhjMC00NTQ2LTgzOTUtZThiMWMwYmYwMGYxXkEyXkFqcGdeQXVyMTkxNjUyNQ%2540%2540._V1_.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">One of the most annoying signs of desperate comedy writing
is the over use of over marketed music every new barely funny comedy scene.<br />
This film actually made Wednesday and Gomez uncool. I felt sorry and annoyed
for both because the writing is so stale and yet forced. There's a particular
part when Wednesday dresses for a beauty pageant. She's participating because
she has a plan to ruin the event, yet the film makes it look like she
embarrassed and confused by a dance number. If she knows what her plan is at
the end of the dance, why is the scene trying to get laughs out her being
uncomfortable playing this role?<br />
Scene after scene, this is poignantly unfunny.<br />
The voice actors are giving ok performances, they just don't have material to
help their work shine. This feels like a rush job. When ever we get jokes that
don't work, they try to cover up with loud music.<br />
This took me three times to finish it. Kept falling asleep or getting headaches
while watching it each time. I did feel somewhat accomplished once finished,
but that's not a compliment.<o:p></o:p></p><p class="MsoNormal">Conceptually this is all wrong. The humor of The Addams Family franchise comes from comparing the weird family antics with those of "normal" people. When these comparisons are shown with CGI animation, the comparisons doesn't have the same impact because everyone can survive explosions, falling from inhuman heights, getting run over, and so and and so forth. The Addams Family themselves display magical powers breaking the realism of the world, making their bizarre and demented lifestyle choices to have no consequences or the ability to question if they are the mad ones. There's no exaggeration to a joke when there is no limit to how far it can go. And this is why this is never funny, clever, or remotely interesting. </p><p class="MsoNormal">Will children enjoy this. Maybe at first. But this won't be a film that will stick with them right into their adult hood. </p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 28, Movie 1<o:p></o:p></b></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Deep House</b></span><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMN50Y5znmigGeBbfBlDC7cOBAdb2oEfxKQOBTf4kd07-Sdlx1T_4O4ItZ-zqHIwo77FE_a_4ow7DJOIjlrfptEX3L9lSvTcq7HOseWtM6oBFSB2Y-K3pavJZ0Vt3tL5ooRtiB8Op2Cbhp/s2048/MV5BOTA0YzY3MjktYzdiMi00M2Y3LWEyN2QtNDZlZGY2NWFlNGQyXkEyXkFqcGdeQXVyMTM4MzU4OTE%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1536" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMN50Y5znmigGeBbfBlDC7cOBAdb2oEfxKQOBTf4kd07-Sdlx1T_4O4ItZ-zqHIwo77FE_a_4ow7DJOIjlrfptEX3L9lSvTcq7HOseWtM6oBFSB2Y-K3pavJZ0Vt3tL5ooRtiB8Op2Cbhp/s320/MV5BOTA0YzY3MjktYzdiMi00M2Y3LWEyN2QtNDZlZGY2NWFlNGQyXkEyXkFqcGdeQXVyMTM4MzU4OTE%2540._V1_.jpg" width="240" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">One spectacular setting, missing a story to support it.<br />
Found footage-eques film showing two divers exploring a house that is at the
bottom of a lake, hidden in the woods. The house itself, encompassed by water,
is quite stunning. And there is a slight bit of intrigue once the diving couple
stumble upon some creepy cultish display. The highlight of the film is the
camera work taken exploring this bizarre setting.<br />
Unfortunately that's about where the entertainment ends. While there's some great
underwater filming, when some supernatural/nightmarish sequences take place,
it's very difficult to see or understand what is happening. There is a small
exposition drop with a character talking loudly to himself, that doesn't really
offer any depth to this situation.<br />
It's vague, it's hard to comprehend the action, and it's not an interesting
enough story to care.<br />
The final ending is nicely shot though, but it is also strangely directed to
comprehend what happened. Left me with questions I didn't care to seek out.<br />
This would be best played on some bar television with no sound.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 28, Movie 2<o:p></o:p></b></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Candyman (2021) </b></span><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVEwFq4lI4p90XqaDid9B1bFjnwD6S7ACwvLFHwaMe-Wjl97YArhhLtg0yEPGUaIMZRUdjwYtJc6MPxYEymPMSzgtFi3B5dnSgYW7qObc5aIGZuS57G9piw4xSV5BCeY5rjzRbCvvq8SCO/s2048/dT0hWF4qNncG7JgtqakwmQ2VqXy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVEwFq4lI4p90XqaDid9B1bFjnwD6S7ACwvLFHwaMe-Wjl97YArhhLtg0yEPGUaIMZRUdjwYtJc6MPxYEymPMSzgtFi3B5dnSgYW7qObc5aIGZuS57G9piw4xSV5BCeY5rjzRbCvvq8SCO/s320/dT0hWF4qNncG7JgtqakwmQ2VqXy.jpg" width="213" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">Solid update on the Candyman mythology. I was drawn in front
the creep opening, and the film held my attention throughout.<br />
I am going to probably go into more details in the future after a second look,
but at this time I can say I really enjoyed Nia DaCosta direction. The film
looks crisp and filmed with a lot of respect to art and rural communities. I
enjoyed the artsy dialogue exchanges, with people trying to establish their
importance in their language and sometimes spitefully if not insecurely driven
observations. The acting by the whole cast is top quality. Even if a couple
characters may be more on the sides of stereotypes than full fledge three
dimensional characters. Truthfully, I am not one to be concerned about side
characters being more stereotypes in horrors, when the main characters are
fully realized and the themes of the horror shine out, which this film does.<br />
I love the minimal use of Phillip Glass's iconic theme. The couple of times
that theme fades into playing, I got goosebumps. And with the mild toned
lullaby version of this theme, the final credit sequence gave me absolute
chills, with the haunting paper puppet animation mixed beautifully with the
score.<br />
Makeup effects are solid and sometimes a bit too good sometimes, with the
decaying body horror having me wanting me to look up the effects artist while
the story was still unfolding.<br />
What nearly broke my admiration was the forced political message being shoehorned
into the tale's final climax. I understand why it's there and I am glad it is,
I just felt it was too easily and unnaturally crammed in. But this might be my
Canadian mind that doesn't deal with this situation on a regular basis or to
that level, as the obviousness and upfront corruption felt too obvious and up
front to me. If this was more tactfully written, it would have been more
unsettling and more impactful.<br />
"Candyman" 2021 is one of the better horror films of this year. This
is one I can go back to for another visit.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 29, Movie 1<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Paranormal Activity: Next of Kin</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTLCICCIKe4B4VGa5cgGGx7GPxDS77ssf68erKp3VwWOr2AMQoHlNuMRUytaJy9k3Dw89W6U4hXx6Y1CJZcj3IBALK-X23N5AzQaCjsSk0G0BMINUqZnESY7TlUDdhgjw9lgTcHQ_igIrv/s2048/MV5BYTI0YjQ1OWItZTI4NS00MDY4LWE1OWMtMWJlMjIzY2VkNDMzXkEyXkFqcGdeQXVyMTM1MTE1NDMx._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1382" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTLCICCIKe4B4VGa5cgGGx7GPxDS77ssf68erKp3VwWOr2AMQoHlNuMRUytaJy9k3Dw89W6U4hXx6Y1CJZcj3IBALK-X23N5AzQaCjsSk0G0BMINUqZnESY7TlUDdhgjw9lgTcHQ_igIrv/s320/MV5BYTI0YjQ1OWItZTI4NS00MDY4LWE1OWMtMWJlMjIzY2VkNDMzXkEyXkFqcGdeQXVyMTM1MTE1NDMx._V1_.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Girl takes a small filming crew to an Amish community, in
hopes to find out more about her family tree. They are not too keen on city
folks but invite them in nonetheless, and soon secrets of their community
starts to reveal themselves.<br />
It’s nice to see a found footage where the people filming are not only likable
but present an acceptable reason for filming for the first part of the film.
But once havoc breaks out, it's amazing their attention to detail that they
capture while running for their lives.<br />
Unlike other Paranormal Activity editions, this one has some stunning
cinematography, in-between the night-time scares. Visuals of the snowy country
villa are lovingly filmed, with a nice slow motion bit to demonstrate the
advancements in this filming equipment.<br />
The low level rumbling noises when the scenes start getting scarier, still have
a nice effect on building tension.<br />
This is one of those horror films where your suspension of disbelief relies in
how much you can accept our protagonists to be morons. After our team of
geniuses learn about some hidden equipment that they could use to escape some
dreaded future, they then drop some exposition about not having a car, a cell
phone, or means of communication, completely forgetting the hidden equipment
could be used to help them. They also continue to keep Nancy Drewing all over
the place, even after they realize they should be leaving and running for their
lives, but instead call out, "If we don't do this now, we won't be able to
later." Yes, technically that is true, but I wished they would have rephrased
it, "If we don't do something that will probably kill us now, we may not
be alive to do it later."<br />
I did like that they took the aged old trope of dragging someone on the ground
into darkness and turning it around to something slightly different. There are
some nice surprises along the way.<br />
I may rag on the poor character motivations, lack of common sense, and even
inability to appear like regular people, but I did enjoy this much more than
any other sequels in this series. Not a stretch but step in the right direction
at least.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 30, Movie 1<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Monster Family (AKA Happy Family)</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmxxl8AdgZdbVzwhJ13Hxl1ONO8B14mO34hwo44KEYfU5YOy7kBD4244dvpqRioDlbwpEk42Jl_fWNcsOr5FjlUH4hAWBgwJTRsPn3BC0I9rWNViaPUNqKymbCFcZLpTSKTvry4t1qPI-u/s2048/MV5BMjIzNzUxMjMzNl5BMl5BanBnXkFtZTgwNzg0MTY2NDM%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1433" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmxxl8AdgZdbVzwhJ13Hxl1ONO8B14mO34hwo44KEYfU5YOy7kBD4244dvpqRioDlbwpEk42Jl_fWNcsOr5FjlUH4hAWBgwJTRsPn3BC0I9rWNViaPUNqKymbCFcZLpTSKTvry4t1qPI-u/s320/MV5BMjIzNzUxMjMzNl5BMl5BanBnXkFtZTgwNzg0MTY2NDM%2540._V1_.jpg" width="224" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">“The Incredibles” meets “Hotel Transylvania” from Germany. <o:p></o:p></p>
<p class="MsoNormal">The story is about a troubled family, who gets turned into real
versions of the monsters they dressed up for on Halloween, because Dracula
wants to marry the mother of that family. The bored with his job and feeling
depressed with life turns into Frankenstein, the son who’s scared of being bullied
by large bullies turns into the werewolf, the teenage daughter who’s concerned about
her looks turns into the mummy, and the mother, who’s tries hard to keep her
family together but maybe tries too hard is turned into a vampire. To get
changed back to their normal selves they will have to work together as a family…
blah, blah, blah. You know the path and destination this film has to take to
remain a children’s film. <o:p></o:p></p>
<p class="MsoNormal">The movie can sometimes provide some fine entertaining for
children, with inoffensive jokes, often about farting or getting hurt, and the
designs of the monsters, good or bad, are cute and cartoonish. However the film
appears to encourage a few off color and cringe worthy behaviors. For one, the
two parents appear to be ok with cheating on each other. We get not only 1 but
three scenes with Dracula wooing the mother, through dances, walks on the moon,
and a lot of cuddling and touching each other on the faces, plus the father, as
Frankenstein feels no issues with allowing model girls cuddle with him, until
an older version of them tries. The film later has both characters choose
family over sex with other people better looking and rich people, but it doesn’t
stop them from engaging in the fantasy… and sometimes in front of their kids. Plus
there are a few moments between the kids an their parents that make sense on
paper (perhaps) but the execution appears rather cringe worthy. Like the son,
in werewolf form, getting scooped up in his mother’s arm, licking her like a
dog would lick an owner. I understand the intention here, which could be a
cheap cute laugh. But the manner that the boy licks his mom doesn’t resemble a
dog’s behavior as much as a human licking someone over and over and over, till
it’s uncomfortable to watch. <o:p></o:p></p>
<p class="MsoNormal">I ended up watching the subtitled version and sad I did,
once I saw the cast of English voice over actors. Nick Frost, Catherine Tate,
Emma Watson, and Jason Isaacs? Fantastic voice actors. I am sad I didn’t choose
the ladder.<o:p></o:p></p>
<p class="MsoNormal">Not a bad kid’s flick in the end. Nice to see a children’s
film that was not cramming down your throats the latest pop artist music ever
10 minutes. <span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span><o:p></o:p></p><p class="MsoNormal"><span style="mso-spacerun: yes;"><br /></span></p><p class="MsoNormal"><span style="mso-spacerun: yes;"><br /></span></p><p class="MsoNormal"><span style="font-family: verdana;">For Halloween, I will probably return to the Carpenter Classic, the original "Halloween", as a friend has given me a 4K version and it is one of those rare films that gets better with each viewing. And I think this might be a Ernest Scared Stupid year. </span></p><p class="MsoNormal"><span style="font-family: verdana;">What ever I watch and what you watch this Halloween Season, I wish you all ha Happy Halloween and a next day enjoyable Christmas Season to follow. </span></p><p class="MsoNormal"><span style="font-family: verdana;"><br /></span></p><p class="MsoNormal"><span style="font-family: verdana;">JP Fournier</span></p>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-56320366015417203372021-10-24T13:26:00.009-07:002021-10-24T14:36:06.541-07:0031 Days of Horror 2021 Week 3<p> This week delivered some of the biggest surprises. I watched a new video nasty that rises above the graphic violence to deliver something intelligent, mind-bending, and completely bizarre. I saw an artistic achievement in the category of horror animation. And I found out there's an absolutely charming nostalgic look at Halloween from a young boys point of view as he learns valuable lessons about life, that pre-dates the iconic Bob Clark's "A Christmas Story", and is written and directed by Don Coscarelli ("Phantasm" and "Bubba Ho-Tep"). How does something like this slip through my movie fanaticism? And I also watched 1 of the most annoying films I think ever created. I suppose finds like these only solidify my future 31 Days of Horror participation next year. </p><p>Here's this week's flicks:</p><p style="text-align: center;"><b><span style="font-size: large;">Day 17, Movie 2</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Super Z</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgENRc1pUr1YM80lVsobKbQr6aArky7M5aonWFStXCvbyHTnFcIrSHkPT0C7_5clCBSF3tzaL74qkzOEO0gwxp3KWKNYTHOEkPF9R_JMLYhhHbFXSdG0OAU_f4mbjU_xfhm-ylRFOExf41Z/s872/super+z.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="872" data-original-width="658" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgENRc1pUr1YM80lVsobKbQr6aArky7M5aonWFStXCvbyHTnFcIrSHkPT0C7_5clCBSF3tzaL74qkzOEO0gwxp3KWKNYTHOEkPF9R_JMLYhhHbFXSdG0OAU_f4mbjU_xfhm-ylRFOExf41Z/s320/super+z.png" width="241" /></a></b></div><b><br /><span style="font-size: large;"><br /></span></b><p></p><p> Headache inducing zomcom about an experiment that creates a family of "Super Zombies", who are foul mouthed and crude and only want to live in peace as a family but keep having to deal with military soldiers trying to destroy them to keep the experiment a secret. I turned down the volume to 1 and it was still too loud, visually as well as audibly.</p><p>The film has some interesting comedy ideas. The mother figure is a transvestite who keeps changing her hairdo but switching the scalps of their victims, as well as adding some female body parts too. When they perform regular household chores, they do them as a zombie would, like washing dishes in a sink of blood, hammering in nails crookedly because they cannot stay straight, and even serve multiple body parts for supper in a nicely table display and eat people with fork, spoons, and knives. The youngest boy even falls in love with a human lady, but she's so ugly that he thinks of her as a monster too. This has a very "Adams Family" comedy structure here, only with more human mutilations and graphic violence, as well as plenty of juvenile toilet humor. Most jokes consist of being as gross as possible, without a reason for exaggeration, or twist on a concept, or even attempt to be silly. The film thinks showing two zombies having anal intercourse while "The Stars and Stripes Forever" is playing in the background is funny. It also focusses on the three kid zombies (all played by adults because... comedy) fighting over who gets to eat the severed penis because it thinks that is supposed to be funny too. Maybe for teen age boys with little to know education these scenes might be funny, but otherwise they are just more reasons to have loud noises fill the audio tracks.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMAOW2T9KTOpsV1ijh7ImF3IHgrg6g8zUTmWckDY7Le8IjMQRR8W0ClHKHqwB0ufSeLpcd78AGioSNABibuXgehSCgHpeqPJ7YGIApKTpp564j-Q73zcC2hCfn9iVjmmetDIv0WcncE0s4/s1920/16335912407101cf1265d58d0ac5c2854.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1920" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMAOW2T9KTOpsV1ijh7ImF3IHgrg6g8zUTmWckDY7Le8IjMQRR8W0ClHKHqwB0ufSeLpcd78AGioSNABibuXgehSCgHpeqPJ7YGIApKTpp564j-Q73zcC2hCfn9iVjmmetDIv0WcncE0s4/s320/16335912407101cf1265d58d0ac5c2854.jpg" width="320" /></a></div><p>Now I know this must sound like a fail-safe script, however how the whole film is presented might be the most annoying performances and directorial choices to ever hit the silver screen (or streamed at home during a film festival, as it was for me). All the zombies talk like they are The Monty Python troupes pretending to be women mixed with Gremlins voices. This sounds like it's ideal for comedy, and it probably could have been, if they all weren't continuously screaming over each other all the time. It's like they are amateur improvising actors all fighting for center stage. I was glad it was subtitle, because I speak and read French but could barely understand what any of the zombies were saying most of the time. The story technically ends at the hour and 12-minute mark, but as a mid-credit scene for one last laugh... attempt at one last laugh. Yet, despite it's quick runtime, "Super Z" feels like a two-hour event where nothing really happens beyond a 20-minute sitcom episode might deliver.</p><p>The colors are over saturated to appear like a family film, with plenty of fluorescent and pastel colors, which heightens the gore visuals as well. This feels like a sitcom concept fail that no network would ever pick up.</p><p>In the end, this is just simply obnoxious.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 17, Movie 3</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Alien On Stage</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKC_SXHPROMIrM0uBGHG8qtZhmwtiKNsEBXtn1QA0nyEEVIY5wxHFbop1URJTx4tP9bENLapGFuSU0I4wS1QmC6NvBmIfk-s1iTQuptovcoPMIywEOIXlt-IqEZOOyxXeg8ghzi2vy7xFL/s2048/MV5BNmJjNGIyOGItM2U3YS00NDMwLTg3OWMtYzEyZDMwZTAzNjdkXkEyXkFqcGdeQXVyMTk5NjI1MjI%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1447" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKC_SXHPROMIrM0uBGHG8qtZhmwtiKNsEBXtn1QA0nyEEVIY5wxHFbop1URJTx4tP9bENLapGFuSU0I4wS1QmC6NvBmIfk-s1iTQuptovcoPMIywEOIXlt-IqEZOOyxXeg8ghzi2vy7xFL/s320/MV5BNmJjNGIyOGItM2U3YS00NDMwLTg3OWMtYzEyZDMwZTAzNjdkXkEyXkFqcGdeQXVyMTk5NjI1MjI%2540._V1_.jpg" width="226" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>An absolute charmer.</p><p>A group of bus drivers from Dorset decide to hang up their usual pantomime performance for charity and take on something riskier, performing Rigley Scott's "Alien" on stage. And when their experiment flops, they end up getting an invite to take their show from their village hall to a London West End theatre for a one night only event. The crew find themselves overwhelmed by the level of theatre quality and professionalism but are up for the challenge.</p><p>Straight up this is just a lovely underdog story that captures all that is great about live theatre. The cast of characters are all loving and humble people. And the adorable effects, on their shoestring budgets are spectacularly inspiring.</p><p>Leaves you with just raised spirits and a huge smile on your face.</p><p><br /></p><p style="text-align: center;"><b><span style="font-size: large;">Day 17, Movie 4</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">The Free Fall</span></b></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1ap5Qdo0Xz4aT4YL9VwNcRI3rn_9ZfCFKDICNy47VTJj8OfnyN82i1bzGa-82QRTmoRGpXCWLzGFoIoh3BVJU2drtw47TQFsHUtAlTVuD3LbIHMi5x2or9Qv_bnxCzQFXlQTx6nbD7rpA/s800/MV5BYTQ0MDljMzctNzQwOS00YTk3LTgxNWItNzY4MjRjYWE3MDgzXkEyXkFqcGdeQXVyODM1MjM0OQ%2540%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="539" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1ap5Qdo0Xz4aT4YL9VwNcRI3rn_9ZfCFKDICNy47VTJj8OfnyN82i1bzGa-82QRTmoRGpXCWLzGFoIoh3BVJU2drtw47TQFsHUtAlTVuD3LbIHMi5x2or9Qv_bnxCzQFXlQTx6nbD7rpA/s320/MV5BYTQ0MDljMzctNzQwOS00YTk3LTgxNWItNzY4MjRjYWE3MDgzXkEyXkFqcGdeQXVyODM1MjM0OQ%2540%2540._V1_.jpg" width="216" /></a></div><p style="text-align: center;"><br /></p><p>After a failed suicide, Sara (Andrea Londo) wakes up from a coma forgetting her past. As she is trying to piece her memories back together, she's isolated in a mansion with Nick (Shawn Ashmore) and deceptively strange maid Rose (Jane Badler). The more she thinks she's gaining back memories, the more the world around her starts shifting and playing with her sense of reality.</p><p>"The Free Fall" continually shifts gears on what Sara experiences, from visions that maybe flashbacks, body horror that maybe dreams, and plenty of jump scares leading into her waiting up from nightmares. The reality spins nearly become too much to handle until the final 20 min climax where plenty of viewers will realize what is really happening and get on board for some true horror to take place.</p><p>And when it comes to horror, "The Free Fall" delivers it in spades. There are a few bizarre horrors of the flesh that would appeal to Cronenberg fans. Plenty of blood, twisted visuals, and morbid behaviors to get under most viewers skins. Both Shawn Ashmore and Jane Badler are excellent, walking a suspicious line of friend of foe that keeps getting creepier and more bizarre as the film progresses.</p><p>While plenty of people will solve the mystery well before the secrets are revealed, I was still not disappointed in where it goes. This didn't fall under usual tropes, clichés, or obvious turns.</p><p>Unfortunately, due to the nature of the film, the middle does drag a bit, as we are aware that Sara's hold on reality is off centered, so giving more examples, and more examples, and even more examples start to take a bit of a toll on my patience. The repetition does hold back the moment of the build up, but this also allows the final climax to feel more graphic, disturbing, and foul than the rest of the film might have implied it would be.</p><p>Horror fans who like a little intrigue and mystery in their flicks should seek this out.</p><p>One of the better films I saw at the Toronto After Dark Film Fest 2021. This is one meant to be seen after dark.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 18, Movie 1</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">The Deeper You Dig</span></b></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5sbFJafVTQ4WyCMd4D4WNhyeJ5oCCbEUaUTZrzfpsMF6t69igyGiniVyXdpAv2hFdkqi6IzhSZufkC5w1SKRr2p-hzDqJuNxRh1zTNeU8EEvdETdZcHM8GEGiLancKmvS1DyFXFnk5Mkt/s1200/The_Deeper_You_Dig-966609280-large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="850" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5sbFJafVTQ4WyCMd4D4WNhyeJ5oCCbEUaUTZrzfpsMF6t69igyGiniVyXdpAv2hFdkqi6IzhSZufkC5w1SKRr2p-hzDqJuNxRh1zTNeU8EEvdETdZcHM8GEGiLancKmvS1DyFXFnk5Mkt/s320/The_Deeper_You_Dig-966609280-large.jpg" width="227" /></a></div><p><br /></p><p>I wish there had been more digging deeper.</p><p>I don't know why so many reviews need to point out that this doesn't follow any ghost story clichés. Music suddenly turning on and off on an old fashion radio by an unseen entity, is not cliché ghost story material? Bumping noises coming from upstairs only to change to the lower floor once the protagonist is upstairs, is not cliché is not ghost story material? Oh, and an evil clown scene, that not a horror cliché, is it? An old lady speaking with a child's voice during a séance... A man who becomes somewhat insane by the end because he's been talking to or possessed by a ghost... There's even a stretched-out ghost mouth face for a jump scare... oh yeah that's not cliché ghost film material at all.</p><p>I have a feeling that someone, probably connected to marketing, mentioned that it was an unconventional ghost story that doesn't fall prey to usual clichés and others just repeated it without understanding what clichés are.</p><p>There are some unique directorial voices that shines throughout. Plus, the film has some bizarre dream sequences that would satisfy David Lynch fans. The setting is constantly gloomy and dim, always raining and appearing cold. And the film is mainly created and performed by a Father, Mother, and Daughter team. It's very slow moving at times and has a lot of shaded or blurred filming. The style is often pleasant to look at, but with the rain sound effects, the stretch of time without dialogue, and dragged out long takes, it's hard to be totally awake throughout.</p><p>Unfortunately, this did not work for me. The emotions the film is trying to reach, felt hollow and sometimes flat. This is due to some dull script writing and unexpressive acting. Musical tones, like a flat chord meant for indicating something horrific is happening or about to happen, are followed up by prolonged scenes of people walking in the forest or sitting in silence. Did the piano player just get too bored and felt they needed to play the music cue early to stay awake. Were they just getting impatient with the pacing? And the ending... good god... let's throw out any characterization we spent the rest of the film setting up. Plus let’s add a gore effect that we don't have the budget or technical abilities to make it appear better than I Syfy production, attempting to look fake on purpose.</p><p>Yeah. This was not for me.</p><p>I like the attempt, but this was filled with too many steps and odd choices that kept me from being engaged or emotionally involved in the film's storyline.</p><p style="text-align: center;"><span style="font-size: large;"><b>Day 18, Movie 2</b></span></p><p style="text-align: center;"><span style="font-size: large;"><b>Escape from Cannibal Farm </b></span></p><p style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizk42wr1Ta5bI5makwlWw6McOxohJnY2Mj31WAM4CPFANJLLxe_GHwcT11lzQTEvoNw4Waiu6hC7nHHGwqfXtwJkknrJl_5QaWS9lAvLJgPeEq_oY_YXkdDIaCKM2dkTa7Zej5G-qljCYH/s1000/71HZ274vwAL._SL1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="700" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizk42wr1Ta5bI5makwlWw6McOxohJnY2Mj31WAM4CPFANJLLxe_GHwcT11lzQTEvoNw4Waiu6hC7nHHGwqfXtwJkknrJl_5QaWS9lAvLJgPeEq_oY_YXkdDIaCKM2dkTa7Zej5G-qljCYH/s320/71HZ274vwAL._SL1000_.jpg" width="224" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p>Charlie Steeds is a king of "campy". He's dialogue is exaggerated and filled with quotable zingers, meant for cutting into a trailer. The acting is purposely over the top, sometimes it tones down to allow some poignant stories to beat to get through, then ramped up again when as the moment and the stakes raise. And the concepts are uniquely disturbing and perverse, above the regular "R" rated horrors. Each film by Charlie Steeds appears to be a specific dedication to a classic from the past, but with his own spin on the story and events. This one is his "Texas Chainsaw Massacre" flick. </p><p>"Escape from Cannibal Farm" may be one of the more mild and easier to digest of Charlie Steeds flicks. There's still plenty of blood, violence, and nasty concepts around every corner. But feels fitting for a Cannibal film, unlike some of these other films that are exceptionally depraved on top of telling something that usually isn't known for the kinks, fetishes and perverse, like a haunted house, a storm castle, or werewolf film.</p><p>That being said, "Escape from Cannibal Farm" has plenty of ambitiously filmed action pieces, comically over the top villains, and cartoonish lighting. The build up is fun, even though is has a few obvious jokes like the youngest boy knowing more adult topics and slangs than expected (yawn), and as the violence kicks in, the ramped-up momentum stays pretty much over the top for act 2 and 3.</p><p>Of course, this is not a perfect film (anyone expecting high art from a film called "Escape from Cannibal Farm" should give their heads a shake), but like all Charlie Steeds films, it's meant for campy diabolical entertainment. The film knows exactly the type of film it is, nearly winking at itself as it offers plenty of exaggerated twists and turns throughout. Truth be told, I also love it that these films are not for everyone. You never know exactly what you are going to get from Charlie Steeds.</p><p>Despicably fun.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 19, Movie 1</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Await the Dawn</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivN_6yJE4HqpKpR4KilFNjyY9Vce3Ov4fIzuQJ7r07Q7LvSBGEV9cvGQqUwdhKTIPiGev0jIE0nZeVkouvx5TqVebsBPJzOEaAfRlLShWF5jke2KixWAiBSyxMfX1TwUE6Qyc1uPcTEaro/s1529/mKbQgCoOgs5TV_haFFQqEb6JtstHv5eWiXsnJO7B2cU.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1529" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEivN_6yJE4HqpKpR4KilFNjyY9Vce3Ov4fIzuQJ7r07Q7LvSBGEV9cvGQqUwdhKTIPiGev0jIE0nZeVkouvx5TqVebsBPJzOEaAfRlLShWF5jke2KixWAiBSyxMfX1TwUE6Qyc1uPcTEaro/s320/mKbQgCoOgs5TV_haFFQqEb6JtstHv5eWiXsnJO7B2cU.jpg" width="251" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>I never understand why screenwriters, producers, or directors might film a movie with the same steps, plots points, and characterizes of a more popular film. "Await the Dawn" is just a poor man's version of "Tales from the Crypts: Demon Knight". Group of people dealing with a stranger they think is a danger to them indoors, is also hiding from a being outside beckoning them to come outside with a McGuffin, who also has a tiny army of monsters. The film decides to switch the charismatic smooth-talking antagonist of a Billy Zane, with a cute 10-year-old girl, with no charisma.</p><p>This is a weaker rendition of "Demon Knight" in all categories, lousy characters, minimal special effects, and gore, but at least they added more bickering from our characters. Except for Dee Wallace, the acting is pretty poor. The little girl, and I don't blame her, doesn't have the acting abilities to come across as menacing or something more than a just a young child over acting.</p><p>What bothered me the most was not being able to compare it to "Demon Knight". When you borrow from a popular film, why wouldn't you think an audience would just be reminded of a better production and become more aware of how your own version is lacking?</p><p>There's a couple of interesting gore effects, but the final reveal of the creature is laughable.</p><p>A failure in comparison.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 19, Movie 2</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Beast Within</span></b></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLgxoUsKJyJxS5qlzY6IAehJWxTN3cWwnmYEChuJTprivjOsNsxdd_kB9awFbXbcleQWW0KZyeahpFqekMP6OytoCFjx9puA-LseoQ_a22JhA3gaJ2j_xx41rsHXAciqxoVsNCim1VVRnI/s1477/MV5BNDM2ZDcyZjAtNGFmNi00N2Y2LThkNzgtNWJlYWY1NGM1NGVmXkEyXkFqcGdeQXVyMjQ0NjczMjc%2540._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1477" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLgxoUsKJyJxS5qlzY6IAehJWxTN3cWwnmYEChuJTprivjOsNsxdd_kB9awFbXbcleQWW0KZyeahpFqekMP6OytoCFjx9puA-LseoQ_a22JhA3gaJ2j_xx41rsHXAciqxoVsNCim1VVRnI/s320/MV5BNDM2ZDcyZjAtNGFmNi00N2Y2LThkNzgtNWJlYWY1NGM1NGVmXkEyXkFqcGdeQXVyMjQ0NjczMjc%2540._V1_FMjpg_UX1000_.jpg" width="217" /></a></div><p>How did such a lousy production, poorly written script, and mediocre direction get Colm Feore in the cast?</p><p>"Beast Within" is a whodunit with the potential for a werewolf. Amazingly it is 80 minutes and could be cut down to 15 mins and it wouldn't make a difference.</p><p>Painfully boring and uninteresting. Do people write scripts with the purpose of not having anything interesting until the last 10 minutes? The poster is misleading because it implies that this film has action. Even the 1 minute of action it does slip in at the finale is boring.</p><p>How did this ever get released?</p><p style="text-align: center;"><b><span style="font-size: large;">Day 19, Movie 3</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Fear Street; 1994</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEA6akC9PFXbM6EbYQnGIyh65VKySuG51lb7GNKEEmhuhyphenhyphenSeky-Tw2nzNDu_HxfjpHblOC5ALQ1UrqG8s61eJDL7wdv-FQhRKCe8g3XweId0vMzx_FjZCPrGxqaU4j8tAOLIqzFv498JdU/s1500/MV5BNzQzYjIyZDQtMjBhZS00MzU3LTk0MTQtNTVmMDI3ZWY0ZWU3XkEyXkFqcGdeQXVyMTkxNjUyNQ%2540%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1013" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEA6akC9PFXbM6EbYQnGIyh65VKySuG51lb7GNKEEmhuhyphenhyphenSeky-Tw2nzNDu_HxfjpHblOC5ALQ1UrqG8s61eJDL7wdv-FQhRKCe8g3XweId0vMzx_FjZCPrGxqaU4j8tAOLIqzFv498JdU/s320/MV5BNzQzYjIyZDQtMjBhZS00MzU3LTk0MTQtNTVmMDI3ZWY0ZWU3XkEyXkFqcGdeQXVyMTkxNjUyNQ%2540%2540._V1_.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>Very silly, yet awfully fun.</p><p>"Fear Street: 1994" starts off fast, establishing an interesting setting with two rival towns, multiple conflicts, vivid characters (some common stereotypes), and confirmation that it is taking place in the 90s.</p><p>I went in with low expectations and ended up being highly entertained. The film runs from scene to scene smoothly never slowing up. The musical score is dynamic and punches up tension and atmosphere. I found myself laughing at the film just as much as with the film, and very shocked at how violent it became during the final climax.</p><p>This really captures the feel and look of 90s, with a super soundtrack to boot.</p><p>Nice start up for a trilogy.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 20, Movie 1</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">The Dinner Party</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiurHB4yuHMPHIIeatXUc4TH6d8Bo2nyICzyLi4uZPk1EDdWtpdyt0CFOCyHC3-3D1u40546tGmalodbc3qn0YA6dAWHa34BAIgkroE9Y_DexzuptTbZwLa8C4xydyvDdOUezEqPxZLEdJo/s2048/The-Dinner-Party-Poster.jpe" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiurHB4yuHMPHIIeatXUc4TH6d8Bo2nyICzyLi4uZPk1EDdWtpdyt0CFOCyHC3-3D1u40546tGmalodbc3qn0YA6dAWHa34BAIgkroE9Y_DexzuptTbZwLa8C4xydyvDdOUezEqPxZLEdJo/s320/The-Dinner-Party-Poster.jpe" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>There are a few things to like here. For starters, this is a great example of how not getting to the actual story until about the halfway point, won't win you any audience awards.</p><p>The film is about a young snooty couple getting a once in a lifetime opportunity to dine with the rich in hopes to gain founding for the wannabe author of the two. During the dinner, the couple soon learns that the rich are not as genuine as the couple would hope. We have seen this plot set up before.</p><p>The dinner itself doesn't get started until about the 25-minute mark. And as a result, I too started getting impatient and oddly hungry. This might not be an issue if there was set up or characterization happening that wasn't info we already figured out before the couple entered the house. Once the dinner begins, we get a swap of stories, ideologies, and smugness. The acting at the dinner table is fine, the dialogue has some pep, but there's little set up to the actual reveal, besides some vague characterization that will make our protagonists decisions lack surprise or dimension.</p><p>While I would usually despise a film for dragging out the obvious script, however i didn't find this as annoying as I would have expected. The tone is dark, miserable, and awful pompous, yet it kept my interest and felt like something was building up. It's not a great film but it's also not a 1 star too. I didn't feel my time was wasted here.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 20, Movie 2</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Cyst</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtkkJ7UY_77ymrQ1j83ErQIWHqoJZ_5J2MET_jYGpY88bhby2cPThjeDaUq7ZTf1VGcooE7-PD9pfis94OjfQbfI6jyXnenCyXsz6xumwAqMdW6tWabQwqNxq1aJovjF85Y3tQrcXqK1do/s1200/MV5BNzU2NjQ3YzMtZmI3Yi00MWZhLWE4NTUtNzdiZjZmMDM4NWUyXkEyXkFqcGdeQXVyMTA0NzQyNTQy._V1_UY1200_CR98%252C0%252C630%252C1200_AL_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="630" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtkkJ7UY_77ymrQ1j83ErQIWHqoJZ_5J2MET_jYGpY88bhby2cPThjeDaUq7ZTf1VGcooE7-PD9pfis94OjfQbfI6jyXnenCyXsz6xumwAqMdW6tWabQwqNxq1aJovjF85Y3tQrcXqK1do/s320/MV5BNzU2NjQ3YzMtZmI3Yi00MWZhLWE4NTUtNzdiZjZmMDM4NWUyXkEyXkFqcGdeQXVyMTA0NzQyNTQy._V1_UY1200_CR98%252C0%252C630%252C1200_AL_.jpg" width="168" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>You can tell when a person is purposely singing out of tune. There's an inflection in their voice that exhibits an unnatural exaggeration. And this is the same issue I have with the performances in "Cyst".</p><p>The idea of a monster rising from a genetically altered experiment on a cyst, has potential of being some gruesome fun. Unfortunately, when it comes to this film, it doesn't have the guts or talent to rise above its low budget. While most of the cast is relatively poor but passable, our main mad scientist is almost as cringe worthy as a cyst. And a film about a giant cyst, should at the minimum get the effects for a cyst correct. But, when it comes to the gore effects, practical or not, they don't make much sense. There's a particular scene where one person gets deflated and another person's head bursts, followed by a skull transforming. Now we would assume this skull belongs to the person with the cyst, but because the editing and direction is so poor, it could be either person.</p><p>The film turns into a creature feature by the end making the leaps of logic that we can expect from these types of films. Unfortunately, I could not tell if this was a homage to those films or a parody.</p><p>This just feels very sloppy.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 20, Movie 3</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Fear Street; 1978</span></b></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcOU7vb9KxPk-QW4YaptLk3IBYsJHEza4nciftlHwh1RR9i3qmarcHr1JH_Hp8l2bcw1c3I2g73jWJTMaqtyl-94U3Y7nR4Kia4FxT13f3locl1t_ZEUQovERpZpzP3jdJ8Z1FsQ6QXHZs/s1138/Fear-Street-1978-Poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1138" data-original-width="768" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcOU7vb9KxPk-QW4YaptLk3IBYsJHEza4nciftlHwh1RR9i3qmarcHr1JH_Hp8l2bcw1c3I2g73jWJTMaqtyl-94U3Y7nR4Kia4FxT13f3locl1t_ZEUQovERpZpzP3jdJ8Z1FsQ6QXHZs/s320/Fear-Street-1978-Poster.jpg" width="216" /></a></div><p>Continuing from where the first film leaves off, "Fear Street: 1978" nicely transitions into a slasher flick from the late 70s early 80s. This time taking place on a kid’s camp (of course), the film captures the appearance of the past films like "Friday the 13th" and "Sleepaway Camp".</p><p>This time around, the pickup for the story took it's time and was not has rapidly paced as the opening film. The cast of characters are not as up distinguished as the first too, only focusing on our main sister protagonists and a couple of the main characters instead of the group. But as the film gets into it's groove, it too is fast paced, suspenseful, and delivers some gory action.</p><p>Another fantastic soundtrack too.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 21, Movie 1</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">The Children (1980)</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLtP0mtveI_Fp8D6d9toLkvXnbdMLl6QKcECuZbWhN4V2Mr-U4Gp5zBxy15NeP-akfIFpkpPUKLgmZ9Xj5Nh8WKEv07a4P2wi6dAJMrJ1qrxwq_4mLZENGKHoOUGaEDekwLyZRe9x7Goe0/s750/uGFhl25uioQgI3ODrNoXW1iz3PP.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="750" data-original-width="500" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLtP0mtveI_Fp8D6d9toLkvXnbdMLl6QKcECuZbWhN4V2Mr-U4Gp5zBxy15NeP-akfIFpkpPUKLgmZ9Xj5Nh8WKEv07a4P2wi6dAJMrJ1qrxwq_4mLZENGKHoOUGaEDekwLyZRe9x7Goe0/s320/uGFhl25uioQgI3ODrNoXW1iz3PP.jpg" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>Now here is a b-movie horror I can get behind.</p><p>A school bus of annoying children drives through a toxic waste fog that turns them into zombie-like monsters, who's touch melts people's flesh, like radioactive material. The only way to stop them it to cut off their hands... obviously!</p><p>Despite the films insane plot, everyone on board takes the topic seriously which allows the film to deliver a ton of laugh out loud moments, without winking at the camera. Like when our female protagonist, not knowing the situation, spots the sheriff shooting children from window and muttering to himself casually, "They still keep getting up."</p><p>Plenty of melting people, plenty of bad kid acting which makes the killings appear like adult actors trying to get rid of the bad actors, and the film is not afraid to stretch that "R" rating for violence. You will not see a film like this nowadays, unless it's an underground film, but this was a theatrical release.</p><p>I know this is not for everyone (Roger Ebert famously panned this film as a "movie for the dogs"), but it hit my desire for campy perfectly.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 21, Movie 2</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Fear Street 1666</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2tFnRxIEufeBuM-HgG0pnxG_MtdTqu6ggznJuiMybSWmv59cxCwGxrGTvnxAjFxFPy087EWg3xaqG3gH3fQgrBn6e4rSLZBFLDS0AvGTRzS-zQv-Y36t47h0TCSVnBC7HnO67jWCUEMIm/s2048/8ayc3elnj6b71.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1383" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2tFnRxIEufeBuM-HgG0pnxG_MtdTqu6ggznJuiMybSWmv59cxCwGxrGTvnxAjFxFPy087EWg3xaqG3gH3fQgrBn6e4rSLZBFLDS0AvGTRzS-zQv-Y36t47h0TCSVnBC7HnO67jWCUEMIm/s320/8ayc3elnj6b71.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>The final installment was so much fun, it made me appreciate the first two even more.</p><p>Not only are the three volumes connected nicely, but the series also holds the best action sequences for the final climax. There's a ton of set up, but the surprises and elements against our protagonists keep rising as the battle starts. Sure, it's not a scary series by no means, but some of the gore effects are nasty and the suspense does certainly build with numerous obstacles thrown at our heroes left and right. The storyboarding for the finale would be great to look at.</p><p>This is a fun series; I was not expecting to enjoy this much.</p><p style="text-align: center;"><span style="font-size: large;"><b>Day 21, Movie 3</b></span></p><p style="text-align: center;"><span style="font-size: large;"><b>Truth or Dare (2017)</b></span></p><p style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK2oYA1EF_wU2SLTkRwC6YmQRHfFH31ZBC_t1qtKkFEEIWA_dTqhDwe_Stmy7m-vJkD-n1TL2wtjM8n7rZbgETkqDJnzXx9phIPUsAhecTA7CkG_FFNs7jA3IVwZJYG9kPz0gLGoL9rKZb/s2048/MV5BODMzMDkwOWMtNGVmOS00NTEwLWIyZmItMjhiNTMyMmZiYTJhXkEyXkFqcGdeQXVyMjM4MzA1OA%2540%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhK2oYA1EF_wU2SLTkRwC6YmQRHfFH31ZBC_t1qtKkFEEIWA_dTqhDwe_Stmy7m-vJkD-n1TL2wtjM8n7rZbgETkqDJnzXx9phIPUsAhecTA7CkG_FFNs7jA3IVwZJYG9kPz0gLGoL9rKZb/s320/MV5BODMzMDkwOWMtNGVmOS00NTEwLWIyZmItMjhiNTMyMmZiYTJhXkEyXkFqcGdeQXVyMjM4MzA1OA%2540%2540._V1_.jpg" width="213" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p>I think it's really cute that a couple of 10-year-olds wrote a horror script. Oh wait... umm... this wasn't written by 10-year-olds?</p><p>My word.</p><p>The story is about 8 friends who play truth of dare in a haunted house and the ghost of the house decides to take over the game. Now these generic characters must do the dare (sigh) or the dare will do them.</p><p>The film is borderline comical, with goofball dares and ghost that can make guns, nooses, and playing cards with dares on them appear out of nowhere.</p><p>Not to worry, the exposition character tells the group, "You can beat the game. You have to be smart." Great pep talk. </p><p style="text-align: center;"><b><span style="font-size: large;">Day 22, Movie 1</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Beautiful People (AKA Dead House)</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUOQHVGR7KpE7j0G_lr-ieHxny_ipJKav7885B45dMaq7cVFqckttYHssujxMjf5p66cqEdEhreHZP6ITiUra_QjVXOrErNfkxw_XsMbNo1aHEucDusiFZvjBALBokYqHrcuLoghofiaZK/s960/bp2+%25281%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="651" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUOQHVGR7KpE7j0G_lr-ieHxny_ipJKav7885B45dMaq7cVFqckttYHssujxMjf5p66cqEdEhreHZP6ITiUra_QjVXOrErNfkxw_XsMbNo1aHEucDusiFZvjBALBokYqHrcuLoghofiaZK/s320/bp2+%25281%2529.jpg" width="217" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>Home invasion flick, with a basement full of experimental zombies.</p><p>It is nice to see someone try and add something to the stale subgenre of home invasions, but to mix it with another overly worn-out sub-genre, of zombies, it's ends up feeling as uninspired as it sounds.</p><p>The film begins with a nasty exploitative snuff film opener, with a perverted villain named Testamento. These unsavory rapists then take their hobby to a family's home where they do the usual rough up tied up family members, beat up the father, and sexually assault the mother. There's nothing we haven't seen done more despicably in other home invasion films. Only difference is when they get to the basement, zombies.</p><p>There's little to no characterization, little set ups, plenty of time wasted in mentally torturing the family, then some lousy zombie kills. Only this film adds another rape scene close to the end, after escaping zombies, what else is there to do in this film... I guess.</p><p>This cannot even be entertaining sleaze. Gross, stupid, and boring.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 22, Movie 2</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Devil May Call</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbBbSfvtPtrmB8j-LX63Bcukj1BMqKNvfYIGh_JUQgQ16xVplaEUWkItrsrUiN1gLGp1gzU35c3tHie3HbcfDGeUQnUpMsRFjo4xtHt-qzzN7iNLidd32kQtBTILrlQJKjmGY_x_9pKsAn/s2048/MV5BMjI3MTIxMDAzMV5BMl5BanBnXkFtZTgwMzA5MjE4MzE%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbBbSfvtPtrmB8j-LX63Bcukj1BMqKNvfYIGh_JUQgQ16xVplaEUWkItrsrUiN1gLGp1gzU35c3tHie3HbcfDGeUQnUpMsRFjo4xtHt-qzzN7iNLidd32kQtBTILrlQJKjmGY_x_9pKsAn/s320/MV5BMjI3MTIxMDAzMV5BMl5BanBnXkFtZTgwMzA5MjE4MzE%2540._V1_.jpg" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>There's a good script hidden behind some mediocre directing. A crisis line operator who is blind, is celebrating her last night of work before she goes back to school. Unfortunately, this news is not taken to kindly by one of her repeat callers named John, a psychopathic killer with severe anger issues. With a short staff and minimum security, John's intentions are to reek havoc for the news he's unable to take.</p><p>The setting is great, an office building that's being packed up before a move to another building. Late night, most of the rooms have minimum lights and there's an emptiness around every corner. There is a true understanding of the work environment, from how coworkers talk to each other, tricks and quirks about the job passed onto new employers, and the comradery amongst workers. And Tyler Mane is truly menacing as John, the monstrous murderer, towering over everyone with his 6-foot 8 height (however this film makes him appear even taller). I wished they would have spent more time building up his character. We only get some pacing around in his messy home, as a woman who's tied up and gagged tries to escape, while he talks on the phone. The film is missing more of those conversations he takes to show why talking to Sam (the blind operator) means so much to him. But more time is spent on developing a new worker and his uninteresting life story, rather than the antagonist's history or state of mind.</p><p>What works against the film is some poor directing choices and a stretch of action we already know is coming its way. The film feels like it was meant for low grade cable television. The violence is off screen, the language is mild for calls from raging psychopathic callers, and there's black out transitions that feel like commercial breaks are coming along. There are poor choices by our characters that would only be written by someone forcing in suspense, like our protagonist crawling hand and foot through shattered glass, when she can stand on the glass with her protective footwear.</p><p>This has the right elements to become a frightening thriller but instead it's a mildly entertaining one.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 22 Movie 3</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Girl Next</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNCfsBtbgimrYQhyM6e5U1zhL7oqp6gtwVH6dP8TfWYPvyCi9srSFXvE3FxBhYyQ97HLoJ34MyFClamZyMnNpYT8fyXmOwnSjSM7RgFZb6hAFXLxunAN78oFy6wyIU0I4o7X0i1VZdV1Bd/s948/MV5BNjI0YjY3M2EtODQzZC00MDFmLThmOTEtMjQyMWUxNmIwNGNiXkEyXkFqcGdeQXVyMjAxNzI4NjE%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="948" data-original-width="640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNCfsBtbgimrYQhyM6e5U1zhL7oqp6gtwVH6dP8TfWYPvyCi9srSFXvE3FxBhYyQ97HLoJ34MyFClamZyMnNpYT8fyXmOwnSjSM7RgFZb6hAFXLxunAN78oFy6wyIU0I4o7X0i1VZdV1Bd/s320/MV5BNjI0YjY3M2EtODQzZC00MDFmLThmOTEtMjQyMWUxNmIwNGNiXkEyXkFqcGdeQXVyMjAxNzI4NjE%2540._V1_.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>Exceptionally ambitious torture porn rises well above its stereotypical subgenre predecessors, with unique fantastical concepts continually raising the stakes and layering the depths of a typically 1 note premise.</p><p>The story is basically about a lady who's kidnapped in a mall parking lot and is tortured, drugged, and broken down mentally until she becomes a "Sophia" doll. The film begins with a graphic opening scene of genital mutilation and for the first half an hour, appears to be a well shot and nicely filmed exploitation film. But as the plot starts to unravel, there is much more complex concepts developing, leading into science fiction territory. The beginning of the film appears to be a professionally made exploitation film, then soon blends into something more profound, more strange, more fantastical, and more formidable.</p><p>This is a hard "R" film, and the graphic violence is at the level of some of the nastiest video nasties. With severe sexual torture, necrophilia, severed limbs, deformities, gratuitous nudity, and much much more. The gore effects are outstanding and sometimes visually stunning. There's a lot of beautiful cinematography to level out the intense violence and shock filled scenarios. The acting is a mix of good to over the top, and the over-the-top performances suit the tone and maniacal characters that deliver them.</p><p>For those that can handle the excessively vivid violence, stay watching right past the credits, as there's one last nugget of scifi goodness at the very end.</p><p>There is one special effect, representing a character's inner strength, that doesn't match the quality of the other, mostly practical effects. But I liked what they were attempting. It's a small 10 second effect, but enough to slip me out of the film's momentum. It's not a game stopper for me, but it was noticeable enough to mention.</p><p>I know this is not for everyone, some may be turned off by the unusual story structure, the mind-bending hallucinated visuals, multiple plot twists, and deep reveals that don't let the viewers any comfort but quiet the opposite.</p><p>This was a pleasantly nasty surprise.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 22 Movie 4</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Fear Pharm 2</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6PHiEQ-aB1DE8wl1S2rOBfaCfiTtdh_7YYG0OMIN4djkMJji4mXJ_E8tPc33wBfM8yZHWluJa0JbZ4fEpSgy3WStc9PyVq6PxhJAIKIUZIYX70tlwRcIN4iK-and2KHT6Rhl1gLVjTob-/s2048/MV5BMzM3N2MxYjUtYjc4NC00N2ViLWIwNTktMzBlMWQzYjViNjE4XkEyXkFqcGdeQXVyMTQ2OTU2OTQ%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1467" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6PHiEQ-aB1DE8wl1S2rOBfaCfiTtdh_7YYG0OMIN4djkMJji4mXJ_E8tPc33wBfM8yZHWluJa0JbZ4fEpSgy3WStc9PyVq6PxhJAIKIUZIYX70tlwRcIN4iK-and2KHT6Rhl1gLVjTob-/s320/MV5BMzM3N2MxYjUtYjc4NC00N2ViLWIwNTktMzBlMWQzYjViNjE4XkEyXkFqcGdeQXVyMTQ2OTU2OTQ%2540._V1_.jpg" width="229" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>Well, this is a shame. I guess they caught lightning in a bottle the first time around.</p><p>The first "Fear PHarm" was a fun surprise, delivering some colorful characters of villains and not taking itself too seriously.</p><p>The sequel seems to have missed out on the fun and humor of the first. There's still an attempt to bring in some whimsical humor but it's just not there. Aimee Stolte still has the energy she brought to the first and her performance has some spirit, but her devilishness appears to be minimized to a more business orientated motives. This time around our family freaks engage in more angry acting moments.</p><p>The victims, or protagonists are unlikable, poorly performed, and poorly written. We also don't get a sense that the farm's maze is a character like the first film. Watching these back-to-back may help bring the favorable moments from the first over to the next, but it still doesn't make this sequel a good film.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 23, Movie 1</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">The Wolf House</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8t9s1MrtNBjtyT8iLEYYF0LzIkkVteIXjpLlzcDZWEcSm4lnL-2-hDfP1JIK1vsS3dgJXmeN7pWt9Br7CvFh0X5iRUztds5qAyRwcChCASLA5jGjJKVcmzEefLPW9zd2K-PIYZjGKL9w1/s1500/81hE0GEmfBL._AC_SL1500_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1067" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8t9s1MrtNBjtyT8iLEYYF0LzIkkVteIXjpLlzcDZWEcSm4lnL-2-hDfP1JIK1vsS3dgJXmeN7pWt9Br7CvFh0X5iRUztds5qAyRwcChCASLA5jGjJKVcmzEefLPW9zd2K-PIYZjGKL9w1/s320/81hE0GEmfBL._AC_SL1500_.jpg" width="228" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>I am in absolute awe at this film’s artistry and originality. Only 75 minutes long and because every second of continuous stop motion feels like a fungus growing in rapid speed, the time stretches in my mind much much longer. And although this might be one of my favorite films, I have watched this year, it certainly is a challenging film to get through. The visuals are purposely disturbing, with stop motion animation masking over the house back grounds with motion paint jobs dripping and appearing like bleeding walls, paper mache models generating from the inside first and layering their structures and sounds of squealing pigs and sickly animal calls in the background. The pacing is slow and methodical, not only to aid the constantly changing animation, but to build on a nightmarish atmosphere of confinement and an inescapable environment.</p><p>This is beyond nightmarish in scale, scope, storytelling, and tone. It took 5 years to create and that might be the same amount of time it will take for me to shake it off.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 23, Movie 2</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">An English Haunting</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAMWT1mEtDOyF8oEl90ODvJDya23wSlDhwoWFLJ0RSzP0DxyCpe-LwxJUsUGasaWjpLwUQDkaGRASqVffDTKurFawmeBDSJhbf9c22d28Qpc7_2DdCOyMMH3hAWtigwDoa5ep5_D93oVJ_/s2048/MV5BNzI3NTkxODItMDJhNC00MmJkLTg5Y2UtNTI3MzU0OWYzYWEzXkEyXkFqcGdeQXVyMTEyNDk0MjM%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1448" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAMWT1mEtDOyF8oEl90ODvJDya23wSlDhwoWFLJ0RSzP0DxyCpe-LwxJUsUGasaWjpLwUQDkaGRASqVffDTKurFawmeBDSJhbf9c22d28Qpc7_2DdCOyMMH3hAWtigwDoa5ep5_D93oVJ_/s320/MV5BNzI3NTkxODItMDJhNC00MmJkLTg5Y2UtNTI3MzU0OWYzYWEzXkEyXkFqcGdeQXVyMTEyNDk0MjM%2540._V1_.jpg" width="226" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>Another Charlie Steeds film shows inspirations from horror icons from the past. In this film he tackles the haunted house genre but displays a Lucio Fulci type of ending.</p><p>The film has a small cast, and I cannot say I was overly enthralled with our two leads. Their backstories are very generic and don't match the level of twisted fun the house's mystery holds. This makes the opening rather slow and unnecessary to the build up of the mystery. This only picks up after the second half, showing more of Steeds demented imagination and eye of disturbing visuals.</p><p>Not my favorite of Steeds films, but it's still a tad more enjoyable than the average low budget haunted house affair.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 23, Movie 3</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Alone in the Dark</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkTWjykWIMARlA6CtbXhwROrg3vtPi_3WOODll4KJn473MPSM4LM9fNWye3YlJWh2SoU1m9Ur8mnkMi_Z7epjnx_k6lfgiXRp_qZtiPwEnJmk77Rhib2otUvqQqndfqfVhl2GjjMaC7DtN/s1435/alone-in-the-dark-md-web.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1435" data-original-width="960" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkTWjykWIMARlA6CtbXhwROrg3vtPi_3WOODll4KJn473MPSM4LM9fNWye3YlJWh2SoU1m9Ur8mnkMi_Z7epjnx_k6lfgiXRp_qZtiPwEnJmk77Rhib2otUvqQqndfqfVhl2GjjMaC7DtN/s320/alone-in-the-dark-md-web.jpg" width="214" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>Slasher flick gets some influences from "Straw Dogs" with a family protecting themselves in their house from outside attackers trying to get in. While the film about mentally disturbed patients getting free during a power outage, each with their own characteristic killing trademark moves, it sounds like it's meant for campy fun, but the film has some chilling down to earth moments and stays pretty grounded throughout.</p><p>The cast of character actors are not phoning in any of their performances here. Each one shines and has plenty of scenes allowing them to display their talents.</p><p>While I saw one of the big surprises coming a mile away, I still enjoyed the reveal.</p><p>Surprised this film doesn't come up more often in lists of great horror films from the 80s.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 24, Movie 1</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Kenny and Company</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdYoXUboKnX8uc9_wP8812GhzvvJIOEut_bvTwAoB8VnZxF2CWhvlaYGSyQzb1cmbjiDF_lTqrw6MjDRuCa5BxX4sFPOds9pgHev7YIRZrZpLRsqJaj8wMmbIqwlOiJAtu8sj14qLERxdn/s870/kenny-and-co-movie-poster-1976-1020367190.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="870" data-original-width="580" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdYoXUboKnX8uc9_wP8812GhzvvJIOEut_bvTwAoB8VnZxF2CWhvlaYGSyQzb1cmbjiDF_lTqrw6MjDRuCa5BxX4sFPOds9pgHev7YIRZrZpLRsqJaj8wMmbIqwlOiJAtu8sj14qLERxdn/s320/kenny-and-co-movie-poster-1976-1020367190.jpg" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>Absolutely charming nostalgic look at the life of young boys, as they gain life experiences as they make their way to a fateful night of Halloween. The films told through narration by Kenny, as he recaps specific events, like dealing with a bully, dealing with his first love, and even learning about how to deal with death. We go through one antidote to the next, some often ending with punchlines, but each one capturing so much character and reverent for a specific era, it's hard not to be completely captivated by the whole film.</p><p>Don Coscarelli brings back a lot of the main actors from his "Phantasm" series, as well as some of the same set decors, causing the film to feel like it lives in the same world. There's even a stuffed dummy for a prank that has an uncanny resemblance to Angus Scrimm’s The Tall Man's character from "Phantasm". This helps set some atmospheric chilling moments during the Halloween night events. </p><p>The format for the film may seem all over the place, jumping from memory to memory almost like a clip show, but each sequence sets up events, actions, and scenarios that will come back near the end. The narration barely interferes, introducing characters and providing some personal insight connecting us to our lead. The structure and style must have been a huge influence on Bob Clark's "A Christmas Story" only sticking to the holiday of Halloween, and not afraid to venture into some darker more adult territories. But both films take on an innocent view from a young boy's point of view. There are a few moments of extra exposition, with the boys saying out loud obvious information we already see on screen, but instead of it feeling out of place or lazy writing, this time it feels like innocent child banter and gives the film a children film's feeling. </p><p>The child actors are great, with writing that is meant for children their age. These boys are clever but never cleverer than their adult guardians. The film allows all the characters to shine, from a grown man playing with a baseball mitt, a young boy just spontaneous dancing a goofy dance out of nowhere, and even teacher who's too cool for his job but still enjoys being a teacher. This feels lived in and genuine, which also drives home a sentiment goodbye that shows the overbearing weight of loss and the power of laughter. </p><p>This is a gem of a film, and I am glad I finally got to see it. And I have a feeling watching it in October is going to be a new tradition every Halloween for me for many years to come. </p><p>And as a side note, I now understand another reference South Park makes with one of their episodes. It appears this also had a huge influence on "Home Alone" too. And "Kenny and Company" also appears to be influenced by "Charlie Brown Christmas" cartoons too, having the same musical cues and even voices sound like they were the voice actors themselves. This maybe an accident, but it feels deliberate. I can understand the admiration people have for this little gem.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi56Ou4SZC-PT6yJmf_IK7E0BWQ5_UfGoj1LiMpD3QPv-1Gx2TQaCy_BvUstiJIYLhyphenhyphenlX_ztgcHFqDuW6cMitjzLmEKi1_QdDQOrN88Sy0JTZ69uBINzeNjbGUtn1DPHwf8z4ZMv4rxfdCv/s301/keny.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="168" data-original-width="301" height="168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi56Ou4SZC-PT6yJmf_IK7E0BWQ5_UfGoj1LiMpD3QPv-1Gx2TQaCy_BvUstiJIYLhyphenhyphenlX_ztgcHFqDuW6cMitjzLmEKi1_QdDQOrN88Sy0JTZ69uBINzeNjbGUtn1DPHwf8z4ZMv4rxfdCv/s0/keny.jpg" width="301" /></a></div><br /><p><br /></p><p><br /></p><p><span style="font-family: georgia;">And there we have it. Another week of horror flicks... and some not quite horror but loosely connected to horror or Halloween. I still love hearing what everyone out there is watching. That's for the suggestions too, I never would have bothered with a couple of films in this week's list without the suggestions from readers. </span></p><p><span style="font-family: georgia;">Till next week. </span></p><p><span style="font-family: georgia;"><br /></span></p><p><span style="font-family: georgia;">JP Fournier</span></p><p><br /></p>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-47046294795187758912021-10-17T14:53:00.002-07:002021-10-17T15:07:53.279-07:0031 Days of Horror 2021, week 2<p>Second week of 31 Days of Horror and what I gotten out of this week was shame for Canadian films. </p><p>You see this week, I treated myself to a full package pass to the streaming films at the Toronto After Dark Film Fest. Within this catalogue of films, I saw films from all around the world and two compilations of short films, one international and the other Canadian short films. Now, before go further, please understand that I am a super fan of Canadian films. I do believe good and great Canadian films don’t get the praise and distribution they deserve. In fact, my last video of </p><p>“<a href="https://www.youtube.com/watch?v=8YFOIVm_CB8&t=3s">Horror Films that Deserve More Attention 2021</a>” four of the five movies I am promoting are Canadian films. </p><p>One of the worst films, maybe not worst, but most irritating and embarrassingly tripe films I saw this year came from my province and appears to be from my city… and I even discovered that I have friends acting in it (they are not the problem). And when I watched the Canadian shorts, they were mildly watchable and passable, one was well shot but contained an over used premise and twist, and another one which was masterfully acted was also not an original feature. Then when I watched the international shorts… the worst of that collection was better than our Canadian selection. Now I get it, this might be caused by the films available and chosen by the festival… but that’s not an excuse we can use all the time. There’s so much absolute shit being funded by the Canadian arts and provincial funding, that I am often worried to declare myself a Canadian film fan on social media because it usually results in negative attacks and often well worthy of the negativity. We need to stop showing the shit. Period. I don’t care if it’s local or if it’s considered patriarchy. Supporting, advertising, and giving the mediocre to absolute dogshit of Canadian films support is not helping build up our reputation for filming and making it hard to be taken seriously. I have always promoted the top Canadian films that do get released and will always do so. But we need to stop promoting the films that are wasting our time. And I am referring to those films we all know won't improve just by the first 5 minutes shown. Those films that are made by fanboys trying to recreate their favorite films but have no fucking clue why those films work in the first place. And I can no longer count the amount of times I have been invited to screenings for local films, funded by government sponsors, that are high on vanity and low on techniques, talent, and a kindergarten's knowledge of simple storytelling, where I had to bow out before the dreaded conversation afterwards asking "So what did you think of the film?" Bad filmmakers are not going to improve if their shit isn’t flushed, to make room for bigger better turds. I know filmmakers that have better films than those that are promoted in film fests and given government funding, and yet are too ashamed to release them because they are not fully proud of their work or still believe it’s not worth wasting audience’s time. Just being able to complete a film does not make it worth showing people. </p><p>Out of the five locally created films I saw this week, I am only mention one in this article, as it may be the one of the 5 that will get some notoriety beyond its embarrassing premiere viewing. </p><p>That being said, here’s this week’s watches. </p><div><br /></div><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 9,<span style="mso-spacerun: yes;"> </span>Movie 2<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The Stylist</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhspO1zXB5jyC3-Jtho9Ex5b5koozaUS6HQBE37OstOaX5xs_4e5Euni864VFb9wVczaWK1IBGJDbSC4ubt5AOnJgYUyUs8YeO5qnWD-0ij6xRmFNJcWIxd7ktr8tcpz0j6J2Ia2vJjWKlY/s1500/hv5vuazGhvwcVw69KBPTG5JErJf.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhspO1zXB5jyC3-Jtho9Ex5b5koozaUS6HQBE37OstOaX5xs_4e5Euni864VFb9wVczaWK1IBGJDbSC4ubt5AOnJgYUyUs8YeO5qnWD-0ij6xRmFNJcWIxd7ktr8tcpz0j6J2Ia2vJjWKlY/s320/hv5vuazGhvwcVw69KBPTG5JErJf.jpg" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Extended version of the 2016 short film of the same name.
Instead of stretching out the material of the short, writer/director Jill
Gevargizian extends the story by continuing where the short leaves off. We now
get to get into the mind of Claire, played masterfully by Najarra Townsend, a
lonely hairstylist who becomes obsessed with one of her clients, Sarah, played
by Jennifer Seward, who's preparing for her wedding day. And things get creepy.<br />
"The Stylist" successfully unveils the character of Claire, without
having characters from the past drop lazy expositions. Instead the film slowly
lets us into the head of Claire, showing her insecurities, her fears, and her
bizarre methods of coping. All of this is revealed through a spectacular
performance from Najarra Townsend, who displays a realistic shy and very
insecure loner who puts lots of weight on visual presentation. The editing also
brings us closer by cutting to her manic emotions, like a scene when she's
flattered to be invited for drinks as she stands tall and smiles to herself,
then cut to her appearing small standing in front of an intimidating wall of
wine with an overwhelming amount of choices to choose from. And there's plenty
of creative and strong visual story telling from beginning to the end.<br />
As the story progresses, the situations and atmosphere become more and more
uncomfortable and bleak. The awkwardness and missed social cues that Claire
deals with, pushes her further and further into a distraught madness, that she
appears to understand is wrong but is helpless in preventing. This portrays our
killer sympathetically, allowing us to worry and dread her antics instead of
fear them like usual horror villains.<br />
There's a lot of attention and excellent work on color in this film. Claire's
stunning red hair appears to be a more vivid red when she's in a good mood and
things are working out for her, like as she awaits to be let into Sarah's home
for a lady's night out. But as she panics an starts to torment herself, the red
is a bit faded, as when she's struggling with her own inner turmoil and heads
to her secret place to deal with her own hair. The focus on the hair cutting
montages displays the peace and bliss that comes to Claire when she's dealing
with hair and we don't need a long monologue of her letting us know this.<br />
The final outcome maybe a bit on the obvious side, but this only builds the
suspense throughout the film. We know how this is intended to end and hope that
it doesn't come to that. This is how to expand a short film, by giving it more
weight, depth, and stylization. Looking forward to future work by Jill
Gervagizian.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 9 Movie 3<o:p></o:p></b></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Hellarious</b></span><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnhnZUKGNYQf_YE3689vEuaNMKXOjoGUyzNj7cjLfBibP09yWZXTBh0ozphvqiG84Qi5qPfftEWpAUaPUkyHRHqixsAVLxnglTidZex8hiDMqSUTjkFScrRActIXb4GJURMnJu3zQ2zw86/s1525/MV5BMjdjYjFlMWEtYmQwYS00NGVhLWJlNmMtOWYxMWJiNDdhN2ExXkEyXkFqcGdeQXVyNTY4MzQzMTM%2540._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1525" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnhnZUKGNYQf_YE3689vEuaNMKXOjoGUyzNj7cjLfBibP09yWZXTBh0ozphvqiG84Qi5qPfftEWpAUaPUkyHRHqixsAVLxnglTidZex8hiDMqSUTjkFScrRActIXb4GJURMnJu3zQ2zw86/s320/MV5BMjdjYjFlMWEtYmQwYS00NGVhLWJlNmMtOWYxMWJiNDdhN2ExXkEyXkFqcGdeQXVyNTY4MzQzMTM%2540._V1_FMjpg_UX1000_.jpg" width="210" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">Anthology of comedy horror. <o:p></o:p></p>
<p class="MsoNormal">This one has a nice mix of professional shorts, low budget,
yet all high spirited and sometimes funny. The main run-on theme jokes strung
throughout all the shorts deal with people getting brutally murdered or
engaging in some serious pain. This is done through a lot of excessive blood sprays
and goofy slapstick self inflicting injuries. <o:p></o:p></p>
<p class="MsoNormal">They are cheap and quick and ludicrous. These are the type
of shorts meant to be seen by a large audience to laugh with and at the inane
concepts. <o:p></o:p></p>
<p class="MsoNormal">For horror anthology fans, there is no wrap around tale to
connect the shorts. Instead this one just declares the shorts as “chapters”. So
they are lazily connected. Even the order they are shown in has no merit. <o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 10 Movie 1<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The Specialist</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiisi816um-qTt-orX8HmY_uBkPLTdCKfCud2qEUS0OfnRs0_HNrksCp1pqoKeJzCVrzqtGK3lUudbV-vFVqcCEs4jLzgHXcwcbjMmHZp3rGj3N-yWPqkb-Lz279_348VF0qZ0d1G0RWo0U/s1400/MV5BZDQyODExMjEtODQ2ZS00NDJiLThkMzktMmQ3YzMzZWM1ZDk3XkEyXkFqcGdeQXVyNzc0MTgzMzU%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1400" data-original-width="950" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiisi816um-qTt-orX8HmY_uBkPLTdCKfCud2qEUS0OfnRs0_HNrksCp1pqoKeJzCVrzqtGK3lUudbV-vFVqcCEs4jLzgHXcwcbjMmHZp3rGj3N-yWPqkb-Lz279_348VF0qZ0d1G0RWo0U/s320/MV5BZDQyODExMjEtODQ2ZS00NDJiLThkMzktMmQ3YzMzZWM1ZDk3XkEyXkFqcGdeQXVyNzc0MTgzMzU%2540._V1_.jpg" width="217" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">What could be just an episode of "Tales from the
Crypt", "The Special" is a unique low budget body horror.<br />
The story is about Jerry, a self centered prick who believing his wife is
having an affair on him, heads to a brothel and gets set up for "The
Special", a mysterious box with a glory hole. Once he discovers that the
box provides the best sensation he's ever experienced, he becomes intensely
addicted to it, causing deaths and mayhem in his goal to keep this box for
himself.<br />
This would have been much better as an anthology tale, being that it's a 45
minute story stretched out to 94 minutes. While the film starts off quickly, it
spends most of the time focusing on Jerry lying, cheating and bullying everyone
that comes in his way. The middle of this film is not only unpleasant to watch,
it's rather dull and boring too. However, the films conclusion, when revealing
the mystery of the box, is well worth the tolerance you need to get through the
middle of the film. It's nasty, unsettling, and repulsively satisfying.<br />
There's a ton of slime, both in the characters on screen and the make up
effects. For people who like to be disturbed, this an ending that conceptually
doesn't disappoint.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 10, Movie 2<o:p></o:p></b></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>The Music Box (AKA "Il Carillon")<br /></b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvg5910dNFPYA8_V_CmH9_08cLvCFWXsVgqhYhh71fEXXcfpjuDcwiutcDdUnCMBuMPLkEWIjkN7duYFSD2K1H_EDgH-7jdwyU52v9cRvlTD1SOD7Nk2eogqeHYJT7rTjQ3Fk5WfRVyWwR/s2048/MV5BYmViNTA2ODItYTE1MC00Njg2LTg1NmYtN2Y1MGQ4MGY1MTE5XkEyXkFqcGdeQXVyMjg4OTE0OTg%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1532" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvg5910dNFPYA8_V_CmH9_08cLvCFWXsVgqhYhh71fEXXcfpjuDcwiutcDdUnCMBuMPLkEWIjkN7duYFSD2K1H_EDgH-7jdwyU52v9cRvlTD1SOD7Nk2eogqeHYJT7rTjQ3Fk5WfRVyWwR/s320/MV5BYmViNTA2ODItYTE1MC00Njg2LTg1NmYtN2Y1MGQ4MGY1MTE5XkEyXkFqcGdeQXVyMjg4OTE0OTg%2540._V1_.jpg" width="239" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">Italian horror that is it's own worst enemy.<br />
The film about an aunt having to look after her niece after tragic deaths of
the parents, only to be spooked by an evil spirit connected to a music bod
found in their new home, has moments of good atmosphere and chilling set ups
for scares.<br />
However, the film's budget is very low and they attempt a few special effects
that they are not able to pull off properly, causing the film to break any
tension it might have set up. It also doesn't help build any mystery as it
follows the same steps as every other haunted house/item film. And the final
climax is not very climatic.<br />
Nothing new and nothing worth seeking out here. For diehard ghost movie fans,
there is still enough scary being in the corner of rooms here to keep this
watchable.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 11 Movie 1<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Bad Candy</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWSyoPoTODYhSmFKJKdyfc3FbCmT0lxrKp0SO3wupY3RtVNC8MVWIrxHpUn3FCcWH3aATHzVxYF7g56ecmNmChyWJ-4bJlNog-p-I8nBT4qi61EY8PVsuklsDH1iBdJkfI2YhiZqV1fz37/s512/bad+candy.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="512" data-original-width="346" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWSyoPoTODYhSmFKJKdyfc3FbCmT0lxrKp0SO3wupY3RtVNC8MVWIrxHpUn3FCcWH3aATHzVxYF7g56ecmNmChyWJ-4bJlNog-p-I8nBT4qi61EY8PVsuklsDH1iBdJkfI2YhiZqV1fz37/s320/bad+candy.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Anthology presented as local tales told on Halloween on the
radio. Our two main leads, Corey Taylor (lead singer of Slipknot) and Zach Galligan (Gremlins, Gremlins 2: A New Batch), carry each story
from one to the next, leading themselves into their own tale.<br />
First short shows the limitation of the budget, yet displays an ambitious and
creative flare, which the following shorts appear to leave behind. One
particular short about a lady being tormented by a rapist thief feels like it
was written by perverted teen age boy, as it ends completely out of left field
and spends much time on poor lady's torment. It's not until the last two, that
the film builds up again displaying some character and a bizarre sense of
humor. I am glad I stuck it out to complete this one, as it does get better
towards the end offering some genuine dark comedy that works. <br />
There's an attempt to link several of the stories together with small
connections, and unlike other Halloween anthologies before this, the links
don't feel natural but desperately crammed into the tales. That being said,
there is one final reveal during the last story that did wrap up all the
stories into a nice package.<br />
Not perfect, but if you are seeking something Halloweeny... this can fill an
empty void.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 11 Movie 2<o:p></o:p></b></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Zoo</b></span><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNKr1Af7SkZzXVjSyGv2Dk3Pvf7HfAVh-Z-If8qLFlTw8pkKo7kZqrSQ-9Fe0LJgo662gVfIBSRGF-6-f3hgM9Od53_VYd-Zg8qRl0Z1YHm32tCu5orCZ0NxQNQOVA0KUMi1cMhl5ht11A/s1000/MV5BYWY2ZTcxY2QtOGNjMS00ZGI5LTliOTYtNDU3ZTcxMzVjYzU2XkEyXkFqcGdeQXVyNjA3NjE4OTc%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="700" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNKr1Af7SkZzXVjSyGv2Dk3Pvf7HfAVh-Z-If8qLFlTw8pkKo7kZqrSQ-9Fe0LJgo662gVfIBSRGF-6-f3hgM9Od53_VYd-Zg8qRl0Z1YHm32tCu5orCZ0NxQNQOVA0KUMi1cMhl5ht11A/s320/MV5BYWY2ZTcxY2QtOGNjMS00ZGI5LTliOTYtNDU3ZTcxMzVjYzU2XkEyXkFqcGdeQXVyNjA3NjE4OTc%2540._V1_.jpg" width="224" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">A marriage on the rocks gets a second chance at romance,
when a zombie breakout keeps them isolated in their single apartment.<br />
Pretty simple premise take a while to start up, with not enough
characterization to allow an audience to know who we are rooting for. This does
change mid way through when another couple claiming to be other residents of
the same building who lost their place and require shelter for a quick time,
start to take advantage of their the quarters by passive aggressively staying
passed their welcome time. This is when the film straightens up and starts
becoming entertaining.<br />
What I like about "Zoo" is that it is a zombie film without the usual
zombie tropes we have come to accept. We barely even see zombies in this film
at all. The horror lies in isolation, mistrust in other survivors, and the
world where laws are being swept under the welcome mats.<br />
The very end is exceptionally poorly conceived, trying to end on a sentimental
note, only made more ridiculous with an exposition nod. If this was a parody,
this corny shmaltzy ending might work for a fun laugh, but in this setting and
film, it kind of spoils everything it built up.<o:p></o:p></p>
<p class="MsoNormal">Not a bad watch, but not one that will fan a cult following.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 12, Movie 1<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Artik</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCnbGQgiw8RGQUthLXLsP3i1GhZTt3FGxeDNdJne0jvL9S7MEPP2bY8h-e2hO36uBUgY4LcxQoLnO58yuDHVXpIeHSDdS36ycBCZ4XycKPqRN9ERz9yr90Ngdrg7O-qO_fu26FjpbYs6ZM/s1080/artik.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="788" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCnbGQgiw8RGQUthLXLsP3i1GhZTt3FGxeDNdJne0jvL9S7MEPP2bY8h-e2hO36uBUgY4LcxQoLnO58yuDHVXpIeHSDdS36ycBCZ4XycKPqRN9ERz9yr90Ngdrg7O-qO_fu26FjpbYs6ZM/s320/artik.jpg" width="233" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Action packed serial killer thriller would benefit from
having a bit more meat on the bones. Always great to see the likes of Chase
Williamson, Matt Mercer to Lauren Ashley Carter, but the show's highlight is
the unorthodox, odd, and intimidating performance by Jerry G. Angelo as the
title character Artik. He speaks with marbles in his mouth, spouting out super
hero rhetoric and gibberish, like a mad preacher.<br />
The set up of the villain's environment is a strange and off-putting family
dynamic, which does provide a satisfying conclusion to the film. Only the end
title drop comes in so quickly, it undermines the emotional outcome, as if it
despised what it built up to. Strange director's choice.<br />
This films has some good concepts at foot but never builds on them. It's a
quick flick, never getting too deep, too dark, and too serious.<br />
"Artik" feels like a short film. Never spends enough time on
characters, world building, or taking it's time to set up atmosphere. It also
is never dull, moves smoothly, and delivers an action packed ending.<br />
This does the trick.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 12, Movie 2<o:p></o:p></b></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Underworld (AKA "Transmutations")</b></span><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0Oflw50CZxSduK9tQ5qFGsUaXEdgXHnsoVRyi-EQsidvZex8uZOVrUWCN-bc_LF7yhz3fJan_B2FchP5E7LIlKzyxZMAvuucoq65Xpfvrd6KpcmGmn9Ons9-uz6X9FpQGheoK68RyyJrR/s2048/lf.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1395" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0Oflw50CZxSduK9tQ5qFGsUaXEdgXHnsoVRyi-EQsidvZex8uZOVrUWCN-bc_LF7yhz3fJan_B2FchP5E7LIlKzyxZMAvuucoq65Xpfvrd6KpcmGmn9Ons9-uz6X9FpQGheoK68RyyJrR/s320/lf.jpg" width="218" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">Not the horror film the poster might suggest, until the last
5 minutes. The poster is the best thing about this film.<br />
The story is about meth addicts that are being treated for their addiction by
another addictive drug that mutates their bodies. They kidnap high class
prostitutes. Rich guy hires another guy to find one of the prostitutes.<br />
This is more of a action thriller rather than a horror film, with no scares,
very little gore, and no monsters. The meth heads have lumps on their faces but
don't behave or act like monsters. One particular strong meth head may growl,
but he feels more like a hired goon.<br />
This has the potential of being a fun comic book adventure, yet when it comes
to the characters they are all drab and under developed. Our hero is perhaps
the dullest of them all, with a poor mullet style hair cut, unkempt
physicality, expressionless voice, and bored appearance throughout.<br />
There's an attempt to have an action packed shoot'em up ending, however at that
point, who really cares?<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 13, Movie 1<o:p></o:p></span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The 27 Club</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5HY_rDeIyJu1akK5cfOGBfeeokTSEj-52M8JvoSFZEjKombYVtu5211m2DRzzT9kKl9lamnSboICPqLRSUp_pSGRzjPvRlvpERd-Lr_aENDqK-x3aLfG3SujPUSbNUzufyYj0VY2LRJWI/s2048/MV5BMmY0NGE2YTktNDMzMy00MzA3LTg4MTQtZGY5YWYzN2Q0YTFiXkEyXkFqcGdeQXVyNzcxOTk0MQ%2540%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1383" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5HY_rDeIyJu1akK5cfOGBfeeokTSEj-52M8JvoSFZEjKombYVtu5211m2DRzzT9kKl9lamnSboICPqLRSUp_pSGRzjPvRlvpERd-Lr_aENDqK-x3aLfG3SujPUSbNUzufyYj0VY2LRJWI/s320/MV5BMmY0NGE2YTktNDMzMy00MzA3LTg4MTQtZGY5YWYzN2Q0YTFiXkEyXkFqcGdeQXVyNzcxOTk0MQ%2540%2540._V1_.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">"The 27 Club" is in reference to the musical
artists that died at the age of 27. The film takes on the theory that they all
sold their souls to the devil and to maintain their contract with the devil,
they have to murder people. What a nice sentiment to the beloved artists that
left this earth too early. The film even goes as far as hiring some lookalikes
for Janis Joplin, Jim Morrison, Jimi Hendrix, and so on... showing them under
blurred silhouette and having them quote off information about what it's like
to be famous, only insinuating further that they must have been devil
worshiping murderers and not the unique talents they really were.<br />
Selling your soul to the devil is not a new concept and this film drags out the
build up to this overly familiar premise.<br />
The best part of this film is how accurately they cover an amateur who's out of
their element trying to perform for an audience not willing to support them.
From the over exaggerated insecure gestures from the performer, the desperate
attempt to deal with a heckler, and the oblivious lack talent and rhythm, this
film nails it. The scene is absolutely cringe worthy and rightfully so.
However, when our artist gets the push from the devil, the musical changes from
heavy metal to folk, instead of following through with the style and genre the
performer would be shooting for. And the music is not good enough to believe in
the quickness of the fame.<br />
The acting is not terrible, but these poor actors were not giving any material
to work with. Our lead protagonist is a love sick puppy unable to see past his
rose covered glasses when it comes to the attractive yet, completely untalented
wannabe singer. He's so pathetically blind to her that there's nothing
respectable about him, enough to care about where he's heading in this film.
And this is a problem with all characters, there's nothing interesting enough
to care about.<br />
When the most realistic scene is showing a person bombing on stage, the film's
quality is not going to something to rave about.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 13, Movie 2<o:p></o:p></span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The Wicked One</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgmjvzb-uXjksHH5SC8IGIGk04iVbf6yRm6gD3MeQ-CIys7EJURKx55AGQ_vmVzvtOyV6G5owNNggLsEwQjtoVFeP69a-LbcB_muEGjyhmRgcVRPDFPf8BPmosW0I8EnVpNQSX10puInJs/s960/MV5BYzRmNjkwN2MtYjcxMi00NTVkLWFlOTgtZDQyOTc4MTViYTI3XkEyXkFqcGdeQXVyODQyMTI4Mw%2540%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="620" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgmjvzb-uXjksHH5SC8IGIGk04iVbf6yRm6gD3MeQ-CIys7EJURKx55AGQ_vmVzvtOyV6G5owNNggLsEwQjtoVFeP69a-LbcB_muEGjyhmRgcVRPDFPf8BPmosW0I8EnVpNQSX10puInJs/s320/MV5BYzRmNjkwN2MtYjcxMi00NTVkLWFlOTgtZDQyOTc4MTViYTI3XkEyXkFqcGdeQXVyODQyMTI4Mw%2540%2540._V1_.jpg" width="207" /></a></b></div><b><br /><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Proof you cannot judge a film by it's poster. I like the poster.</p><p class="MsoNormal">"Halloween" wannabe, switches the iconic Michael
Myers, with a scrawny teen.<br />
%80 of the film is whiny characters, complaining about uninteresting
connections to each other. Then we get an uninspired climax that delivers one
of the poorest (yet completely hilarious in execution) hero rescues.<br />
Every now and then, the film shows an attempt to create a cinematic shot but
these attempts only stand out because the rest of the filming is pretty lazy
and armature looking.<br />
For a story that takes place on Halloween, there's very little Halloween in it,
until we see a decoration in the distance that appears like Halloween. Even the
setting is lazy.<br />
Boring and uninteresting, with a pathetic villain.<o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 13, Movie 3</span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Sweetie, You Won't Believe It</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNLf9VaTWQoLIfrIu4YF7CYhBpUQb6WPpznFdU7KmV5ZKpIK2NjHW-l8_iC8L2Yfie69KjX-8vIOi0LlXGE6cEmCeMBJaW9zDdszG-anm2vKOEzMuw1283PB0TUl9ud6x1RHpX7_BxBIXl/s1764/MV5BOTMyOTZkNzYtNjFlMy00ZjlmLWJjZTctNTIzYjYxZDQ3Nzk2XkEyXkFqcGdeQXVyNTc3NDk0NDc%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1764" data-original-width="1235" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNLf9VaTWQoLIfrIu4YF7CYhBpUQb6WPpznFdU7KmV5ZKpIK2NjHW-l8_iC8L2Yfie69KjX-8vIOi0LlXGE6cEmCeMBJaW9zDdszG-anm2vKOEzMuw1283PB0TUl9ud6x1RHpX7_BxBIXl/s320/MV5BOTMyOTZkNzYtNjFlMy00ZjlmLWJjZTctNTIzYjYxZDQ3Nzk2XkEyXkFqcGdeQXVyNTc3NDk0NDc%2540._V1_.jpg" width="224" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">Exceptionally funny, dark comedy.</p><p class="MsoNormal">Three friends head out on a day fishing trip, right before one of the buddy's becomes a dad, only to get mixed up with mob killings, family of perverts, and a one-eyed killing machine.</p><p class="MsoNormal">The film starts off with a twisted sense of humor and only gets more twisted as it progresses. Plenty of call back jokes continue to get funnier the more they reoccur. This is a crowd-pleaser for sure, leaving some of the best gags mixed with fast paced action for the final over the top climax.</p><p class="MsoNormal">Fun to watch this with a friend, but I would have loved to seen this with a crowd.</p><p class="MsoNormal">Watched this at the Toronto After Dark 2021 Festival.</p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 14, Movie 1<o:p></o:p></b></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Séance</b></span><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc27D-o_7E3SV-qejfbRO2SlMA0ZiyZQR78FkKuFZ43ECB8dPBjWf5DTHw6JgQLU1wmtxVkuA5T3IboybtzqyBojpPetTDIWncKebkaGFJh_Lj5tHiyELG49hAx-Vhb0vC1HYLTBl1QCkl/s1500/MV5BOTI3Y2FkMzEtOWRjYi00YjA0LThiZTYtMWJlNDA3NGRiMmY4XkEyXkFqcGdeQXVyMTAyMjQ3NzQ1._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1012" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc27D-o_7E3SV-qejfbRO2SlMA0ZiyZQR78FkKuFZ43ECB8dPBjWf5DTHw6JgQLU1wmtxVkuA5T3IboybtzqyBojpPetTDIWncKebkaGFJh_Lj5tHiyELG49hAx-Vhb0vC1HYLTBl1QCkl/s320/MV5BOTI3Y2FkMzEtOWRjYi00YjA0LThiZTYtMWJlNDA3NGRiMmY4XkEyXkFqcGdeQXVyMTAyMjQ3NzQ1._V1_.jpg" width="216" /></a></div><span style="font-size: large;"><br /></span><p></p>
<p class="MsoNormal">Fun Nancy Drew mystery for adults, bringing in an elements
violent and horror.<br />
Great performances added to a entertaining script, with plenty of twists and
turns all throughout, with a dash of slasher feel. This is a mystery that has a solid storyline, achieve cools characters, and feels fresh and original despite playing off of past tropes and clichés. <br />
The trailer and commercials gives away a lot of the film, so this one is best
to go in fresh, if you can.<o:p></o:p></p>
<p class="MsoNormal">Perfect fit in Shudder's catalogue.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 14, Movie 2<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The Veil</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIshZYKLmChu_mvZPT2V29JoBUffAjqdwKsxUpsRf9tD3sjlK0r_IkqwSejkXOPf47TtDKPSCBsfMd_lXzdg5RQVbIcbIfKMjBPjLnYYAgck6bpfFs_aWyNdWwpm2w7pdvefnUhtBN8dYl/s2048/MV5BY2MxZGIxNTItYzliZi00MzRkLTgxNjUtOTU0YWY0MGRiN2ZhXkEyXkFqcGdeQXVyNTQ4ODA2NzQ%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIshZYKLmChu_mvZPT2V29JoBUffAjqdwKsxUpsRf9tD3sjlK0r_IkqwSejkXOPf47TtDKPSCBsfMd_lXzdg5RQVbIcbIfKMjBPjLnYYAgck6bpfFs_aWyNdWwpm2w7pdvefnUhtBN8dYl/s320/MV5BY2MxZGIxNTItYzliZi00MzRkLTgxNjUtOTU0YWY0MGRiN2ZhXkEyXkFqcGdeQXVyNTQ4ODA2NzQ%2540._V1_.jpg" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">A filming crew heads out to investigate the mass suicide by
a cult named "The Heaven's Veil". The deeper get into the
investigation, the more they are exposing themselves to danger.<br />
Thomas Janes gives a campy yet spirited performance, that is welcomingly over
the top, as the cult's leader. He's not holding back and his sequences work
because of this. The rest of the cast is alright, giving the material they are
working with. This story in "The Veil" will feel familiar to most,
predictable and lacking some flavor. However, besides the script's lack of
flavor, the direction rises above this material. There's a continuous use of a
wall-eyed lens, when exploring the surroundings of the past cult's compound and
property. This comes off as a stylistic choice at first, but gains more meaning
as the story progresses. The cinematography is above par and often quite
beautiful in some parts, then eerily frightening in other parts.<br />
</p><div class="separator" style="clear: both; text-align: center;"><br /></div><br />The film also slips in a couple very nasty and scary jumps scares that work
masterfully, in the midst of plenty jump scares that don't work and slow up the
momentum. One particular jump scare happens closer to the beginning and truly
sets an atmosphere as well as wakes up an audience. And unfortunately, this is
another film that lowers the volume slightly, to enhance a jump scare through
unnecessary volume leaps.<br />
This is a good haunt flick for the month building up to Halloween.<o:p></o:p><p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 15, Movie 1<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Halloween Kills</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBcQWP8Nv3ImYKHTT3rInEm25jrv5VZJrI2f58GypHerw4GnoqU3r6oT0W93OEfOpqiQHe7I512VgLfCDz9dq1hL4kaZSkPBGd9b1o8basd2MI2VIBtoLBFdqVyUWLB8_4mFpWGqTAkxTV/s1080/hak-tsr1sheet10-1-en-us-1080x793-jpg-60dceab015397-1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="793" data-original-width="1080" height="235" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBcQWP8Nv3ImYKHTT3rInEm25jrv5VZJrI2f58GypHerw4GnoqU3r6oT0W93OEfOpqiQHe7I512VgLfCDz9dq1hL4kaZSkPBGd9b1o8basd2MI2VIBtoLBFdqVyUWLB8_4mFpWGqTAkxTV/s320/hak-tsr1sheet10-1-en-us-1080x793-jpg-60dceab015397-1.jpg" width="320" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Strong sequel delivers some exceptional Halloween season
cinematography, atmosphere, and even sound effects/musical score to be a
perfect release for this time of year.<br />
Unlike other slasher flicks, "Halloween Kills" centers its attention
on the small town of Haddonfield, Ill. still emotionally dealing with the
tragic murders of Michael Myers 40 years ago. The film dedicates time on
building up characters, so as some of them become victims, there's a sense of
loss and despair for their demise. And the whole cast is great, even when
having to deliver some over of the top and sometime a little to much on the
point dialogue. Jamie Lee Curtis stand outs yet again, as even scene with her
feel authentic, natural, and emotionally driven.<br />
This is a sharp and devoted looking film, nailing the feeling of the past
films, the era, and the Halloween Holiday season. I always find most films
taking place on Halloween come off feeling more like a marketing made
commercial or Madre Gras. But "Halloween Kills" nailed the nostalgic
feel of the season.<br />
Besides a couple killing sequences coming off more comical than menacing or
scary, "Halloween Kills" is a solid film. And sets up nicely the final
film.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 15, Movie 2<o:p></o:p></b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>King Knight</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgERCbMfkSdghHvt1WPlWlnu-jhWXjlKyjUX81fRNGGy3doqjUb3-RdZGl8GPIy3EtSfrSLfjp4l1qMBS70O1PKzVCJ2gRmHkyzKeOcOwoVcwvzehC3_5BuBGd4J9lH0pXOi-5M_rLzm1ok/s512/king+knight.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="512" data-original-width="346" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgERCbMfkSdghHvt1WPlWlnu-jhWXjlKyjUX81fRNGGy3doqjUb3-RdZGl8GPIy3EtSfrSLfjp4l1qMBS70O1PKzVCJ2gRmHkyzKeOcOwoVcwvzehC3_5BuBGd4J9lH0pXOi-5M_rLzm1ok/s320/king+knight.jpg" width="216" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">If you take the opposite view on life than the norm, like
the whole concept of "The Adams Family" seeing the world nearly
opposite to what people consider the norm, and switch the Adams' sadism to a
coven of wicca followers then you basically have the script and characters for
"King Knight".<br />
The story is about a High Priest of a modern-day coven, named Thorn, having to
accept his past life, where he was a popular and academically success high
school student, as he prepares to head back and attend his high school reunion
and expose his new life style. This is a cute concept and the ending reunion
has a lot of fun moments, but the film as a whole delivers a lot of nearly
funny jokes performed at various qualities. Sometimes I wondered if the actors
knew what the joke was suppose to be. One of the more casual looking cult
member swear nearly every time he talks... and I suspect this was suppose to be
humorous.<br />
Despite the dragged out first two acts, the ending did win me over. Sure
there's a few jokes that still don't work, like a down to earth business lady
suddenly letting loose and showing a violent streak (I am surprised we didn't
get the old senior lady breakdancing as well), but there is some very funny
laugh out loud reactions from the detached and unsympathetic crowd watching our
protagonist waste everyone's time.<br />
Some fun to be had if you can get through a ton of non-funny jokes leading up
the spirited ending.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 15, Movie 3<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Ditched</span></b></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3qxLd6kHi7bZFyOIYlxf4ZNgP9SclKzP8RoodufCNeKGafjHCTH6tKhzp3jptH_5PA9XKeGZhr6wzVF5pGFPymqikKbiBpF_N1Uc0akR2F35PyTBNsZfZapOcJH7_WhrLDEdyfMwoHNU7/s2048/MV5BZmExYjJlODMtYmFhMS00OWNjLWFmNTktM2M5MWYzOWMyZWNiXkEyXkFqcGdeQXVyNTA1MDUwMA%2540%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3qxLd6kHi7bZFyOIYlxf4ZNgP9SclKzP8RoodufCNeKGafjHCTH6tKhzp3jptH_5PA9XKeGZhr6wzVF5pGFPymqikKbiBpF_N1Uc0akR2F35PyTBNsZfZapOcJH7_WhrLDEdyfMwoHNU7/s320/MV5BZmExYjJlODMtYmFhMS00OWNjLWFmNTktM2M5MWYzOWMyZWNiXkEyXkFqcGdeQXVyNTA1MDUwMA%2540%2540._V1_.jpg" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">Before the movie started at the Toronto After Dark
Film Fest, the director explained how he wanted to make a horror film from the
80s, that feels like it was a forgot piece only being released now in 2021. So
through out the movie, I kept wondering... how the hell is this connected,
influenced, or suppose to resemble a film from the 80s?<br />
The film is about an ambulance carrying prison inmates, gets flipped over on
the way to a prison facility. While the EMS crew and cops are trying to sort
out what happened, they start getting knocked off by some unknown assailants
that maybe responsible for the accident. Pretty standard set up, but the film
does take its own turn half way through, not a plausible one but a unique turn.<br />
With the exception of Kris Loranger, playing Franson (Kris Loranger steals the
show every time he talks, and he's gagged for the majority of the film), a
diabolical and sadistic killer who spends the whole duration of the film
strapped to a gurney, the cast of actors perform like nails on a blackboard.
Line delivery appears difficult, not knowing the inflection to the sentence
they are spouting out, or the expression that should go with the conversation.
Our protagonist, Melina, goes from worrying about getting back to her daughter
to smiling and appearing to have a good time, to appearing scared within the
span of three of four sentences. And none of the expressions are convincing.
This is a line reading film or a slowly remembering your lines while adding
words like, "Now" to every second god damn sentence while
monologuing, or "You see..." Mackenzie Gray (who has delivered plenty
of fine performances in previous films), playing Caine, appears to be
struggling through his menacing exposition dialogue near the end, which is
suppose to build tension but only feels suspenseful when it sounds like he's
not remembering his lines. There is a rhythm to language and speaking, whether
it's exaggerated, stylized, or mimicking authentic speak, and when the rhythm
is now there, it's brutal to listen to.<br />
Now despite the awful acting, the amateur directing shines as much as the poor
continuously changing color lighting choice. I know this is done to be
stylized. But when the colors don't reflect any moods, any scene alterations,
or any thing at all, then it's not a style but an annoying distraction. There
is no practical reason for the light colors to change from blue, to yellow, to
purple, to pink, to green, to red, to mixes of those colors, outside shining
down on the upside down ambulance. Over saturated color filters are just as
branding to poor director choices as adding a Wilhelm Scream is nowadays.<br />
There is plenty of gore scenes and practical effects too. They vary in quality
and when we see a lousy and fake chainsaw slashing of flesh that appears to be
in another room than the actor being slashed, played over and over, quality
doesn't seem to be either recognized or cared for here. If this is suppose to
be a reflection of 80s straight to video styles, then there either needs to be
a better exaggeration of the material to reflect that era, and not an excuse to
cover up some not so great effects.<br />
I did laugh at the end credit scenes and had a few chuckles at unintentional
humor throughout. One plan that consists of one EMS attendant walking out to
the assailants outside with a hose, and our main character calling out,
"wait for it" to another EMS member in the ambulance who's by a
switch, had me in stitches at the audacity of their plan and the execution.<br />
Otherwise this was a dismal and very disappointing watch.<br />
Yet another film that is copying someone else's styles but shows little
understand of why those original styles worked in the first place.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 16, Movie 1<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Post Mortem</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8mzW2zWBqkDp9O4mlNAn4Ca1DPHF7LSaUN_UMQ1Ttt3ZDNqGlm36YnXLzDmavfUWVJNIddqxmvhlOzVWmHHwOjTXTt9wWcop299iazdVKq4EUyi_a-mIlMPt7RUr1Sj9jWxIJFpchhVgi/s2048/MV5BODQwYmQ1M2YtZGE5YS00YzkzLThlZjgtYzdmMWI0YzRmMWViXkEyXkFqcGdeQXVyMTI0OTM0MjA3._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1440" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8mzW2zWBqkDp9O4mlNAn4Ca1DPHF7LSaUN_UMQ1Ttt3ZDNqGlm36YnXLzDmavfUWVJNIddqxmvhlOzVWmHHwOjTXTt9wWcop299iazdVKq4EUyi_a-mIlMPt7RUr1Sj9jWxIJFpchhVgi/s320/MV5BODQwYmQ1M2YtZGE5YS00YzkzLThlZjgtYzdmMWI0YzRmMWViXkEyXkFqcGdeQXVyMTI0OTM0MjA3._V1_.jpg" width="225" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Advertised as Hungary's first horror film, "Post
Mortem" is exceptionally ambitious start in the right direction.<br />
The story is about Tomás, a soldier who nearly lost his life in a World War 1
battle, takes on the job of photographing dead corpses for families. When he's
invited to a small village by a young girl, Anna, the two team up to
investigate some odd and brutal deaths that maybe connected to the rising body
count in this village.<br />
For the first two acts, the film follows an investigator's journey, inspecting
and interviewing locals who may have connections to the deaths. The story lays
out some reoccurring themes and patterns that start guides our protagonists
into creepy situations closer to their own fates. And as the build up is nicely
paced, when the third act starts, the film drops any ounce of restraint and
unloads whirlwind of paranormal mayhem, that is an entertaining feast for the
eyes.<br />
It's great to watch a ghost story that is genuinely unique. There's a few
moments meant for scares and cringe reactions that were so bizarrely executed,
that it came off more comical than frightening. However, the film still offers
enough chilling visuals, sound effects, and set ups for scares enough to keep
the grimness of the mystery strong enough to be taken seriously.<br />
The locations are spectacular, mainly taking place within a segregated village
during winter but as well as the fields of war, the carnival and an ancient
building that's structure and design is beyond words. The attention to details
of the era, from the tools used, the costumes, and the mentality and
superstitions of the people, is on point.<br />
There were a few beats, visuals, and story segments that did get away from me,
but this only made my mind more curious for Hungarian ghost lore and superstitions
even more. With good acting, intriguing protagonists, and a lot of glorious
bedlam in the final act, "Post Mortem" has me looking forward to
future Hungarian Horrors.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 16, Movie 2<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Venom Coast </span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinfwDpWmIW2io28v6NPJ6qRCTkEqMpNnXBvZJlsxCOr__TAakOgDS6Dzt524UBE7tVBrl7xUAUWcVdPe-GgG0-QJgUMdoKXCCuJsHnv5jtuOXkvcDMrGRmmAgrT8YMcmWthtu_jBMeZggS/s1600/81QzGUXi1WS._RI_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinfwDpWmIW2io28v6NPJ6qRCTkEqMpNnXBvZJlsxCOr__TAakOgDS6Dzt524UBE7tVBrl7xUAUWcVdPe-GgG0-QJgUMdoKXCCuJsHnv5jtuOXkvcDMrGRmmAgrT8YMcmWthtu_jBMeZggS/s320/81QzGUXi1WS._RI_.jpg" width="240" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Texas Chainsaw Massacre wannabe, but now on a cruise ship.<br />
Terrible acting, along with unlikable characters, wish a dash of uninteresting
cookie cutter villains.<br />
The one difference here, is that the film adds a swat team into the mix. This
adds some action to a rather dull first hour of the film. It still doesn't
forgive the third rate performances. There's an attempt to do something new in
the end. Unfortunately, instead of being memorable it is more comical in
execution.<o:p></o:p></p>
<p class="MsoNormal">It was free on Tubi, so I really can't complain too much.
It'll slip from my memory banks soon enough.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 17, Movie 1<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The Legend of Fall Creek</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwAo4Z9u_foBOVLjdq0ixDvKBl957ltiN6lZVKChMrqf8CaIjwdEb4OtO84bqKecqZ25QJXK_wsk-irDvFETcjcnppRTLwom2FtyRyAx7t67FfzR2-5xERjerueAQHbATwF3fPK0PiSpRD/s1536/MV5BNzlhOWUyODMtNTVlYy00MTFjLTkwNjUtYzdlOGY3NDcyNGU1XkEyXkFqcGdeQXVyNjU0NTI0Nw%2540%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="1024" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwAo4Z9u_foBOVLjdq0ixDvKBl957ltiN6lZVKChMrqf8CaIjwdEb4OtO84bqKecqZ25QJXK_wsk-irDvFETcjcnppRTLwom2FtyRyAx7t67FfzR2-5xERjerueAQHbATwF3fPK0PiSpRD/s320/MV5BNzlhOWUyODMtNTVlYy00MTFjLTkwNjUtYzdlOGY3NDcyNGU1XkEyXkFqcGdeQXVyNjU0NTI0Nw%2540%2540._V1_.jpg" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Claiming to be a tribute to Grindhouse films, “The Legend of
Fall Creek” seem to miss what makes Grindhouse films great. The film adds a
lower quality of film stock effect whenever violent sequences are about to come
up. This is to make it appear like the violence was originally removed and now
was reinserted back, despite nearly destroyed film stock. This might have a
nice effect if the violent scenes were more than just a person stabbed and
spitting out blood. Plus the change in film appearance happens during the whole
action scenes, which makes no sense. If this happened at the deaths, that might
make some sense. <o:p></o:p></p>
<p class="MsoNormal">But this is just not a good film at any level. The
characters spend a ton of time on mundane dialogue, dropping pop culture
references, like a monologue about He-Man being a gay cartoon, influenced by Tarantino
dialogue. But this too doesn’t make sense for a grindhouse stylization because
Tarantino’s popularity well surpassed the days of grindhouse films. Sure
Tarantino tried to revise and give notice to the grindhouse period, but he’s
style of dialogue was never pulled from those film. <o:p></o:p></p>
<p class="MsoNormal">Another film trying to be something it has no idea how to
be. Not a memorable watch by no means. <o:p></o:p></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><span style="font-family: georgia;">I will stop there for now. I still have a couple more films to catch up on playing at the Toronto After Dark Film Fest. For those of you who have reached out to me letting me know what films your watching this Halloween month or asking me for recommendations, I truly love hearing from all of you. Lots of fun films always out there to chat, joke, and share tales about. </span></p><p class="MsoNormal"><span style="font-family: georgia;">JP Fournier</span></p>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-1176980830239299612021-10-09T16:49:00.004-07:002021-10-09T18:06:11.018-07:0031 Days of Horror 2021, Week 1<p>It is mind numbing when looking at the number of horror films made that are out for the viewing. Sure most of them are crap, but it still takes time to make crap. This year, while picking my horror films for the 31 days of October, I set a side plenty of movies that I want to see, some that I have been asked to watch (knowing our Movie Jerks followers, I am expecting the worst for those films), and this year I have added a random category for those days I am too tired after work to figure out what I feel like watching. So far I have pulled 3 random horror films and two were nice surprises and one might be the worst film I have watched this year. </p><p>This year I have plenty of Halloween themed horror films which will get me in the mood and probably depress me when we get closer to Halloween and most of my traditional haunts won't be open due to Covid. But that being said, this first week, I ended up watching one of the best, maybe my favorite films I of 2021. Here's the horror films I have watched so far this month. </p><p><br /></p><p style="text-align: center;"><span style="font-size: large;"><b>Day 2, Movie 1</b></span></p><p style="text-align: center;"><span style="font-size: large;"><b>Malignant</b></span></p><p style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJksYNaBQobvH6nLL8rUhhkGCp6gSoEYLbF478qkEyPNNRN51ryl14L1UZnvXg0en2Yadb36TDxuC8ujsrkdES8ave1oR59L6dvm5ae5Jmw1agSChFN9hYhCcmUmk-W0CrLfz1O3tqR6Ne/s2048/MV5BYTc0NWIwOTYtNzEwYi00YmUyLTlmYWYtYjJiZjRjN2RjMjAxXkEyXkFqcGdeQXVyMTEyMjM2NDc2._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1382" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJksYNaBQobvH6nLL8rUhhkGCp6gSoEYLbF478qkEyPNNRN51ryl14L1UZnvXg0en2Yadb36TDxuC8ujsrkdES8ave1oR59L6dvm5ae5Jmw1agSChFN9hYhCcmUmk-W0CrLfz1O3tqR6Ne/s320/MV5BYTc0NWIwOTYtNzEwYi00YmUyLTlmYWYtYjJiZjRjN2RjMjAxXkEyXkFqcGdeQXVyMTEyMjM2NDc2._V1_.jpg" width="216" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p>Well... I didn't expect that.</p><p>To enjoy this to the fullest, be sure to avoid all spoilers. I would also recommend not reading most people's reviews and just diving into this film. I read up a few reviews after watching "Malignant" and boy oh boy, people don't know how to talk about a film without ruining the surprises and fun reveals. <br /></p><p>I love the audacity of this film. I watched with a friend and we laughed at the extreme music bumps accenting certain important sentences. We laughed at a specific trophy and the use of that prop throughout. And I must confess, we were adding jokes and poking fun at a lot of the odd choices.</p><p>However, when the third act kicks in and the film shoots out into bat shit crazy mode, I found myself giggling in awe. This is the most unique main stream film I have seen in decades. I went into "Malignant" expecting to experience a few scares, a few moments of thick atmospheric tension, and some well earned jump scare. This film didn't deliver on any of those and that wasn't this film intensions.</p><p>Close to the very end, one character drops some exposition reveal that they had no possible way of knowing that information, and my friend commented, "Well, at this point that makes sense in this movie." And that kind of sums up "Malignant". It has a mind of it's own. And I loved every wacky and absurd bit of it.</p><p>The more outlandish this film got, the more I enjoyed it.</p><p>And I thought "Aquaman" (directed by same director James Wan) was ludicrous.</p><p><br /></p><p style="text-align: center;"><span style="font-size: large;"><b>Day 2, Movie 2</b></span></p><p style="text-align: center;"><span style="font-size: large;"><b>The House Next Door: Meet the Blacks 2</b></span></p><p style="text-align: center;"><span style="font-size: large;"></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAnEXkpF_koX18z-yC43REJE0VJob5_xPolBka_xh3l9QqebpTCh3sJWH-Mk89-Vpc-6jNkwvLK56mowpAjye4W02U-sX7KTS-ym5Ki6nxCo601xsAVJdhEesdnF1DNKRBZ5SHvKKkVt-j/s1482/MV5BM2EyOTZkMWEtZDM2ZS00MWE2LTliMDQtMTc2YTM4MTczY2QzXkEyXkFqcGdeQXVyMTQxNzMzNDI%2540._V1_FMjpg_UX1000_.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1482" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAnEXkpF_koX18z-yC43REJE0VJob5_xPolBka_xh3l9QqebpTCh3sJWH-Mk89-Vpc-6jNkwvLK56mowpAjye4W02U-sX7KTS-ym5Ki6nxCo601xsAVJdhEesdnF1DNKRBZ5SHvKKkVt-j/s320/MV5BM2EyOTZkMWEtZDM2ZS00MWE2LTliMDQtMTc2YTM4MTczY2QzXkEyXkFqcGdeQXVyMTQxNzMzNDI%2540._V1_FMjpg_UX1000_.jpg" width="216" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"></td></tr></tbody></table><span style="font-size: large;"><b><br /></b></span><p></p><p>"Fright Night" meets "The Burbs" meets the "Friday" series, goof ball comedy surprised me on how much I laughed.</p><p>Honestly speaking, every October, a fellow cinephile friend and I select Halloween themed comedies each year, focusing on the ones that will be awful and awkwardly unentertaining. Our past years picks have been "Boo: A Madea Halloween", "Hubie Halloween" and "Boo 2: A Madea Halloween". After seeing the trailer for "The House Next Door" we thought his would be on the same level as those past films. And while this is a cheap and sometimes lazily crafted film... we found ourselves laughing with the film as much as at the film.</p><p>Please don't get me wrong, this is not a great film. However, there are some very funny and well written lines sprinkled throughout. Sure the special effects and choreography during the final battle is dismal and almost pathetic in quality, yet there was some work put into the dialogue and jokes.</p><p>Katt Williams did feel toned down a bit, as the pimp/vampire leader. As well as Deon Taylor directing, which we have seen him deliver some quality haunting and macabre sequences in his 2019 horror/thriller "Black and Blue". Touching up the action at the end and tightening up some of the jumps in the story and leaps of character details might have made this a more successful parody. Yet I believe it will get lost in the shuffle, as it's not very memorable.</p><p>It still delivers a few good laughs despite feeling cheaply put together.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 2 Movie 3</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Threshold</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0nODXbMrBaN8M_YbMw6aRE4sRzh_AhrJQzY-G72ItQFii-5yqGYBQ0YOjd_mipznEs3FKljZoPZ6DOZTCuhy3QahdV59c3iC-4_ILxYeFsyCFqaqTHpRC5rdTb9zkmbYE6sHu4s0mkmuM/s2048/MV5BZjU0ODFmMjAtNTI3OS00ZWExLWE1NmYtOWQ0ZWMxZTFjNzRjXkEyXkFqcGdeQXVyMTQxNzMzNDI%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1396" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0nODXbMrBaN8M_YbMw6aRE4sRzh_AhrJQzY-G72ItQFii-5yqGYBQ0YOjd_mipznEs3FKljZoPZ6DOZTCuhy3QahdV59c3iC-4_ILxYeFsyCFqaqTHpRC5rdTb9zkmbYE6sHu4s0mkmuM/s320/MV5BZjU0ODFmMjAtNTI3OS00ZWExLWE1NmYtOWQ0ZWMxZTFjNzRjXkEyXkFqcGdeQXVyMTQxNzMzNDI%2540._V1_.jpg" width="218" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>Considering that this film was shot on two iPhones during a 12 day road-trip, with a crew of only 3 people, I can admit to being impressed by what they accomplished. However, I may also be excusing some of the technical issues because of limited resources to film this. There are particular moments where the voices don't feel in sync with the actors, which had me wondering if I was watching a dubbed foreign film every now and then. And the film didn't have a physical script and is said to be all improvised by the two actors... and I can totally see that as the dialogue is often inconsistent and sometimes unnatural. One particular argument escalated uncommonly and too over the top that it had me checking my watch to see how much more the story was going to stretch out the little content it was offering.</p><p>That being said, there are genuine moments between our two leads and the story is unique enough to catch my attention and curiosity to the final nasty climax. It won me over at the end, yet right before the credits hit the screen, lost me again as it felt concluded with a punch line, rather than a proper ending. This might work for some people, but I felt it was missing a side drummer giving a comedy rimshot drumroll sound effect.</p><p>Great to see what people can make with limited resources and the very basics. And also, great that this knew how to close up before it over stayed it's welcome.</p><p>Independent horror fans should will find this interesting.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 2, Movie 1</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Dark Whispers Vol 1</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDFc1r3TuHNhO5-Bqj6ByZDLPZD7szFpfifzPHRUsboGdeX1CkRtrS7eJYmYeAgJ04LCQ2jhpbJ2Kl7hr8Vv0gIPl-q5LmK2kvNHOWJXVwVq3smTIFDzlhfhO3jUwvFcOmX9NDiFrplVnp/s2048/MV5BOGYxNDAwMjAtMmFjMC00MTAxLWI5MjEtMGUwZTA2NWJmOWU2XkEyXkFqcGdeQXVyMjEwNjUxOA%2540%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1454" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDFc1r3TuHNhO5-Bqj6ByZDLPZD7szFpfifzPHRUsboGdeX1CkRtrS7eJYmYeAgJ04LCQ2jhpbJ2Kl7hr8Vv0gIPl-q5LmK2kvNHOWJXVwVq3smTIFDzlhfhO3jUwvFcOmX9NDiFrplVnp/s320/MV5BOGYxNDAwMjAtMmFjMC00MTAxLWI5MjEtMGUwZTA2NWJmOWU2XkEyXkFqcGdeQXVyMjEwNjUxOA%2540%2540._V1_.jpg" width="227" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>Another horror anthology, delivering a mix bag of shorts from different cultures, countries and styles. This time the quality of filming is above par. There was one short that could have been clipped down to half the run time as it had little to say but took a long time to say it.</p><p>While this is an ok watch, we also don't get any shorts that rise above the average horror short quality. A couple of them ended at odd spots, as if the editor had had enough of the film and couldn't wait to get back to the wrap around tale. And the wrap around story is intriguing until the final scene, where it made me ask more questions in confusion rather than give me some closure. The final story might be the best of this mix bag, it had structure to the story that delivered mystery and a conclusion that worked.</p><p>If you are a fan of the anthology horror films, you will probably enjoy this somewhat. If you are looking for scares and horror, there's better compilations out there.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 2, Movie 2</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Spree</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLA27n5KXyXTzyia7ORWJIdxp95DP6rybTEEZUiEo_AoLUDKPLTMl1MGBhlQo3cyYrqhi-FcnBvMtNxjw0s2p4gGYxskYdM0sSbOWv7hzpUUH0BWDe_Lllb8smUCFR6WoynP91AUGmwmxl/s2048/91sOGlJOdaL._RI_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1536" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLA27n5KXyXTzyia7ORWJIdxp95DP6rybTEEZUiEo_AoLUDKPLTMl1MGBhlQo3cyYrqhi-FcnBvMtNxjw0s2p4gGYxskYdM0sSbOWv7hzpUUH0BWDe_Lllb8smUCFR6WoynP91AUGmwmxl/s320/91sOGlJOdaL._RI_.jpg" width="240" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>"Spree" is the combination of two recent sub-genres that low budget films love to make; the teen murdering people for social media fame and the Uber driver who's not very nice. Luckily, this is not as derivative as its fellow films.</p><p>Joe Keery is excellent as Kurt Kunkle, a socially inept loner desperate for social attention. He sups up his vehicle with cameras on all angles and sets out for a night where he is going to teach people "lessons". This leads to murder and mayhem and some fun awkward comedy, along with some disturbing mental ill behaviors. Keery manages to deliver a character that you will feel sorry for, feel embarrassed by, grossed out and annoyed all at the same time.</p><p>There's very little slow time in "Spree" as the screen most often is streaming people's comments towards his actions and behaviors. It almost takes away from some of the action and nuances of our actors.</p><p>At the 60-minute mark I had already had my fill. And the final tacked on act, did push my patience with extending the story into a cliché slasher type film. But I did enjoy this more than I expected to.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 2, Movie 3</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">They Live Inside Us</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs0Fdq2_uaqvZg9L2iamVb-NVGBFzmdoMqAgfOH4seJYWewmaSRsPOiGEnFqlYjrwlCpwv0h-j-3XsKwM0Ufj9-zqVDnsCwZtOGWYJ7hnOipKiM3B-vpxsK-Pm9HPNezmhuvH1fIdywEhD/s1296/MV5BMzMzNDQxNDUtOTI5Zi00N2Y0LWFmNDgtZTkyMjg4NTBlMDcwXkEyXkFqcGdeQXVyNzk5NDk3MjQ%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1296" data-original-width="864" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs0Fdq2_uaqvZg9L2iamVb-NVGBFzmdoMqAgfOH4seJYWewmaSRsPOiGEnFqlYjrwlCpwv0h-j-3XsKwM0Ufj9-zqVDnsCwZtOGWYJ7hnOipKiM3B-vpxsK-Pm9HPNezmhuvH1fIdywEhD/s320/MV5BMzMzNDQxNDUtOTI5Zi00N2Y0LWFmNDgtZTkyMjg4NTBlMDcwXkEyXkFqcGdeQXVyNzk5NDk3MjQ%2540._V1_.jpg" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>There's some nice Halloween imagery in this film. The lighting effects in the streets matching the Halloween decorations from the houses, is nicely presented. There's plenty of moments where a freeze frame might make a nice background pic for your computer.</p><p>The story, however, is not quite as focused or polished. We have the typical author staying in a mysterious house to get inspiration for his next book and finds himself part of a haunting story of his own. This allows for a few shorts within the feature, with our author testing out story concepts. And this is where the charm disappears. Each fragmented story the film switches too, is a lady being hunted by some demented sadist in a costume, either a burn victim wearing a kitty cat mask, a mangled nosed clown, or a scarecrow. There's not too much different about them and none of them lead to anything.</p><p>Not concluding or following through with any of those side bits, disconnects from the main story, stretching it longer than it should. This feels like talking to a senior citizen who cannot say focused enough to finish one story. The film even repeats the generic narration about how everyone has a story, blah, blah, blah, three times and it is not even interesting the first time.</p><p>I wish this had a better script and maybe some better cast choices too (our lead is also the producer and writer), because there is some confident filming technically taking place here. It's just never focused enough to stay interesting enough to follow through.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 4 Movie 1</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Night of the Animated Dead</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy9PRb5p9eLKfzLYKZzb_sD6mBwBd__yA6NgK3kBE1OevuHEXkBAOvF8cw1mI1G_73mMz5dVxvRNZytVV0pSAeLDqonW63UrHNrtk927gMQ2h46Oi6v1xVaJ-HfZltc-jKwYwmPywxhsZh/s1434/MV5BNTA4NmRhMzgtNzM4NS00ZmY0LWI1MGMtZDc0NmI3MmZmNWRkXkEyXkFqcGdeQXVyMTY5Nzc4MDY%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1434" data-original-width="1010" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy9PRb5p9eLKfzLYKZzb_sD6mBwBd__yA6NgK3kBE1OevuHEXkBAOvF8cw1mI1G_73mMz5dVxvRNZytVV0pSAeLDqonW63UrHNrtk927gMQ2h46Oi6v1xVaJ-HfZltc-jKwYwmPywxhsZh/s320/MV5BNTA4NmRhMzgtNzM4NS00ZmY0LWI1MGMtZDc0NmI3MmZmNWRkXkEyXkFqcGdeQXVyMTY5Nzc4MDY%2540._V1_.jpg" width="225" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>Boy this was not necessary.</p><p>Now I am not against a shot-by-shot animated remake of any classic. However, I would assume that if they are not having to put efforts in creating new storyboards, framing their visions, and creating a cartoon character fluid moment, then perhaps they should be putting more efforts into the designs and details within the already laid out groundwork. Instead, this is very plain and dull looking animation. Adding more blood to deaths just isn't enough effort.</p><p>Also giving the film more clarity, especially during the night scenes, doesn't do much for building tension. The original knew how to use the darkness as a disadvantage to our survivors. This film makes everything, even in the dark, very visible, removing any fear of lurking threats.</p><p>I have watched the original well over a dozen times and I still enjoy it each time. This does not share that quality.</p><p style="text-align: center;"><span style="font-size: large;"><b>Day 4 Movie 2</b></span></p><p style="text-align: center;"><span style="font-size: large;"><b>Ghost Tale</b></span></p><p style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfYYRUiXK7eakFvPYluTHLTQq33kHfNik4f5EMi90YgP0cpPWiDGm5DyLZvqBlwQxgYYRjmH20sugUUVewMEf-5I3nXN8z1JQCEGS2-42peNIUj1ULI7YtMWqvarhoiURYcObuiDjRZOgA/s1500/MV5BNzg5ZDQ5NzYtZjBmZC00NDIyLTg0NjctNjNmZWI1ODE0NWMzXkEyXkFqcGdeQXVyMTg0ODQ2NDk%2540._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfYYRUiXK7eakFvPYluTHLTQq33kHfNik4f5EMi90YgP0cpPWiDGm5DyLZvqBlwQxgYYRjmH20sugUUVewMEf-5I3nXN8z1JQCEGS2-42peNIUj1ULI7YtMWqvarhoiURYcObuiDjRZOgA/s320/MV5BNzg5ZDQ5NzYtZjBmZC00NDIyLTg0NjctNjNmZWI1ODE0NWMzXkEyXkFqcGdeQXVyMTg0ODQ2NDk%2540._V1_FMjpg_UX1000_.jpg" width="213" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p>An ominous ghost sporting a nefarious sock puppet? How could this go wrong? "Ghost Tale" shows us how this can go wrong.</p><p>This concept reeks of parody, satire, or even absurdism, yet there's barely a sense of humor present. Or it could take it self seriously enough to be creepy or uniquely atmospheric. However, this fails on establishing on a style. The sock puppet barely shows up and when it does, I think they were trying to go for a scare. They certainly didn't get a laugh as I would have expected from a haunted sock puppet.</p><p>The characters are not compelling, the ghost story is uninteresting, and the build up plus the scares are barely present. The final reveal of the ghost is masked with a blurred special effect that feels cheap and sloppy.</p><p>With it's short runtime, "Ghost Tale" proves that even a small concept still require more than just a gimmick.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 4 Movie 3</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">The Weedjies</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrl2FE7Josj7oWvtSoAODticHYfyKuyt9hyphenhyphenLpFU-iW3rD8_u10tji36Y3oDiKnkbxbryK4MSQPO13__kye_KgjPRUyM0usrAALWOoeel-KB7LWtjCiFFnHuTX59982hv72Om6pxA0lxmkT/s1067/MV5BZmNhNTlmMmYtYWIxZS00NjE4LTgyYzItMDcyMTJhZDNhNDU0XkEyXkFqcGdeQXVyNTk0OTM1NzU%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="800" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrl2FE7Josj7oWvtSoAODticHYfyKuyt9hyphenhyphenLpFU-iW3rD8_u10tji36Y3oDiKnkbxbryK4MSQPO13__kye_KgjPRUyM0usrAALWOoeel-KB7LWtjCiFFnHuTX59982hv72Om6pxA0lxmkT/s320/MV5BZmNhNTlmMmYtYWIxZS00NjE4LTgyYzItMDcyMTJhZDNhNDU0XkEyXkFqcGdeQXVyNTk0OTM1NzU%2540._V1_.jpg" width="240" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>This is a Full Moon production to the Full Mooniest!</p><p>"Jumanji" meets "Gremlins" with a whole bunch of Halloween themes and visuals crammed in, has a lot of spirit to accommodate for the lack of quality.</p><p>Group of friends set up a scavenger hunt party for Halloween and find themselves hunting for escaped Weedjies, Ouija Board Gremlins/little monsters that come out every Halloween to reek havoc for the night. If they are not returned to the Ouija board, the people playing the game will take their place inside the board until next Halloween. Simple enough premise, provides a few comical moments sprinkled in among a lot of unfunny and desperate material. However within the desperate attempts to be funny, there's some charm to the attempts and there's a lot of unintentionally funny performances and truly terribly written dialogue.</p><p>This film understands that is it not making an award winning piece of art and relishes in its amateur quality. It's fun to see multiple Halloween costumes represent past Full Moon films (mainly the Puppet Master Dolls), along with a few familiar faces in the low budget b-movie world. The Weedjies themselves are cheap look yet the film ambitiously gets a lot of work out of the puppets. Sure they borrow heavily from the Gremlins 2 designs, but adds their own flare to the designs, like a snake body or a heavy metal bandana.</p><p>This is not a quality film by no means, but it fit my need to watch something proudly and joyously stupid and fit for the season.</p><p style="text-align: center;"><span style="font-size: large;"><b>Day 5 Movie 1</b></span></p><p style="text-align: center;"><span style="font-size: large;"><b>Dark Light</b></span></p><p style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoYoA_6ZLubztKo_6ZE-p2VJVNncrdkaJ7TKMP_0zovjKeIgUHiWzqYR4zuJGzeEJPRq5tXpa6KbjoRH7p8_eF3CVeOBXi5a8uJZCY_N4rVY-jsPpCQTLVrACE082GYw8OZ5viNGHPOscS/s2048/MV5BNjY2OGI4MDUtMjY3Ny00OTdjLWEzOGEtMDE1YTUwZjQ3NDA3XkEyXkFqcGdeQXVyNDgwMjg3Mg%2540%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1382" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoYoA_6ZLubztKo_6ZE-p2VJVNncrdkaJ7TKMP_0zovjKeIgUHiWzqYR4zuJGzeEJPRq5tXpa6KbjoRH7p8_eF3CVeOBXi5a8uJZCY_N4rVY-jsPpCQTLVrACE082GYw8OZ5viNGHPOscS/s320/MV5BNjY2OGI4MDUtMjY3Ny00OTdjLWEzOGEtMDE1YTUwZjQ3NDA3XkEyXkFqcGdeQXVyNDgwMjg3Mg%2540%2540._V1_.jpg" width="216" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p>This opens with a suspenseful action piece that caught my attention right away. Unfortunately, that was all I cared for, cause once the dialogue kicks in, the quality went immediately downhill.</p><p>The story is about a mother struggling to keep her daughter safe, from what she believes are creatures lurking in her house's walls. Nobody believes her, or even attempts to give her the benefit of the doubt, because that wouldn't work with the exceptionally linear plot. The acting is often piss poor and it doesn't help that dialogue consists primarily as exposition drops, even from characters that seem to know the truth about these monsters because... of lazy writing. This is also a script that had a child who appears 8 to 12 in age yet talks like a 3- to 5-year-old. And our antagonist sheriff/police officer couldn't have been written more unprofessional and moronic, to stick to this linear and lazy script.</p><p>I saw a picture of the create design which lured me into watching this. The design is kind of cool, however the final product looks very plastic and cheap. There's very little focus on the creature that's not edited to pieces or filmed without a shaky cam. If the film does slow up it's shot of the creature, it is also blurred through a lighting effect coming from his one eye.</p><p>The opening shows promise, with some confident filming and dynamic musical score. But this was not at all entertaining for me. A true let down.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 5 Movie 3</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">The Night House</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrq52MXCz6e_kvxA2VftXHQODOaFDmxNSge6VJ0SXsp4LmMQH66Hhs5asBZnWHEeK9vmoso4sJU4RhtVmIFX6yaHQqBaKZ2DT0lSbdqca_rX3Anb1yiXBCtrAkcfPzt8uabJDbzgS_KEnv/s1998/MV5BMDJmNzM4OTAtZTM4MS00YWRiLThmNTItN2I5N2JmYzcwMDBhXkEyXkFqcGdeQXVyMTA3MDk2NDg2._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1998" data-original-width="1332" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrq52MXCz6e_kvxA2VftXHQODOaFDmxNSge6VJ0SXsp4LmMQH66Hhs5asBZnWHEeK9vmoso4sJU4RhtVmIFX6yaHQqBaKZ2DT0lSbdqca_rX3Anb1yiXBCtrAkcfPzt8uabJDbzgS_KEnv/s320/MV5BMDJmNzM4OTAtZTM4MS00YWRiLThmNTItN2I5N2JmYzcwMDBhXkEyXkFqcGdeQXVyMTA3MDk2NDg2._V1_.jpg" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>Absolutely spectacular!</p><p>"The Night House" kept me guessing right to the very end, delivering one of the most original and captivating and shocking horror mysteries to come out in recent years.</p><p>There's no point in getting into the story synopsis, as this a film that defies traditional horrors, setting up what appears to be a typical haunted house tale, then quickly spins into something more complex, deeper, and boldly distinctive.</p><p>The ingenious attention to visual effects, optical illusions and even image deceptions work on subliminal details, forcing the eyes to scan the screens searching for extra hidden details. These effects are alarming and aid with building tension when we the audience, along with the characters in the film are still putting together pieces trying to explain the abnormal and suspicious occurrences. Bruckner drop an unfair jump scare close to the beginning, at the very moment that scene feel safe, to let the viewers know that this is not a story that will allow comfort and demands attention.</p><p>And on top of the sound directing, the layered plot, and inner emotional horror as well as the unnerving surface horror, we get one of the best performances from Rebecca Hall. She's outstanding here, delivering such a complex and demanding performance that pulled me in right from the beginning and held me tighter and tighter as the story unfolded.</p><p>It is very rare and says a lot about a film when I become aware of my heart beating during a horror film. I am already looking forward to watching this again.</p><p>This is hands down the best horror film I have seen in 2021, the best film released in 2021 I have laid my eyes on, and one of the best horror films this decade. </p><p style="text-align: center;"><span style="font-size: large;"><b>Day 5 Movie 2</b></span></p><p style="text-align: center;"><span style="font-size: large;"><b>Him (AKA "The Devil’s Warehouse) </b></span></p><p style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO7bbo2F2pSBKZReCC1QBkHqGYBfUsSLFn24K6g7A-XPZhdsD5GyjAfnQhILUZ7YyE2_jx7onDNzhzAcfcjpi8zoVD1t3gByNkjW-flseQGRBAfSy33galfbWGA8cjQC2R5VtXwD5K14-a/s1331/MV5BYjI3YzRlNDEtY2FiMC00OTE5LThlOTctNDIwODQ3ZTdkNGJiXkEyXkFqcGdeQXVyMzUzMDM3MA%2540%2540._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1331" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiO7bbo2F2pSBKZReCC1QBkHqGYBfUsSLFn24K6g7A-XPZhdsD5GyjAfnQhILUZ7YyE2_jx7onDNzhzAcfcjpi8zoVD1t3gByNkjW-flseQGRBAfSy33galfbWGA8cjQC2R5VtXwD5K14-a/s320/MV5BYjI3YzRlNDEtY2FiMC00OTE5LThlOTctNDIwODQ3ZTdkNGJiXkEyXkFqcGdeQXVyMzUzMDM3MA%2540%2540._V1_FMjpg_UX1000_.jpg" width="240" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p>I had forgotten to write this review after watching it, because this doesn’t really have anything worth remembering. </p><p>The story is about an elderly man who’s not able to make payments and loses his properties and everything he owns, which is caused by not maintaining his deal with the Devil. This causes his warehouse to become haunted. A group of paranormal investigators start searching around the warehouse to see if the haunting rumors are true and find themselves being tormented by an evil clown, who may happen to be the Devil himself.</p><p>The acting is piss poor and hard to maintain any form of attention to the story. The people attempting to act don’t appear to be interested in being in this film. Their performances lack any energy, conviction, or anything resembling an effort. And to make it worse, this has no direction. This is a great example how having little to no knowledge about movie making technics can make a film unwatchable. There’s no sense to the editing, the story at the start is hard to connect to the secondary story, especially when the film slips off topic and shows scenes that are barely connected to the full story. The special effects are embarrassing, the lighting in the warehouse is dismal, and the bodies reading off lines that show any sense of characterization appears to have accidentally shown a character. </p><p>Lazy, boring, and exceptionally forgetful. Sometimes films don’t have to be released. </p><p><br /></p><p style="text-align: center;"><span style="font-size: large;"><b>Day 6, Movie 1</b></span></p><p style="text-align: center;"><span style="font-size: large;"><b>Johnny Ghost</b></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQ4Wz5oCN5yMkjXpfOZyXbmzDe7AG2QSY5fp9E2asJqHUrOK4MwOnNxfUSRgiezfDUqqpY-7OY2kHD0Zu5hb9S5-Qe1ePU0NriUEs4oGWHS7wlfePnJwc18pcYltryWEZYIaYP-cLXtijD/s1200/MV5BMTY3OTY4NjUxM15BMl5BanBnXkFtZTcwMjMwODA3OQ%2540%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="855" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQ4Wz5oCN5yMkjXpfOZyXbmzDe7AG2QSY5fp9E2asJqHUrOK4MwOnNxfUSRgiezfDUqqpY-7OY2kHD0Zu5hb9S5-Qe1ePU0NriUEs4oGWHS7wlfePnJwc18pcYltryWEZYIaYP-cLXtijD/s320/MV5BMTY3OTY4NjUxM15BMl5BanBnXkFtZTcwMjMwODA3OQ%2540%2540._V1_.jpg" width="228" /></a></div><span style="font-size: large;"><b><br /></b></span><p></p><p>There is a fine performance by Anni Finsterer showing its face every now and then in this ghost tale. Millicent is struggling with keeping her tattoo as it represents a memory that is literally haunting her of a past punk lover named Johnny. The tattoo is a nice metaphor for carrying your ghosts in your past with you where every you go and the story itself has some nice direction. However, this is a 30-minute short film stretched out to 78 minutes and lots of scenes of her sitting in a restaurant, of her sitting in a waiting room, and her sitting at her home, seem to be the body of this film.</p><p>When a ghost appears, instead of being chilling and frightening, it is more joyous because something is happening. There's some nice use of the black and white aesthetic along with some dull filler between those shots. You can see some potential in this film, yet it misses the mark on so many levels.</p><p style="text-align: center;"><span style="font-size: large;"><b>Day 6, Movie 2</b></span></p><p style="text-align: center;"><span style="font-size: large;"><b>V/H/S 94</b></span></p><p style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5dHlTKvSVBimXwIQ5bU1xkCR2qSeZdA6soaPTKIsr7l2nVbK-nB8gm8iO85ki3fg5pp9VONcIImTipL24EoE7LzGfYpbYz-a4ATPpSOpB7HaU0su0DBjlQg2Do8xi0fbli3-qJtgIuzBT/s528/e4gf9qlxwaeog6r.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="528" data-original-width="350" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5dHlTKvSVBimXwIQ5bU1xkCR2qSeZdA6soaPTKIsr7l2nVbK-nB8gm8iO85ki3fg5pp9VONcIImTipL24EoE7LzGfYpbYz-a4ATPpSOpB7HaU0su0DBjlQg2Do8xi0fbli3-qJtgIuzBT/s320/e4gf9qlxwaeog6r.jpg" width="212" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p>Glad to see a new edition to the "V\H\S" franchise. I fortunately saw the first two in theatres with packed audiences. Seeing this fourth installment brought me nostalgic feelings for the days of a packed theatre house of eager and energetic audiences. And I think this film would be much better watching with a group that can be triggered to scream and jump at the frequent and well-earned scares. However, seeing it by yourself in the dark I also recommend.</p><p>This time we get four shorts and a wrap around. The wrap around, like the past three is atmospheric but not the highlight. The wrap around might have been more captivating if it was not split into segments, allowing the build up to feel more fluid instead of made up as it’s going. And for the four main short, I enjoyed them all, but found myself more compelled to two the first two. I felt they were more atmospheric original and mysterious. The last two, while I felt lacked in story telling, were more gory, graphic, and action packed. Even though they had plenty of nasty visuals, they were the lighter of the four.</p><p>My favorite was the second story, Simon Barrett's "The Empty Wake". It had me in pins and needles, effected my nerves and gave me the best scares. I can see the third short, Timo Tjahjanto's segment, "The Subject", being a crowd pleaser, as it's filled to the brim with extreme fast pace and over the top violence. The opener, Cloe Okuno's segment, "Storm Drain", was the most original and slips in some dark and quirky humor. And the final, Ryan Prows' segment, "Terror", slows up the fast pace set by the previous free but some good laughs and strong ending.</p><p>This is a nice treat for horror fans.</p><p><br /></p><p style="text-align: center;"><b><span style="font-size: large;">Day 6, Movie 3</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Sweet Sixteen</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCpXNVlmNwtqbY-8R_cUD_Cw7_0FG5FGpQxI9Md2Q_IOZHOdjVwdzrTMbrEYc5bFP4WLxUiad8jPhXATMiuxLRRhCmzJkTR82V3EIwZsiYtuuZjQuDc6PZ043sKQw8lYDNqsUse4KN5hAn/s1563/MV5BOTJjZjBhNjMtM2VhYi00NzMyLWEyM2MtOWExMWIwYWMxZDgxXkEyXkFqcGdeQXVyMTQxNzMzNDI%2540._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1563" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCpXNVlmNwtqbY-8R_cUD_Cw7_0FG5FGpQxI9Md2Q_IOZHOdjVwdzrTMbrEYc5bFP4WLxUiad8jPhXATMiuxLRRhCmzJkTR82V3EIwZsiYtuuZjQuDc6PZ043sKQw8lYDNqsUse4KN5hAn/s320/MV5BOTJjZjBhNjMtM2VhYi00NzMyLWEyM2MtOWExMWIwYWMxZDgxXkEyXkFqcGdeQXVyMTQxNzMzNDI%2540._V1_FMjpg_UX1000_.jpg" width="205" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>A western/giallo, without giallo's flashy colorizations.</p><p>Adults playing young teens doesn't tone down uncomfortable about of adults flirting, ogling, and even raping teens. The film's main focus is on Melissa, a Lolita like 15-year-old that sneaks out at night to hit on grown men at a local dive bar.</p><p>People start turning up dead, the towns people take the racist angle, and our protagonist cop with his Nancy Drew inspired daughter, are the only people thinking it might not be colored people. I would have liked to have seen more adventures with the father and daughter duo as they were the most compelling characters in the film, rising above all the other stereotypes.</p><p>I laughed hard when a Barry Manilow type of song for "Melissa" to introduce her again, after we already learn she's a sex crazed youngster. It's out of place and corny. Comedies would have delivered the same timing and song to get a laugh, but this film appears to be playing it sincerely.</p><p>While this is not a typical generic slasher film, it still doesn't deliver any memorable moments. The murderer is not interesting and nor is the reveal surprising, especially when that character is the only one given dialogue that has nothing to do with the rest of the film, until new information is sprung out at the last 10 minutes trying to make the leap and stretch less out of left field.</p><p>This is a product of its time. I don't expect to see modern film cast adults to play children/teens only to show them naked for titillating a pervy audience. Sure, they are adults that are naked, but they are actors playing underage teens. Gross.</p><p><br /></p><p style="text-align: center;"><b><span style="font-size: large;">Day 7 Movie 1</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Invoking 4</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCO-N_iP6TEpJ0XFW1C5Rk-AfjKCOhQ-nbGlZOjHd1Fqlgbpc0A2q3JICTdTHD43qfjhMTeMobPW0Hvu3ZIJisQ7xgy_h_EhnZdos_LhcvOwBE_vfl0X3Fer7oFgC9Vhw-TY8BPfz9kZUP/s1500/MV5BMzhiNWI4MWItZWQwZS00YzU3LTlkNWItMGQ3ZjU3Zjc4M2ZlXkEyXkFqcGdeQXVyMTY3ODc0Mjk%2540._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCO-N_iP6TEpJ0XFW1C5Rk-AfjKCOhQ-nbGlZOjHd1Fqlgbpc0A2q3JICTdTHD43qfjhMTeMobPW0Hvu3ZIJisQ7xgy_h_EhnZdos_LhcvOwBE_vfl0X3Fer7oFgC9Vhw-TY8BPfz9kZUP/s320/MV5BMzhiNWI4MWItZWQwZS00YzU3LTlkNWItMGQ3ZjU3Zjc4M2ZlXkEyXkFqcGdeQXVyMTY3ODc0Mjk%2540._V1_FMjpg_UX1000_.jpg" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>"Invoking 4" is not as Halloween themed as the poster might insinuate.</p><p>Like it's predecessors, we get another anthology of horror shorts of variant qualities.</p><p>The first I have seen multiple times, in other anthologies and even at horror festivals, about a little girl fearing a monster might be in her closet. We get another short about a cult interested in a pregnancy, another about the dangers of pulling your car off to the side of the road. Then we get a very disturbing and poignant tale of women being held captive for mysterious reasons. It's well shot, well acted, and gets its message across. And the final is a comedy horror bit about mimes that has been satirized better in other videos.</p><p>The collection is fine. I just wished it had at least one short that matched the advertised poster.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 7 Movie 2</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Old</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhxNc5tuAxpA68Sv0ExKomEqFasQCS-cGL-tU4s_Z8fpDOzBnf3VAb39wVWJttNzKWuKgintM6okknZumD8W2MeR0h9TgYeyku7EOil5boxvPgUBryVnfXL2uT9FZAv1ttQdveaw6BXy7o/s1583/Old_2021_film_poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1583" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhxNc5tuAxpA68Sv0ExKomEqFasQCS-cGL-tU4s_Z8fpDOzBnf3VAb39wVWJttNzKWuKgintM6okknZumD8W2MeR0h9TgYeyku7EOil5boxvPgUBryVnfXL2uT9FZAv1ttQdveaw6BXy7o/s320/Old_2021_film_poster.jpg" width="202" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>There is so much to like in "Old", I just wished I could turn off my brain to have enjoyed them as a whole film.</p><p>For starters, the casting is amazing. Finding actors of different ages to play the same characters really help the illusion of this gimmick and everyone is pretty good here. I really enjoyed the performances of Gael García Bernal and Vicky Krieps and was completely moved by their storyline. I also like it that Shyamalan ventured into the realms of body horror. There's a couple of sequences and visuals that had me cringing in my seat. The production is high quality too, with a stunning location heighten by some visually striking cinematography, top notch makeup effects, and some great sound designs and effects.</p><p>The problem I had watching this film was understanding simple knowledge on how muscle, fat, and other bodily tissues grow and form. Whenever a new stunt is pulled with the premise, I couldn't help but wonder what and how the body would really look like if this situation took biology seriously. It's not the actors’ faults for looking healthy and in good shape. So, I blame both the science consultants who may not have been consulting real science or the producers who may have overlooked the fundamentals of biology to make the film more visually appealing.</p><p>This is a neat concept and for the most part, it's an entertaining film. I just couldn't settle my mind in down low enough to enjoy this for what it is.</p><p><br /></p><p style="text-align: center;"><b><span style="font-size: large;">Day 7 Movie 3</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">The Last Laugh</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicRLqFgoXzeN5NkYrLyPGcrfg4jyQG8V36nd1tecfrzfXkPYnaPgWMdu5sRK_znxB4zdbX6hoUJrR7uL2-xsQsm34NishdPWv35eqDx11G4CpC9p-8n8ISq4LN6Q5-Ux8R_NsUX9JEr4Za/s888/MV5BMmJhMzc4MjAtY2MyNi00MjM3LTk2NTEtYzY4MjliZTRhNGVkXkEyXkFqcGdeQXVyMTM4Mjc4Nw%2540%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="888" data-original-width="600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEicRLqFgoXzeN5NkYrLyPGcrfg4jyQG8V36nd1tecfrzfXkPYnaPgWMdu5sRK_znxB4zdbX6hoUJrR7uL2-xsQsm34NishdPWv35eqDx11G4CpC9p-8n8ISq4LN6Q5-Ux8R_NsUX9JEr4Za/s320/MV5BMmJhMzc4MjAtY2MyNi00MjM3LTk2NTEtYzY4MjliZTRhNGVkXkEyXkFqcGdeQXVyMTM4Mjc4Nw%2540%2540._V1_.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>The multiple posters and movie art created for both this title and the original title "Killing Joke" mainly show stand up comedy mike stands with microphones trying to sell and focus on the stand-up comedy portion of this film. The story is about a stand-up comic who's getting a chance to perform at a soft seated theater show that may skyrocket his career. However, during that same night, the theatre crew is being murdered one by one by an unknown masked killer. The movie is not about stand-up comedy, because it focusses more on the theatre and the ghost story that comes with it. This might be because the casting for the stand-up comic, has no comedic timing, charisma, or talent.</p><p>If you are making a film about a stand-up comic, maybe cast a stand-up comic. Or at the least hire some stand up comics that can write a joke. It might be different if the character is supposed to be an amateur comic for life, with no flare for entertaining a crowd, but this keeps reminding the viewers how good our protagonist is. Yep, he's so funny that we are shoveled exposition notes over and over from multiple characters explaining how funny he is supposed to be. The sequences where our sad sack of a comedian attempts jokes, is scarier and harder to watch then the graphic violence. He's also one of the most uninteresting dull characters and performances I have seen in years. The rest of the cast and characters are fine and it's refreshing to see a horror film display good natured people instead of the worst people in the world. The filming is not terrible but the story telling certainly is here.</p><p>The film also spends time setting up a ghost tale that could have come in handy in the final climax, but it appears it forgot its own set up. Which also explains why none of the jokes work to. If you cannot set up anything, you cannot expect the results to work.</p><p>I think this is called "The Last Laugh" in reference to being so unfunny that you'll never laugh again. What an insult to stand up comedy. And, not a memorable horror film too.</p><p><br /></p><p style="text-align: center;"><b><span style="font-size: large;">Day 8 Movie 1</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Anarchy’s Parlor</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN6nNARPBOLNFaVD5o74OO03b9nvfTl1SCp2LWkiocMB-X1NpiAVBEf_-LgzhFHYoXjUc4RQ293q5NezMTftgUR2u5aN0YwYn4qpoD4Sf2dTfbQg0OVgh_hUJhEnCkKvyzBiltwibfz-ug/s270/anarchy.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="270" data-original-width="186" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN6nNARPBOLNFaVD5o74OO03b9nvfTl1SCp2LWkiocMB-X1NpiAVBEf_-LgzhFHYoXjUc4RQ293q5NezMTftgUR2u5aN0YwYn4qpoD4Sf2dTfbQg0OVgh_hUJhEnCkKvyzBiltwibfz-ug/s0/anarchy.jpg" width="186" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>I see a lot of people claiming this to be a "Hostel" rip off. And that's a simple comparison, being that this film is about unlikable young adult tourists getting trapped in some underground layer and being mutilated. However, that's basically it for comparisons. The reason for their demise is more interesting here as it feels more plausible and grounded.</p><p>Basically it's about a sadistic tattoo artist, Robert LaSardo, who delves in the underground world of collecting tattoo skins. LaSardo is super creepy and the highlight of this film, along with the graphic and well executed skin peals. The best sequences is when he's having a one on one with a new client. He's perfectly casted for this role.</p><p>Otherwise, this has uninteresting protagonists, wasted scenes of them catching up to the story which the audience is already privy to, and it ends with a cliché horror film ending that doesn't feel plausible. For horror fans that like a good antagonist and some better than average gore effects, this is not a terrible watch.</p><div><div style="text-align: center;"><b><span style="font-size: large;">Day 8 Movie 2</span></b></div><div style="text-align: center;"><b><span style="font-size: large;">The Black Cat</span></b></div><div style="text-align: center;"><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhitsjhVqbQC7KYSMo0lciv4BzqAtmV1LnX6CfSHhD1s0lvfKKroMo4KIkofpHg_mOVgguwVG8U8m7xnugtSWp_GRBeDbg5A7yUd6ugRQhRYP5TWnKhYeMOomnLF_HW6u36t_tx6hgq-5kC/s2048/MV5BMWJkOWRhYTctMTI2Yi00NzU5LWI2MTYtNGRlY2FkZjZjMmVhXkEyXkFqcGdeQXVyNzc5MjA3OA%2540%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1464" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhitsjhVqbQC7KYSMo0lciv4BzqAtmV1LnX6CfSHhD1s0lvfKKroMo4KIkofpHg_mOVgguwVG8U8m7xnugtSWp_GRBeDbg5A7yUd6ugRQhRYP5TWnKhYeMOomnLF_HW6u36t_tx6hgq-5kC/s320/MV5BMWJkOWRhYTctMTI2Yi00NzU5LWI2MTYtNGRlY2FkZjZjMmVhXkEyXkFqcGdeQXVyNzc5MjA3OA%2540%2540._V1_.jpg" width="229" /></a></div><span style="font-size: large;"><br /></span></b></div><div><br /></div><div>This cat is a real jerk.</div><div><br /></div><div style="text-align: center;"><b><span style="font-size: large;">Day 9 Movie 1</span></b></div><div style="text-align: center;"><b><span style="font-size: large;">The World is Full of Secrets</span></b></div><div style="text-align: center;"><b><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiuIUlXjDx5EvzrWwIF9Q00pZdlIF4mbmV6MAr_LtLQbBP_ns0WqplXzv7JUH1Q3vUfI4UdFeE4MCp1uYvCCfonmHYXKOEWUNfZF0_fRh7bg2d9UEN221gY41QuSBa34g30bHfA1GrA6R_/s1500/WorldIsFullOfSecrets_DVD.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1062" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiuIUlXjDx5EvzrWwIF9Q00pZdlIF4mbmV6MAr_LtLQbBP_ns0WqplXzv7JUH1Q3vUfI4UdFeE4MCp1uYvCCfonmHYXKOEWUNfZF0_fRh7bg2d9UEN221gY41QuSBa34g30bHfA1GrA6R_/s320/WorldIsFullOfSecrets_DVD.jpg" width="227" /></a></div></b></div><div style="text-align: center;"><br /></div><div>Eerie and very haunting storytelling, focusing on the basic and minimalistic details of storytelling. I literally had shivers run down my spine by the ending. Simplicity can be a powerful tool.</div><div>The film consists of multiple stories, told directly to the camera by some very talented performers. The premise is a group of friends tell each other horrible stories about events that happened in real life, as they try and one up each other with who can tell the most horrifying tale. The film opens with an elderly voice narrating, setting up the premise of the events that happened in the past. We know that something awful has happened that night and the stories they are telling will lead them to this event. </div><div><br /></div><div>The atmosphere and mood is set through a docile tempo and clearly and methodically spoken dialogue along with the still close ups on the storyteller, filmed with a 1.20 : 1 Aspect ratio, giving a closed in claustrophobic feel, narrowing your attention to the teller. </div><div><br /></div><div>For those looking for a flashy, modern paced thrill ride of a film, this will probably disappoint. For those that can listen to audio books and radio shows, this will be a delight. </div><div><br /></div><div>Truly ended with goosebumps on my arms. Beautifully executed and sublime storytelling. </div></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><span style="font-family: verdana;">That is it for this blog. Thank you all, who have contacted me letting me know the movies that you are experimenting with or revisiting this year. </span></div><div><span style="font-family: verdana;">More to come next week. </span></div><div><span style="font-family: verdana;"><br /></span></div><div><span style="font-family: verdana;">JP Fournier</span></div>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-71081774302706334462021-10-01T21:08:00.009-07:002021-10-01T21:40:40.279-07:0031 Days of Horror 2021 Day 1<p> Hello my friends. </p><p>Now that October is back, I return to my really tradition of watching 31 horrors in 31 days, that I have never seen before. This year I have stockpiled horror films (or films related to Halloween) for the 31 days. Hopefully this will help me closer to the end of the month, where in past years I would struggle to find titles to full fill my numbers. </p><p>For those of you that enjoy reading about the crap that I endure, you don't have to worry. I still have a few bizarre titles that have been requested or dared for us at the Movie Jerks to take in. Plus I also intend to pull some random films here and there to keep the variety going. </p><p>That being said, I ended watching two today to start off the month. Here are those reviews:</p><p><br /></p><p style="text-align: center;"><b><span style="font-size: medium;">Day 1 Movie 1</span></b></p><p style="text-align: center;"><b><span style="font-size: x-large;">Lost Creek</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1al6AlucWmerwsdTg9nK6l-JrpNPVSMVs1SXecthYndWjJiQJPgJKIflOYS1GF87J6W4Ah8P1Lbd3Htl2nX7cpBCddvmfqoYV7faiQ5cpQqQPFUgFA8IFBUMHfo9HOe4of_CYSnFwHRV2/s1600/d6462daf2dc143399bf681c185d3e6c3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1al6AlucWmerwsdTg9nK6l-JrpNPVSMVs1SXecthYndWjJiQJPgJKIflOYS1GF87J6W4Ah8P1Lbd3Htl2nX7cpBCddvmfqoYV7faiQ5cpQqQPFUgFA8IFBUMHfo9HOe4of_CYSnFwHRV2/s320/d6462daf2dc143399bf681c185d3e6c3.jpg" width="240" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>If someone were to have brought me the script before the film was made, I would have been completely on board with this. And if I was on set during the production, I would have probably become the one complaining asshole on set who they "accidentally" forgot to invite to the cast party. </p><p>At the heart of this film, there could have been a great movie here. The script focuses on three kids and their friendship as they are preparing for Halloween and being tormented by a monster. Sure one of the big reveals you will probably guess from the first 10 minutes because it's so cliché, but the film does build to a suspenseful third half and still maintaining some sentimentality.</p><p>However, these kid actors cannot act! Line after line, the film reminds us that these kids don't understand the inflection in their voices to match the expressions that should connect to their sentences. This is like watching junior high students trying to act our Shakespeare's "King Lear". Sure they may be able to memorize all their lines, but understanding their lines enough to emote them correctly is out of their leagues.</p><p>The film has some nice Halloween imagery, especially in the second half when the evil pumpkins start filling the establishing shots. This has some nice pumpkins. And it does get a tab bit too dark near the end, where I would have liked to see the antagonist(s) in better lighting, because it just felt like insecure creature cover up darkness. The darkness didn't feel or look natural.</p><p>This won't be for everyone. But it still put me in the mood for October, nonetheless.</p><p style="text-align: center;"><b><span style="font-size: medium;">Day 1 Movie 2</span></b></p><p style="text-align: center;"><b><span style="font-size: x-large;">Benny Loves You</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDyBwfxF8vb8gUsqwUiLnvg4egoLS0lAj54RHCFlppYv4TuYtg-Lyx0YPfxNCOjny5M1Vfy9wGqRCi48GKCwTjhJA2Z1xaVqXe_L71cchYP8o78YCapGXe4p6M6TxyrdyqA65WF5L6C34C/s893/Benny-Loves-You-616x893.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="893" data-original-width="616" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDyBwfxF8vb8gUsqwUiLnvg4egoLS0lAj54RHCFlppYv4TuYtg-Lyx0YPfxNCOjny5M1Vfy9wGqRCi48GKCwTjhJA2Z1xaVqXe_L71cchYP8o78YCapGXe4p6M6TxyrdyqA65WF5L6C34C/s320/Benny-Loves-You-616x893.jpg" width="221" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>Ambitious and full of character, Karl Holt's 5 years in the making, "Benny Loves You" delivers a ton of demented and graphically violent comic joy.</p><p>The story is about a man-child who's life long teddy bear, Benny, comes to life and starts murdering everyone that gets in the way of their friendship. Simple premise sure, but Holt takes this simple premise and expands it to an often hilarious level of "R" rated violence being delivered by hands down the cutest stuffed animal I have seen in films in years. The design and voice of Benny (only has about 5 to 6 sayings he repeats) is spectacular. Not to leave out, Benny's personality, that is constantly joyous unless startled into a shaky mode. He's adorable! The special effects, while showing the lack of budget every now and then, become acceptable as it takes on a cartoonish style as well as delivers some truly entertaining and visually enthralling action. The gore effects may turn off people who prefer the gore to be realistic and those people that may think it's going too far. However, the unrealistic appearance of the blood and guts helps maintain the playfulness of the script, and fits the this sub-genre nicely. While we have seen many killer toy horror/comedies before, "Benny Loves You" doesn't go for the easy jokes too, while it may have the typical cute creature during horrendous acts, all the deaths or unique, strange, and overly exaggerated to the point of ludicrous.</p><p>The film's pacing did slow up in the middle, however this was only to set up the over the top climatic battle, that's imaginative, original, and joyously amusing, with multiple surprises, calls back, and a playful, yet violent tone. This felt like there was some "Wallace and Gromit" influences in the action pieces.</p><p>This was great film to start off my month's horror movie marathon. I am surprised by how much I enjoyed this. Looking forward to Karl Holt's future projects.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix-92qEW6XUKNskRp3O_dPLsf1jySTGkMLwnf0ABqwtsPCkI2JD6QcEEUkIEKH88FTn_WnwkWLw58_21KZcIgHZOAFBgOz4fAMEkq-ZX-XXsHcSlh8U-Cz_FSYj-p-dv-nxrG8sRvbaLUi/s1280/benny.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEix-92qEW6XUKNskRp3O_dPLsf1jySTGkMLwnf0ABqwtsPCkI2JD6QcEEUkIEKH88FTn_WnwkWLw58_21KZcIgHZOAFBgOz4fAMEkq-ZX-XXsHcSlh8U-Cz_FSYj-p-dv-nxrG8sRvbaLUi/s320/benny.jpg" width="320" /></a></div><br /><p><br /></p><p><br /></p><p><br /></p><p><span style="font-family: verdana;">Off to a good start. Let's see how the rest of the month's picks will treat me. </span></p><p><span style="font-family: verdana;">If you are engaging in the 31 horrors in 31 day too, with watching new films or revisiting favs, I always love to hear what people are watching. Thank you all who do contact me during this time and share their watches. It's nice to already hear from a few of you already even before I got this first blog out. Nice to see this is a tradition that is sticking with a lot of friends. </span></p><p><span style="font-family: verdana;">Till the next week. </span></p><p><span style="font-family: verdana;">JP Fournier. </span></p>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-50878827364674625332021-09-30T14:49:00.004-07:002021-09-30T15:07:59.144-07:00Sci-Fi September 2021 - Week 5<p> Like every time I challenge myself to stick to a specific genre for a month's timeline, I am glad to get to the end. I am a person that loves and supports originality. When I end up watching the same genre day in and day out for even a week, I start becoming very aware of how originality is a unique treasure that not all films are privy too. </p><p>In the past years I would cram in 30 films, trying to make it one film per day. However this year, I over shot completely (thank you covid world). In doing so, the amount of clichés, tropes, and reoccurring scenes, themes, and plot points I took in, was appalling. I denied watching 7 time loop films, 10 post apocalyptic films, and 13 space war films, because I just had my fill before the month started. </p><p>This last bout of films did deliver a couple of films that rose above my expectations. One film particularly might be one of the strangest films I will see this year and I am glad I ended on that film. </p><p>Here's the last quick reviews of my Sci-Fi September movie picks. </p><p><br /></p><p style="text-align: center;"><span style="font-size: large;"><b>Day 27, Movie 1</b></span></p><p style="text-align: center;"><span style="font-size: large;"><b>Time Toys</b></span></p><p style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-i13bsPViyUAs1Hd52s1piIxojLrUCZRX0alNqGuh4uCJR7BAHrssaTrBayWeh4uQjEYPE9IMhf27Q6_uqUYPZcyDr97qZ8DknaHCBMagpapCxQmOQaI1qBbJd3HXMP9GKuUTs8A1mZFr/s2048/bk4B9jnt2kjTfdN5rMHKrnrCIc4.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-i13bsPViyUAs1Hd52s1piIxojLrUCZRX0alNqGuh4uCJR7BAHrssaTrBayWeh4uQjEYPE9IMhf27Q6_uqUYPZcyDr97qZ8DknaHCBMagpapCxQmOQaI1qBbJd3HXMP9GKuUTs8A1mZFr/s320/bk4B9jnt2kjTfdN5rMHKrnrCIc4.jpg" width="213" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p>A group of young bucks stumble upon a box of what they believe are toys, but soon find out that the multiple devices all have special powers. We have a pair of shoes that can help walk up walls, run fast and jump higher than humanly possible, a pair of gloves that give super strength, a mask that can take on any face, a gun that shoot any liquid substance, like poop, and a hat that enhances brain power. And wouldn't you know it, a group of bad scientists are looking to get the box back to do bad things.</p><p>This has the same concept as "Lazer Team" but with kids and no aliens. However we do get Ed Gegley Jr, dropping into a film about gadgets. And Greg Germann makes a fun villain too. </p><p>As far as the Strait to Video kid adventures go, this one has some fun moments and some good pacing. There's plenty of work with the gadgets and various uses of their powers. This might be a fun film for kids, however as on adult watching this, the kid actors are really bad. They are given plenty of zinger one-liners which none of them can pull off. I literally rooted for their bullies at one point. This is also a film where armed grown men are chasing the kids and yet this just seems to be an every occurrence for these cocky smart-asses. It's really hard to cheer for these smart mouthed with poor delivery, brats.</p><p>I like the energy and I think this script deserved some child actors who could pull off the material.</p><p>Day 27, Movie 2</p><p>F.r.e.d.i.</p><p>Very cheap and heartless "Iron Giant" wannabe, as a tiny robot with military weapons meeting up with a kid that befriends it and teaches it how to love... at least that's what it suggests at the end even though there's not much characterization or interaction with the robot for it to learn this feeling.</p><p>I had more of a laugh watching the poorly animated robot puppet being puppeteered by a stick. It has as much character has a picketing sign. The design of the robot is cute but there's no character to bot, leaving the blatantly borrowed sentimental ending to be gutless and undeserved.</p><p>The film "borrows" the bike chase scene from "E.T. The Extraterrestrial" but without a filming crew that can make the race appear exciting. The location doesn't have the impressive hills for the kids to jump off. Their pursuers are only 2 men, one is a bumbling idiot, compared to armed police and military men. And the box performance Fredi doesn't do anything to aid their escape, like ET did when he made the kids fly. Instead, we get to see the kids ride their bikes through people who appear to not give a damn about these kids. We see a couple over the shoulder camera shots and other shots that look like they are getting pushed over by the people who don't want to be in this film. Why bother even filming this, if there is no attempt to make it interesting? </p><p>Absolutely forgettable and characterless.</p><p><br /></p><p style="text-align: center;"><span style="font-size: large;"><b>Day 27, Movie 3</b></span></p><p style="text-align: center;"><span style="font-size: large;"><b>Synchronic</b></span></p><p style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglk7EkPtvthtDNT9fsCK9oJLyCqTkKhPaVh1Hj1VZUuEy4ksuiTSiygfoEZdA2A7GoskblZd2GaA8uELVtkT2XYBaV1bVKSmfU1fbVa8Lj3QuQ3xueKpsUaBx1tYTaGp4ASiu2ppqn2Ijs/s1111/synchronic+poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1111" data-original-width="750" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglk7EkPtvthtDNT9fsCK9oJLyCqTkKhPaVh1Hj1VZUuEy4ksuiTSiygfoEZdA2A7GoskblZd2GaA8uELVtkT2XYBaV1bVKSmfU1fbVa8Lj3QuQ3xueKpsUaBx1tYTaGp4ASiu2ppqn2Ijs/s320/synchronic+poster.jpg" width="216" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p>Moorhead and Benson (writers and directors of "The Endless") are becoming my favorite movie duo as of lately and "Synchronic" just raises my respect for their talents.</p><p>I had the unfortunate luck of reading a couple reviews that gave away the film's main secret, as if it was not a spoiler but the plot synopsis. However, despite having this ruined for me, what the reviewers unprofessional and irresponsible proof of lack of artistic respect didn't spoil was how this film is about the two characters dealing with the strange phenomenon would be so intertwined in the plot and impact of the events that will unfold.</p><p>This is a gloomy and graphically gory tale, yet it always has a sense of hope regardless of how dire the situations get layered. The dialogue between our two leads resembles that of two partners/best friends who have lived through it all with each other. We get a sense of their history through their regular conversation without having them drop exposition drops of information that they both already know.</p><p>This is also a film that doesn't hold back on the horrors of our world. The violence and graphic gore is over the top, yet never exploitive. The makeup effects are pretty outstanding in this film, only adding to the bleak world that our protagonists are trying to find hope in.</p><p>I found myself completely moved by this relationship and emotionally over powered by the finale.</p><p>I am already looking forward to the next Moorhead and Benson film.</p><p><br /></p><p style="text-align: center;"><b><span style="font-size: large;">Day 28, Movie 1</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Robo</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidJxO34KBVNFQ_eKJG73HAtWpi-PfBbt1E1jmn54kEzV7yxLCmp0F9yeDOMfMRchxCoi-u3TSVE63b-d-gFSkhZLHTP4ab6QVpWpPyBjGYmHuUXx9EGW5PWt9x6nTDiYPaZG5rzGfkMxVo/s1680/MV5BNTVjOTQzNTctNmIwMi00MWMwLWEwMDUtN2M5YWM0MDIzMmYyXkEyXkFqcGdeQXVyNjAyMDAzNjk%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1680" data-original-width="1181" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidJxO34KBVNFQ_eKJG73HAtWpi-PfBbt1E1jmn54kEzV7yxLCmp0F9yeDOMfMRchxCoi-u3TSVE63b-d-gFSkhZLHTP4ab6QVpWpPyBjGYmHuUXx9EGW5PWt9x6nTDiYPaZG5rzGfkMxVo/s320/MV5BNTVjOTQzNTctNmIwMi00MWMwLWEwMDUtN2M5YWM0MDIzMmYyXkEyXkFqcGdeQXVyNjAyMDAzNjk%2540._V1_.jpg" width="225" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>Yet another "Iron Giant" influenced kid film. This time the movie actually brings up Isaac Asimov's "Rules of Robotics" right from the start and shows a robot made for saving human's during a catastrophe choosing to save a mother and not a baby, because the probability rate was higher on saving the mother and not both or just the baby. This incident has the production group lose their funding and the robot escapes to learn how to "communicate" with human's better. Luckily the robot meets a little boy who happens to be smarter than the adult (sigh) and they become friends, teaching each other how to better themselves in the process.</p><p>"Robo" is a very glossy looking picture. Despite the generic storyline, the cinematography is often quite stunning. The special effects on the robot is also good, only some of the movement details is a bit jittery that does strike the uncanny valley a few times.</p><p>Some of the dialogue, although it might be lost in the translated subtitles, is either too on the point, and the interaction between kid and robot comes off too eager to be cutesy. The personality of Robo also isn't one that would gain the emotional connection it wants by the end. The robot is pretty cool, but he's not endearing.</p><p>What I liked about this blatant rip off, was that it set up the ending right from the first scene of the film. Even though it's still taking the "Iron Giant" steps, it at least shows that it understands what makes that film and storyline so impactful.</p><p>Better than the average rip off job.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 28, Movie 2</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Earthling</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvwZ3on325nR9g6xCB-nEllKvvNpIe1E5OgojI8FByvhyfB1sfA2tiduJOov5WGNcW6xsTcqboach61A_a2H9PJHhU8ka7g9Bhev2m7IoVEx343PGY0o3oA-WUcup1C0aMnI7B4TrhFZLm/s2048/MV5BMTY3NzAyMjM5MV5BMl5BanBnXkFtZTcwNjI4MzQyMw%2540%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvwZ3on325nR9g6xCB-nEllKvvNpIe1E5OgojI8FByvhyfB1sfA2tiduJOov5WGNcW6xsTcqboach61A_a2H9PJHhU8ka7g9Bhev2m7IoVEx343PGY0o3oA-WUcup1C0aMnI7B4TrhFZLm/s320/MV5BMTY3NzAyMjM5MV5BMl5BanBnXkFtZTcwNjI4MzQyMw%2540%2540._V1_.jpg" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>There are some interesting ideas a foot here. However, this low budget sci-fi thriller is drawn out too long for the amount of story that is present.</p><p>I am a huge fan of slow burn films, especially when the pacing effects the atmosphere. In "Earthling" the story often feels like it's getting off the track and meandering, rather than staying focused. While this might be appropriate for some mind altering or reality bending story, this story of a person realizing they may be something other than human, doesn't provide offer reasons to make this confusing. The pacing, the dialogue, the acting, and the editing doesn't feel honed down.</p><p>The inconsistency of the structure causes this to drag and makes the events sometimes feel disconnected.</p><p>I appreciate the attempt and some of the concepts at work, but this was not an entertaining or captivating watch.</p><p style="text-align: center;"><span style="font-size: large;"><b>Day 29, Movie 1</b></span></p><p style="text-align: center;"><span style="font-size: large;"><b>Superintelligence</b></span></p><p style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcwurvais7U_WXWoZVA2tV1UDGAht1VsW_ZPhVJT4CC1GJ-89yIGQnlPFiu_Ho-Foa3avnlkV3sFBS8pRrzzWxQMKbk32MvjEQ6Gt8kxn0MHk3KenHD8rhdX86kN0mY2xx2L3GnLSuJhR4/s2048/MV5BYmJhOWVjOTctZTU1Mi00NDVhLTlmNGMtZTU4YTk1NjgxMzA0XkEyXkFqcGdeQXVyODc0OTEyNDU%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcwurvais7U_WXWoZVA2tV1UDGAht1VsW_ZPhVJT4CC1GJ-89yIGQnlPFiu_Ho-Foa3avnlkV3sFBS8pRrzzWxQMKbk32MvjEQ6Gt8kxn0MHk3KenHD8rhdX86kN0mY2xx2L3GnLSuJhR4/s320/MV5BYmJhOWVjOTctZTU1Mi00NDVhLTlmNGMtZTU4YTk1NjgxMzA0XkEyXkFqcGdeQXVyODc0OTEyNDU%2540._V1_.jpg" width="213" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p>This is not as terrible as "Thunder Force" but that's not really a compliment either.</p><p>"Superintelligence" is an contradicting title, as this story is a dumbed down and lifeless study of humanity by an artificial intelligence most often voiced by the super-uninteresting James Corden.</p><p>Most of the jokes and humor is super-lazy. We get McCarthy delivering her usual slapstick pratfalls and wearing a silly outfit jokes, which come off super-desperate. The film take several moments to compliment James Corden professional career, only to make the actor look super-insecure. He's not a part of the joke, being the selected voice, but miscalculated selling point displaying how super-out-of-touch this film is.</p><p>The relationship, which technically is the main point of this film, does not have any chemistry. And it appeared like it could have shown some chemistry, however the poor writing gets in the way of any genuine emotion.</p><p>There's so many uninteresting and unnecessary pulp culture references, that the film feels like poorly constructed commercials.</p><p>I am hoping this is going to be Super-Forgetful.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 30, Movie 2</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Radioflash</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6MDHHHrbxBzMhK1DT9dh8TETn9U5j7U8thljdBOQJ2nH_eEMB0W1EOQbd_OOGuQwsuZfNPWgnqXCwemiIulH4wBkc1GnDwVUkQA2ACoqvRVl6LJdvPsxVd1hNV7ZZpResHTzRjAUQ_VJu/s1500/z7RNOII2gXkZugOf7TjsISoLYRl.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6MDHHHrbxBzMhK1DT9dh8TETn9U5j7U8thljdBOQJ2nH_eEMB0W1EOQbd_OOGuQwsuZfNPWgnqXCwemiIulH4wBkc1GnDwVUkQA2ACoqvRVl6LJdvPsxVd1hNV7ZZpResHTzRjAUQ_VJu/s320/z7RNOII2gXkZugOf7TjsISoLYRl.jpg" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>Film starts off strong with an inventive and visually pleasing escape room, consisting of walls plastered with phones, evenly spaced out, all white with one black on in the center. The room only consists of Reese, our protagonist, a sticky tag with a phone number on it, and water pouring in. We get to see a nicely shot and confident opening action sequence as she works to solve the puzzle that might help her escape. And from that one point on, the film shifts gears back so something slower, never reaching that thrilling potential again.</p><p>Will Patton is excellent as Reese's grandfather. The musical score also stands out. But the rest of the film comes off generic and unspectacular.</p><p>This is another world gone mad do to a change, this time a nuclear device causes an electromagnetic pulse that kills power to more than 200 million people, forcing people into survival mode. Most of the film does take place out in the wilderness where our hero is being hunted by some rednecks and learning to survive against the forces of nature. The opening sequence lets us know that she's clever and a strong minded survivalist, yet as soon as someone ties her hands together in her front and ties a gag in her mouth (which doesn't prevent her from talking or calling out), she becomes completely helpless. Her captures throw her into a shed like room, where we can see tools and bones all over the walls, yet she sits quietly as the sun moves past her through cracks in the walls, showing the day pass by.</p><p>The film also has narration drops that don't help progress or add to the story, yet is used to finish up the ending because the film doesn't technically have an adequate ending, as if this was meant for a premiere episode for a new tv series.</p><p>Besides the fun to watch opening sequence, this is very unmemorable.</p><p>Very misleading poster.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 30, Movie 2</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Mind Killer </span></b> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhad_j79SlPY8n7kA-9XDf_0dH5IvaFTtyCQ9TdBsQHHgRIoWRorkUur0M9cRT3Gw1iSo0U2CvlSoOvR5i1dlYFD0qqiZ3_WRVzObrcZQUkc6k9UdFgIcGZmWIVcwYBJbeGFlSsxvP_5ZwU/s845/mindkiller3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="845" data-original-width="555" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhad_j79SlPY8n7kA-9XDf_0dH5IvaFTtyCQ9TdBsQHHgRIoWRorkUur0M9cRT3Gw1iSo0U2CvlSoOvR5i1dlYFD0qqiZ3_WRVzObrcZQUkc6k9UdFgIcGZmWIVcwYBJbeGFlSsxvP_5ZwU/s320/mindkiller3.jpg" width="210" /></a></div><p style="text-align: center;"><br /></p><p>"Revenge of the Nerds" meets "Scanners", but without the charm of either.</p><p>"Mind Killer" starts off fairly dull, with a lot of uninspired performances and mind numbing dialogue. However, it does deliver some very awkward moments with our nerd protagonists hitting on women. It gets more awkward when our main protagonist starts controlling the desires of his lady co-workers. And when his powers start to get out of control and lead him to his ironic demise, it doesn't come off like a morality tale (like one might expect) but just a tragic outcome.</p><p>However, despite the sometimes hilariously bad script, the film delivers plenty of ambitious and slimy practical effects. There's certainly a Cronenberg influence coming out during the final 30 minutes.</p><p>It's a labor to get through the first half, but the gruesome gore bits by the end nearly make it worth the work.</p><p><br /></p><p style="text-align: center;"><span style="font-size: large;"><b>Day 30, Movie 3</b></span></p><p style="text-align: center;"><span style="font-size: large;"><b>Alien Addiction</b></span></p><p style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_LYaBCWTRyFG4pfUg4H_gN2R5v5fsY1qKioWVJTM_W2rEyE0SyJ1O0OVpNr0jAS5DYcDnD6fkIh8Ns894EKaFwW3QhVYsSi5RSBVbeN5T2oKNPvouAli7xJkZzjJzoZUCmA3-on3oZhY1/s1455/MV5BNjExMjYyNmMtMDI0MC00MWI5LWE5ZGEtYjNjZWVhOWQ3NTViXkEyXkFqcGdeQXVyMjYxMjY0Nzg%2540._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1455" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_LYaBCWTRyFG4pfUg4H_gN2R5v5fsY1qKioWVJTM_W2rEyE0SyJ1O0OVpNr0jAS5DYcDnD6fkIh8Ns894EKaFwW3QhVYsSi5RSBVbeN5T2oKNPvouAli7xJkZzjJzoZUCmA3-on3oZhY1/s320/MV5BNjExMjYyNmMtMDI0MC00MWI5LWE5ZGEtYjNjZWVhOWQ3NTViXkEyXkFqcGdeQXVyMjYxMjY0Nzg%2540._V1_FMjpg_UX1000_.jpg" width="220" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p>Audaciously and gloriously stupid, "Alien Addiction" is nothing more than a stoner gross-out comedy. The story is about a loser who hooks up with two aliens, who are turning earth's resources into vapers, in order to ingest and get high off of. When they change a person's fecal matter into vaper, they discover their best high yet. With the help of their moron human friend, the three set off to enjoy being high as a kite. The second part of the film consists of the trio trying to obtain a large set lady's bowel movements, because her excrement delivers the most amazing buzz. Yep, that's what this film is about. </p><p>For the most part, this is a loud, abrasive, and incredibly over acted gross out comedy. Yet despite my better judgement, I found myself being relatively entertained. The aliens' design (heads that resemble blue anuses on top of skinny pregnant women's bodies) and movement (only able to take mini steps at a time) is so unflattering and goofy, watching them hit the town observing people's behavior without people realizing they are aliens, grew on me. And I found myself laughing at some of the strange choices and unapologetically dumb sense of humor.</p><p>This will probably be a lot better if I were high, but in the end, I still had a few laughs. This film knows what it is and doesn't give two shits what others think of it. And for that... I kind of admire it's guts to be this dumb.</p><p><br /></p><p><br /></p><p><br /></p><p><span style="font-family: georgia;">And there we go. Another Sci-Fi September out of the way. Now under my next month's challenge, 31 Day of Horror. This year I have held off from watching some of the better reviewed horror of 2021, plus received a few obscure films, along with a pile that I have been wanting to see for a while. I will still be watching a few random pics to keep the viewing interesting. Bring it on! </span></p><p><span style="font-family: georgia;"><br /></span></p><p><span style="font-family: georgia;">JP Fournier </span></p>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-78202100056943554942021-09-26T20:35:00.004-07:002021-09-26T21:01:39.253-07:00Sci-Fi September 2021 Week 4<p style="text-align: left;"><span style="font-family: verdana;">This week in Sci-Fi September has certainly made me long for this month's challenge to end. I tackled a whole bunch of stinkers. But thankfully I did get to end on a high note and immediately followed by one of the lowest notes this month. </span></p><p><span style="font-family: verdana;">Here's this weeks films:</span></p><p><br /></p><p></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 19, Movie 3<o:p></o:p></b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Evil Alien Conquerors</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqOXx5cyO6MwEmUIycjJfTftDd3Nab_pC6f1JxkQhRmBGJUK3o-GmnU4QV5w5qgG79-zoghWqZ69j4bk3dj2HqivrBSLHNDMBD_v8xJmco8tldYWuDce1EaWIgPSks1BZenp-c8S_wP5Jo/s1418/MV5BZjMwMTlkYjQtMDdiOC00MmMxLWJmYWEtMGZmZGM5OTMxZmQ4XkEyXkFqcGdeQXVyMTY5Nzc4MDY%2540._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1418" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqOXx5cyO6MwEmUIycjJfTftDd3Nab_pC6f1JxkQhRmBGJUK3o-GmnU4QV5w5qgG79-zoghWqZ69j4bk3dj2HqivrBSLHNDMBD_v8xJmco8tldYWuDce1EaWIgPSks1BZenp-c8S_wP5Jo/s320/MV5BZjMwMTlkYjQtMDdiOC00MmMxLWJmYWEtMGZmZGM5OTMxZmQ4XkEyXkFqcGdeQXVyMTY5Nzc4MDY%2540._V1_FMjpg_UX1000_.jpg" width="226" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">One note, one tone, and practically only one joke,
"Evil Alien Conquerors" grows old fast. Even when a new joke is
implemented, it doesn't take to long for the film to over use that same joke
destroying what was initially funny about it in the first place.</p><p class="MsoNormal">Directed by the same guy that wrote the Bill & Ted films, it still has the
zany goofball humor but not the innocents of his other works and therefore no
charm. This is a long sketch, drawn out longer than it's punchline.<br />This was a miss for me.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 20 Movie 1<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">In the Earth</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfPtCGt9zyi64k9VhnD-9Lghj0Nwh2xS4oJdq5j4okDJrsiMEnnQvMZhqOfwT528kNYUr7NV0oZi_DIRoAzBQvy5KhwKBM4-P28EyEa4ISddD796uX2xKCGioWFg_YqBqrjOCj0thg_Hja/s1200/In_The_Earth-808486271-large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="810" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfPtCGt9zyi64k9VhnD-9Lghj0Nwh2xS4oJdq5j4okDJrsiMEnnQvMZhqOfwT528kNYUr7NV0oZi_DIRoAzBQvy5KhwKBM4-P28EyEa4ISddD796uX2xKCGioWFg_YqBqrjOCj0thg_Hja/s320/In_The_Earth-808486271-large.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">After seeing a good sci-fi/horror film, I enjoy analyzing
what I just saw, realizing new complex ideas, discovering multiple messages,
and being amazed by how intelligent the material truly was. This film had the
opposite effect on me.</p><p class="MsoNormal">
While watching the film, I was reeled in by the beautiful cinematography at the
beginning, captivated by the gripping musical score, intrigued by an odd and
threateningly charming character, and felt I was watching something completely
original. And while I still believe I watched something original, after the
credits had cycled through (also, I love the look of the final credits), I
started thinking back on what I just saw... and it ended up being rather
myopic.</p><p class="MsoNormal">
In all fairness, I think it's expected for the audiences to be high while
watching this. There's plenty of audacious and vibrant visuals that will
trigger sensations, a lot of aggressive sensations. And being high might help
mask the underdeveloped and boring protagonists. This is a mix of vague
folklore being studied by scientific analysis, yet the folk tale is confusing
and the science doesn't appear scientific. What we get is people trying to
communicate with a phallic stone that has a hole in the middle, while being
harassed by a creepy hippy-eques antagonist and getting blitz on poisonous
spores. Wheatley certainly has perfected the art of filming sequences to
demonstrate the sound and visuals associated with being high on mushrooms and
he loves to show it, over and over and over again. This time the visuals and
sound effects are exceptionally unpleasant, as they mentally and physically
crippling to our protagonists. We understand their effect within the first few
minutes, but we get long drawn out montages of these psychedelic images.<br /></p><p class="MsoNormal">
This is another film that has characters holding back information only for the
sake of the script, avoiding questions and conversations that would expected
from normal people. It's artificial and easy to dismiss and disconnect from.<br /></p><p class="MsoNormal">
There's going to be a lot of people that will find enjoyment in this and some
that are going to see past the many short comings and see the artistic
onslaught to the senses as brilliant. While I was intrigued in the middle of film, admiring where it was leading too and the creepy tone and violent nature of it, this still didn't meet my expectations, nor does it have an appealing after
taste.<br /></p><p class="MsoNormal">
I like that Wheatley attempted something completely unique and new. But in the
end, this was just muddled in vagueness, lacking leading characters, and just
plain unpleasant.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 20 Movie 2<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The Colony (AKA “Tides”)</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiui_ZFkOMaQwortWUsSaJUOX9OICtEfSjdZyW5jJU6wkJ1hXF0InqOYKU0xz-xD3G-NrO4Xu0s3cJg7dJInXFMz8XI_fEh1aywmR7Wy9Djd0q2WU2Wy7JPwa6H9w4AW-n-AIXG1hHZyMXV/s2048/MV5BM2VkZmNmZjMtMWU0My00MzgxLWI2MGQtMTVkODU1NDM0OGFmXkEyXkFqcGdeQXVyMDM2NDM2MQ%2540%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1382" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiui_ZFkOMaQwortWUsSaJUOX9OICtEfSjdZyW5jJU6wkJ1hXF0InqOYKU0xz-xD3G-NrO4Xu0s3cJg7dJInXFMz8XI_fEh1aywmR7Wy9Djd0q2WU2Wy7JPwa6H9w4AW-n-AIXG1hHZyMXV/s320/MV5BM2VkZmNmZjMtMWU0My00MzgxLWI2MGQtMTVkODU1NDM0OGFmXkEyXkFqcGdeQXVyMDM2NDM2MQ%2540%2540._V1_.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">An astronaut returns to earth after the planet was abandoned
due to global destruction. The humans have been infertile and their mission to
discover and regain reproductive abilities from earth’s sources. Once back, the
sole surviving astronaut discovers colonies of people, fighting against a watery
world along with battling other survivors, and they, while living like
primitives, show reproductive abilities. She finds herself in the middle of a
battle between surviving clans.</p><p class="MsoNormal">
“The Colony” is quite often a strikingly shot film, often showing close up camera
shots to give the appearance of confinement, even in an open world of flat
environments. When the camera pulls back to show off the beautiful setting, we
get a pretty good understanding of the vast nothingness of this world. When we
do get structures, they are rusty, colorless, and filled with fog and mists,
even in doors. Everything drips, rots and is covered with condensation. The
environment is harsh, dark, and damp, industrial nightmare, soaking with
character. Nora Arnezeder is nicely casted as, Blake, the surviving astronaut,
who's tough, intelligent, and believable as a surviving warrior. And it appears
and sounds like she’s channeling Sigourney Weaver’s iconic character Ripley.
And to make the film more interesting, our villain is well rounded, fighting
for a cause he believes right, yet missing the ability to show compassion and
moral judgement to question his plan. And the film builds up a suspenseful
ending, setting up the odds against our lone hero, very much influenced by the
"Mad Max" films.<br /></p><p class="MsoNormal">
Nice surprises, great performances, and unique story, “The Colony” is a
confident and stylish sci-fi adventure worth giving a chance.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 20 Movie 3<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">“Hidden 2”</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVAjWho6Cjd_glij73V89ywJv0gFUBp_DRCGMWMLptuORTjjf_dcC1ncbljJAtfI87um1F1asN1ztMCBfSvS50zqQnu4GWso2867wQp3uvaUs73lHcnyuwf5_f6sDAvn3v25-GduEAi_H-/s1097/1-367740237.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1097" data-original-width="611" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVAjWho6Cjd_glij73V89ywJv0gFUBp_DRCGMWMLptuORTjjf_dcC1ncbljJAtfI87um1F1asN1ztMCBfSvS50zqQnu4GWso2867wQp3uvaUs73lHcnyuwf5_f6sDAvn3v25-GduEAi_H-/s320/1-367740237.jpg" width="178" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Despite the 10 minute recap of the ending of the first film,
“Hidden 2” is practically a condensed version of the original. Often the
sequels are more extreme in all categories... with the exception of budget and
quality of course. This film had less action, less comedy, and less style.<br /></p><p class="MsoNormal">
This time the good alien from the first film is still inhabiting the good cop’s
body but because of the alien’s energy, as aged and rotted out the human flesh.
A new alien has now inhabited a new body and has joined forces with the old
cop’s daughter. The evil alien has spawned into multiple units and it’s up to
the new duo to hunt them down and execute them with the only device that can
kill them.<br /></p><p class="MsoNormal">
I can see what they were attempting with this new film. Yet, it misses the mark
in all categories when it comes to what made the original rise above the
expectations of a b-movie horror/sci-fi. This film has less impressive puppetry
for the evil spawns, making them appear more like plastic spiders being dragged
by a string. The alien exploits are the same as the first film, as if its spawn
are only capable of experiencing the exact same desires as the first, along
with the same set ups. And our two leads, while they are not terribly acted,
don’t have much to work with besides a bizarre love story that never quite
works.<br /></p><p class="MsoNormal">
“The Hidden 2” could have been an alright sequel, working with the script that
was offered, if it only had care put into the special effects and make up, more
violence, more blood squibs (boy oh boy that first film used a lot of blood
squibs) and an understanding that the climax should be a build up to a dynamic
battle, instead of one that is easily resolved due to a lack of budget and
imagination.<o:p></o:p></p>
<p class="MsoNormal">I understand why there is no “The Hidden 3”.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 21 Movie 1<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">7 From Etheria</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6aYz2hN5-KXqmlod4d9vNzUhGpwOSyBo4XlKc7mEH8fVkbT2HhYHwimyv5MQ1ok0fJ50UM5ifsrknu_DGeBBdaPz8da-ge0MXqi3Dk8TQx3bElPjrcpnb1eVyCLahqDzrqSKSmzzqKOnC/s1333/MV5BY2NkN2VmZTgtMGIxNS00ZTU4LThlOTYtNGRiNGZmYWUzM2EwXkEyXkFqcGdeQXVyNTM3MDMyMDQ%2540._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1333" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6aYz2hN5-KXqmlod4d9vNzUhGpwOSyBo4XlKc7mEH8fVkbT2HhYHwimyv5MQ1ok0fJ50UM5ifsrknu_DGeBBdaPz8da-ge0MXqi3Dk8TQx3bElPjrcpnb1eVyCLahqDzrqSKSmzzqKOnC/s320/MV5BY2NkN2VmZTgtMGIxNS00ZTU4LThlOTYtNGRiNGZmYWUzM2EwXkEyXkFqcGdeQXVyNTM3MDMyMDQ%2540._V1_FMjpg_UX1000_.jpg" width="240" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">After watching the first three shorts, I realized there was
no connection and no wrap around combining the shorts. So I watched them
sporadically throughout the week. In doing so, I stretched out the time so much
that I had forgotten all the shorts just after finishing the last and had to go
back to recall what I had already watched. The reason for my memory loss
(besides my age) is that none of the shorts stand out as remarkable in compared
to the final short. The first short about two girls at an outdoor concert is
beautifully shot and I wish it might have been longer. Then the following 5
shorts are professionally filmed but totally unremarkable. Then we reach the
final short with might also be the shortest runtime of the 7. The final short
gets to the point quickly, sets of the conflict, follows through, and delivers
an impactful finish that most will see coming but the landing is smooth and
memorable.<br /></p><p class="MsoNormal">
Not a terrible anthology, but not worth anyone's time.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 21, Movie 2<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Max Winslow and the House of Secrets </span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXNAQ85ibfim1zEPxv_mwJBWTTnTCJHXgx7MHe7gsiqBzR2Xfq6umNLMImhqDKSPYItzwKvS-v6pHQN1oI3W-PThfBlVzYJRX-xAxXDfBrgSvxTNIz5CpdT__477KOTZNkzUpJgSzrXH2p/s512/max.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="512" data-original-width="346" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXNAQ85ibfim1zEPxv_mwJBWTTnTCJHXgx7MHe7gsiqBzR2Xfq6umNLMImhqDKSPYItzwKvS-v6pHQN1oI3W-PThfBlVzYJRX-xAxXDfBrgSvxTNIz5CpdT__477KOTZNkzUpJgSzrXH2p/s320/max.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal"><o:p> </o:p>Take "Willy Wonka and the Chocolate Factory" and
change candy into technology and that basically sums up "Max Winslow and
the House of Secrets".</p><p class="MsoNormal">
The film varies in quality of performances, special effects, and ideas. It has
the premise of being a children's film but presents a lot of dark and serious
subject matters that would be more aimed at a young adult audience, like abuse,
abandonment, and self worth. How they address those subjects sometimes is more
in tuned to horror. One particular repeating time sequence is poetically deep
and maybe too deep for children to comprehend. But it does elevate this low
budget corny concept children sci-fi to rise above other films in it's genre.<br /></p><p class="MsoNormal">
I might have really enjoyed this but man oh man, is the movie choices
particularly awful. When the film comes to an emotional revelation, the film
drops a dull, poorly written, poorly performed, gutless song. Then it drops
another embarrassingly bad tune right at the finale. And even when the credits
start, there's a break to show one of the actors perform a song, that is
uncomfortable to watch.<br />
I almost liked this.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 22, Movie 3<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Occupation</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIoDX5P-l46eb-kqICpQTvJ2c4AsHmKd9D81iFvmNddhjxl2usVgke7kBtjSEgKkLEr57YKXNRkww3_Sl5L3m0Rcu7kPhv7D1SMg7hnqB1PgWrhBj-qq91i6Kbihe7r3pzwi1Gqu_HqU1N/s1426/occupation-5bd6d6c85d995.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1426" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIoDX5P-l46eb-kqICpQTvJ2c4AsHmKd9D81iFvmNddhjxl2usVgke7kBtjSEgKkLEr57YKXNRkww3_Sl5L3m0Rcu7kPhv7D1SMg7hnqB1PgWrhBj-qq91i6Kbihe7r3pzwi1Gqu_HqU1N/s320/occupation-5bd6d6c85d995.jpg" width="224" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">This film wants to be an epic mini-series but condenses the
runtime into the span of 2 hours, instead of the 4 to 5 hours this would
require to get the characters established, the world building and the rise in
stakes. The structure is reminiscent of "V - The Mini Series" without
the mystery of the visitors and the build up of the multiple characters.</p><p class="MsoNormal">
The film does give some effort to establishing the small town folks life style
before the bombastic invasion, then through montages, it jumps ahead to the
future where this small town community is now a full fledge army and living in
shelters. It feels like a record skipping a whole chorus in a song.<br />
This could be goofy fun, yet it takes itself too seriously, trying to deliver
iconic moments of slow motion action and melodramatic music with close ups on a
baby. It wants to be emotional and epic in scale but the writing is often so
poor and corny that it doesn't have the ability to build emotional connections
to this collection of cardboard cut out characters.</p><p class="MsoNormal">
So much action, special effects, and some cool designs but despite all that,
it's a surprisingly very boring watch.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 23, Movie 1<o:p></o:p></b></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Jackrabbit</b></span><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoK4raDQbCyh0Xs-q_7mth32tVH0jGptFx68SuhbOTd6-sGwHxPajVE0qSkiYTE_qR7wxOFHvftRtMbAr7DyQVluBcpcTE2QVy2SPHj682Jm1dN2xX4zm-V8Rto-Iz8wUjikcvpoF9d8lk/s2048/MV5BNmQ3YTM1NzItMTcwZC00ODA0LWEzZjAtMGY1YTg5Y2NlZDYzXkEyXkFqcGdeQXVyNDMxMjgwOA%2540%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1382" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoK4raDQbCyh0Xs-q_7mth32tVH0jGptFx68SuhbOTd6-sGwHxPajVE0qSkiYTE_qR7wxOFHvftRtMbAr7DyQVluBcpcTE2QVy2SPHj682Jm1dN2xX4zm-V8Rto-Iz8wUjikcvpoF9d8lk/s320/MV5BNmQ3YTM1NzItMTcwZC00ODA0LWEzZjAtMGY1YTg5Y2NlZDYzXkEyXkFqcGdeQXVyNDMxMjgwOA%2540%2540._V1_.jpg" width="216" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">I love the concept and world building here. The idea of
breaking down electronics to their initial single purpose plus a powerful
dominate group having control of the advance technology and a group of hackers
having to use old tech to fight, is ideal for a sci-fi melodrama or epic
adventure.</p><p class="MsoNormal">
It opens up slowly and progressively stays at a slow pace right to the very
end. It's not terribly shot, some nice establishing shots showing the abandoned
world, yet the camera work is pretty basic and straight forward. The characters
are not too interesting and the story, while original, doesn't appear to know
what to focus on to make this exciting.</p><p class="MsoNormal">
This is a slow burn that didn't have the quality and atmosphere to excuse the
slow pace.<br />
This is usually my cup of tea, however this time it was not steeped long enough
to show some flavor.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 23, Movie 2<o:p></o:p></b></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Time Sleeper</b></span><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-xRLy8SP1KzISz-UZoaJqbseUUpwe78uoA4-spGj_GYZB1Vg-jCkFP5wb9FF4UeEMvUThMwfqYXgrUVpJ6BWkk_rY2De0ONl3Ypf5bSuABrFWNZuqEJaDubBSV6HQ4bWAZrxBhxDjmbF0/s1408/MV5BOWQ3YjJjOTctNzM0Zi00NDRmLTgwZmEtMjkzYTEyNzA1NzQ5XkEyXkFqcGdeQXVyNzY4ODQwODg%2540._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1408" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-xRLy8SP1KzISz-UZoaJqbseUUpwe78uoA4-spGj_GYZB1Vg-jCkFP5wb9FF4UeEMvUThMwfqYXgrUVpJ6BWkk_rY2De0ONl3Ypf5bSuABrFWNZuqEJaDubBSV6HQ4bWAZrxBhxDjmbF0/s320/MV5BOWQ3YjJjOTctNzM0Zi00NDRmLTgwZmEtMjkzYTEyNzA1NzQ5XkEyXkFqcGdeQXVyNzY4ODQwODg%2540._V1_FMjpg_UX1000_.jpg" width="227" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p>
<p class="MsoNormal">I am oddly fascinated by "Faith Based Science
Fiction" (that subgenre name feels like an oxymoron).<br />
"Time Sleeper" would be more of a fantasy than science fiction, so it
was a bit of a disappointment in that realm.<br /></p><p class="MsoNormal">
However, this is an endearing low, low, low budget films. It's poorly written,
badly directed, and unbalanced in paced, editing, and content. Yet, despite
it's very obvious demises, the movie is kind of cute in it's attempt. There's
some adorable fight scenes, where we hear a "slowing down" sound
effect and the actors appear to act like they are fighting in slow motion.
There's one actor who's actually compelling and feel natural, working harder
than he needs to with our protagonist often not giving him the cues or stepping
over his words. Besides the one good actor, the rest of the cast will put the
expression a few seconds before their line would connect with the lines related
to that expression.<br /></p><p class="MsoNormal">The film is about our protagonist having to deal with loss with a drug induced
time travel subplot attached. It doesn't really have anything to say on either
matters, but it was nice to know what it was about.</p><p class="MsoNormal">
I found some entertainment value in this but maybe not for the reason that were
intended for a viewer.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 24, Movie 1<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Yesterday’s Target</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdQGvya3y7ZaHh8r0Q0Vru7kn-Ov2WKpSyHmEmUSKWbMcCheiIFY2lHWZGTS7n6foBj0hcDQ_LQZdfkTyJ_UxxmgCAkaA0Rqh2jOULjkES94fcTwl7I5qcXb4SXYUIO8cOiQoZoUuix_cY/s1600/MV5BM2QzZmY2ZTAtZTJhNS00YTkwLTk2MGYtNWFmYmIwMjNiODc5XkEyXkFqcGdeQXVyMTk5MjAyMjM%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdQGvya3y7ZaHh8r0Q0Vru7kn-Ov2WKpSyHmEmUSKWbMcCheiIFY2lHWZGTS7n6foBj0hcDQ_LQZdfkTyJ_UxxmgCAkaA0Rqh2jOULjkES94fcTwl7I5qcXb4SXYUIO8cOiQoZoUuix_cY/s320/MV5BM2QzZmY2ZTAtZTJhNS00YTkwLTk2MGYtNWFmYmIwMjNiODc5XkEyXkFqcGdeQXVyMTk5MjAyMjM%2540._V1_.jpg" width="240" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">This is the "X-Men" story, filmed 4 years before
the first "X-Men" film. The film is basically about a group of
mutants, each having specialty powers, like the power of fire, time travel, and
seeing the future, forced to join forces as they are being hunted down by a
crew of non-mutant humans. That's basically it.</p><p class="MsoNormal">
This could have been a fun and campy actioner, but the film is shot so poorly
that often it's hard to see some of the action pieces and acting from our cast
of familiar faces. There's a particular car chase scene that cleverly uses
their powers to gain an upper hand on the chase. Luckily that scene is shot
during daylight and outside, so we can enjoy it. Every other scene in this film
is so poorly lit and overly shadowed that it became such an eye soar I had to
take a break just to nurse the headache it implemented.<br /></p><p class="MsoNormal">
Sure this subgenre is now considered clichéd and over played, but back when
this came out this would have been fresher. It's hard to watch a film when you
see the potential lost through poor technical choices. Especially when the fix
could have been turning on a light.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 24, Movie 2<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Caller ID: Entity</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrra6rJm0Fsx8SGlMXbLIikdThbiZlb0p1Kao0-lRJzOiR6lxpOVyBT5DHgqeVKQznTO7JFV0usYZyjosjF7iROc-8zFkgSULqE3zdnTyWkEHP15vgCoDmZwazwK8m5q5X-EMAfgMFJvyx/s1600/71Z1buLk2VL._RI_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrra6rJm0Fsx8SGlMXbLIikdThbiZlb0p1Kao0-lRJzOiR6lxpOVyBT5DHgqeVKQznTO7JFV0usYZyjosjF7iROc-8zFkgSULqE3zdnTyWkEHP15vgCoDmZwazwK8m5q5X-EMAfgMFJvyx/s320/71Z1buLk2VL._RI_.jpg" width="240" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Well this was just unpleasant in every way. Terrible
acting... even from actors we know can act. Terrible directing, film feels more
like a collage of the worst film student's projects and that's being kind by
suggesting there might have been some education involved. And it's story, while
often hard to follow or comprehend, is filled to the brim with disgusting rape
enthusiast characters.<br /></p><p class="MsoNormal">
The concept it claims to be about, schizophrenics being controlled by an
outside source, has potential, but potential is a word that could not have any
rights being near this film. This is pour trash and not in the fun John Waters
kind of trashy way, but in the "I have no talent, knowledge, or rights to
be making a film" kind of way.</p><p class="MsoNormal">
John Cho has a cameo that lasts about maybe 7 minutes. The poor guy looks like
he's in turmoil and shame being in this film. His scenes are obviously filmed
in one day, or one evening and were awkwardly crammed into the middle of this
film to use his name as a selling point for this incomprehensible turd.</p><p class="MsoNormal">
Truth be told, there was one particular near monologue that was so poorly
delivered that it almost became funny, but my opinion was already soiled by the
repulsive graphic non-cinematic violence that came before it.</p><p class="MsoNormal">
This couldn't even be ironically fun! Boring, gross, and esthetically
unpleasing.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 25, Movie 1<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Not Another Sci-fi Movie</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisZLcDMpSZNUvC-4WUr8bhcDVuDwvMVfrrC_CZPkDondRtT-hQkbbYsc5BPlsjM0n4sKnhL5ZWFgWqFDiyMdeTNa9GoTeDZeucbAMIgZPeakA4CMLbxShAgEBL-gDhecXSKBsvRICCwcQK/s2048/MV5BMjA2NjM3NjIzM15BMl5BanBnXkFtZTgwMTEyNDQxNjE%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1486" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisZLcDMpSZNUvC-4WUr8bhcDVuDwvMVfrrC_CZPkDondRtT-hQkbbYsc5BPlsjM0n4sKnhL5ZWFgWqFDiyMdeTNa9GoTeDZeucbAMIgZPeakA4CMLbxShAgEBL-gDhecXSKBsvRICCwcQK/s320/MV5BMjA2NjM3NjIzM15BMl5BanBnXkFtZTgwMTEyNDQxNjE%2540._V1_.jpg" width="232" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">Some people are just not meant for comedy.<o:p></o:p></p>
<p class="MsoNormal">Intensely unfunny parody sets up a joke, like warning an
agent to not waste money on his mission, then cut to a helicopter delivering a
coffee beverage that he sends back by helicopter because it's one pump short of
his requested amount, then cut back to the set up again, replaying the boss
warning him not to waste money on the mission. This scene could get a bit of a chuckle
if it was a quick throw away joke, but this film takes it's time on the joke,
showing the helicopter's slow landing, the fake Starbuck's drink being run out
to the agent, in slow motion, then him asking if the drink is what he ordered,
hearing that the drink is not what he ordered, pausing before poorly acting his
displeased reaction, followed by returning to the helicopter to slowly lift
away, just before replaying the set up of the boss reminding the agent not to
waste money on the mission, just in case the audience forgot the joke.</p><p class="MsoNormal">
This stinks of a local comedy troupe that tries imitating more talented comedy
troupes, masking their borrowed jokes as their own material, but not talented
enough to understand why the original material worked in the first place.</p><p class="MsoNormal">
None of the jokes are clever, fresh, or even silly enough to be ridiculous. The
film appears to not understand the concept of exaggeration. And if there is a
possible funny premise, this cast cannot pull off any sort of comic timing to
support it.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 25, Movie 3<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Dune Drifter</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_ujjeMvTgwnks_rrsmPzeC6CZfNgZgIKk-IMxg_8OT8A_EhSqkX46sCCu-p2sqqxL1ll1Jmd__cuc_IrK9YOKWaacxmeLUPqqNbedEOQh1iPMSfF7fohNsgrlkBSL9H4icBkK2iMux8AW/s1600/MV5BMjc4ODFiNzItZWY5OS00YzZkLWE0ZmYtMDYwODZlMDY0NjhhXkEyXkFqcGdeQXVyMDA4NzMyOA%2540%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_ujjeMvTgwnks_rrsmPzeC6CZfNgZgIKk-IMxg_8OT8A_EhSqkX46sCCu-p2sqqxL1ll1Jmd__cuc_IrK9YOKWaacxmeLUPqqNbedEOQh1iPMSfF7fohNsgrlkBSL9H4icBkK2iMux8AW/s320/MV5BMjc4ODFiNzItZWY5OS00YzZkLWE0ZmYtMDYwODZlMDY0NjhhXkEyXkFqcGdeQXVyMDA4NzMyOA%2540%2540._V1_.jpg" width="240" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p>
<p class="MsoNormal">They are not hiding their "Star Wars" influences
here. The opening 30 minutes is practically a reimaging of the original
"Star Wars" Death Star battle, with a team of fighter-pilots radio
linked strategic banter as they attack larger battle ships (which resemble
Imperial Shuttles). Their fighter-pilot jump suits are practically the same
orange color as those worn by T-Fighter pilots. The tone, the edits, even the
inflections in their speech, matches that of Star Wars persona. There's a few
stretches in the logical steps of the action, like when a fighter pilot is shot
down because he switches the type of weapon he's shooting with, yet, he's not
driving the ship and he's flying away, but his co-pilot screams for him not to
change weapons just before they blow up? Was his co-pilot psychic? There's no
way he should have predicted that. Might be something missing on the cutting
room floor. The film appears to understand the rhythm of the action but not the
steps to get them there.<br /></p><p class="MsoNormal">
The whole film fits into three sections, the dog fighting in space, followed by
two pilots trying to survive on a dusty weather tormenting planet, and then a
raw space western as our lead must battle on her own a team of alien brutes to
obtain a specific device to fix her own ship.<br /></p><p class="MsoNormal">
There's minimum to no characterization, special effects vary in quality, and
sound effects will range from very quiet whispering to excessively loud alien
monster roar jump scares. But despite some annoying nuances, the film is never
dull, the action is easy to follow and progressively gets better as the
circumstances become more dire, and locations picked appears like an alien
planet. This is a fun action packed B-movie science fiction adventure. It's not
trying to break the mold but provider a fast paced and simple adventure.<o:p></o:p></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 26, Movie 1<o:p></o:p></b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Free Guy</b></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh92Ue0b8-xawwQQpOnARPec-0miw3Jd45NY2zH9CIw7kb4dj6HrPMTwFEGoQ2IDDQEQhgDgL-V9H4_dLZxO0Nt95Xg0wcLOpxWthzFuh9EW2iMFnw3QY5fmUTIV0gTF4_NPuJtxJVDjFfY/s717/freeguy.125811.ar_480x.progressive.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="717" data-original-width="480" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh92Ue0b8-xawwQQpOnARPec-0miw3Jd45NY2zH9CIw7kb4dj6HrPMTwFEGoQ2IDDQEQhgDgL-V9H4_dLZxO0Nt95Xg0wcLOpxWthzFuh9EW2iMFnw3QY5fmUTIV0gTF4_NPuJtxJVDjFfY/s320/freeguy.125811.ar_480x.progressive.jpg" width="214" /></a></div><p class="MsoNormal" style="text-align: center;"><br /></p><p class="MsoNormal">For such an unoriginal concept, blatantly borrowing from plenty of other films, and even dropping a ton of unfunny music cues, it has a lot of charm. The strength of "Free Guy" lies in the character work and performances by Ryan Reynolds and Jodie Comer. Also helps that composer Christopher Beck is reusing his score from Disney's short "Paperman" for the romantic scenes too.</p><p></p><p class="MsoNormal">The world of the game feels generic until the story allows it to come alive and this awakening works, thanks to some comical writing and bunch of energetic and spirited performances.</p><p class="MsoNormal">There's a few nods to gamers and video games of the past, but thankfully they are not crammed down our gullets. And the final climax is certainly a crowd pleaser.</p><p class="MsoNormal">Just like playing a fun arcade game, allow yourself to not think to hard and enjoy the ride.</p><p>
</p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 26, Movie 2</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Time Changer</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipPLwusqlafKuX-Os_GAJtW8K1rsKHTs31jtCyVRy3fV0x_94e-zJKJkB1i0Zgd_9Sxw32K8hKqUR_Ra1C12vmeFYaqLMfuIvCFvSSQQinh2LD-Bte2cwdj7m3QFVUB_fn0q8vVUk0xNdr/s500/MV5BZjQ3YTU2NWUtNzhmZC00ODZhLWIxOGYtZjJhZjFkNGQ3NDZiXkEyXkFqcGdeQXVyNTM3MDMyMDQ%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="375" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipPLwusqlafKuX-Os_GAJtW8K1rsKHTs31jtCyVRy3fV0x_94e-zJKJkB1i0Zgd_9Sxw32K8hKqUR_Ra1C12vmeFYaqLMfuIvCFvSSQQinh2LD-Bte2cwdj7m3QFVUB_fn0q8vVUk0xNdr/s320/MV5BZjQ3YTU2NWUtNzhmZC00ODZhLWIxOGYtZjJhZjFkNGQ3NDZiXkEyXkFqcGdeQXVyNTM3MDMyMDQ%2540._V1_.jpg" width="240" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p class="MsoNormal">An author from the year 1890, who writes a book mentioning that good deeds can still being good without Jesus Christ’s name attached to them, is sent to the future (our modern times) to see what the world is like after his book becomes successful. While in the future he sees people wearing skimpy outfits, movies with the lord's name being used in vain, and… people not reading the bible to the fullest. Will this new information change his message in his book so he can save the future?</p><p></p><p class="MsoNormal">Well technically, his change of his book will not have any effect because he’s not a well-known author in the future. Whether he goes back to the past with a different goal has no bearing on how our future will be. His hero's journey is pretty meaningless because it has no effect on anything besides finding out that the world doesn't view his faith in the same fashion that he does. Not that he may consider history before his time of 1890 as any indication of adaptations to his religion were to teach him anything about how the future would still be following histories guide.</p><p class="MsoNormal">“Time Changer” is religious propaganda at it’s worst, ignoring things like common sense, progressive thinking, plus scientific reasoning, and logical thinking. Our Naïve protagonist does serve a few cute set up for comical moments. His limited and one-sided thinking would suit a Will Ferrell absurd comic character, yet this film is being earnest about his sincerity. There is some enjoyment to be had by this buffoon overreacting to practically every bit of new information he is fed. That is until you realize that the film is not playing this dummy trope for some easy jokes but is on the side of the simple minded and unconditionally devoted disciple of a god. This is a film that implies the act of feeding the poor and not using the lord’s name in vain are on the same levels. It preaches that female mannequin in lingerie is sinful yet says nothing about men mannequins in tight briefs. It is also insinuating that Christian beliefs are the only beliefs in the world and implies that anything else is immoral and inherently evil.</p><p class="MsoNormal">What is ironic is that the writers, director, and anyone else associated with the storytelling, is just archaic and out of touch, as a person from the 1890s. Most of the movie is just watching this dope get offended and then offend those around him when he throws heavy judgement their way. When our protagonist gives his climatic speech at a church, about following in Christ's footsteps, they show the congregation giving these looks like "Hmmm. I never thought of it that way?" REALLY? He's just rephrasing the same message that your church has been proclaiming every Sunday and now this looney who thinks moving pictures are sinful, is finely sinking in? This movie was so insulting to my lame brain intelligence, that I wish I did believe in the existence of a devil, just so I could worship the devil in spite of this film. </p><p class="MsoNormal"> It's uncomfortable to watch, not because of the holier than thou protagonist, but because I felt sorry for the people responsible for this film and its message. </p><p class="MsoNormal">I did however have a good laugh at the finale when the film suggests the world has no future because we didn’t worship god enough. This means that our hero’s journey was completely meaningless as his correct to his book had no impact whatsoever.</p><p class="MsoNormal"><br /></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><br /></p><p class="MsoNormal"><span style="font-family: verdana;">Just a few days left this year. You would think I would be use to hating the end of the months each challenge by now. But here I am again. </span></p><p class="MsoNormal"><span style="font-family: verdana;">I have a few more "religious" science fiction films and a few unknown to me. Hopefully this last week won't be as aggravating as this one. </span></p><p class="MsoNormal"><span style="font-family: verdana;">Thanks to every one who's reached out to me letting me know some of your discoveries this month. Lots of great films still out there. Keep letting me know what works for you and doesn't. Love to hear others discovering a gem... as well as putting themselves through a piece of turd.</span></p><p class="MsoNormal"><br /></p><p class="MsoNormal">JP Fournier.</p>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-26232546699071723582021-09-19T15:32:00.004-07:002021-09-19T15:32:31.336-07:00Sci-Fi September 2021, Week 3<p><span style="font-family: georgia; font-size: medium;">Like usual, as I get further into the month, the films become more bizarre and more varied. Luckily a couple of good finds keep my momentum strong, but the films today... did make me long for October already. </span></p><p><span style="font-family: georgia; font-size: medium;">Here's this weeks films:</span></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 12 Movie 1</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Man with the Magic Box</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguAXrlOcKGwiu1jIG44A6q0jcCsCetITFXr_rkVe1iMQR0AjARYbAFHqu2c-f4gsWwc0VpN9msjDo6ZAr10dkZhRpd90-YQMlAF15t3k4nSNujNyJRA7PFEVb0s_XIpeh6YWbJzRuuJh62/s2048/5TtS4G89BHBBTNMWReTVasFlmVZ.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1382" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguAXrlOcKGwiu1jIG44A6q0jcCsCetITFXr_rkVe1iMQR0AjARYbAFHqu2c-f4gsWwc0VpN9msjDo6ZAr10dkZhRpd90-YQMlAF15t3k4nSNujNyJRA7PFEVb0s_XIpeh6YWbJzRuuJh62/s320/5TtS4G89BHBBTNMWReTVasFlmVZ.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">Stylish dark romance about two people who’s memories have been wiped, set up for new employment, and given different levels of class. Adam, who’s given the position of a janitor, finds a radio that allows him to experience a sensation from the past. Goria, who’s one of Adam’s superiors at work, becomes intrigued in Adam and the two start to bond, despite the class levels. As the two get to know each other better, they start down a path that will connect them to the reason for their memory losses.</p><p class="MsoNormal">“The Man with the Magic Box” doesn’t show all its cards to the very end. This may deter some viewers from sticking around until the end, as the film is filled to the brim with odd and unique characters, bizarre futuristic visuals, and vague details about the state of their future. It is a bit difficult to understand where the film is heading and what we should be rooting for, besides the untraditional relationship between our two leads. It also mixes up multiple genres, not allowing any reoccurring themes and genre traits to guide viewers through this story.</p><p class="MsoNormal">While the future world has a retro appearance and theme, the film’s futuristic advances are clever. For instance, this is a world where advertising will not only follow you down hallways, but talk to you by your first name. Currency is distributed and exchanged through a person’s handprint. And most people will disconnect from reality in public while linking into a virtual reality world. Adam’s gift to connect to a time from the past allows for his dates and treats to Goria to appear fantastical, even if it is just to listen to a radio. The romance is heighten from great chemistry between the two leads and solidified with an outstanding musical score.</p><p class="MsoNormal">This worked for me, but only after I was given all the puzzle pieces. I enjoyed many scenes and sequences but struggled a bit to put them together, not understanding the stakes and back-story that would make their connection all the more interesting. This is a new vision in Sci-Fi and it’s a delight to be perplexed by.</p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 12 Movie 2</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Final Voyage</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8QyqB-FW4-DHwuupiVbE4qiJcuCF4VXlqtQaRTtYP02WqTkdgSKHSdZbu2zEnb0WuvnTVmkT73Lo_5ZpN-D4oF2CiTOIx_RanJSiaCGh-X8AQfAtdmY8BoZLZNBI-oxY9OYhnVy30NXrj/s2048/MV5BMjVmODIxYTEtYjZmOS00YmYxLTgyNDUtMmJiN2M4MzBiNTIxXkEyXkFqcGdeQXVyMTgzNDc3NTA%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1450" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8QyqB-FW4-DHwuupiVbE4qiJcuCF4VXlqtQaRTtYP02WqTkdgSKHSdZbu2zEnb0WuvnTVmkT73Lo_5ZpN-D4oF2CiTOIx_RanJSiaCGh-X8AQfAtdmY8BoZLZNBI-oxY9OYhnVy30NXrj/s320/MV5BMjVmODIxYTEtYjZmOS00YmYxLTgyNDUtMmJiN2M4MzBiNTIxXkEyXkFqcGdeQXVyMTgzNDc3NTA%2540._V1_.jpg" width="227" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">Very impressive micro budget independent film about two differently motivated men, stuck together on a lone and aged spaceship, searching for a new home. One man get focused on the ship’s abilities while the other becomes entranced by the ship’s history.</p><p class="MsoNormal">It must be mentioned that the film took over 7 years to complete. All the special effects, which are quite stunning, are all practical. With model ships in front of a background consisting of holes poked though a black background to make the stars. We get multiple ships, planet crumbling in a storm, and planet surfaces make out of pancakes, yet this looks better than most modern big budget films. The interior, which often was filmed in a garage, is oily, dusty, and covered with dark soot. Both actors are constantly sweaty, filthy, and greasy as if they have been working on the ships engine for decades without showers. This is grungy and yet feels well lived in.</p><p class="MsoNormal">The story is compelling sci-fi with two conflicting characters getting to know each other through confinements and predicaments. Their stories surface as the two are forced to figure out their options, without having to drop it all at once maintaining the intrigue to remain enticing throughout the 2 hour runtime. This was a film that shocked me to learn that it was 2 hours, as it only felt like 90 minutes to me.</p><p class="MsoNormal">An incredible and inspiring achievement that is truly inspiring for all filmmakers young and old.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 13, Movie 1<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Neil Stryker and the Tyrant of Time</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfbMYecMw7c-Da4GUMXvY1ih1zzKwP-qj7TuVg5Gv5OPmovkbd5aN5kjheDLpjvCHkCtdVcziEkDDkmTLSSTK5UTUAiMFllEfAntnkaoK3xPV13aZI8-pd70YAGC5MRHSpCcVlpcd_OvcP/s1518/MV5BYzM1OTZmNzYtZDUyNC00NzIxLTgxNmUtNmMxYTNmN2ZjNzdjL2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyMjY3MTE5NDM%2540._V1_FMjpg_UX1000_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1518" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfbMYecMw7c-Da4GUMXvY1ih1zzKwP-qj7TuVg5Gv5OPmovkbd5aN5kjheDLpjvCHkCtdVcziEkDDkmTLSSTK5UTUAiMFllEfAntnkaoK3xPV13aZI8-pd70YAGC5MRHSpCcVlpcd_OvcP/s320/MV5BYzM1OTZmNzYtZDUyNC00NzIxLTgxNmUtNmMxYTNmN2ZjNzdjL2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyMjY3MTE5NDM%2540._V1_FMjpg_UX1000_.jpg" width="211" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">Hilarious comedy that walks the fine lines between parody and absurdist, about a play by his own rules hero tracking down a time traveling mad scientist out to destroy Christmas (yes, it's that sort of comedy).</p><p class="MsoNormal">The film relishes in ridiculously poor special effects, corny one liners, and goofy voice acting. It takes pride in the constant sexual innuendos, over the top violence, and being just plain silly.</p><p class="MsoNormal">While not every joke lands, not every character works, and sometimes it feels like it is just making it up as they are going along, "Neil Stryker And the Tyrant of Time" has plenty of clever bits, fun gags, and lot of laugh out loud moments. A mid sequence with evil gnome puppets is ambitious and fun to see so much puppetry.</p><p class="MsoNormal">The film shows a lot of love and care put into it and it feels like the cast had a lot of fun creating this. It's not perfect but I had a lot of fun.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 13, Movie 2</span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Violentia</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4dfP5N8snx11MERhNIWzE_4r_B2xjHJ9fl6fwdw5M4jHh4P2TIsIi4EO02X21YdATSRXB1d2ZrPfsVOwnW8c6JrzpWbZHphIaY1uroN97-Qg4SX5OoOX8PXUlmMCbp1kGeLT7L-_819_W/s267/download+%25281%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="267" data-original-width="189" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4dfP5N8snx11MERhNIWzE_4r_B2xjHJ9fl6fwdw5M4jHh4P2TIsIi4EO02X21YdATSRXB1d2ZrPfsVOwnW8c6JrzpWbZHphIaY1uroN97-Qg4SX5OoOX8PXUlmMCbp1kGeLT7L-_819_W/s0/download+%25281%2529.jpg" width="189" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">I like the script and the concepts, especially as they all come together by the end. “Violentia” is about a scientist who’s exploring the mind of killers in order to understand what may trigger their brutal acts. His goal is to find out why his daughter was murdered in a high school shooting, so he can prevent other vicious catastrophes from occurring. The deeper he explores the subject, the more he’s got to deal with his own loss and also discover that there may be something more sinister hidden in his findings.</p><p class="MsoNormal">“Violentia” tends to have a limited concept of what can cause a person to perform violence, but this maybe because it is structured to reach a specific ending that is meant blown the audience’s mind. It’s a good ending, sure, but the topic the film explores is a very limited view of a large subject that it feels poorly explored as any further more detailed information would wipe out the direction leading to the big reveal. This may not affect other people’s enjoyment of the film, but it did break my suspense of disbelief. I became aware of the script and stopped watching the film for enjoyment and instead analyzed what they could have done or couldn’t have done.</p><p class="MsoNormal">The acting is above par and some of the direction, while linier, stays on track. The issue I had was that the visuals of violence witnessed by our exploring scientists are filmed with a degree of censorship. These are heinous acts of sheer brutality, yet it they feel water down and detached. And I am not saying this because I wanted to film to be visually more graphic, but that I wanted these scenes to feel inhuman and horrific, as they should be. Just a change of lighting and color tones, camera angles, strategic edits and performances can accomplish this without having to push the ratings boards.</p><p class="MsoNormal">This is a great concept with a cool story, but in the hands of more skillful direction, this could have been great.</p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 13, Movie 3</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">The Stairs</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQNjc3qhbf_YliqOfdgeHF0yP5O6npC3egOyOa3X_Lyc8jL_nIk8XURgydZIbAc4YkD_0HDO9vGkPPWZQ1zOiQMCpa-VRtDta2h31AFJphwHQZvqo3sP-AOUncD-nhE8XQF5pxgwltkeJU/s2048/MV5BZmFhNmI1YjUtMGRiZC00M2QwLTgwMmQtYTIwZTRmMDFkYWEyXkEyXkFqcGdeQXVyMTY0ODExMzQ%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1382" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQNjc3qhbf_YliqOfdgeHF0yP5O6npC3egOyOa3X_Lyc8jL_nIk8XURgydZIbAc4YkD_0HDO9vGkPPWZQ1zOiQMCpa-VRtDta2h31AFJphwHQZvqo3sP-AOUncD-nhE8XQF5pxgwltkeJU/s320/MV5BZmFhNmI1YjUtMGRiZC00M2QwLTgwMmQtYTIwZTRmMDFkYWEyXkEyXkFqcGdeQXVyMTY0ODExMzQ%2540._V1_.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">No central theme, no build up, and no characterization. This is a whole bunch of nothings put together in attempt to tell a story.</p><p class="MsoNormal">A kid and grandfather go missing while hunting. 20 years later a group of uninteresting hiker may have stumbled upon the whereabouts and explanation of the missing two, but they are also being hunted down by a deadly paranormal being.</p><p class="MsoNormal">The creature looks like a Tardigrade with the face of the Toothfairy from "Cabin in the Woods" but as a cheap body suit for an adult.</p><p class="MsoNormal">Often if a fantasy film has no story, there is at least a connecting theme, a metaphor, or symbolism that connects events. This film has a few strange horror type of segments that easily ignored by our hikers. After they were shot at, they run away and set up camp and completely forget about being shot at moments ago. Poorly written, poorly directed, and doesn't lead anywhere besides to some deaths that barely effect our surviving protagonists beside it just being a minor inconvenience. One actor had some quality delivery of his lines, but that only heightened how lousy his co-actors were. I found it slow moving, desperate, and when I realized it wasn't at a level of quality that could explain the weird choices, it was uninteresting. This is just junk.</p><p class="MsoNormal">I can say that the stair case in the middle of the forest looks nice. They are a good looking set of stairs.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 14, Movie 1<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">5 Galaxies</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeQXE15HG2hNRWUcviHcSO4p2qN1-OjnQPsaz_7eRew_7VhI47BFWSeul46aJt8n23CIYK3e8SV8eEZiyBM-XqjPaWcu7j-lXSYktwjVb9M6Q9Vo-9bYHzht33b3OpjJjQ3b2ytwfCWdjs/s1500/5Galaxies.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1039" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeQXE15HG2hNRWUcviHcSO4p2qN1-OjnQPsaz_7eRew_7VhI47BFWSeul46aJt8n23CIYK3e8SV8eEZiyBM-XqjPaWcu7j-lXSYktwjVb9M6Q9Vo-9bYHzht33b3OpjJjQ3b2ytwfCWdjs/s320/5Galaxies.jpg" width="222" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">Anthology consisting of 5 shorts, all focusing on survival the human race, each one dealing with a separate issue. The starting short is well acted and shot but it's not an original concept or story. The others all feel incomplete, mainly because a few of them were meant as pilots to bigger features or series.</p><p class="MsoNormal">While each short does show elements of quality filming, some with good special effects, some with good performances, and others with some quality cinematography. However none of them stand out as original or interesting enough to entice future episodes.</p><p class="MsoNormal">It's not terrible but it's nothing significant or memorable enough to seek out.</p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 14, Movie 1</b></span></p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>The Complex: Lockdown</b></span><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHXednFZpCG2Zp1Lqv2zrttrZz_G1i5FJl5l45sEFsvkF7K5RekwYuP9T0c9gPfOFZRo74f23bIiq4s_X8rcRbToxvvK60DbHOi3Ka_hNOoU14kUXRA5Liz4qwTgPZd-WBVcfAuVweSGRc/s2048/MV5BMDVmYjYwMmMtNjBiYy00ZDg0LTliZDEtMDJmYTJlODAzZWU5XkEyXkFqcGdeQXVyNDgyNzAxMzY%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1450" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHXednFZpCG2Zp1Lqv2zrttrZz_G1i5FJl5l45sEFsvkF7K5RekwYuP9T0c9gPfOFZRo74f23bIiq4s_X8rcRbToxvvK60DbHOi3Ka_hNOoU14kUXRA5Liz4qwTgPZd-WBVcfAuVweSGRc/s320/MV5BMDVmYjYwMmMtNjBiYy00ZDg0LTliZDEtMDJmYTJlODAzZWU5XkEyXkFqcGdeQXVyNDgyNzAxMzY%2540._V1_.jpg" width="227" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p class="MsoNormal">The initial set up is and plot structure is fine. Scientists find themselves in lockdown in an underground lab facility with a patient carrying a deadly virus and a group of terrorists trying to break from the outside to murder the scientists. They are running out of time, resources, and allies as they struggle to find the truth of terrorist involvements.</p><p class="MsoNormal">"The Complex: Lockdown" ends with an advertisement for a video game called "The Complex". Often I would be a sucker to a movie advertisement for a video game, but after this ending I have had my fill of this story.</p><p class="MsoNormal">The film delivered an interesting conflict with adequate amount of obstacles for our protagonists. However the acting and dialogue often feels unnatural and forced, causing the tension to be minimized and inconsequential until the final escape attempt. And unfortunately the film continued after that, displaying an ending that works against the good faith it had built up before.</p><p class="MsoNormal">There is a good film within this not so great movie. As a whole though, it's not very good.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 14, Movie 2</span></b></p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Nightmare Code</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5lWXaikylS5DnKbjzNsphCEIgEl6SGHsKpWGP8jOFvJkNL2Vd8BnS8rirFm_GTCakfAlUpexKDTr5wPb1qShTPpdZXsoKTsrhPSExkKy7MnLCqRAxZFNZg9V3BroaCVXrXHCnwHVL-Hvq/s2048/MV5BODk0Mjc0MjAxOV5BMl5BanBnXkFtZTgwNDc3NjcxMjE%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1509" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5lWXaikylS5DnKbjzNsphCEIgEl6SGHsKpWGP8jOFvJkNL2Vd8BnS8rirFm_GTCakfAlUpexKDTr5wPb1qShTPpdZXsoKTsrhPSExkKy7MnLCqRAxZFNZg9V3BroaCVXrXHCnwHVL-Hvq/s320/MV5BODk0Mjc0MjAxOV5BMl5BanBnXkFtZTgwNDc3NjcxMjE%2540._V1_.jpg" width="236" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">The set up for a computer program that reads people's expressions and can decode their future intentions, only to be able to manipulate the individual by giving them false information to reach those intentions, is quite ingenious. And adding the concept of a program that would build it's own personality by mimicking those of humans only develop a sense of self pressurization adds to the layers of questions this film brings up. However, when the film starts slipping into souls and ghost/haunting and immortality themes, it pushed passed my suspension of disbelief. That is until I realized that I was being manipulated and tricked just characters in the film. The weak special effects that had me questioning some of the directorial choices then fit in place with a particular reading. And my respect went through the roof.</p><p class="MsoNormal">"Nightmare Code" is a very divisive film and may be meant for a very specific audience. For starters, it wears the independent film characteristics on it's sleeves, with a few cheap special effects, a cast of unknowns, and unconventional methods of telling the story. The film does require attention to details as it offers a script that has multiple ways of being read. And the nail biting finale seen through the security cameras, shares the intensity of found footage horrors.</p><p class="MsoNormal">Secondly, the film really nails the behaviors, mannerisms, and mental states of over worked programmers. From the childish teasing and wrestling from some, the sleep deprived mood swings others, and to the pressure of having to meet a futile deadline, the film understands this world better than most films that show decoders more as stereotypes.</p><p class="MsoNormal">Original, well thought out, and some layers, "Nightmare Code" really impressed me once I was able to put my brain around some of the multiple angles.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 15, Movie 1<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Moonbound</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgakGIZFZZGIkxhabrTw4Jsk7jtYeiOkvqWoxeUFXA1_iGw3dwT-KD2vdvmGg2BVYt3wx2prtsOL-5QIClHP2-Qm1dvJP3uH3CCSoPArr3hKzaXJQqXLdS8eslIse1yxlANN8yJ8GCydGvl/s2048/MV5BZWI2NGI0NGEtZDBjOS00OGMxLThkMTgtNTcwYjY0MDc5NjJkXkEyXkFqcGdeQXVyMjE4MzQ1NTU%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1448" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgakGIZFZZGIkxhabrTw4Jsk7jtYeiOkvqWoxeUFXA1_iGw3dwT-KD2vdvmGg2BVYt3wx2prtsOL-5QIClHP2-Qm1dvJP3uH3CCSoPArr3hKzaXJQqXLdS8eslIse1yxlANN8yJ8GCydGvl/s320/MV5BZWI2NGI0NGEtZDBjOS00OGMxLThkMTgtNTcwYjY0MDc5NjJkXkEyXkFqcGdeQXVyMjE4MzQ1NTU%2540._V1_.jpg" width="226" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">Such an inventive story. German animation may have lost something through the translations as it's super weird storytelling.</p><p class="MsoNormal">The animation is often quite beautiful, with some great designs, stunning colors, and true artistic flare. While the visuals are nicely designed, the motion is not always fluid, often not able to mimic speed and movements.</p><p class="MsoNormal">The voice acting is dreadful and it becomes really unpleasant throughout. Most jokes don't land because of the poor timing and delivery and a sense of panic and stress at the situations don't come out when the action gets flowing. The film has a fun race in the middle of the film that's very influenced by the podracer sequence from Star Wars: Phantom Menace.</p><p class="MsoNormal">The story of a beatle that loses his arm and wife, awaiting for the chosen one to help him, only to put faith in two kids, Anne and Peter to help rescue his wife. When Anne gets kidnapped with a bunch of starchilds, by the man on the moon, Peter joins forces with The Sandman and set off to save the world from the man on the moon plot to conquer the universe. And that's the simple explanation. This is a real far out story.</p><p class="MsoNormal">I wish the voice acting was better because this is one bizarre and highly imaginative adventure.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 16, Movie 1<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Algorithm: Bliss</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjekjvJ-ZItcLgdlnCDwZ3O9qxaut1FLK0CdV_d8_NT2BAfqHvhpYbWtLrfv77RiLJ-Dq1vPTWPUQ8u8swKpS6l-c_ioCW-idUL6M1EcvsJykPf2PubL9fA5R9Aj3ATGz4nsb04vp63Lgoq/s1600/MV5BOWUxNzkwMzgtYTNhNi00Nzk3LTlmOWYtMTg0OTc0ZDlkNWI4XkEyXkFqcGdeQXVyNzk5ODY5Njk%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjekjvJ-ZItcLgdlnCDwZ3O9qxaut1FLK0CdV_d8_NT2BAfqHvhpYbWtLrfv77RiLJ-Dq1vPTWPUQ8u8swKpS6l-c_ioCW-idUL6M1EcvsJykPf2PubL9fA5R9Aj3ATGz4nsb04vp63Lgoq/s320/MV5BOWUxNzkwMzgtYTNhNi00Nzk3LTlmOWYtMTg0OTc0ZDlkNWI4XkEyXkFqcGdeQXVyNzk5ODY5Njk%2540._V1_.jpg" width="240" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">Was this filmed several years back and not meant for release... until covid restrictions hit and a studio became desperate for content? The reason I would believe that is because both Sean Faris and Sarah Roemer look very young, like they are de-aging. If this is recent, good for them to stay so health looking, but sad to see them in this film.</p><p class="MsoNormal">The film is about a med student that figures out a way of transferring emotions, only happy emotions, from one person to another. He then starts to go mad and experimenting and murdering homeless and the mentally insane.</p><p class="MsoNormal">None of the science makes sense, none of the character choices make sense, none of the steps leading to the finale make sense. This film might be one of the most problematic films I have seen released in a long time. Sound level switch during edits, cuts, and even mid sentences. There's actual seconds of black screen flashes between shoulder cuts in conversations, showing the editor missed linking the scenes correctly. This also might be some of the worst editing I have seen in years. The pacing and timing is all over the place, having scenes end rapidly and start into another immediately, then other scenes that have long black fades as if a commercial break was about to come into the story.</p><p class="MsoNormal">And when a cameo from Paul Teutul Sr. from "American Choppers" is inserted in the middle of the film, I didn't know if the film was being serious or if someone was trying to sabotage their or someone else's career.</p><p class="MsoNormal">And for the icing on the cake, the film's big surprise reveal is information that was shown earlier in the film, as if the audience would have forgotten how the machine/device works and it's capabilities. "Wait what!?! The corporation funding the machines is using it for services they were aware it could be used for? Where did they come up with that idea?"</p><p class="MsoNormal">Truly terrible, nearly so bad it's good, sci-fi/horror/romance that is not worth wasting your time with.</p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 16, Movie 2</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Sci-Fighters</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVSsnGnxl9RqlrO-RHp0jUaIc3hFlEXFNsbYdmk74XMWJq_03dnc5Wtlr2Xq8Wjx8495XEMNCoUUiD_JmhTVnWVNn0JZf_hx5lwKIDnHUQoPCFOO0MfhCQ3Qvb2NiCYyPMJE8R7QkTOPM9/s475/516PR7T281L.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="475" data-original-width="347" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVSsnGnxl9RqlrO-RHp0jUaIc3hFlEXFNsbYdmk74XMWJq_03dnc5Wtlr2Xq8Wjx8495XEMNCoUUiD_JmhTVnWVNn0JZf_hx5lwKIDnHUQoPCFOO0MfhCQ3Qvb2NiCYyPMJE8R7QkTOPM9/s320/516PR7T281L.jpg" width="234" /></a></b></div><div class="separator" style="clear: both; text-align: center;"><b><br /></b></div><p></p><p class="MsoNormal">What's creepier than a sexually charged Billy Drago? A melting sexually charged Billy Drago.</p><p class="MsoNormal">An alien virus has infected Roddy Piper's ex-partner/wife murderer, Dunn (Billy Drago) giving him some super strength and the ability to escape his imprisonment on the Moon. Piper is on the hunt to take down this infected creep before he infects the world.</p><p class="MsoNormal">Campy and often sleazy straight-to-video action piece may not provide the action the cover/poster would advertise but runs by at a steady pace due to Piper's charisma and a few instances of skin turning gore/violence. The film suffers from often being too dark and poorly lit, along with 1 to many rape scenes. It could have been improved if they had added a few more action pieces or humor to lighten up the mood.</p><p class="MsoNormal">It's like they had the right ingrediencies but still presented it undercooked.</p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 17, Movie 1<o:p></o:p></span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Lost Time</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuF6MYhSoegCcFmCJOnG7sb9FiEsAMX80VYRh00_7wU_dUEANObZ80aFjm5BCG6XQRbC0wz_Zd3FgokxVSf3C8_eFvmtuQMlTsKa3GdJ2HvQBJYXMrhZ5kiV2xmXBQW6H0HfhFI0q7sf0P/s2041/MV5BMjA1ODE1Nzc3MV5BMl5BanBnXkFtZTgwNTMwOTk1MTE%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2041" data-original-width="1378" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuF6MYhSoegCcFmCJOnG7sb9FiEsAMX80VYRh00_7wU_dUEANObZ80aFjm5BCG6XQRbC0wz_Zd3FgokxVSf3C8_eFvmtuQMlTsKa3GdJ2HvQBJYXMrhZ5kiV2xmXBQW6H0HfhFI0q7sf0P/s320/MV5BMjA1ODE1Nzc3MV5BMl5BanBnXkFtZTgwNTMwOTk1MTE%2540._V1_.jpg" width="216" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">I don't know if this film knew what it wanted to be. It starts off as an emotional mystery, with out protagonist's sick sister disappearing. Then in comes Luke Goss to help search which leads to a sloppy fight sequence in a back alley. The film then brings in Lin Shay (of course she shows up... I am start getting worried when watching a low budget horror/sci-fi when she doesn't show up) and the film turns into a alien/demon type of horror. The film shifts gears so often, that it fails to work on the characters and their motivations. There's some creepy imagery, some interesting concepts, and an attempt to be something unique (although it starts feeling by the books by the end).</p><p class="MsoNormal">The film is equivalent to an amateur stand up comic dropping "F" bombs everywhere in their set. They are trying to hard and desperate to stand out. And because of this it doesn't stand out at all.</p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 17, Movie 2</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Oxygen</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNEXn0NdfkLEVCohBMB9BFqEIad6nGkB-YNF3M3Yr7fMMet-ijtylIMootmuwJNFm2AbFE6dtm4rUI2E_IClGzKOMZhteyMjwPIkTvRU9gyMGH4lM-AxkvmjtlcVUT_HyM0mrV5jZu-ALY/s1200/oxygen-netflix-thriller-review-1200x675.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="675" data-original-width="1200" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNEXn0NdfkLEVCohBMB9BFqEIad6nGkB-YNF3M3Yr7fMMet-ijtylIMootmuwJNFm2AbFE6dtm4rUI2E_IClGzKOMZhteyMjwPIkTvRU9gyMGH4lM-AxkvmjtlcVUT_HyM0mrV5jZu-ALY/s320/oxygen-netflix-thriller-review-1200x675.jpg" width="320" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">Even though I predicted the two major surprises and reveals right from the start, I still enjoyed this suspense/thriller. The film about a lady waking up in a cryogenic pod, with no memory and little oxygen remaining, never feels repetitive even though it's one small setting and one performer. It helps that Mélanie Laurent is quite captivating as our solo protagonist.</p><p class="MsoNormal">Alexandre Aja pulls out a lot of tricks to continuously keep the single location feeling fresh and vibrant. Lots of camera tricks are inspired by "Buried" but I think it would be difficult to create a film in this fashion without being compared to that film.</p><p class="MsoNormal">What I liked about the film was that the questions that are brought up at the beginning, lead me to figure out the mystery before the big reveals. And when the reveals were confirming my understandings of where this was headed, I liked how the film presented them.</p><p class="MsoNormal">There were a few questioning leaps of convoluted logic but nothing that was a deal breaker for me.</p><p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Day 17, Movie 3</span></b></p>
<p class="MsoNormal" style="text-align: center;"><b><span style="font-size: large;">Escape 2021</span></b><o:p></o:p></p><p class="MsoNormal" style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEZ0Kp7f5zb6hsVr7_8RbKHdLIN41o5An1jdRLO5os2EUS_pVpjcixeyOZWjSbu0U1NzBMG2bjXhOr0KM9n6RyhMT36zKK8sXCKi_ypxGvE5v7KLp0mNZVt5RGiVCDOkPzfMOlYARa9zDb/s2048/MV5BZThkMGRlOTItYjk2NS00YjNiLTlkYzYtNzA4NmE2Yjk1YjJjXkEyXkFqcGdeQXVyNzU1MjEwOTc%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1365" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEZ0Kp7f5zb6hsVr7_8RbKHdLIN41o5An1jdRLO5os2EUS_pVpjcixeyOZWjSbu0U1NzBMG2bjXhOr0KM9n6RyhMT36zKK8sXCKi_ypxGvE5v7KLp0mNZVt5RGiVCDOkPzfMOlYARa9zDb/s320/MV5BZThkMGRlOTItYjk2NS00YjNiLTlkYzYtNzA4NmE2Yjk1YjJjXkEyXkFqcGdeQXVyNzU1MjEwOTc%2540._V1_.jpg" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p class="MsoNormal">I would like to commend the church group that put this film together for at least attempting to make a science fiction film. I don't actually know if this was a church based production, but I also don't think I have seen a film that reeked of local church group performances.</p><p class="MsoNormal">"Escape 2120" has a couple cute ideas about the future but nothing terribly thought provoking or intellectually appealing. It's a cute story but exceptionally hard to support or enjoy with the unmotivated and uncomfortably deprived of talent attempts at acting. This is equivalent to nails on a blackboard line readings.</p><p class="MsoNormal">I hope this was a church group that created this and I hope they had a nice get together among their community to enjoy the little film they created. I also wished they would have kept it to themselves.</p><p class="MsoNormal">PS - There is a lot of merchandise for this film, t-shirts, jackets, hoodies, mugs, stickers, more t-shirts. Perhaps someone should have watched the film before making such a marketing faux pas. </p>
<p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Day 18, Movie 1</b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"><b>Final Frequency </b></span></p><p class="MsoNormal" style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji2Fbgb_gvoVr8UinDWODGYSNcxu6XPAW0hzt1-XVLmTXxDrCRiRhJcY-PELAfe8kjRX-TPxB1HeGVnKl2A_8tER0dp1PO36C436ARwRQ-stOmJ5LdECt1OFnNHpUtgArBadISD1Rb7Quw/s2048/MV5BYzFjNWY1NDctY2M5Ny00NzdjLWE2NDctZmU0ZmU4MzEzNTk0XkEyXkFqcGdeQXVyMjIzOTI2NDc%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1583" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEji2Fbgb_gvoVr8UinDWODGYSNcxu6XPAW0hzt1-XVLmTXxDrCRiRhJcY-PELAfe8kjRX-TPxB1HeGVnKl2A_8tER0dp1PO36C436ARwRQ-stOmJ5LdECt1OFnNHpUtgArBadISD1Rb7Quw/s320/MV5BYzFjNWY1NDctY2M5Ny00NzdjLWE2NDctZmU0ZmU4MzEzNTk0XkEyXkFqcGdeQXVyMjIzOTI2NDc%2540._V1_.jpg" width="247" /></a></span></div><span style="font-size: large;"><b><br /></b></span><p></p><p class="MsoNormal">Reeks of a poorly conceived attempt at a pilot for a new
television series. Derivative characters track down a missing scientist who’s
completed a ray gun that was proposed by Tesla himself. The gun can send out
rays that will cause earthquakes or control people’s minds (I wish I was
joking). <o:p></o:p></p>
<p class="MsoNormal">The film tries to create a quirky set of rogue heroes set
out to save the world from corrupt and evil military masterminds out to murder
everyone during a world peace summit (yawn). You know that old chestnut. <o:p></o:p></p>
<p class="MsoNormal">This film just aggravated me so much by its laziness. When
people get their minds zapped by the ray, their eyes change into flashy green
lights. The people they are dealing with at the same moment their eyes turn
green are only concerned by the people’s behavior. Not once did any body ask,
“Hey. Why are your eyes glowing green?” <o:p></o:p></p>
<p class="MsoNormal">Two of the characters, the quirky nerds, are also larpers,
people who engage in Live Action role playing games. At the climax, they
recruit more larpers to help fight the soldiers. I think the director and costume designers
didn’t do their research as the group consists of the most bizarre collection
of costumers. This appeared to be more cosplayers than larpers. There was a man
in a santa costume with a red clown nose. I am neither a larper for a cosplayer
myself nor will I ever be one or the other. But forget about the main story for second, I want to know what crazy game these people are playing.</p><p class="MsoNormal">This was just a boring and confusing mess. Nerds should be outraged!<o:p></o:p></p>
<p class="MsoNormal"><o:p></o:p></p><p style="text-align: center;"><b><span style="font-size: large;">Day 18, Movie 2</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">The Ugly Swans</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTzf7aSV9Xo7xGujMBwGEG-kXw-_XAZi3HVFE-g7gmpm1kIOGHAyXwZhZpBVV_Aowz89aPQdqzx_hYF-AUpptPZisBLcLvQRJMmDqGk1uTq7plIz164ijT1ja1bt8dYJP7OhfaBHaoNwFY/s267/images.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="267" data-original-width="189" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTzf7aSV9Xo7xGujMBwGEG-kXw-_XAZi3HVFE-g7gmpm1kIOGHAyXwZhZpBVV_Aowz89aPQdqzx_hYF-AUpptPZisBLcLvQRJMmDqGk1uTq7plIz164ijT1ja1bt8dYJP7OhfaBHaoNwFY/s0/images.jpg" width="189" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>A journalist heads to secured area, closed off by military forces keeping a strange and mysterious group of beings called the Aquatters from connecting to general public. These visitors have requested the top students to educate and our journalist's daughter is among those being schooled. His goal is to infiltrate the barriers and return her home, before political figures fearing the Aquatters declare war on what they do not understand.</p><p>"The Ugly Swans" is a perfect allegory when dealing with people not ready to accept change, advancements, and loss of their own beliefs. The film often reflects on religious undertones and those of power fearing new superiors, and the irony of wanting to salvage a belief yet still unable to understand the teachings. It also brings up the questions of how can people who's been given advanced intellectual perspective be reassimulated back into society after being enlightened.</p><p>Konstantin Lopushansky's vision of an abandoned city under constant rainfall, it's but beautiful and ominous. Most of the film is shot with a red filter giving the secluded local a red alert feeling of constant looming danger. The opening sequence with at train riding through a forest fire, sets the atmosphere perfectly, with lingering doom and setting the theme of an old world being destroyed for a new one to commence. The film plays nicely, unfolding the mystery of these strangers and the unstable understanding of their presence.</p><p>Nicely shot, beautifully written and void of concluding expositions, "The Ugly Swans" is science fiction meant to reflect on our humanity and purposes being.</p><p>The film has been compared to Tarkowski's "Stalker" being that the original material for both films are adaptations from stories by Arkady and Boris Strugatsky brothers. While there can be some similarities with the environments, the tones and structures are completely unique in both films. I would say "The Ugly Swans" is the more conventional method of storytelling.</p><p>This is what Science Fiction is all about. </p><p style="text-align: center;"><b><span style="font-size: large;">Day 19, Movie 1</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Black Easter</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitV_7S-0RDN6fyVZo33WudqHI7cEe2Z70GF7ziPdhp2kJpLhG2aFAJDQmKv68bZhFCFoOV6JCqBQWE_OR9iCurn-kJPE9YWftbOq0MLvUQi192bzVg9uQIZfo_jQezltZsiEgThBbt4voc/s1280/MV5BMjBiYjBkMGUtZmIyOS00MjAzLWIzNWQtODU5NTQ1ODM4ODBmXkEyXkFqcGdeQXVyMjI5MTk0MQ%2540%2540._V1_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1280" data-original-width="853" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitV_7S-0RDN6fyVZo33WudqHI7cEe2Z70GF7ziPdhp2kJpLhG2aFAJDQmKv68bZhFCFoOV6JCqBQWE_OR9iCurn-kJPE9YWftbOq0MLvUQi192bzVg9uQIZfo_jQezltZsiEgThBbt4voc/s320/MV5BMjBiYjBkMGUtZmIyOS00MjAzLWIzNWQtODU5NTQ1ODM4ODBmXkEyXkFqcGdeQXVyMjI5MTk0MQ%2540%2540._V1_.jpg" width="213" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>Nothing reinforces confidence in a film than showing all the awards it supposedly won just before the title drop.</p><p>It's pretty easy to start poking holes in this plot and to point out the psychics ignored in this script. But speaking from someone that doesn't believe in Jesus, I can only think that those that do believe in Jesus will probably be offended by the misrepresentation of him in this film.</p><p>This might be considered a spoiler, but in this film when Jesus is praying to his father because he's afraid of being crucified, at that moment Jesus already knows the future, hence why he's up on the hill praying to God. So if he already knows the future, why is he shocked by all the surprise time travelers around him? Secondly in this scene, it portrays Jesus as someone who's about to abandon his mission, until he's told how successful his book is in the future. This is enough info for him to go along with the crucifixions. This suggests that Jesus is just goes along with his mission because he'll be successful, instead of going along with it because he believes in himself and his father's commands. So in this film, Jesus is just an insecure petty asshole.</p><p>I laughed more at this one than I had any respect for it. However, I did enjoy a few of the performances. The villain is excellent and... hmm... Ok I enjoyed the villain's performance. The poor man's Kevin Fox character was a bit too much for my liking.</p><p>This is one of those films being narrated by a particular character. He explains at the beginning that he knows all the timelines... and if you have any ability of remembering the timelines as the sequences unfold, it becomes very obvious that there is no way, any of the timelines know all the details of the others, especially when that specific narrating character is not in the scene.</p><p>The very ending is absolutely hilarious for all the wrong reason. But man did it make me laugh.</p><p>This is a perfect example of why most filmmakers should never attempt time traveling films.</p><p style="text-align: center;"><b><span style="font-size: large;"><br />Day 19, Movie 2</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Marooned</span></b></p><p style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg99XuLZqTdTNL3rK4O2MxnJa4UvS9CpL5ExduuQ0rbf45TBeNhz57yt9g2ELRiZSibRFCtbT2c257odG_59F4Wbfv2NO0eb36m9WNzm5X2-SMMUY3qh91k1r_evk7yCqQman3te6RZO7__/s960/marooned-md-web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="722" data-original-width="960" height="241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg99XuLZqTdTNL3rK4O2MxnJa4UvS9CpL5ExduuQ0rbf45TBeNhz57yt9g2ELRiZSibRFCtbT2c257odG_59F4Wbfv2NO0eb36m9WNzm5X2-SMMUY3qh91k1r_evk7yCqQman3te6RZO7__/s320/marooned-md-web.jpg" width="320" /></a></p><p>This is the perfect example of how a film can be outdated.</p><p>Group of astronauts get marooned in space and have to rely on the ground crew to help get them back.</p><p>Top notch performances and good characterization, even some strong cinematography, cannot help make this film's silly special effects, aged science, and slow pace make this film worth becoming a classic.</p><p>Both Gene Hackman and Gregory Peck do provide some excellent performances (like we have come to a expect) and the film's best sequence is when the three astronauts are communicating with their wives, who are trying to stay positive against all their knowledge of what they are dealing with. Other than that, this does drag out way longer than it should, with over long scenes of vehicles transporting people and being set up to transport people. I bet it would be easy to insert commercial breaks for television by just inserting commercials in every time there's a helicopter flying or trucks driving.</p><p>I would not be too surprised if this one got lost and was never recovered.</p><p><br /></p><p><br /></p><p><span style="font-family: arial; font-size: medium;"><b>I have missed a couple of films from this list but will add them to next week's blog. Until next time, thanks for reading and thanks for suggestions for science fiction films. I look forward to hearing from you again or more of you in the future.</b> </span></p><p><br /></p><p>JP Fournier</p><p><br /></p><p><br /></p>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0tag:blogger.com,1999:blog-4753660632640669636.post-50750615384932946142021-09-12T16:46:00.001-07:002021-09-12T18:19:10.538-07:00Sci-Fi September 2021 Week 2<p> So it didn't take me long to run out of the science fiction films that I wanted to see this year. Now I am just watching random films and thankfully this helped me find a film that turned out to be amazing... and a bunch of others not so impressive. </p><p>Here's the list for this week:</p><p style="text-align: center;"><b><span style="font-size: large;">Day 6, Movie 1</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Time Apart</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxq9R1GIBfpTfU7ecBTyW_6MUI_49OwLPiyuRCxBne3vfV52nCrRwHt_XeA_5ZrWKpqJ3KJd-G6jHZ3rg_O1xSdWmUX_Nga9bXTGHj_sc0OWGnCTlO8I_t6SP0s8DGQplpr6odIxKEweKl/s1600/MV5BNDY0OTYxMGQtYTk5Mi00MzdlLThjZDctZDE4OWRmZmQ0OTYyXkEyXkFqcGdeQXVyMTA4MzI5ODk4._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxq9R1GIBfpTfU7ecBTyW_6MUI_49OwLPiyuRCxBne3vfV52nCrRwHt_XeA_5ZrWKpqJ3KJd-G6jHZ3rg_O1xSdWmUX_Nga9bXTGHj_sc0OWGnCTlO8I_t6SP0s8DGQplpr6odIxKEweKl/s320/MV5BNDY0OTYxMGQtYTk5Mi00MzdlLThjZDctZDE4OWRmZmQ0OTYyXkEyXkFqcGdeQXVyMTA4MzI5ODk4._V1_.jpg" width="240" /></a></b></div><b><br /></b><p style="text-align: left;">A couple, Seb and Leah, fall in love and just before they set off on an adventure together, Seb disappears and doesn’t turn up until a year later. When he tries to convince everyone of his phenomenon, only Leah takes him serious enough to witness him disappear again. Now she spends her days waiting for him to reappear again before his next time jump.</p><p>“The Time Traveler’s Wife” tackled the same subject matter, of a partner unable to stick around in the same time zone. The book was written as a metaphor for a relationship with partner that cannot commit. This film, much like the novel, is a metaphor too. There’s some hint that the time skips maybe drug induced, and it’s a metaphor for Seb not being able to explain missing time. But this is not explored very thoroughly. What the film finally settles on as a subject is being a metaphor for a couple where the two dating don’t grow up at the same rate. While Seb is gone, Leah has gotten the raises she fought for, dated multiple people, and has even purchased a large expensive home. Her growth begins to distance herself from Seb even more than his lapse of presences.</p><p>The film feels like %100 improved. This works during the opening dating scenes, as it feels like we are interrupting real dates. However, when the plot kicks in, the film switches to amateur hour. And as a new man comes into Leah’s life, their courtship starts slips back into natural performances again. Then the plot kicks back in and the acting starts feeling unnatural. Another downfall is that the film often slips into Leah’s memories of hanging out with Seb from their past. We are supposed to know it is the past by her hair coloring, as it has shades of pink. However a few o those scenes are poorly lit or framed where we cannot see the hair that well, so we don’t know if it is sometime new or something old. There was also a moment when I didn’t know if she was dreaming about Seb, if she was with him again, or if she was with the latest guy she was leading on. This again caused by some poor lighting, poor framing, and over all poor directing.</p><p>What I don’t understand is why the two don’t film Seb’s disappearing. They have difficulty being believed, so why don’t they prove it to either scientists or... anyone? It takes Leah about 4 or 5 years to start investigating time travel too. You would think that she would have started on day one when she realized what was happening. And the scientist’s results will be maddening to most people who have a tiny fundamental knowledge of science.</p><p>The musical score is haunting and majestic, though. So there's that. Otherwise it's a great theme executed poorly. </p><p style="text-align: center;"><b><span style="font-size: large;">Day 6, Movie 2</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Infinitum: Subject Unknown</span></b></p><p style="text-align: center;"></p><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOi0GZXSLtayxm1NDSC3NiN-NNhOtWbTb-SsAHzMIM10eYwXrua_DhrbeWLYd56G0MpFZ9jNQjoyifITJTf8WdgN3z6EFDehI-Zv_8PPzt_PrBRlpI2ln4Qclrqv9-eYZii4j9tMeKq22r/s300/download.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="168" data-original-width="300" height="168" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOi0GZXSLtayxm1NDSC3NiN-NNhOtWbTb-SsAHzMIM10eYwXrua_DhrbeWLYd56G0MpFZ9jNQjoyifITJTf8WdgN3z6EFDehI-Zv_8PPzt_PrBRlpI2ln4Qclrqv9-eYZii4j9tMeKq22r/s0/download.jpg" width="300" /></a></div><br /><div style="text-align: left;">Intriguing little isolation film.</div><p></p><p>Jane wakes up to find herself gagged and tied to a chair with no recollection of how she got there. When she escapes from the chair, in a flash of a light, she’s back on the chair tied and gagged again. Each time she has to start a new, she gets a bit closer to escaping this unfamiliar house. But more strange occurrences keep affecting her escape. When she walks down the stairs, she reappears at the top of the staircase. And when she removes the the handkerchief that gagged her from her neck and throws it to the ground, moments later she finds it back on her neck.</p><p>Most of the film kind of works like an escape room, with Jane discovering the best steps to escaping her imprisonment. And the further she gets, the more her memory starts coming back. The film wants you to learn that Jane is slowly regaining her memory of the past attempts of escaping. If that is so, then why is she so not worried about being bound and gagged in someone’s attic? You would think that was something people might panic about. But Jane seems to be more concerned about finding out where she is, rather than why she’s waking up tied to a chair with a gag tied in her mouth.</p><p>There is a creepy sequence when Jane is driving around town and there is literally nobody in sight. To pull this off sequence during none covid times would be quite the feet. There’s some nice field shots and some intrigue with blimps flying all over the sky, not to mention 2 moons, one red and one blue in the sky. We see phantom of herself in the distance, performing the medial tasks of searching the house. And she sometimes contacts a mysterious voice on the walkie talkie that is warning her.</p><p>Unfortunately this is just not enough to keep the film interesting. We see Jane repeat tasks, over and over. Other films with time loops at least start jump cutting re-information. This film starts to do the same, but it’s not quick on the uptake enough to keep the intrigue. This was so slow moving in our protagonist progress, that I started seeing multiple consistency errors. When Jane starts getting a grasp on her predicament, she wakes up again in the chair, in a position that she is tied up again, but this time she’s sitting on a stool instead of the chair and she’s not tied up. When she get a car, we see her driving the car with the handkerchief gag tied around her neck, which there was no gag this time, and when she’s out of the car, the handkerchief as disappeared again. This inconsistency happens a couple of times later but I don’t know if she was flashing back or another missed detail.</p><p>The explanation to why all this is happening to her is rather interesting. It is a new concept and it is nightmarish in conception. I enjoyed what they were attempting, but believe it could easily have been trimmed down to half the length.</p><p>Before the credits start scrolling, the film lets us know that it was filmed during lock down. I commend the couple Tori and Matthew Butler-Hart for the attempt at producing material during that period. But that is no excuse for the dragged out story.</p><p><br /></p><p style="text-align: center;"><b><span style="font-size: large;">Day 7, Movie 1</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">After Darkness</span></b></p><p style="text-align: center;"></p><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAHD5hmsBBuJdVNPmBym5OrBdSwnt4NIP9Y3R2rp8R_5yIcZoCrETY-zgn5y9pc6y00BZ-6Mz8_HR8rIbqBxU7vSvGXpYN5eIoYMnziHS_Xjrw42dOJlfejmfSn_QaPiXSeaDdi8fMMtvp/s2048/p14285145_p_v13_ac.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1536" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAHD5hmsBBuJdVNPmBym5OrBdSwnt4NIP9Y3R2rp8R_5yIcZoCrETY-zgn5y9pc6y00BZ-6Mz8_HR8rIbqBxU7vSvGXpYN5eIoYMnziHS_Xjrw42dOJlfejmfSn_QaPiXSeaDdi8fMMtvp/s320/p14285145_p_v13_ac.jpg" width="240" /></a></div><br /><div style="text-align: left;">Family of assholes continue to aggravate each, push back hurtful feelings, and wear their erratic emotions on their sleeves, as they await to be picked up and saved from the world freezing over, due to an expiring sun.</div><p></p><p>This is a strong cast and there's some interesting ideas at hand, but the over all execution is unpleasant and unbelievable. And when I say it's unbelievable, I am referring to the character choices of constantly being so awkward. Every time there is a nice moment, someone has to ruin it every time. When there's a birthday party, I actually gave up on the film being serious and accepted it for the comedy I believe it never intended to be. And the more uncomfortable the situations attempt to be, the funnier it becomes. Until the film attempted a comical bit when everyone spontaneously starts laughing because the tension built up too much and they needed attention... at that point I felt anger.</p><p>There is a sense of timing that an editor can use when cutting their film. It is something that shouldn't be noticed if it's performed well. But when it's not timed correctly, then you can feel it like a misstep in a dance. This film has plenty of those moments. Some maybe when they needed to cut a commercial into the film and others when a scene doesn't know when to cut. I wonder if the actors could feel how something was not working, in every scene? Layers upon layers of crazy and people going more insane as the film goes, but it feels like it's only a matter of days, not months or years like the behaviors might be valid. They talk about not going out at night, but then mention there's no light from the sun. They talk about people going insane because of the cold, but it never looks cold outside (appears to be warmer than a regular winter in Canada). There's so much unwarranted hatred and anger written in this film, that I realized I was no different than the characters breaking out into laughter through stress. Perhaps the reason I didn't like that scene was because I was experiencing the same frustration watching this movie. I think it was at the 45 minute mark when I myself got uncontrollable giggles. And another huge laugh when we get to the ending and the film let's us know that it doesn't give two shits about science and common sense.</p><p>I shouldn't have been having so much fun watching people endure so much emotional pain. But this is a very funny... unintentionally funny sure, but still,,, very funny film.</p><p style="text-align: center;"><span style="font-size: large;"><b>Day 7, Movie 2</b></span></p><p style="text-align: center;"><span style="font-size: large;"><b>Hardwired</b></span></p><p style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkhZkICHnmSstbJskr_81tlGIJ3-tPJ3q_JKDedT1Pn5TplKrSqCHN7_3fomDolNdx9NID9Tnw0jp-v1NwjydwUSmcXZQXHzZ0oWhciy-ahdEp3OCeldd3Ww5OIQJjBT4hiu735Cw_uKLl/s1500/Hardwired.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1500" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkhZkICHnmSstbJskr_81tlGIJ3-tPJ3q_JKDedT1Pn5TplKrSqCHN7_3fomDolNdx9NID9Tnw0jp-v1NwjydwUSmcXZQXHzZ0oWhciy-ahdEp3OCeldd3Ww5OIQJjBT4hiu735Cw_uKLl/s320/Hardwired.jpg" width="213" /></a></span></div><span style="font-size: large;"><div style="text-align: left;"><span style="font-weight: 700;"><br /></span></div></span><p></p><p>Hilarious concept mixed with some poorly written dialogue, unbelievable characters, and some out dated special effects, makes for a fun to watch goofball of a b-movie.</p><p>In the future, large corporations like McDonalds and IBM have taken over government powers, and have gone to immoral forms of selling their products, like adding their logos to iconic places Mount Rushmore and the Statue of Liberty. After a car crash, ex-military soldier Luke Wilson has no health insurance and is expected to expire. To pay for his hospital bills, he’s set up for an experiment chip to be inserted into his brain. Struggling to gain back his memory Luke is now suffering from illusions and brain aneurisms that are under control by a higher power.</p><p>Green screen technology has come such a long way in the past 10 years... or this just had some poor technical support on this film. The film looks as cheap as the script must have been. This is very poorly written, with action clichés that don’t fit, with science that is not valid, and with a screwball villain. And that might be where the entertainment value comes into this film. Val Kilmer plays the head of Hope industries... the bad guys, and he seems to understand the level of cheese this film requires. He plays the messy haired overconfident nerd with a degree of sociopathic tendencies. Most of the film he appears to be in front of a green screen and may have filmed all his sequences in one day, but he’s given himself some interesting ticks, some insecure hair brushing with his hands and an uneasy annoyance in his workers. He’s fun to watch. Cuba Gooding Jr, who plays Luke Wilson, plays him down to earth and with no winking to the camera, which works for the hero with no personality, struggling to find his past. And Michael Ironside plays a sweater wearing rebel, who always elevates a film just a bit.</p><p>Another film where an experiment is performed on a talent soldier, that provides him with some extra talents that scale him even more powerful, and the evil corporation responsible tends to be surprised they have created their own judge, jury, and executioner.</p><p>The action is not bad, with Cuba showing he’s cut for action but these scenes are unfortunately limited in a film that could benefit from less exposition and more exploits. Besides a head exploding, some good squib shootings and head shots, the film feels made for tv... and not in a good way.</p><p>Not extreme enough on any levels (action, gore, bad acting, bad dialogue, and bad science) to be memorable or a cult film. But just bad enough to be an oddity enough to gain some entertainment... despite it's overall lack of quality.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 8, Movie 1</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Enhanced</span></b></p><p style="text-align: center;"></p><div class="separator" style="clear: both; font-weight: bold; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHdJ7fmv8INyOiIKuAD1myoVUldAMZku_RJ08Gkuebg8IjcEexUi9Zk9vEQR6L7-QELqQ4vgKK8hSClSXtkpVLD5lnZp_vKdjxcmWKKjH3cpqUG5CmwVM-XKNef2P8alhPQ9ehs3VhplIZ/s2048/MV5BNzQ1NWEwOGItZjcyMy00ZjE5LTk5ZTctYTgyNTRhNzQwYmFjXkEyXkFqcGdeQXVyMTc2NTYwMzU%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1382" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHdJ7fmv8INyOiIKuAD1myoVUldAMZku_RJ08Gkuebg8IjcEexUi9Zk9vEQR6L7-QELqQ4vgKK8hSClSXtkpVLD5lnZp_vKdjxcmWKKjH3cpqUG5CmwVM-XKNef2P8alhPQ9ehs3VhplIZ/s320/MV5BNzQ1NWEwOGItZjcyMy00ZjE5LTk5ZTctYTgyNTRhNzQwYmFjXkEyXkFqcGdeQXVyMTc2NTYwMzU%2540._V1_.jpg" width="216" /></a></div><br /><div style="text-align: left;">A group of genetically altered mutants, trying to live their lives as regular people, are being hunted down by a government agency looking to shut them down. However, when a more advanced mutant serial killer comes into light, it’s up to the mutants and government soldiers to team up to bring the beast down.</div><p></p><p>Another low budget superhero film, much in the veins of X-MEN, with mutants being hunted and forming teams to take down a larger mutant. This one doesn’t offer much new to the subgenre, but it still provides some great stunt work, flash choreographed fighting, and it never drags. There’s enough characterization to support the protagonists and quality cinematography that makes it appear like a miniscule blockbuster.</p><p>Same director as “Kill Order”, James Mark, has shown some great improvement in filmmaking from his last action scifi adventure also starring his brother Chris Mark. The two have a knack for action. The acting, while a bit of an improvement from the previous film, still is nothing to catch your attention and with a bit too much mundane conversation pieces, the film does slow up right before the ending climatic battle. One of the other drags is our lead Alanna Bale delivers most of her lines like she’s pouting along with some expressions that don’t match the situation, even when she’s not delivering the dialogue. It’s hard to root for her as the hero. She’s physically perfect for the role, as her fighting choreography is fine and she appears to be doing her own stunts. But man oh man, she’s not convincing me she’s a bad ass.</p><p>Fun little indi-film with some good effects, a few nicely choreographed fight scenes, and delivers a Saturday morning cartoon feel.</p><p style="text-align: center;"><span style="font-size: large;"><b>Day 8, Movie 2</b></span></p><p style="text-align: center;"><span style="font-size: large;"><b>Max Reload and the Neither Blasters</b></span></p><p style="text-align: center;"><span style="font-size: large;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHlFE4d16WScqN2SlaLcw-v1QUQCgv0_XeuDOWYEXFzulc-52l7KQwPzNNgn0tZQMjiElNMvqAEvu1GQK0KgR4oTuypwTtmwBtHgtyd1_Ce6TNRbysv4Mq_dClvq1H6Q1tKcCn2-qDA5vL/s2048/MV5BNjkwMTY3YjQtNjZiOC00NmVhLWJjMTgtYjE1NTVmNWMyOTk1XkEyXkFqcGdeQXVyMTU2MTk5NzE%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1382" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjHlFE4d16WScqN2SlaLcw-v1QUQCgv0_XeuDOWYEXFzulc-52l7KQwPzNNgn0tZQMjiElNMvqAEvu1GQK0KgR4oTuypwTtmwBtHgtyd1_Ce6TNRbysv4Mq_dClvq1H6Q1tKcCn2-qDA5vL/s320/MV5BNjkwMTY3YjQtNjZiOC00NmVhLWJjMTgtYjE1NTVmNWMyOTk1XkEyXkFqcGdeQXVyMTU2MTk5NzE%2540._V1_.jpg" width="216" /></a></span></div><span style="font-size: large;"><div style="text-align: left;"><span style="font-weight: 700;"><br /></span></div></span><p></p><p>Yet another video game comes to life movie, this time without the distinct originality shown as its predecessors. Max Reload will get forgotten in the shuffle, as the characters, the video game, and the action set pieces are just not original, interesting, and/or endearing enough to care about. We get loud cameos from people like Kevin Smith and Wil Weaton that spurt out non funny jokes in every line they deliver. Lin Shaye, while playing another generic stereotype for these films, is able to elevate her lousy dialogue and some of the other actors can deliver certainly lines well at certainly parts, but it’s a mix bag of quality. The film gives off a rushed feeling, filling the backend credits with bloopers showing the cast laughing on set as a desperate last attempt to convince the audience that this film should be fun.</p><p>The action is weak, the jokes are obvious and juvenile, the buildup is slow (film doesn’t really get started until 30 minutes in), and I actually forgot about characters until they came back on screen. The video games comes to life movie is now becoming a dull cliché. It’s getting close to being over done as time loop films, but not nearly as over played like zombie films. This is the bottom of the barrel when it comes to this full cliché plot gimmick.</p><p>Video game fanboys may find some entertainment value in this, but otherwise it is generic junk.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 8, Movie 3</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Alien Trespass</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaCla1JbCEQmBJ6HKoG9LHavXG9Ozj6IssNQgVvl4Mpnztns_lw-9NQlLXWAhwV6Ysh-Ooby0CHcB6rZ5UO4q3HzLs-4xYARLbaiM3G7AufOudm2bgrDoI6Ylwd2Grwl2ofmGkHtYLzdmq/s1229/71SC9nXf9WL._SL1229_+%25281%2529.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1229" data-original-width="1020" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaCla1JbCEQmBJ6HKoG9LHavXG9Ozj6IssNQgVvl4Mpnztns_lw-9NQlLXWAhwV6Ysh-Ooby0CHcB6rZ5UO4q3HzLs-4xYARLbaiM3G7AufOudm2bgrDoI6Ylwd2Grwl2ofmGkHtYLzdmq/s320/71SC9nXf9WL._SL1229_+%25281%2529.jpg" width="266" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>As an ode to the silly low budget b-movie matinee science fiction films of the 50s, “Alien Trespasser” does has a fun light heartedness about it. The story is about a one eyed alien monster devouring people in order to destroy the planet. Another alien tracking down the 1 eyed beast, possesses the body of a local small town doctor, and hilarity ensues... well hilarity may be the wrong word.</p><p>Alien Trespasser has a couple moments of cute humor, playing with the innocent persona of the 50s sci-fi era and the American dream. A Norman Rockwell image. However it fails to exaggerate or even mimic that era perfectly enough to be commendable. Paying homage to these types of low budget goofy sci-fi adventures could be a bunch of fun, when the film understands what made those films unique. Unfortunately, this film appears to want to earnestly recreate those films, without poking fun at the style and characteristics that made them unique.</p><p>It is a nice attempt but if this is the type of parody or tribute that you are interested in, I would recommend seeing re-watching “Top of the Food Chain”. This film just falls short in comparison.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 9, Movie 1</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Escape Room: Tournament of Champions</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwj6kzPM7bvpcsEiXB0QMwOxFBnIaupxmMdXhuwKhcPD6Pjrhc6DGKed7c0d9ChK-JQZ-qIz9vsNcvJSidjDXNAjXp8duvrJZQLVZArMXBgIv03sseryg11Ui3jckhffa6Mvq8y3qnevCL/s1350/escape-room-2-poster.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1350" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwj6kzPM7bvpcsEiXB0QMwOxFBnIaupxmMdXhuwKhcPD6Pjrhc6DGKed7c0d9ChK-JQZ-qIz9vsNcvJSidjDXNAjXp8duvrJZQLVZArMXBgIv03sseryg11Ui3jckhffa6Mvq8y3qnevCL/s320/escape-room-2-poster.jpg" width="256" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>The only characters in this film are the escape rooms. The four main, most elaborate, escape rooms are really nicely designed... visually. They do offer a level of disbelief and exaggeration, which is kind of the fun. I enjoyed the attempt to add real science to the room's tricks, secrets, and solutions. The puzzles often come steady and fast, leaving not much time for the audience to think about them too seriously. When they do step back from the fast pace, it was nice to be able to figure out where the puzzle was heading before the exposition solving dialogue lets you know. And don't get me wrong, this film uses exposition nicely during the traps. We get characters calling out things that may not be called out in real escape room experiences, but because of the energetic pace, this helps keep everyone on track with all the events.</p><p>Despite having no character develop, very little plot, and an annoying wrap around story, the film flies by very quickly. The production value is well spent and the set designers should be praised for the elaborate continuously surprising transforming sets.</p><p>Truthfully, I didn't care or the film as it was trying to create a type of franchise villain. I felt the attempt to be poorly executed and lazy. But I would be ok if this delivers a few more editions to the series.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 9, Movie 2</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">At First Light</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAgWkM9Z5qQhWTIcx97orU-Y2bUePFnGZFg1D9fdX0uqbQgmUGvuFmoG2etJenpvyH5m2N7kDa1O2q-6ZanmPbfGgIe1vPap7UOtQ6CARkln2UdqC1YejrPnWICXaGgKdLRd7DzFwOyPei/s1600/81dqzX7MEhL._RI_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAgWkM9Z5qQhWTIcx97orU-Y2bUePFnGZFg1D9fdX0uqbQgmUGvuFmoG2etJenpvyH5m2N7kDa1O2q-6ZanmPbfGgIe1vPap7UOtQ6CARkln2UdqC1YejrPnWICXaGgKdLRd7DzFwOyPei/s320/81dqzX7MEhL._RI_.jpg" width="240" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>Teen gets strange paranormal powers, loses her memory, and is on the run from people that would like to take advantage of her newfound abilities. What does that mean? ROAD TRIP!!!</p><p>We have seen this story before and done better ("Midnight Special", "Star Man", etc). But luckily the two main leads have good chemistry and charisma and the ending is strikingly beautiful cinematography. The film has an independent low budget feel until we reach the final climax, where the budget might have been saved for. This does save the film from feeling a bit generic overly familiar. There's a few new elements to this unoriginal tale that does distinguish it from the rest, but not enough to make this a home run.</p><p>Not a bad film that has me interested in the director's future work.</p><p style="text-align: center;"><b><span style="font-size: large;">Day 10</span></b></p><p style="text-align: center;"><b><span style="font-size: large;">Superdeep</span></b></p><p style="text-align: center;"><b></b></p><div class="separator" style="clear: both; text-align: center;"><b><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj26T3SxvC2C9-V7BLDp7n9wI_00RWr0TIt8axuvW_pLM46UAiyKbOFSfvhaToCRwxcv6MDxc9B0AtKYy2HnVL5sIP9I2wSPbu4oN05_etahhQuiYOpRknTMJUKmCTMErx04H7Z4UXaPOgs/s1476/MV5BZjcyYjNlNTMtNDEwZC00ZmJmLTg2ZjgtY2VkMTQyMTg4MjM1XkEyXkFqcGdeQXVyODc2MzQzNTI%2540._V1_FMjpg_UX1000_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1476" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj26T3SxvC2C9-V7BLDp7n9wI_00RWr0TIt8axuvW_pLM46UAiyKbOFSfvhaToCRwxcv6MDxc9B0AtKYy2HnVL5sIP9I2wSPbu4oN05_etahhQuiYOpRknTMJUKmCTMErx04H7Z4UXaPOgs/s320/MV5BZjcyYjNlNTMtNDEwZC00ZmJmLTg2ZjgtY2VkMTQyMTg4MjM1XkEyXkFqcGdeQXVyODc2MzQzNTI%2540._V1_FMjpg_UX1000_.jpg" width="217" /></a></b></div><b><span style="font-size: large;"><br /></span></b><p></p><p>In the deepest hole on earth, a virus is affecting humans and a group of scientists are sent out to collect data. When they start heading down, complications start to arise forcing them to face other workers for survival along with surviving violent mutations. This is another "John Carpenter's The Thing" wannabe that is missing the special ingrediencies of originality to make it stand up to it's predecessor. We get a sense of confinement and close quarter danger, but when the danger is something we have seen from other films, done better in those other films, this only comes off tiresome, rather than intriguing. </p><p>"Superdeep" does deliver a few bits of body horror and enough villainous and traitorous foes to provide suspenseful moments, however it does tend to drag on scenes longer than necessary. The opening flight to the location almost plays out a whole song before dialogue. Stretched out sequences are well shot and executed but it does defeat the momentum of the events.</p><p>The fungal deformities has become a reoccurring theme in films as of lately and while "Superdeep" still does make it appear menacing, the uniqueness is losing it's effectiveness. The film offers plenty of gory effects and a brutal monstrosity for our protagonists to deal with. It's all familiar but nicely packaged.</p><p>Not a bad watch but one that won't stick out as an original piece of work.</p><p style="text-align: center;"><span style="font-size: large;"><b>Day 11</b></span></p><p style="text-align: center;"><span style="font-size: large;"><b>Little Fish</b></span></p><p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlzfCmxaxN4wYVKmN4EHiXQea7tV7fOQJwK9d3o90E5bnvvD6fkfzZksSGx06UX4-k-8Fdgv3viQSEeBeq6ZuV92y3zpD5qmj2uDC6jhOQ_Bg8izPc7Ay1LiVHZKDspVfwtAMQ2IivF_Te/s2048/MV5BMTY1N2ZhMzktMThjZi00OWNhLWJhZjctMzEzNjQyOWIwZjBjXkEyXkFqcGdeQXVyMTkxNjUyNQ%2540%2540._V1_.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1382" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlzfCmxaxN4wYVKmN4EHiXQea7tV7fOQJwK9d3o90E5bnvvD6fkfzZksSGx06UX4-k-8Fdgv3viQSEeBeq6ZuV92y3zpD5qmj2uDC6jhOQ_Bg8izPc7Ay1LiVHZKDspVfwtAMQ2IivF_Te/s320/MV5BMTY1N2ZhMzktMThjZi00OWNhLWJhZjctMzEzNjQyOWIwZjBjXkEyXkFqcGdeQXVyMTkxNjUyNQ%2540%2540._V1_.jpg" width="216" /></a></div><span style="font-size: large;"><br /></span><p></p><p>Absolutely heart wrenching. "Little Fish" is one of those small films with a big concept and huge impact.</p><p> In this world, a virus is either slowly taking away people's memories or suddenly clearing people's memories instantly. The film focuses on a young couple, Emma and Jude, as they flashback through their memories struggling to keep their sense of selves intact. As the two start losing those loved ones around them, they hold on to each other trying to maintain what is important about their unity.</p><p>With outstanding performances and an ending that had me dropping my mouth in awe, among the tears this film had me shred numerously throughout, "Little Fish" explorers the concepts of identity through memories. The direction is smooth, competent, and beautifully constructed. The gripping musical score accents emotional triggers that are difficult to not be affected by.</p><p>One of the better films I have watched during this years Sci-Fi September.</p><p><br /></p><p><br /></p><p><br /></p><p>Thanks every one who's been contacting me with their science fiction finds, viewings, and suggestions. It's great to hear from other science fiction fans and those who like exploring new and interesting films... and also you sadists that watch the worst that I mention too. </p><p>For those looking for some film suggestions here's our latest youtube video <a href="https://www.youtube.com/watch?v=-A6Or64lSEM">Science Fiction Films that Deserve More Attention</a>. </p><p>Onto the next bout of films. Till next blog. </p><p><br /></p><p>JP Fournier</p>themoviejerkshttp://www.blogger.com/profile/04113874432370591723noreply@blogger.com0